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701 Sentences With "etcher"

How to use etcher in a sentence? Find typical usage patterns (collocations)/phrases/context for "etcher" and check conjugation/comparative form for "etcher". Mastering all the usages of "etcher" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

The Foundation recommends Etcher to create the bootable drive, and indeed, it makes the whole process quite user friendly.
Van Dyck was equally brilliant as an etcher, as represented by several examples from his celebrated "Iconographie" portrait series.
With all this renewed focus on this painter, etcher, printmaker, draughtsman, lover, fighter, genius and debtor, it's fair to ask: Who is Rembrandt now?
Gilardi, who worked by day as a dot etcher for lithography companies, created a body of work that is hopeful, grotesque, sexual, humorous, and disturbing.
Once uploaded, she used Illustrator to fill in the built-up areas with black and printed the results back onto the original images with a laser etcher.
By day, he was a dot etcher at lithography companies; on nights and weekends, he used oil paint to conjure a playfully surreal world of bulbous, barely dressed humans cavorting with nature.
If you're going for the latter option, Pixels creators recommend Etcher; for the former, you can use the tools built into Windows 10 (via the burn to disc option in File Explorer) or macOS (via Disk Utility).
Ernest Stephen Lumsden, (born London, 22 December 1883, died Edinburgh, 29 September 1948) was a distinguished painter, noted etcher and authority on etching.The Times (1948). Obituary. Mr E.S. Lumsden. Etcher and Painter.
Michael John Hunt is an English figurative painter and etcher.
Etcher was developed using the Electron framework and supports Windows, macOS and Linux. balenaEtcher was originally called Etcher, but its name was changed on October 29, 2018, when Resin.io changed its name to Balena.
Doris Raab (19 October 1851 - 1933) was a German etcher and engraver.
Jo Manning (born 10 December 1923) is a Canadian etcher, painter and author.
Harriet Gouldsmith (1787 – 6 January 1863) was an English landscape painter and etcher.
He may also have been active as an etcher and painter of glass.
Maximilienne Guyon (1868–1903) was a French painter, water-colorist, etcher, and illustrator.
Grace Geraldine English (1891-4 December 1956) was a British painter and etcher.
Abrahamina Arnolda Louise Hubrecht, (1855-1913) was a Dutch painter, etcher, and illustrator.
He played for Oshawa Generals. Etcher played 102 matches in the Ontario Hockey Association. Etcher was a member of The Church of Jesus Christ of Latter-day Saints. This fact was often noted in contemporary news accounts of his hockey career.
1535-1553) #Giles van Orley (ca. 1535-1553): Hieronymus van Orley II (painter and decorator) #Hieronymus van Orley II: Hieronymus van Orley III, portrait painter, decorator, etcher (documented in 1652); Pieter van Orley (1638-after 1708), miniaturist and landscape painter; François van Orley, history painter; Richard van Orley I #Pieter van Orley (1638–1708): Richard van Orley II (1663–1732), painter and etcher; Jan van Orley (1665–1735), painter and etcher.
Thomas Skinner, etcher, father of Thomas Skinner. Samuel Mills, grinder, father of Mellond Mills.
New York Herald Tribune November 7, 1926 Henry McBride called him "the American etcher".
Ernst Willem Jan Bagelaar (16 September 1775 - 8 February 1837) was a Dutch etcher.
John Stockton de Martelly (1903–1979) was a lithographer, etcher, painter, illustrator, teacher and writer.
Hisako Terasaki (born Hisako Sumioka November 2, 1928, Los Angeles, California) is an American etcher.
Sidney Lawton Smith (1845–1929) was an American designer, etcher, engraver, illustrator, and bookplate artist.
Luigi Kasimir (1881–1962) was an Austro-Hungarian-born etcher, painter, printmaker and landscape artist.
He was active as an etcher and created some engravings of portraits and genre scenes.
George Henry Yewell (20 January 1830 – 26 September 1923) was an American painter and etcher.
Herman van Swanevelt (1603 - 1655) was a Dutch painter and etcher from the Baroque era.
The first to apply was Ian J. Burkett, a painter living in London and founder of the Ealing Stuckists group. Shortly after, followed the painter and etcher Ilania Abileah from Canada, and the painter and etcher Anthe (who is of Greek descent) from the US.
Guido "Wedo" Georgetti (May 18, 1911 – December 12, 2005) was an American painter, etcher and lithographer.
Elizabeth Gray (née Sharpe) (d. 29 April 1903) was an Irish artist, etcher, and amateur photographer.
Self portrait () Andrew Geddes (5 April 17835 May 1844) was a Scottish portrait painter and etcher.
Hubert Andrew Freeth (29 December 1912 – 26 March 1986) was a British portrait painter and etcher.
Leonard Robert Brightwell (17 May 1889 - 1962) was a British animal painter, etcher, illustrator, and author.
John Adams Ten Eyck III (October 28, 1893 - October 21, 1932) was a painter and etcher.
Heda Armour (1914–1996), later Heda Munro and Heda Napper, was a British painter and etcher.
Frederick Keith Etcher (August 23, 1932 - November 25, 2011) was a Canadian ice hockey left winger who competed in the 1960 Winter Olympics. He was born in Oshawa, Ontario. Etcher won the silver medal at the 1960 Winter Olympics in ice hockey and still holds the record for the most points (9 goals, 12 assists) in a single Olympic tournament. Etcher is also tied for the record of the most assists in a single Olympic tournament.
Nell Brooker Mayhew (April 17, 1875 – September 24, 1940) was an American painter, etcher and art instructor.
He was a capable and productive etcher who produced many original works and works after other artists.
Paolo Carosone (born January 8, 1941 in Rome) is an Italian painter, sculptor, etcher and multimedia artist.
Jacob Fosie (1679 - 1 December 1763) was a Danish artist, watercolor painter, etcher, engraver, organist and author.
Margaret White Lesley Bush-Brown (May 19, 1857 – November 16, 1944) was an American painter and etcher.
Frances Foy (April 11, 1890 – 1963) was an American painter, muralist, illustrator, and etcher born in Chicago, Illinois.
Dora Koch-Stetter (4 May 1881 – 16 January 1968) was a German landscape artist, portrait-painter and etcher.
Samuel P. Ziegler (January 4, 1882 — April 7, 1967) was an American university professor, painter, lithographer, and etcher.
Anthonius Petrus (Ton) van Os (born March 2, 1941) is a Dutch artist, who works as etcher, monumental artist, graphic artist, wall painter, painter, and mosaicist.Ton van Os; male / Netherlandish ; etcher, monumental artist, graphic artist, wall painter, painter, mosaicist at rkd.nl, 2015.Biennale internazionale della grafica d'arte: Catalogo, 1968, 1970.
Elisabeth Palm (27 July 1756 – 27 June 1786) was a Swedish etcher and printmaker of German and Dutch descent.
Winifred Maria Louise Austen (12 July 1876- 1 November 1964) was an English illustrator, painter, etcher and aquatint engraver.
The Midday rest Lionel Percy Smythe (4 September 1839 in London - July 1918) was a British artist, and etcher.
Jacques Reich (10 August 1852 – 8 July 1923) was a Hungarian portrait etcher, active mainly in the United States.
De Sterrenhemel in Café De Eenhoorn (1989). Matthijs Nicolaas Röling (born March 31, 1943 in Oostkapelle) is a Dutch painter, active as graphic designer, wall painter, painter, draftsman, lithographer, pen artist, etcher, and academy lecturer.Matthijs Röling; male / Netherlandish; graphic designer, wall painter, painter, draftsman, lithographer, pen artist, etcher, academy lecturer at rkd.nl, 2015.
Alexandre Yevgenievich Jacovleff (also spelt Iacovleff or Yakovlev, ; – 12 May 1938) was a Russian neoclassicist painter, draughtsman, designer and etcher.
Self-Portrait in the Studio Josef Abel (22 August 1768 – 4 October 1818) was an Austrian historical painter and etcher.
John Buckland Wright (1897–1954) was a painter and draughtsman, but primarily an etcher and engraver who was self-taught.
Giovanni Odazzi (1663 – 6 June 1731) was an Italian painter and etcher of the Baroque period, active mainly in Rome.
Alois Kolb (2 February 1875, in Vienna - 5 April 1942, in Leipzig) was an Austrian etcher, painter and graphic artist.
John Phillips (1808 – after 1842) was an English artist and illustrator. He is perhaps best known as a satirical etcher.
Maxime Maufra (May 17, 1861 in Nantes - May 23, 1918), was a French landscape and marine painter, etcher and lithographer.
Hector McDonnell (born 1947) is a Northern Irish painter, etcher, and author, specializing in architectural art, landscape, and portrait work.
John Mulcaster Carrick (1833 – 22 September 1896) was a British painter, etcher and illustrator. He painted in the Pre-Raphaelite style.
Ian Strang, A.R.E., R.E., (11 April 1886– 23 March 1952) was a British draughtsman and etcher who specialised in topographical subjects.
Margaret Anna Dobson (November 9, 1888 – January 20, 1981) is an American painter, etcher, illustrator, and muralist born in Baltimore, Maryland.
Sylvia Grace Siddell, Lady Siddell (1941 – 26 August 2011) was a New Zealand painter, etcher, and screen-printer, based in Auckland.
He was an etcher and a painter in watercolors, oils, and frescoes. He also worked in the field of mural decoration.
Ofer Lellouche in 1998. Ofer Lellouche (, born 19 April 1947 in Tunis) is an Israeli painter, sculptor, etcher and video artist.
"Panoramic View of St. Petersburg" by Alexey Zubov, 1716 Alexey Fyodorovich Zubov () (1682-c.1741) was a Russian etcher. Zubov and his brother Ivan were accepted as apprentices to their father Fyodor in the Kremlin icon shop at an early age. In 1699 Alexey was apprenticed to the Dutch etcher Adrian Schoonebek by the order of Peter the Great.
The 24th Venice Biennale, held in 1948, was an exhibition of international contemporary art, with 15 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Winners of the Gran Premi (Grand Prize) included French painter Georges Braque, British sculptor Henry Moore, French etcher Marc Chagall, and Italians painter Giorgio Morandi, sculptor Giacomo Manzù, and etcher Mino Maccari.
Portrait of King Maximilian I (1806) , Archbishop of Munich Moritz Kellerhoven (1758 - 15 December 1830) was a German portrait painter and etcher.
Geoffrey Heath Wedgwood, ARCA, RE (6 April 1900 – June 1977) was a British etcher and engraver, best known for his architectural etchings.
Walter Greaves - etched self-portrait (1900) Walter Greaves (4 July 1846 - 28 November 1930) was a British painter, etcher and topographical draftsman.
Harry Morley (5 April 1881 – 18 September 1943) was a British painter, etcher and engraver known for his classical and mythological compositions.
Caricature portrait of Hecht by anonymous artist Wilhelm Hecht (28 March 1843 - early March 1920) was a German wood engraver and etcher.
Small landscape oil painting of boat on the lake, dated 1834. David Charles Read (1790–1851) was an English painter and etcher.
Italianate landscape Johann Heinrich Roos (29 September 1631, Otterberg – 3 October 1685, Frankfurt) was a German Baroque era landscape painter and etcher.
Lyman Byxbe (1886–1980) was an American artist. He was primarily an etcher, and he spent much of his life in Nebraska.
James Henry Govier (1 August 1910 – 21 December 1974) was a British painter and etcher, who worked in Swansea and East Anglia.
Johann Andreas Kauchlitz Colizzi (about 174215 August 1808) was a Dutch musician, composer and etcher. He was also known as Johannes Colizzi.
For the artist with a similar name see Dorothy Bradford (artist). Dorothy Elizabeth Bradford (1897–1986) was a British painter and etcher.
Henri Joseph Thomas (1878-1972) was a Belgian genre, portrait and still life painter, sculptor and etcher from the Belgian School, Brussels, Belgium.
Stanley Roy Badmin (18 April 1906 – 28 April 1989) was an English painter and etcher particularly notable for his book illustrations and landscapes.
Gustave Den Duyts (22 October 1850 - 13 February 1897) was a Belgian painter, watercolourist, pastelist, etcher and graphic artist, known for his landscapes.
A panel from Hamlet. Gianni De Luca (27 January 1927 – 6 June 1991) was an Italian comic book artist, illustrator, painter and etcher.
The 21st Venice Biennale, held in 1938, was an exhibition of international contemporary art, with 18 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Winners of the Gran Premi (Grand Prize) included Spanish painter Ignacio Zuloaga, Swiss sculptor Herman Hubacher, British etcher Blair Hughes-Stanton, and Italians painter Felice Casorati, sculptor Venanzio Crocetti, and etcher Mario Delitala.
The 22nd Venice Biennale, held in 1940, was an exhibition of international contemporary art, with 12 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Winners of the Gran Premi (Grand Prize) included Hungarian painter Vilmos Aba Novàk, German sculptor Arno Breker, Belgian etcher Maurice Brocas, and Italians painter Felice Carena, sculptor Guido Galletti, and etcher Marcello Boglione.
The 25th Venice Biennale, held in 1950, was an exhibition of international contemporary art, with 23 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Winners of the Gran Premi (Grand Prize) included French painter Henri Matisse, French sculptor Ossip Zadkine, Belgian etcher Frans Masereel, Italians painter Carlo Carrà, sculptor Marcello Mascherini ex aequo with Luciano Minguzzi, and etcher Giuseppe Viviani.
The 23rd Venice Biennale, held in 1942, was an exhibition of international contemporary art, with 11 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Winners of the Gran Premi (Grand Prize) included Hungarian painter Arthur Kampf, Swiss sculptor Charles Otto Bänninger, Swedish etcher Stif Borglind, and Italians painter Alberto Salietti, sculptor Francesco Messina, and etcher Luigi Bartolini.
Christoph Ludwig Agricola (November 5, 1667 – August 8, 1719) was a German landscape painter and etcher. He was born and died at Regensburg (Ratisbon).
Mihajlo S. Petrov (Belgrade, Kingdom of Serbia, 1902 - Belgrade, Yugoslavia, 1983) was a Serbian avant-garde painter, graphic artist, illustrator, etcher, and art critic.
Vladislav Hall Ludvík Kohl, in German; Ludwig Kohl (14 April 1746, Prague - 18 June 1821, Prague) was a Czech-Austrian painter, draftsman and etcher.
Annabel A Kidston (1896–1981) was a Scottish artist who painted in both oil and watercolours and was also an etcher, engraver and illustrator.
Doris Boulton later Doris Boulton-Maude, (1892-1961) was a British artist, notable as a wood engraver, etcher and for her colour woodcut prınts.
Your Motherland Will Never Forget by Simpson from Canada in Khaki Joseph Simpson (1879–1939) British painter and etcher of portraits and sporting subjects.
Moses van Uyttenbroeck, Bacchanal, Herzog Anton Ulrich Museum, 1627 Moses van Uyttenbroeck, or Moyses van Wtenbrouck () was a Dutch Golden Age painter and etcher.
Académie d'homme, Musée des beaux-arts, Marseille Michel François André-Bardon (22 May 1700 – 13 April 1785) was a French history painter and etcher.
River landscape with travelers (178x) Franz Kobell (23 November 1749 in Mannheim - 14 January 1822 in Munich) was a German painter, etcher and draftsman.
His grandson, Joseph Urner (January 16, 1898 – 1987), was an American sculptor, painter and etcher who created the Alabama State Memorial at Gettysburg, Pennsylvania.
Willem de Famars Testas (1834, Utrecht - 1896, Arnhem), was a 19th-century Dutch painter, draughtsman, etcher and illustrator noted for his Orientalist paintings and drawings.
Fresco in Villa Caldogno Nordera, Caldogno, Vicenza, Italy Giulio Carpioni (1613 – January 29, 1678) was an Italian painter and etcher of the early Baroque era.
Etcher John Shirlow, watercolourist Alexander McClintock, pastellist Alf Fisher, sculptor W. Wallace Anderson, W. S. Wemyss and Frank Crozier are recorded as having worked there.
Herbert C. Rose, Battersea- London. Oil on canvas. Adnan Ege Kutay Collection, New York. Herbert Rose (1890 – January 1937) was an Australian painter and etcher.
John Chambers (9 January 1852 - 10 July 1928) was a landscape, seascape and portrait painter in oil, tempera and watercolour, and an etcher and illustrator.
Geronimo Bruni, an Italian painter and etcher known for battle scenes, was a pupil of Jacques Courtois. He was active at Naples in 1660-70.
The 26th Venice Biennale, held in 1952, was an exhibition of international contemporary art, with 26 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Winners of the Gran Premi (Grand Prize) included French painter Raoul Dufy, American sculptor Alexander Calder, German etcher Emil Nolde, and Italians painter Bruno Cassinari ex aequo with Bruno Saetti, sculptor Marino Marini, and etcher Toni Zancanaro.
William Brown Macdougall by Frank Mowbray Taubman William Brown Macdougall (16 December 1868 – 20 April 1936) was a Scottish artist, wood engraver, etcher and book illustrator.
Self portrait (1885) James Clarke Hook (21 November 1819 – 14 April 1907) was an English painter and etcher of marine, genre and historical scenes, and landscapes.
Self portrait Carel de Moor (25 February 1655 – 16 February 1738) was a Dutch Golden Age etcher and painter. He was a pupil of Gerard Dou.
The Battle of Grathe Heath as envisioned by Lorenz Frølich. Lorenz Frølich (25 October 182025 October 1908) was a Danish painter, illustrator, graphic artist and etcher.
Etching: Self-Portrait (1927) Clifford Isaac Addams (May 25, 1876 - November 7, 1942) was an American painter and etcher, and a protégé of James MacNeill Whistler.
Self-portrait (date unknown) Karl Stauffer, known as Karl Stauffer-Bern (2 September 1857, Trubschachen - 24 January 1891, Florence) was a Swiss painter, etcher and sculptor.
Józef Sękalski (1904–1972), also known as Josef Sekalski and Juozapas Senkalskis, was a Polish painter, printer, etcher and illustrator who lived and worked in Scotland.
The Rev. Edward Thomas Daniell of the Norwich School of painters, a talented amateur etcher and painter, was curate of St Mary's for 18 months, from 1832.
John F. McGuigan Jr. and Mary K. McGuigan, John Gadsby Chapman: America’s First Artist-Etcher. With a Catalogue of His Italian Etchings. Harpswell, ME: Arcady Editions, 2015.
Betsy Westendorp-Osieck (29 December 1880 – 1 March 1968) was a Dutch painter, watercolourist, etcher, pastelist and draftsman who was part of the Amsterdamse Joffers painting group.
Raymond Ray-Jones (31 August 1886 in Ashton-under-Lyne, Lancashire – 26 February 1942 in Carbis Bay near St Ives, Cornwall) was an English painter and etcher.
Frederick Millward Grey (5 August 1899 – 1957), generally called "Millward Grey", was an English painter, etcher and art teacher who had a substantial career in South Australia.
The Shipwreck (1775) Hendrik Kobell (13 September 1751 – 3 August 1779) was an 18th-century landscape and marine painter, etcher, draftsman and watercolorist from the Northern Netherlands.
Stampfle, Felice; et al. (eds.): Rembrandt: Experimental Etcher [exh. cat.]. (Boston: Museum of Fine Arts; New York: The Pierpont Morgan Library, 1969)McQueen, Alison: The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France. (Amsterdam: Amsterdam University Press, 2003)Ackley, Clifford S.; Baer, Ronni; Rassieur, Thomas E.: Rembrandt's Journey: Painter, Draftsman, Etcher. (Boston: Museum of Fine Arts, 2003)Hinterding, Erik; Dickey, Stephanie S.; et al.
Simone Cantarini or Simone da Pesaro, called il Pesarese (Baptized on 21 August 1612 - 15 October 1648) was an Italian painter and etcher. He is mainly known for his history paintings and portraits executed in an original style, which united aspects of Bolognese classicism with a bold naturalism. Cantarini was also a gifted etcher who achieved extraordinary delicacy and a vibrant and luminous quality in his graphic work.Marina Garofoli.
Dorothy Stevens (2 September 1888 – 5 June 1966) was a Canadian etcher, portrait painter, print maker, illustrator and teacher, perhaps the most accomplished Canadian etcher of her day. She is known for the prints she made of factory workers during World War I. She exhibited in Canada, the United States, England and France. She was active in several Canadian artists associations. Her works are held in several public art galleries.
The 28th Venice Biennale, held in 1956, was an exhibition of international contemporary art, with 34 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Winners of the Gran Premi (Grand Prize) included French painter Jacques Villon, British sculptor Lynn Chadwick, Japanese etcher Shiko Munakata, Brazilian draughtsman Aldemir Martins, and Italians painter Afro, sculptor Emilio Greco, etcher Zoran Music, and draughtsperson Carlo Mattioli ex aequo with Anna Salvatore.
The 31st Venice Biennale, held in 1962, was an exhibition of international contemporary art, with 33 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Winners of the Gran Premi (Grand Prize) included French painter Alfred Manessier, Swiss sculptor Alberto Giacometti, Argentinan etcher Antonio Berni, and Italians painter Giuseppe Gapogrossi ex aequo with Ennio Morlotti, sculptor Aldo Calò ex aequo with Umberto Milani, and etcher Antonino Virduzzo.
Michel Corneille the Elder, Philippe I, Duke of Orléans and brother of Louis XIV Michel Corneille the Elder (c. 1601 – 1664) was a French painter, etcher, and engraver.
Jean-Baptiste Corneille, Charles Boromée caring for the Plague Victims (17th century) Jean-Baptiste Corneille (2 December 1649 – 12 April 1695) was a French painter, etcher, and engraver.
Lala de Cyzique painting, Palace of Versailles, 1672 Michel Corneille the Younger (1642, Paris – 16 August 1708, Gobelins manufactory at Paris) was a French painter, etcher and engraver.
Carl Schmitt (May 6, 1889 – October 25, 1989Mantle Fielding's Dictionary of American Painters, Sculptors, and Engravers (Poughkeepsie, NY: Apollo, 1983). ) was an American painter, etcher, pastelist, and writer.
Owen Staples Owen Staples, also known as Owen Poe Staples (September 3, 1866 - December 6, 1949), was a Canadian painter, etcher, pastelist, political cartoonist, author, musician and naturalist.
Edwin Edwards. Drypoint by Félix Bracquemond (1872). Market Taverns, Norwich, by Edwards Edwin Edwards (6 January 1823 - 15 September 1879) was a British landscape painter, etcher and lawyer.
Self-portrait (1830s) Teacher with Elementary School Class Eugène-François de Block (14 May 1812, Geraardsbergen - 23 January 1893, Antwerp) was a Belgian genre painter, etcher and draftsman.
Portrait of Stöber by Karl Vogl, after Friedrich von Amerling (1839) Franz Xaver Stöber (20 February 1795, Vienna - 11 April 1858, Vienna) was an Austrian engraver and etcher.
Marie Danse or Marie Destrée-Danse (February 19, 1866 – May 31, 1942) was a Belgian painter-etcher and the wife of the art historian and politician Jules Destrée.
Cecilia Lucy Brightwell (1811-1875), known to her contemporaries as Lucy Brightwell, was an English etcher and author, mostly of volumes of short biographies intended for young people .
Rudolf Jordan (c.1880) Marriage Proposal in Helgoland Wilhelm Rudolf Jordan (4 May 1810, Berlin - 20 March 1887, Düsseldorf) was a German genre painter, illustrator, etcher and art teacher.
Thoughts mixed media painting by John Henry Henshall, 1883 John Henry Henshall, usually known as Henry Henshall (Manchester 1856 - 18 November 1928 Bosham) was a British watercolourist and etcher.
George Emerick Essig (September 2, 1838 – December 15, 1923) was an American painter, watercolorist, and etcher from Philadelphia. He specialized in marine scenes, particularly of the New Jersey coast.
Ferdinand Runk by Joseph Bergler, 1802 Ferdinand Runk (October 14, 1764 – December 3, 1834), also known as Franz Ferdinand Runk, was a German-Austrian landscape painter, draftsman and etcher.
Elizaveta Sergeyevna Kruglikova (Russian: Елизавета Сергеевна Кругликова; 19 January (31 January New Style) 1865, St. Petersburg – 21 July 1941, Leningrad) was a Russian-Soviet painter, etcher, silhouettist and monotypist.
Frances Sally McLaren, (professional name Sally McLaren) is a British painter, printmaker and etcher who was born in London in 1936. She lives and works in East Knoyle, Wiltshire.
In 1706 he enrolled with the Guild of Saint Luke in Leiden.Thieme- Becker, vol. 4, p. 116 The leiden etcher and engraver Johannes van der Spyck was his student.
Issam al-Said (1938-1988) was a distinguished Iraqi painter, print-maker, designer, etcher, architect, philosopher and author who completed several major public buildings in Baghdad and in London.
Self-portrait with his family (1903) Albert Welti (18 February 1862, Zürich - 7 June 1912, Bern) was a Swiss painter and etcher. Many of his works depicted dreams or nightmares.
Portrait, by Anton Graff (Musée des Beaux-Arts de Strasbourg) Adam Friedrich Oeser (17 February 1717 in Pressburg – 18 March 1799 in Leipzig) was a German etcher, painter and sculptor.
Boucher was also a gifted engraver and etcher. Boucher etched some 180 original copperplates. He made many etchings after Watteau. He thus helped propagate a taste for reproductions of drawings.
Wilhelm Thöny (1920s); photographed by Richard Gerstenberger (1877-1929) Wilhelm Thöny (10 February 1888, Graz - 1 May 1949, New York City) was an Austrian painter, illustrator, graphic artist and etcher.
Bauernhof by Morgenstern, 1794 Johann Ludwig Ernst Morgenstern (born 22 September 1738 in Rudolstadt; died 13 November 1819 in Frankfurt am Main) was a German painting-restorer, etcher and painter.
Frank Van Sloun (1879-1938) was an American painter, muralist and etcher. He painted murals in California. His paintings and etchings are in museums in California, Missouri and Washington, D.C..
Leon R. Pescheret in Gallery Studio Leon Rene Pescheret also known as Léon- René Pescheret (March 15, 1892 - February 23, 1971) was a British-American designer, watercolorist, etcher, and illustrator.
Norma Catherine Bull (7 September 1906 - September 1980) was an Australian painter, printmaker and etcher best known for the paintings and sketches she made in Britain during World War II.
Jesus appears to the disciples William Brassey Hole RSA (7 November 1846 - 22 October 1917) was an English artist, illustrator, etcher and engraver, known for his industrial, historical and biblical scenes.
Krems is the primary producer of Marillenschnaps, an apricot brandy. Krems is the hometown of Martin Johann Schmidt, called "Kremserschmidt", the leading painter, draughtsman and etcher of the Austrian late Baroque.
Reinier Craeyvanger by Jan Weissenbruch. Reinier Craeyvanger (February 29, 1812 in Utrecht – January 10, 1880 in Amsterdam), was a 19th-century Dutch painter and etcher who was also a gifted musician.
"Tobias Mayers Mondkarte", from the Schrötersche Mondwerk Georg Heinrich Tischbein (1753/55, Marburg - 4 March 1848, Bremen) was a German engraver, etcher, cartographer and engineer from the Tischbein family of artists.
August Gay (June 11, 1890 – 1948) was a French-born American painter and etcher. He was a member of the Society of Six in Oakland, California, and an Impressionist landscape painter.
Berlin-Tempelhof 1925 [publisher's catalog]. That Zipperer was also "a portrait drypoint etcher of rank and depth"Bilder aus Heimat und Welt. In: Sonntagsbeiträge der Weser- Zeitung. Bremen. November 27, 1927.
Walter Montieth Aikman (1857–1939) was an engraver, etcher, bookplate designer, and visual artist. He was born in New York City, USA, and was buried in Green-Wood Cemetery in Brooklyn.
Louise Ravn-Hansen; photograph by Mary Steen Louise Christiane Ravn-Hansen (19 July 1849, in Copenhagen – January 1909, in the Havel River, near Schwanenwerder) was a Danish landscape painter and etcher.
The novel recounts Mona's relation with Wade, and Sally's relation with one of the archivists of Church Central, Etcher. The atmosphere is dream-like, both in the part of the novel focusing on Wade and in the longer part where the protagonist is Etcher. Etcher's tormented love story with Sally ends with her death, which takes place in an Icy region north of Aeonopolis where she and Etcher have escaped the police and church. After Sally's death the narration abruptly moves back to Paris and the present, where a French mathematician named Seuroq is stricken by unbearable grief for the death of his wife Helen; Seuroq begins to research a different concept of time, perhaps hoping to invert its flux.
Helen Hyde (April 6, 1868 – May 13, 1919) was an American etcher and engraver. She is best known for her color etching process and woodblock prints reflecting Japanese women and children characterizations.
Burger in his studio The Schirn (farmer's market) in Frankfurt (1880) Anton Burger (14 November 1824, in Frankfurt am Main – 6 July 1905, in Kronberg) was a German painter, draftsman and etcher.
George Percy Jacomb-Hood (6 July 1857 – 11 December 1929) was a painter, etcher and illustrator. He was a founding member of the New English Art Club and Society of Portrait Painters.
Samuel Palmer Hon.RE (Hon. Fellow of the Royal Society of Painter-Printmakers) (27 January 1805 – 24 May 1881) was a British landscape painter, etcher and printmaker. He was also a prolific writer.
Adolf Friedrich Wilhelm Wachenhusen (27 May 1859 – 2 May 1925) was a German landscape artist, draftsman and etcher. The focus of his work was on the countryside of his home region, Mecklenburg.
Philip Howard Francis Dixon Evergood (born Howard Blashki; 1901–1973) was an American painter, etcher, lithographer, sculptor, illustrator and writer. He was particularly active during the Depression and World War II era.
Octave de Rochebrune (1824-1900) was a French painter, sculptor and etcher. He did 492 etchings, including etchings of the Château de Blois, the Château de Chambord and the Château de Vitré.
Salomon van Abbé (born Amsterdam, 31 July 1883, died London, 28 February 1955), also known as Jack van Abbé or Jack Abbey, was an artist, etcher and illustrator of books and magazines.
Thomas Orde-Powlett, 1st Baron Bolton Thomas Orde-Powlett, 1st Baron Bolton PC (30 August 1740 – 30 July 1807) was an English politician. He was also an amateur etcher, and a cartoonist.
Self portrait (circa 1820) Upon the Yealm Devon 1791 by William Payne William Payne (Exeter 4 March 1760 – August 1830 London) was an English painter and etcher who invented the tint Payne's grey.
Ernest Archibald Taylor (5 September 1874 – November, 1951), better known as E A Taylor, was a Scottish artist, an oil painter, watercolourist and etcher, and a designer of furniture, interiors and stained glass.
Charles Frederick Kimball Stroudwater, by Charles F. Kimball, 1879 Charles Frederick Kimball (1831 - 1903) was a 19th-century American, pastoral landscape and marine painter, etcher and a master cabinet maker in Portland, Maine.
According to Luigi Lanzi, writing in the 1790s, the Roman landscape painter and etcher Paolo Anesi (1697-1773) was the key mentor of Zuccarelli in the genre which eventually led to his renown.
Wouter Bernard (Wout) van Heusden (September 25, 1896 in Rotterdam – July 9, 1982 in Rotterdam) was a Dutch graphic artist, who also worked as etcher, lithographer, manufacturer of woodcuts, painter, draftsman, and painters.Wout van Heusden ; male / Netherlandish ; graphic artist, etcher, lithographer, manufacturer of woodcuts, painter, draftsman, painters at rkd.nl, 2015. Van Heusden attended evening art classes in graphic techniques at the Academie voor Beeldende Kunsten (now Willem de Kooning Academy) in Rotterdam, and kept living and working in Rotterdam-Zuid.
Edwards was inspired to become an etcher by the French artist Henri Fantin- Latour, whom he first met in Paris in 1861. Fantin-Latour made a return visit to Edwards at his Sunbury-on-Thames home and legend has it Edwards decided to become an artist that instant.The Connoisseur, Volume 12 (1905) Edwards went on to become a successful landscape painter and etcher, based in Sunbury and London. His subjects were mainly views in the south of England, especially Devon and Cornwall.
Albert Charles Herbert (10 September 1925, BowGuardian obituary 11 June 2008, accessed 28 February 2010 in the East End of London – 10 May 2008) was a British abstract and religious artist, painter and etcher.
There he worked with the etcher Johann Jakob Haid. However, only one year later he was forced to leave Augsburg. He was too successful. The members of the local painters guild feared his competition.
Adolphe Lalauze (8 October 1838 – 18 October 1906) was a prolific French etcher who made the illustrations for many books. He won various awards and was made a knight of the Legion of Honour.
Metellus raising the siege, now at the Hermitage Museum in St. Petersburg. Armand-Charles Caraffe (1762–1822) was a French historical painter and etcher, who spent part of his career at the Russian Imperial court.
Johann Wilhelm Baur, Joan Guiliam Bouwer, or Bauer (Strasbourg, 31 May 1607 - Vienna, 1 January 1640) was a German engraver, etcher and miniature painter. He is famous for a series of illustrations of Ovid's Metamorphoses.
Anna Louise Adolphine Eduardine Gerresheim (8 March 1852 – 1 December 1921) was a German landscape artist, portrait painter and etcher. She was among the founders of the artist's colony in Ahrenshoop on the Baltic Sea.
Pierre Clayette in his studio Pierre Clayette (24 March 1930-18 December 2005) was a French painter, etcher and lithographer, illustrator and scenographer. Active for five decades, much of his work was architectural in style.
Dr. George Edward New (1894–1963) was an etcher and portrait artist whose work garnered him international prestige. He is best known for a portrait of General Billy Mitchell, made from World War I photographs.
Cafe Rajah L'Heure du Silence Henri Meunier (born Henri Georges Jean Isidore Meunier; 25 July 1873 Ixelles – 8 September 1922 Brussels) was a Belgian Art Nouveau lithographer, etcher, illustrator, bookbinder and poster designer of the Belle Époque. Henri Meunier was the son of the etcher Jean-Baptiste Meunier and was the nephew of the sculptor Constantin Meunier. He received his first training in engraving in his father's workshop. After studying at the academy in Ixelles, he diversified into printmaker, poster designer, graphic reporter and book binder.
Louis Artan (1870s) Louis Victor Antonio Artan de Saint-Martin (20 April 1837, The Hague – 23 May 1890, Nieuwpoort)Profile @ the Rijksbureau voor Kunsthistorische Documentatie. was a Dutch-Belgian painter and etcher who specialized in seascapes.
Robin Tanner (1904–1988) was an English artist, etcher and printmaker. He followed in the visionary tradition of Samuel Palmer and English neo- romanticism. He lived in London, at Kington Langley in Wiltshire, and at Bath.
Self-portrait (c.1805) The Raampoort in Amsterdam Wouter Johannes van Troostwijk (28 May 1782, Amsterdam - 20 September 1810, Amsterdam) was a Dutch painter and etcher. Most of his works are landscapes (featuring cattle) or cityscapes.
Tituba, detail from an illustration by Ehninger of a poem by Henry Wadsworth Longfellow John Whetten Ehninger (July 22, 1827 New York City - January 22, 1889 Saratoga, New York) was a United States painter and etcher.
Robert William Buss (4 August 1804 – 26 February 1875) was a Victorian artist, etcher and illustrator perhaps best known for his painting Dickens' Dream. He was the father of Frances Buss, a pioneer of girls' education.
Signature on Guardiagrele Duomo processional cross Nicola da Guardiagrele (born Nicola Gallucci or Nicola di Andrea di Pasquale; c. 1385/1390Page at Abruzzo region official website \- c. 1462) was an Italian late medieval goldsmith, painter and etcher.
Richard Hayley Lever (28 September 1875 – 6 December 1958) was an Australian- American painter, etcher, lecturer and art teacher. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Tenby Harbour, 1817. Charles Norris Charles Norris (24 August 1779 – 16 October 1858) was an English topographical etcher and writer who is best known for his landscape work of the Welsh countryside, especially the area around Tenby.
Bernard Baron (1696? – 1762)Gallica-BnF.fr Web article L'Accord Parfait (Perfect Harmony) by Bernard Baron, Library of Congress, lower section "About the Artists" was a French engraver and etcher who spent much of his life in England.
Empress Elisabeth Christine. Johann Gottfried Auerbach (28 October 1697 – 5 August 1753) was an Austrian painter and etcher. He painted primarily portraits and battle genre works. Some of his works can be found at the Kunsthistorisches Museum.
Jan Baptiste de Jonghe was a painter, draughtsman, etcher and lithographer. He was specialised in landscapes and city views. His output was relatively limited. As he rarely dated his works his chronology is sometimes difficult to determine.
Johann Ignaz Cimbal (1722 – 27 December 1795) was an Austrian painter and etcher, who produced many altarpieces and frescoes for churches, monasteries and other Church buildings. He painted many works in Bohemia, Moravia, Silesia, Vienna and Hungary.
The works of Courtois had an important influence on Italian artists, in particular on Francesco Monti (il Brescianino), Francesco Simonini, Ciccio Napoletano and the French artist Joseph Parrocel. The etcher Geronimo Bruni was a pupil of Courtois.
Christian Gottlieb Welté (3 December 1745/49 - 17 December 1792)20 famous Baltic Germans in the Põltsamaa history (in Estonian) was an etcher and landscape painter from Mainz, Germany. Le roi David His works, accomplished mostly in small format, represent rococo and transition to early classicism. In Estonia, he painted figural staffages on large Põltsamaa landscapes and depicted Estonian peasants in the 1780s; in Mainz and Frankfurt-am-Main he was known mostly as an etcher and a landscapist. Welté was a typical artist of the Enlightenment – pensive, developing and nonconformist.
The other founders were Robert B. Harshe, an etcher and art professor at Stanford University, etcher and educator Pedro Lemos, who taught at the San Francisco Institute of Art, and Gottardo Piazzoni, an Italian-American painter and muralist who was Stackpole's master in France. The CSE exhibited twice in 1913, and grew to 78 artist members and five associate after two years. In 1926, the annual publication listed 46 artist members and 156 associate members: Stackpole was still a member. Decades later, the CSE merged with another group to become the California Society of Printmakers.
Trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome by Galestruzzi Giovanni Battista Galestruzzi (1618–1677) was an Italian painter and etcher of the Baroque period. Born in Florence, he was a pupil of the painter Francesco Furini, then moved to Rome, where he joined the Accademia di San Luca in 1652. He was an accomplished etcher and produced works for Leonardo Agostini’s book 'Le gemme antiche figurate' (1657–9). The Roman baroque painter and engraver Giovanni Francesco Venturini was probably his pupil.
Marcantonio Bellavia (fl. 1670) was a Sicilian painter and etcher active in Sicily and Rome. He moved to Rome to work under Pietro da Cortona in ca. 1668. Several of his works were later erroneously attributed to Carracci.
While studying at the SAIC, Norma Bassett met and would later marry Arthur William Hall, a fellow student and artist known today as an etcher and watercolorist. She lived much of her life in Kansas and New Mexico.
Richard Roland Holst (1910) Richard Nicolaüs Roland Holst (4 December 1868, Amsterdam - 31 December 1938, Bloemendaal) was a Dutch painter, draftsman, lithographer, book cover designer, etcher and writer. Many of his works were in a modified Symbolist style.
George Charles Aid or George Aid (1872–1938) born in Quincy, Illinois, was an American painter, etcher and teacher known for portrait, landscape and genre painting.Benezit Dictionary of Artists Aid was active in France, the Netherlands and The Carolinas.
A Street Show in Paris by Gabriel de Saint-Aubin, National Gallery, 1760 Gabriel de Saint-Aubin, also Gabriel Jacques de Saint-Aubin, (Paris, 14 April 1724 - Paris, 14 February 1780) was a French draftsman, printmaker, etcher and painter.
Poggenbeek was also known as a good etcher. He was the teacher of Johan Scherrewitz (1868–1951). He won medals at exhibitions in Paris (1894), Chicago (1895) and Berlin (1895). He died in 1903 at the age of 49.
Before his success in painting, McIntosh Patrick gained a reputation as an etcher. Leading figures in the field in the inter-war period included William Wilson (1905–72) and Ian Fleming (1906–94).MacDonald, Scottish Art, pp. 175–6.
Pfisterer was born in Waldenburg/Württemberg on 17 June 1951, the son of the painter Otto Pfisterer (Nördlingen/Nizza). In 1966, he trained in technical drawing. He studied in 1974 as a draftsman, painter and etcher under different artists.
Landscape, Hyde Park, New York, ca. 1859, now at the Brooklyn Museum. Johann Hermann Carmiencke or John Hermann Carmiencke (born at Hamburg in 1810; died at Brooklyn, New York on 15 June 1867) was a landscape painter and etcher.
The museum has works by watercolourist Helen Allingham, watercolourist and engraver Myles Birket Foster, the garden designer Gertrude Jekyll, the architect Sir Edwin Lutyens, the landscape watercolourist and etcher Percy Robertson, and architect and china painter Hugh Thackeray Turner.
He belongs to the Hague School of the 1st generation. Bernard Blommers,He was an etcher and marine painter. He belongs to the Hague School of the 1st generation. Eugéne Dücker,He was a professor at the Düsseldorfer Malerschule.
Johan Hendrik Louis Meijer (9 March 1809 – 31 March 1866) was a Dutch painter, etcher, lithographer, and draftsman."Louis Meijer", RKD, 2014. Retrieved 18 December 2014. He painted in the Romantic tradition and is best known for his seascapes.
Long, Basil S., "John Laporte - Landscape painter and etcher", Walker's Quarterly, No 8 (July, 1922), p. 18 They initially issued these etchings as individual plates, upon completion of each (thus bearing publication dates ranging from 1802 to 1805), and then as hand- coloured and bound sets under the title A Collection of Prints, illustrative of English Scenery, from the Drawings and Sketches of Gainsborough (circa 1805; reissued in 1819 by the publisher H.R. Young but with only around sixty- two plates and the original publication dates removed from these).Long, Basil S., "John Laporte - Landscape painter and etcher", Walker's Quarterly, No 8 (July, 1922), p. 19-20 Amongst Wells's other works as an etcher is his soft- ground set, Select Views in Cumberland (1810). In 1819, Wells moved to a house on Mitcham Common, Surrey. He died there on 10 November 1836, and was buried in Mitcham churchyard.
Self-portrait (1854) Eugène Joseph Verboeckhoven (9 June 1798 – 19 January 1881), a Belgian painter, was born at Warneton in West Flanders. He was a painter, a sculptor, an etcher, an engraver, and a lithographer of animals, animated landscapes, and portraits.
Emil Orlík Emil Orlik (21 July 1870 – 28 September 1932) was a painter, etcher and lithographer. He was born in Prague, which was at that time part of the Austro-Hungarian Empire, and lived and worked in Prague, Austria and Germany.
Interior of the old Masonic Temple (demolished) of Philadelphia, drawn and chromolithographed by Max Rosenthal (1854) Max Rosenthal (born in Turek, Kingdom of Poland, 23 November 1833; died 8 August 1918) was a Polish-American painter, lithographer, draftsman and etcher.
Peter Halm (1914) Peter Ignaz Johann Halm, later Von Halm (14 December 1854, Mainz 25 January 1923, Munich), was a German etcher who served as a Professor of etching at the Academy of Fine Arts, Munich, from 1901 to 1923.
Before his success in painting McIntosh Patrick first gained a reputation as an etcher. Leading figures in the field in the inter-war period included William Wilson (1905–72) and Ian Fleming (1906–94).MacDonald, Scottish Art, pp. 175–6.
An der Frauenkirche from Lorenz Ritter's Malerische Ansichten aus Nürnberg (Painterly views from Nuremberg), Berlin: Wasmuth, 1876. Beim Freiherrn von Bibra (Ernst von Bibra), Lorenz Ritter Lorenz Ritter (24 November 1832 – 3 September 1921) was a German painter and etcher.
Louis Monziès (28 May 1849 - 13 March 1930) was a French painter and etcher. He was the curator of the three Museums of Le Mans for 10 years until his death. Lecture chez Diderot, etching after Meissonier. Villeneuve Lez Avignon, watercolor.
Norbert Goeneutte (1881); from L’Album Artistique et Biographique du Salon Norbert Goeneutte (23 July 1854, in Paris – 9 October 1894, in Auvers-sur- Oise) was a French painter, etcher and illustrator; notably for the novel La Terre by Émile Zola.
Alexander Wallace Rimington (1854–1918), ARE, RBA, Hon. FSA was an etcher, painter, illustrator, author and Professor of Fine Arts at Queen's College, London. He also invented a keyboard instrument that was designed to project different colours in harmony with music.
In the exhibition rooms works of the painter and etcher Hermann Struck (1876–1944) are shown. The exhibition focuses on Struck's artistic activities during his years in Haifa. Beyond that it shows materials from the personal bequest of the artist.
Henry Grossman was born in New York City, the son of Elias Grossman, a renowned Russian-born etcher, whose subjects include Mahatma Gandhi, Albert Einstein, and Benito Mussolini.Rock Paper Photo. 2014. Henry Grossman . Rock Paper Photo, accessed 7-June-2014.
Presumed self-portrait, c. 1680 Jan Baptist HerregoutsAlternative name spellings: 'Jan Baptist Herregoudts' and 'Jan-Baptist Herregouts'. (c. 1640 - 25 November 1721) was a Flemish painter, etcher, printmaker and brewer. He is known for his portraits, history subjects and allegorical scenes.
Léon Augustin Lhermitte photographed by Nadar. Procession near Ploumanach Léon Augustin Lhermitte (31 July 1844, Mont-Saint-Père - 28 July 1925, Paris) was a French naturalist painter and etcher whose primary subject matter was rural scenes depicting peasants at work.
Gustaf Hasselgren; sketch by Rudolph Suhrlandt The Arts and Virtues at the Tomb of Gustav III Gustaf Erik Hasselgren (15 November 1781, Stockholm - 9 March 1827, Stockholm) was a Swedish painter and etcher. He specialized in Biblical and historical subjects.
Eleanor Hudson, known professionally as Erlund Hudson, (18 February 1912 - 9 March 2011), was a watercolourist, etcher and designer best known for her depictions of women at work during the Second World War and her post-war paintings of ballet dancers.
Portrait of Sir John Robinson by John James Napier (1831–1877) Sir John Charles Robinson (16 December 1824, Nottingham – 10 April 1913, Swanage) was an English painter and etcher, although he is now better remembered as an art collector and curator.
Dick Stapel, 1979 Dick Simon Stapel (born 10 August 1942) is a Dutch portrait painterDick Stapel; watercolorist, etcher, pen artist, painter, draftsman at rkd.nl, 2015. known for his portraits mounted on large format, painted with a light touch.Elseviers magazine, Vol.
After leaving the school she shared a studio in Collins Street with fellow Gallery student Dorothy Moore. Juliette Peers _More Than Just Gumtrees: A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors Melbourne_ : MSWPS in Association with Dawn Revival Press 1993 p279 Taylor was a competent etcher in the English painter-etcher tradition and a watercolourist. Her greatest impression on her contemporaries was, however, as a lecturer, broadcaster and gallerist, as an incipient iteration of the later curatorial profession. She also published art criticism in the 1930s with the Melbourne journal Adam and Eve.
He also practiced as a sculptor and an etcher. He was named a Chevalier in the French Legion of Honor in 1878. His son Jean-Jacques Berne- Bellecour (1874–1939) was also a military painter. He died in Paris on 29 November 1910.
Jan Both (1668) Both A Southern Landscape with a Ruin, oil on panel. Jan Dirksz Both (between 1610 and 1618 - August 9, 1652) was a Dutch painter, draughtsman, and etcher, who made an important contribution to the development of Dutch Italianate landscape painting.
Tausend Meter über München, 1890. On the far left is Karl von Brug, a pioneer of aviation in Bavaria.August Ludwig Theodor Pixis (1 July 1831 - 19 July 1907) was a German painter, graphic artist, illustrator and etcher. He was born in Kaiserslautern.
Thomas Handforth (1936) Photo by Carl Van Vechten Thomas Scofield Handforth (September 16, 1897 – October 19, 1948)State of California. California Death Index, 1940-1997. State of California Department of Health Services, Center for Health Statistics. was an American artist and etcher.
John (JB) Butler (1890 - 1976), Ask/Art: The Artists' Bluebook (subscription site). Accessed 2009-08-19. Butler was one of three Seattle artists who worked together under the name "The Triad". The others were etcher Roi Partridge and miniaturist Clare Shepard Shisler.
Anna Airy (6 June 1882 – 23 October 1964) was an English oil painter, pastel artist and etcher. She was one of the first women officially commissioned as a war artist and was recognised as one of the leading women artists of her generation.
Augustus Edwin John (4 January 1878 – 31 October 1961) was a Welsh painter, draughtsman, and etcher. For a short time around 1910, he was an important exponent of Post-Impressionism in the United Kingdom. He was the brother of the painter Gwen John.
Eugen Napoleon Neureuther. Drawing by Wilhelm Gail, ca. 1850 Eugen Napoleon Neureuther (13 January 1806 – 23 March 1882) was a German painter, etcher, and illustrator. Born in Munich, Germany, he was the son and pupil of the painter Ludwig Neureuther (1775–1830).
An 1814 engraving by Charles Williams. Charles Williams (died 1830) was a British caricaturist, etcher and illustrator. He was chief caricaturist between 1799 and 1815 for the leading British publisher S. W. Fores. He worked in a style similar to James Gillray.
Gabriel Lory the Younger, Swiss National Library Gabriel Lory the Younger, also known as Mathias Gabriel Lori (21 June 1784, Bern - 25 August 1846, Bern) was a Swiss landscape painter, etcher, watercolorist and illustrator. His father was the painter, Gabriel Lory the Elder.
The liner notes of the album, having in the past included excerpts from Blanchot and Bataille, quote a passage from A Thousand Plateaus, in Zoantrophi. Furthermore, the composition Richeleneblom was dedicated to French erotic artist and etcher Henri Richelet and painter Rickard Eneblom.
Wooded landscape with an man near a river Ignatius van der Stock (fl 1660-1661 in Brussels) was a Flemish landscape painter, draughtsman and etcher. He is known mainly for his landscapes of views of the Sonian Forest and other sites near Brussels.
Lion resting (copper engraving, 1810) Samuel Howitt (1756/57-1822)Ruth Cohen, Howitt, Samuel (1756/7–1823) (ODNB - 26 July 2010). was an English painter, illustrator and etcher of animals, hunting, horse-racing and landscape scenes. He worked in both oils and watercolors.
At the end of the summer the couple spent additional time traveling and sketching in France, Switzerland, and Italy, before their return to the United States in the fall.DuBois, p. 20. After the trip Mess resumed her work as an etcher and printmaker.
A peasant boy, after François Boucher Gilles Demarteau or Gilles Demarteau the Elder (19 January 1722, in Liège – 31 July 1776, in Paris) was an etcher, engraver and publisher who was active in Paris for his entire career.Madeleine Barbin. "Demarteau, Gilles." Grove Art Online.
Oil on canvas, 100 × 100 cm. Heeresgeschichtliches Museum, Vienna. Alfred Basel (23 March 1876 – 24 January 1920) was an Austrian painter and etcher. Born in Vienna to a factory owner, Basel studied at the Wiener Kunstgewerbeschule under Felician von Myrbach between 1892 and 1898.
His paintings of elegant women date mainly from the Belle Époque and interbellum. In his painting of luscious women he was a follower of the Belgian painter and etcher Félicien Rops. S. Pierron, 1920. Le livre d'art en Belgique. Le Musée du livre 56.
Elizabeth Campbell Fisher Clay (1871-1959) was an American lithographer and etcher. Clay studied art in Boston, New York, and Paris. After her marriage, she lived in Halifax, West Yorkshire, England and exhibited in London, including two exhibitions at the Royal Academy of Arts.
Arthur Millier (1893 – March 30, 1975) was a British-born American painter, etcher, printmaker, and art critic. He was the art critic for the Los Angeles Times from 1926 to 1958. His work is in the permanent collections of many museums in the United States.
Wessels was born in Cape Town, South Africa. He emigrated to the United States with his family as a child. He attended the University of California, and he was trained by Hans Hofmann in Munich, Germany. Wessels was a painter, etcher, lithographer and arts educator.
Leon Alaric Shafer (1866, Geneseo, Illinois–1940) was an American painter, etcher and illustrator. Shafer was born in Illinois, but spent most of his life living in New Rochelle, New York. He exhibited his work at the Art Institute of Chicago in 1897 and 1905.
Sir David Young Cameron Firth of Lorne, November (South of Kerrera), oil on canvas. Rocks and Ruins by David Young Cameron 1913 Ben Ledi by David Young Cameron Sir David Young Cameron (28 June 1865 - 16 September 1945) was a Scottish painter and etcher.
He was born in Cholet and became an etcher and decorative painter of interiors.Pierre-Charles Trémolières in the RKD Today many of his works have been dismantled from their original installations and are remounted as moveable paintings on display in galleries. He died in Paris.
As an adult Johann Andreas taught his students to play the harpsichord and pianoforte. He also composed and gave singing lessons. His first published composition, a collection of songs with harpsichord accompaniment, appeared in 1766 in Braunschweig. Colizzi also made himself a meritorious etcher.
Before his success in painting, McIntosh Patrick gained a reputation as an etcher. Leading figures in the field in the inter-war period included William Wilson (1905–72) and Ian Fleming (1906-94).M. MacDonald, Scottish Art (London: Thames and Hudson, 2000), , pp. 175-6.
William Tell fights the revolution, drawing with aquarel colours, 1798, now in the Swiss National Museum Balthasar Anton Dunker (15 January 1746 – 2 April 1807) was a German landscape painter and etcher, born at Saal, near Stralsund. He was a pupil of Jakob Philipp Hackert and of Vien, and was more distinguished as an etcher than as a painter. His works are after Roos, Van der Does, Hackert, and Schutz, and consist of costumes and manners of the French before the Revolution, illustrations of books, and other miscellaneous subjects. Among them were some excellent landscapes, as the 'Environs of Berne,' and views of Leghorn.
Arie Johannes Lamme by an unknown artist (1842) The Big Studio. Arie Johannes Lamme, also spelled Ary (27 September 1812, Dordrecht - 25 February 1900, Berg en Dal) was a Dutch painter, etcher, lithographer, art dealer and museum director. He specialized in genre scenes and historical works.
John C. Poole (1887-1926) was an American etcher and wood engraver. He was born in Haddonfield, New Jersey in 1887. In addition to creating prints, he worked for the Honolulu Star-Bulletinwhere he became Art Director. Poole died of cancer in Honolulu on July 29, 1926.
Robert Streater, self-portrait (engraving from Horace Walpole's Anecdotes of painting in England, vol. 2) Robert Streater (1621–1679)Anne Thackray. Robert Streater - ODNB online (26 July 2010). (also known as Streeter), was an English landscape, history, still-life and portrait artist, architectural painter, and etcher.
Painting of the Great Comet of 1843, by Mary Morton Allport. Mary Morton Allport (17 May 1806 – 10 June 1895) was an English Australian artist who is thought to be Australia's first colonial professional female artist, lithographer, etcher and engraver. Allport painted landscapes and miniature portraits.
Alfred Bergström, from the Svenskt Porträttgalleri XX Winter Scene on the Stockholm Waterfront Alfred Maurits Bergström (15 January 1869, Stockholm - 15 November 1930, Tullinge) was a Swedish artist and art professor at the Royal Swedish Academy of Fine Arts who worked as a painter, watercolorist and etcher.
John Nicolson (1891 in Scotland - September 3, 1951 in London) was a British artist, etcher and illustrator for books and periodicals. John Nicolson, known as 'Jock', was an Associate of the Royal Society of Painter-Etchers and Engravers (A.R.E.),Hopkinson, M (1999). No day without a line.
Cornelis Kruseman (; 25 September 1797 – 14 November 1857) was a Dutch painter, draughtsman, etcher, lithographer, silhouettist, paper-cut artist, and art collector.Cornelis Kruseman, Netherlands Institute for Art History, 2015. Retrieved on 16 May 2015. His works included portraits, biblical scenes, and depictions of Italian peasant life.
Patrick James Woodroffe (27 October 1940 - 10 May 2014) was an English artist, etcher and drawer, specialised in fantasy science-fiction artwork, with images that bordered on the surreal. His achievements include several collaborations with well-known musicians, two bronze sculptures displayed in Switzerland and numerous books.
She won the school's Toppan Prize. Stephen Parrish taught her to be an etcher in 1883. She produced a number of lithographs and scientific drawings during her school years. In 1883, she met who would become her travel and life companion, American Impressionist Ellen Day Hale.
Fernando Leal Audirac (born 16 November 1958 in Mexico City, Mexico) is a visual artist, painter, sculptor, etcher and designer. He is a specialist of classical painterly techniques, such as fresco, encaustic, egg tempera, oil, that he reinterprets in a contemporary key, combining them with modern technology.
The models used in the painting are Ellen Andrée, an actress who also appeared in Édouard Manet's paintings Chez le père Lathuille and Plum Brandy, and Marcellin Desboutin, a painter and etcher. The café where they are taking their refreshment is the Café de la Nouvelle-Athènes in Paris.
Stanley Anderson in 1921 Alfred Charles Stanley Anderson (11 May 1884 – 4 March 1966) was a British engraver, etcher and watercolour painter. Anderson was principally known for the series of highly detailed engravings of traditional British crafts that he completed over a twenty-year period beginning in 1933.
Partridge was born in San Francisco in 1917. He had a twin brother named Padraic. His parents were etcher Roi Partridge and photographer Imogen Cunningham. He grew up in a household where he was constantly exposed to the influence of several great California artists of the early 20th century.
Photo of Charles West Cope Maiden Meditation (1847) Charles West Cope (28 July 1811, in Leeds - 21 August 1890, in Bournemouth) was an English, Victorian era painter of genre and history scenes, and an etcher. He was responsible for painting several frescos in the House of Lords in London.
Blackfriars Bridge and St Pauls Cathedral, by William Marlow, 1788, Guildhall Gallery, London The Waterworks at London Bridge on Fire, 1779, by William Marlow, Guildhall Gallery, London Westminster waterfront by William Marlow, 1771 William Marlow (1740 – 14 January 1813) was an English landscape and marine painter and etcher.
Carel Nicolaas Storm van 's-Gravesande; portrait by Jan Toorop Carel Nicolaas Storm van 's Gravesande (21 January 1841, Breda - 7 February 1924, The Hague) was a Dutch painter, etcher and lithographer; associated with the Hague School. He is best known for seascapes, interior portraits and still-lifes.
Janos Delacruz (born November 5, 1985) is a Filipino painter, illustrator, etcher, and printmaker. He is noted for his surreal and dreamlike paintings, illustrations and prints. His style and unique approach in his artworks which shows intricate details and variety of colors is what captures the viewer's attention.
Amalie Bauerle, Fine Feathers make Fine Birds, An Illustration from The Yellow Book Volume XIII April 1897 Amelia Bowerley Flower study Amalie Mathilde Bauerle (12 November 1873 – 4 March 1916), known as Amelia Bauerle, was a British painter, illustrator and etcher. She also used the name Amelia Matilda Bowerley.
Employed as an etcher, O'Connell enlisted in the First AIF on 14 February 1916, and he embarked for Europe on 1 August 1916 after completing basic training. After serving in England as a bayonet instructor in early 1917, O'Connell was transferred to the 60th Battalion on 8 October 1917.
Danse was born in Brussels as the daughter of the painter-etcher Auguste Danse who was her first teacher. Her sister Louise Danse was also a painter-etcher who later became known for her etchings. Marie's etching Massacre of the Innocents after Matteo di Giovanni da Siena, was included in the 1905 book Women Painters of the World.Women painters of the world, from the time of Caterina Vigri, 1413-1463, to Rosa Bonheur and the present day, by Walter Shaw Sparrow, The Art and Life Library, Hodder & Stoughton, 27 Paternoster Row, London, 1905 She became a founding member of the Brussels graphic artist collective L’Estampe in 1906, along with her sister Louise.
Daniel Hopfer was an etcher of armour by training, who developed etching as a form of printmaking. Other artists such as Hans Holbein the Younger produced designs for armour. The Milanese armourer Filippo Negroli, from a leading dynasty of armourers, was the most famous modeller of figurative relief decoration on armour.
Claude Barry (16 December 1883 - 25 October 1970), later calling himself Francis Barry, was a British etcher and painter in oils who often used a pointillist style or a limited palette of flat colours.Campbell, Katie (1999). Moon Behind Clouds. An introduction to the life and work of Sir Claude Francis Barry.
His son, also named Alberto Zelman, was also a musician and the founder of the Albert Street Conservatorium Orchestra which, in 1927, combined with the Melbourne University Symphony Orchestra to form the Melbourne Symphony Orchestra.Wireless Weekly magazine, 29 July 1927 edition Another son, Victor Zelman, was a painter and etcher.
Jean Barbault (1718–1762) was a French painter, etcher and printmaker, who worked in Rome for most of his life. He is noted for paintings of local people, wearing traditional costumes or Oriental costumes and for his work documenting iconic Roman monuments and antiquities which were published in two volumes.
He was also an important and excellent etcher trained by Walter Conz at the Karlsruhe Academy. He traveled frequently, painting in England, Denmark, France, the Netherlands, Spain, Italy, Croatia, Macedonia, Greece and the German coastal areas along North Sea and Baltic Sea. He died June 6, 1948 in Karlsruhe, Germany.
Félix en jupe by Camille Pissarro, 1883 Félix Pissarro (also known by the pseudonym Jean Roch; 24 July 1874 - 29 November 1897) was a nineteenth-century French painter, etcher and caricaturist. Known as Titi in his family circle, he was the third son of the painter Camille and Julie Pissarro.
Jean-Baptiste Le Prince, The Russian Cradle, oil on canvas, c. 1764–1765, 23 × 29 in. J. Paul Getty Museum, Los Angeles, California Jean-Baptiste Le Prince (September 17, 1734 – September 30, 1781) was an important French etcher and painter. Le Prince first studied painting techniques in his native Metz.
Today this collection belongs to the World Figure Skating Museum in Colorado Springs in the United States. Grafström was also a writer and an etcher. Grafström died in 1938 in Potsdam, Germany at the age of 44 due to blood poisoning. Today there is a street in Potsdam named after him.
Jacob Savery or Jacob Savery the ElderName variations: Jacob Maertensz. Saverij and Jacques Savery (1566 – buried 23 April 1603) was a Flemish painter, etcher and draughtsman. He was trained in Antwerp and later moved to the Dutch Republic after 1584. He specialised in still lifes, animals, landscapes en genre paintings.
Detail of historical allegory of the death of Epaminondas According to the RKD, he was a pupil of Jan Ebbelaar and the history painter Gerrit Rademaker. He made copies of old masters and was a jeweler and etcher as well as a painter.Isaac Walraven in the RKD He died in Amsterdam.
Howard Helmick (1845 in Zanesville – 28 April 1907 in Washington, D.C.) was an American painter, etcher, designer and illustrator, who was well known for his oil on canvas paintings. He specialized in figure painting and engravings. He was best known for his Irish genre studies, and paintings of Irish households.
Giovanni Andrea Biscaino was an Italian painter of the Baroque period, described by the Grove Dictionary of Art as a "mediocre landscape painter". He was born in Genoa. He was the father and teacher of the painter, etcher and draughtsman Bartolomeo Biscaino. He died at Genoa of the plague in 1657.
Johan Pasch, portrait by Alexander Roslin (1756) Johan Pasch (12 March 1706, Stockholm - 16 January 1769, Stockholm) was a Swedish painter, etcher and decorative artist. He is sometimes referred to as The Elder to distinguish him from another, minor, painter named Johan Pasch (1752-1811), who may have been distantly related.
Pop!_OS provides two ISO images for download: one with AMD video drivers and another with Nvidia drivers. The appropriate ISO file may be downloaded and written to either a USB flash drive or a DVD using tools such as Etcher or UNetbootin. Pop!_OS initially used an Ubuntu-themed installer.
Accessed Dec. 29, 2016. He is widely known as a printmaker, specializing in etchings and lithographs, and his sketchy comics style evokes Stack's background as an etcher. (His technique of creating etchings on-site was featured in American Artist magazine.) His oil paintings and watercolors mostly feature landscape and figure compositions.
Mess Daily is best known as an etcher and printmaker, although she also worked a painter and illustrator. In addition to art, her major legacy was supporting the development and careers of other artists and printmakers, including her husband, and as the founder of the Indiana Society of Printmakers in 1934.
Haldane Douglas (August 13, 1893 - May 26, 1980) was an American art director, painter, etcher, muralist and architect. He was nominated an Academy Award in the category Best Art Direction for the film For Whom the Bell Tolls. He was born in Pittsburgh, Pennsylvania and died in Orange County, California.
François Boucher ( , ; ; 29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century.
James McBey (23 December 1883 - 1 December 1959) was a largely self-taught artist and etcher whose prints were highly valued during the later stages of the etching revival in the early 20th century. He was awarded an Honorary Doctor of Letters by Aberdeen University.Anonymous (1958). Who's Who in Art, ninth edition.
It is for these characteristics that Vignon has sometimes been called a 'pre-Rembrandtist' painter. Vignon was active as an etcher throughout his career. He showed the same high level of technical skill in his printed works as in his paintings. He was one of the most prominent printmakers in 17th century France.
Albert Robida (14 May 1848 – 11 October 1926) was a French illustrator, etcher, lithographer, caricaturist, and novelist. He edited and published La Caricature magazine for 12 years. Through the 1880s, he wrote an acclaimed trilogy of futuristic novels. In the 1900s he created 520 illustrations for Pierre Giffard's weekly serial La Guerre Infernale.
Pierre Louis Rodolphe Julian (13 June 1839 – 2 February 1907) born in Lapalud southeastern France was a French painter, etcher and professor, founder and director of the Académie Julian in Paris.Benezit Dictionary of Artists The writer André Corthis (1882–1952), winner of the 1906 edition of the Prix Femina was his niece.
Dulah Marie Evans, later Dulah Marie Evans Krehbiel (17 February 1875- 24 July 1951) was an American painter, photographer, printmaker, illustrator, and etcher. Evans received commissions from the Armour Food Company and Santa Fe Railroad to Santa Fe, New Mexico, to photograph Native American subjects in their daily routine and performing ritualistic dances.
Petrus van Schendel (1806–1870) was a Dutch Romantic painter,WG Flippo. (1981). Lexicon of the Belgian Romantic Painters, Antwerp. etcher and draughtsman. Van Schendel specialised in nocturnal Dutch market scenes, exploring the effects the soft light had upon his subjects, as a result he was named Monsieur Chandelle by the French.
Max Volkhart; portrait by his father-in-law, Julius Roeting (1881) Max Volkhart (17 October 1848, Düsseldorf - 1924, Düsseldorf) was a German genre painter and etcher; associated with the Düsseldorfer Malerschule. He was heavily influenced by the Dutch Masters and many of his works are set in the 17th and 18th centuries.
Garland of Flowers Surrounding the Holy Family, collaboration between van Hoy and Jan Anton van der Baren Nikolaas van Hoy, known in Austria as Nikolaus van Hoy (alternative spellings of family name: 'van Hoey' and 'van Hoj') (b. Antwerp, 1631 - d. Vienna, 25 June 1679) was a Flemish Baroque painter, draughtsman and etcher.
The stamp for the 1929 Postal Union Conference designed by Harold Nelson. Harold Edward Hughes Nelson (22 May 1871 – 25 February 1948), usually known simply as , was an artist, illustrator, designer of bookplates, advertisements and postage stamps, copper etcher and engraver, and lecturer. He signed his works with the initials N. or H.N.
Randolph Schwabe (9 May 1885 – 19 September 1948) was a draughtsmen, painter and etcher who was the Slade Professor of Fine Art at University College London from 1930 until his death. He served as a war artist in both World Wars, created designs for theatrical productions and illustrated a number of books.
Verhaert was a painter and etcher of townscapes, interiors, figures and portraits. He was also a notable painter of decorative panels. Trained at the Academy of Antwerp, he originally studied sculpting but switched to painting. He was part of a group of young artists known as the "Van Beers Clique", led by Jan van Beers.
Alphonse Legros (8 May 1837 – 8 December 1911) was a French, later British, painter, etcher, sculptor, and medallist.Legros, Alphonse in: L. Forrer: Biographical Dictionary of Medallists, Volume III, London 1907, p. 375-378. He moved to London in 1863 and later took citizenship. He was important as a teacher in the British etching revival.
Strang became assistant master in the etching class, and had great success as an etcher. He was one of the original members of the Royal Society of Painter- Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines.
Allen Gilbert Cram (1886–1947) was an American painter. Born in Washington D.C. on February 1, 1886 Cram received his fine art education in the East, studying under William Merritt Chase. Cram later moved to San Diego, working mostly with western scenes. He was also an etcher and an illustrator for the U.S. Government.
Ultimately, Didier-Pouget was accepted into the studio of Maxime Lalanne, the celebrated artist, illustrator and etcher. Under these influences many profitable years followed. The seeds were sown for what would become Didier-Pouget's fruitful career as an artist. William Didier-Pouget married Caroline Salley (1863–1949) and had a daughter, Yvonne (1885–1971).
Two semi-detached cottages, part of the St Just Estate, are in an isolated position on the west side of the airfield and can be reached only by the main airfield gate and the airfield perimeter road. The painter and etcher Bryan Ingham occupied the western cottage from 1958 until his death in 1997.
His mother was the youngest sister of the Belgian painter and etcher, Frédéric Théodore Faber. In 1838, he enrolled at the École des Beaux-arts, where he studied with Léon Cogniet.Biographical notes @ the British Museum. He had his first exhibition at the Salon in 1840, featuring his depiction of Cornelia Africana, mother of the Gracchi.
HMS Queen at the King's Dock Woolwich in 1771 He painted in oils and watercolors, doing landscapes and marines. His work is distinguished by skillful manipulation and lifelike depiction. His work as a draftsman and etcher was also notable. He was esteemed for his numerous drawings, executed in pen and heightened with India ink.
His father was Johann Baptist Hoechle (1754-1832), an artist from Switzerland who later became court painter for the Habsburgs. When he was still a child, he was apprenticed to the engraver and etcher, Ferdinand Kobell,Brief biography @ German WikiSource. who died shortly after, in 1799. The following year, his father took him to Vienna.
Rosa Wallis was trained at Manchester Royal College of Art, and in Berlin. She became a well established painter of flowers and landscapes, an etcher and enameller. She travelled widely around Britain and Europe, visiting Italy, France and Austria. Between 1880 and 1930, she had at least six personal shows, exhibiting about 300 artworks.
At first a topographical painter, Jukes developed into an etcher and line engraver and later still learned the aquatint process. He was one of the first British aquatint engravers. It is thought he learnt the method from Sandby; some of his first aquatints are after Sandby's designs. An entertainment in Vauxhall Gardens in c.
Self-portrait (1659) Gerbrand van den Eeckhout (19 August 1621 - 29 September 1674City Archive AmsterdamLiedtke, W. (2007) Dutch Paintings in The Metropolitan Museum of Art, p. 185.), was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.
Violet Emma Vimpany (née Alomes, 15 April 1886 – 2 March 1979) was an Australian painter and etcher, and in later life also a master stonemason. She was an active member of, and regular exhibitor with, the Art Society of Tasmania. Her work is held in the permanent collection of the Tasmanian Museum and Art Gallery.
His protectors sent him in Paris to further training in 1730. Jean-Jacques Burlamaqui (1694-1748) encouraged him to train as etcher in Paris, where from 1742 to 1749 he was a member of the French Academy of Sciences. At times, he also received lessons by Georg Friedrich Schmidt. In Paris, he acquired a solid reputation.
Paul Haesaerts (15 February 1901 – 31 January 1974) was a multi talented Belgian artist. Born as Pauwel Helena Alfons Haesaerts, son of Benjamin Adolf Jan Baptist Haesaerts and Emma Philomena Spillemaeckers. As an artist he worked as an architect, filmmaker, etcher, painter, screenwriter, carpet designer and illustrator. Especially as a documentary filmmaker he was well known internationally.
The two became engaged in 1928 and later married. Together they co-founded Stagecraft Studios, a theatrical supply business, before divorcing in 1934. While at Stagecraft studios, Ginno honed her skills in costume design, set design, and makeup. After her divorce, Ginno met Austrian artist and etcher John Winkler, who trained her in drawing and etching.
Deruet was an apprentice to Jacques Bellange, the official court painter to Charles III, Duke of Lorraine. He was in Rome between ca. 1612 and 1619, where - according to André Félibien - he studied with the painter and etcher Antonio Tempesta. During his stay in Rome, he painted the Japanese samurai Hasekura Tsunenaga on a visit to Europe in 1615.
Bertha Evelyn Jaques (October 24, 1863 – March 30, 1941) was an American etcher and cyanotype photographer. Jaques helped found the Chicago Society of Etchers, an organization that would become internationally significant for promoting etching as a popular printmaking technique. She is best known for her hand-colored botanical prints and scenes from her foreign and domestic travels.
Jean Cousin the Elder, Eva Prima Pandora, Louvre, Paris, 1550 Jean Cousin the Elder, Saint Mammes and Duke Alexander , Louvre, Paris, 1541, tapestry Jean Cousin (1500 - before 1593) was a French painter, sculptor, etcher, engraver, and geometrician. He is known as "Jean Cousin the Elder" to distinguish him from his son Jean Cousin the Younger, also an artist.
Karl Aegerter-Hartmann (1888-1969) socially critical painter, fresco, woodcut, politician, grave at the cemetery Hörnli, Riehen, Basel-Stadt Karl Aegerter (16 March 1888 – 12 May 1969) was a prolific Swiss painter, draftsman, etcher, muralist, illustrator, designer and sculptor. Now in numerous private and public collections, Aegerter's works are often likened to those of Edvard Munch.
Brownscome worked as a water color and oil painter, illustrator, etcher, designer and commercial artist. She made portraits and genre paintings. Art historian Eleanor Tufts said that Brownscombe had a "penchant for narrative painting rendered with realism." Her paintings, which depicted both emotional scenes and historical ones, were exhibited in New York, Philadelphia, Chicago, and London.
By 1756, the husband-and-wife team had printshops in Fleet Street and the Strand. Mary was the sole manager of the branch at "The Acorn, Ryders Court (Cranbourne Alley), Leicester Fields." Mary advertised in the daily papers in her own name as "etcher and publisher." She was one of the first professional caricaturists in England.
Willem Buytewech's Merry Company 1620 The Leiden anatomical theatre during a dissection. Willem Pieterszoon Buytewech (1591/1592 - September 23, 1624) was a Dutch Golden Age painter, draughtsman and etcher. He is one of the early specialists in the merry company type of subject in Dutch genre painting. His contemporaries named him “Gheestige Willem” (Jolly or spirited William).
The Soldier and his Wife. Etching by Daniel Hopfer, who is believed to have been the first to apply the technique to printmaking. Christ Preaching, known as The Hundred Guilder Print, an etching by Rembrandt (ca. 1648). Rembrandt is generally considered the greatest etcher in the history of the medium (as an art in its own right).
Exhibition judges included club members Cecil B. Atwater; Leonard Craske; Custis (1943–1957); John W. Doscher; Adolf Fassbender; Franklin I. Jordan; L. Whitney Standish; John H. Vondell; and Henry F. Weisenburger. Guest judges included Bodine (1964) and etcher Arthur William Heintzelman, first keeper of prints at Boston Public Library.Atwater was club president from 1942 to at least 1944.
Remigio Cantagallina at work in 1612 (detail of one of his drawings) Remigio Cantagallina (c. 1582-1656) was an Italian etcher active in the Baroque period. He was born in Sansepolcro, formerly Borgo Santo Sepolcro, in the province of Arezzo. He is best known for his etchings of landscapes and religious subjects, influenced by Paul Bril.
Ludwig Godenschweg (9 November 1889 - in Berlin; 2 December 1942 in Dresden) was a German sculptor and etcher. He studied under Robert Diez at the academy before leaving for military service. On his return he became Albiker’s student. Schmidt called Goldenschweg’s contribution to the third Secession exhibition “competent and promising” portrait bust, such as Wilhelm Rudolph (terra-cotta, c.
Allegory of the Concordat of 1801 Pierre Joseph Célestin François or Joseph François (29 March 1759 - 13 March 1851) was a history, genre and miniature painter and etcher from the Southern Netherlands.Joseph François at the Netherlands Institute for Art History He is known for his religious and mythological subjects and portraits executed in a Neoclassicist style.
His father was John Laporte, a noted watercolorist and etcher of Huguenot descent, who was also his teacher. His first exhibit came in 1818 at the British Institution. Later, he was one of the founding members of the Royal Society of British Artists and was a regular contributor to their exhibitions at the Suffolk Street Gallery.Lane Fine Art.
Forest landscape with a view of a town Meganck was mainly known as a landscape painter but he also painted the occasional hunting still life and vanitas still life. He was further active as an etcher. Six engravings of mountain landscapes by him are recorded.Wurzbach, Alfred von (Ed.), Niederländisches Künstlerlexikon (Vol. 2): L - Z, Amsterdam, 1910, p.
Thomas Skinner (Sheffield, 16 June 1819 – Sheffield, 6 December 1881) was an etcher, inventor and amateur oil-painter. When he met the 26-year-old Kate Dover in 1880 he was a widower aged 60 years, a drunkard, and fairly well-to-do as a result of the income from his invention which related to etching on steel blades.
Abraham Bloemaert, Landscape with St John Preaching in the Wilderness, c. 1600 French artists influenced by the first School of Fontainebleau: :Jean Cousin the Elder (1500–c. 1590) :Jean Goujon (c. 1510-after 1572) sculptor and architect :Juste de Juste (c. 1505–c. 1559) – sculptor and etcher :Antoine Caron (1521–1599) The continuing French tradition: :Germain Pilon (c.
The couple had three children, of whom two are known by name, a son later referred to as Marcus the Younger and a daughter called Esther. A third child died at a young age and was buried in 1561. Gheeraerts developed a professional career as a painter, etcher and designer. He was active as a designer of heraldic motifs.
Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations.
Friedrich Preller the Elder (date unknown) Storm on the Coast (1856) Friedrich Preller the Elder (25 April 1804 in Eisenach - 23 April 1878 in Weimar) was a German landscape painter and etcher. From 1832 he was a professor at the Fürstlichen freien Zeichenschule in Weimar. He was the father of the artist Friedrich Preller the Younger.
Schiller's death in 1805, this oil painting was produced of a reading of his poems in the park of the Schloss Tiefurt. Among the listeners, to the right, is Goethe. Theobald Reinhold Freiherr von Oer (9 October 1807 - 1885 in Coswig) was a German painter, illustrator and etcher. He is notable for his portraits, genre paintings and historic paintings.
Kloss received widespread recognition and awards during the 1930s. From 1933 to 1944 Kloss was the sole etcher employed by the Public Works of Art Project. Her series of nine New Mexico scenes from that period were reproduced and distributed to public schools across the state. She also created watercolors and oil paintings for the WPA.
As a result of his training at the Royal College of Art, Ba Zaw also became an enthusiastic etcher. According to G. Hla Maung, Ko Ko Naing, and Amar, he worked on copper plates but Nyan Shein claims he used a sharp stylus on bronze plates. The location of Ba Zaw's etching works, inside or outside of Burma, is not known.
Envisioning his new venture, titled Form, as a successor to The Yellow Book, he was joined as co-editor by the etcher Frederick Carter, who used the pseudonym of Francis Marsden.Baker 2011. pp. 111-112. The first issue appeared in the summer of 1916, containing contributions from Edmund Joseph Sullivan, Walter de la Mare, Frank Brangwyn, W.H. Davies, J.C. Squire, Ricketts and Shannon.
Charles II, by Herrera Barnuevo, c. 1670 Sebastián Herrera Barnuevo (1611 or 1619–1671) was a painter, architect, sculptor and etcher, who was born and died in Madrid, Spain. His father, Antonio Herrera, was a sculptor; after teaching his son, Sebastiano was taught by Alonzo Cano. Like Cano, Herrera worked for Philip IV of Spain, among others in the nobility.
Alphaeus Philemon Cole (Jersey City, New Jersey July 12, 1876 - New York City, November 25, 1988) was an American artist, engraver and etcher. He was born in Jersey City, New Jersey, and died in New York City. He was the son of noted engraver Timothy Cole.Alphaeus Cole, a Portraitist, 112, obituary by Michel Kimmelman, November 26, 1988, The New York Times.
Portrait of Daniel Chodowiecki, painted posthumously by Adolph von Menzel in 1859 Daniel Niklaus Chodowiecki (16 October 1726 – 7 February 1801) was a GermanChodowiecki Daniel - Encyklopedia PWN painter and printmaker with Huguenot and Polish ancestry, who is most famous as an etcher. He spent most of his life in Berlin, and became the director of the Berlin Academy of Art.
Mr. James McBey. Etcher and painter in oils. The Times 3 December 1959, issue 54,634, p 17 By 1910 he had enough confidence in his own ability to abandon banking and spent the summer in the Netherlands where he viewed etchings by Rembrandt and etched 21 plates of his own. From 1910 onwards he travelled widely, visiting Europe, North Africa and America.
Robert Hills (26 June 1769 – 14 May 1844) was an English painter and etcher. Portrait of Robert Hills by engraver William Thomas Fry, after John Jackson, National Portrait Gallery, London, 1823 Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals.
Jaques also joined the California Society of Etchers in 1913, when non-resident members were first admitted.Millman, Mary and Dave Bohn, Master of Line: John W. Winker, American Etcher (Capra Press: Santa Barbara, 1994), p. 31, note 15. The Chicago Society of Etchers ceased operations in 1956, leaving California Society of Printmakers as the longest lived printmakers' society in the U.S.
Eduard Clemens Fechner (21 August 1799 – 7 February 1861) was a German portrait painter and an etcher. Fechner was born at Gross Särchen, near Bad Muskau, and studied in 1814 at Dresden under Grassi and Retsch. In 1820 he went to Munich, where he improved his style under Stieler. He worked some time for the Duke of Leuchtenberg, and visited Paris in 1826.
Factory H was not torn down, and U.S. Glass was still maintaining the facility in early 1895. In 1902, the plant was sold to Harry Northwood. Northwood was an Englishman that worked at Hobbs, Brockunier and Company as an etcher in the 1880s. The company showcased his work at the West Virginia State Fair in 1882, which included etched pitchers and wine glasses.
In 1934 Pescheret traveled back to Europe to study with Roger Hebbelinck who was the color etcher to the court of Belgium. He studied in England at the Royal College of Engraving under Malcolm Osborn and Robert Austin. He was previously married to Grace Wallar Pescheret (1884-1950) and in 1951, he married Katherine Louis Pescheret née Firebaugh (1898-1985).
Fernand Verhaegen (1883–1975) was a Belgian painter and etcher. He was born in Marchienne-au-Pont, near Charleroi in Wallonia. He took courses at the Académie Royale des Beaux-Arts from 1900 to 1906 and there became friends with Rik Wouters and Edgard Tytgat. After graduation, he exhibited his works in Belgium and abroad (Biennale of Venice in 1920 and 1922).
Frederick Harer (November 15, 1879 – April 27, 1949) was an American painter, sculptor and etcher, best known for his skill as a gilder and framemaker. He produced frames for many of the Pennsylvania Impressionist painters, including Edward Redfield and Daniel Garber. Today, having a Harer frame on a Pennsylvania Impressionist painting adds significantly to its value. Harer was born in Blossburg, Pennsylvania.
In 1939, she published the illustrated book Sketches of a Late Etcher, describing the ordeal of an artist who is late for a publication deadline. She died in 1951 in Altadena, California. Gearhart's work is in the collections of the Los Angeles County Museum, the San Francisco Museum of Fine Art, the Smithsonian Institution, the Spencer Museum of Art, and the Achenbach Foundation.
Nosce Te Ipsum (Allegory of Vanity), engraving by Jacob Neefs after a drawing by Jacob Jordaens Jacob Neefs or Jacob NeeffsAlternate spellings of surname: Neeffs and alternative first names: Jakob, Jacques and Jacobus (Antwerp, 1610 – Antwerp, after 1660) was a Flemish etcher, engraver and publisher. He worked on publication projects for prominent Flemish artists of his time including Rubens, van Dyck and Jordaens.
The Horst-Janssen-Museum building in Oldenburg. Horst-Janssen-Museum is an art museum located in Oldenburg, Lower Saxony, Germany. It is dedicated to the work of Horst Janssen, the draftsman, etcher, lithographer, wood engraver, poster artist and illustrator. The Horst-Janssen-Museum was opened in 2000, showing 1,800 pieces from the collection of the couple Carin and Carl Vogel.
Ludovico (or Lodovico) Carracci (21 April 1555 - 13 November 1619) was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619.
Will J. Quinlan (William James Quinlan, 3rd, 1877–1963), artist, was born in Brooklyn on June 27, 1877. He lost his hearing as a child. He had an early interest in art and attended the National Academy of Design, Pratt Institute and Adelphi Academy in Brooklyn. He was an accomplished etcher, primarily of architectural city scenes, and also painted with oils.
Etcher is primarily used through a graphical user interface. Additionally, there is a command line interface available which is under active development. Future planned features include support for persistent storage allowing live SD card or USB flash drive to be used as a hard drive, as well as support for flashing multiple boot partitions to a single SD card or USB flash drive.
He also studied painting in Europe. The gravesite of Robertson MygattMygatt specialized in painting landscapes and much of his works could be categorized as impressionism falling under the ‘Tonalist’ style. Tonalism emerged in the 1880s, and he was clearly influenced by the trend. Mygatt was also a competent etcher, but his focus throughout his career was most certainly oil painting.
In these experiences she found the themes and inspiration for all her work. In addition, she is not led by conventional currents, but follows her own ideas. The studio of Lia van Rhijn is part of the Arts Centre Hofstede Duet in Zuidwolde, Drenthe in which her life partner, the etcher Han van Hagen, participates. In that context, they offers courses and workshops.
Marius Alexander Jacques Bauer (25 January 1867 - 18 July 1932) was a Dutch painter, etcher and lithographer, best known for his Oriental scenes. His style was largely Impressionistic, although it also derived to some extent from the Hague School. Many of his works were based on photographs he bought during his travels, some of which were by famous photographers such as Félix Bonfils.
Friedrich Georg Weitsch (8 August 1758, Braunschweig – 30 May 1828, Berlin) was a German painter and etcher. Weitsch began his artistic training with his father, "Pascha" Johann Friedrich Weitsch (1723–1803). He attended the Kunstakademie Düsseldorf. After traveling to Amsterdam and Italy between 1784 and 1787, he returned home and became court painter to Charles William Ferdinand, Duke of Brunswick.
Cynthia Harnett was born in London and studied at Chelsea School of Art. She illustrated the early editions of several of her own novels, but she also collaborated more than a dozen times with the painter and etcher George Vernon Stokes (1873–1954). Several of their books about dogs, the countryside or both credit Stokes and Harnett as co-authors.
Engraving of Norrköping, Sweden by Jan van den Aveele Jan van den Aveele or Aveelen (Leiden , Dutch Republic, 1650 - Stockholm, Sweden, 18 May 1727) was a Dutch etcher and copper engraver. With compatriot Willem Swidde, he made engravings for Suecia Antiqua et Hodierna ("Ancient and Modern Sweden") including depictions of public buildings and city scapes in Stockholm and other Swedish cities.
Frederick Theodore Weber (1883–1956) was an American painter, etcher, and sculptor. Born in Columbia, South Carolina, he traveled abroad as a youth, studying under Ferdinand Humbert and Jean-Paul Laurens at the École des Beaux- Arts in Paris. Active in New York City, he has works in the Metropolitan Museum of Art, Brooklyn Museum, and the Smithsonian American Art Museum.
In all, the works were technically more impressive than those of The Weavers, owing to their greater size and dramatic command of light and shadow. They are Kollwitz's highest achievements as an etcher. Kollwitz visited Paris twice while working on Peasant War and enrolled in classes at the Académie Julian in order to learn how to sculpt.Bittner, pp. 6–7.
He arrived in Australia in 1921 and was elected an associate of the Royal Art Society of New South Wales in 1922. Friedensen established a reputation as an etcher and is represented in the Sydney, Melbourne, Adelaide and Perth galleries. Friedensen returned to Europe in 1930 and died at Cannes in the south of France in beginning of June 1931.
Photo of Friedrich Loos, 1864 Friedrich Loos was an Austrian Biedermeier style painter, etcher and lithographer. He was born in Graz on 29 October 1797. He studied at the Vienna Academy with Joseph Mössmer and also went on study tours through the Austrian Alpine regions. From 1835 to 1836 he lived in Vienna, and as of 1846 he sojourned in Rome.
Van de Sande Bakhuyzen in his atelier (1903). Het Zieken in Den Haag Julius Jacobus van de Sande Bakhuyzen (The Hague, 18 June 1835 – The Hague, 21 October 1925) was a Dutch etcher and painter in the Hague School.Reich Institute for Art History He was a member of a number of artists' associations, such as Arti et Amicitiae and Pulchri Studio.
Heidelberg Castle by Johann Georg Primavesi,1803 View of Heidelberg by Johann Georg Primavesi Johann Georg Primavesi (1774–1855) was a German etcher and painter, primarily of landscapes. Primavesi was born in Heidelberg. In 1812 he became a theatrical painter in Mannheim. He was dissatisfied with the artistic possibilities offered there, however, so moved to the royal theatre in Darmstadt.
Self-portrait of Philipp Uffenbach, 1591 Philipp Uffenbach (15 January 1566 - 6 April 1636) was a German painter and etcher. He was born in Frankfurt, and trained under Hans Grimmer. One of his pupils was Adam Elsheimer. In 1598 Uffenbach obtained the citizenship of Frankfurt, after he had married and had taken over the painter’s workshop of his father-in-law in 1592.
Explosion of Loevestein, Netherlands by Jacques Kuyper, Rijksmuseum, between 1775-1779 Jacques Kuyper (29 June 1761 – 1 June 1808) was a Dutch printmaker, painter, draftsman, watercolourist, etcher, musician, and composer.Jacques Kuyper in the RKD Kuyper was born in Amsterdam. He primarily painted depictions of buildings and landscapes. Starting in 1776 he studied under Jurriaan Andriessen at the Stadstekenacademie (City Drawing School).
Richard Samuel Chattock (23 August 1825 – 30 January 1906) was an English printmaker, painter and etcher. Chattock was born in Solihull (then in Warwickshire), the third son of Thomas Chattock, a solicitor. After studying at Rugby School, he too entered the legal profession. However, in the late 1850s he began following his interest in art, exhibiting his work in the Royal Birmingham Society of Artists.
Alice Edith Rumph (1878-1978) was a painter of watercolors and pastels, an etcher, and an art teacher. Rumph co-founded the Birmingham Art Club, which established the Birmingham Museum of Art in Birmingham, Alabama. She served as the club's founding vice president and later as its president. In 2004, Birmingham Historical Society published Art of the New South: Women Artists of Birmingham 1890-1950.
He became increasingly interested in strong lighting effects, and very dark backgrounds. His reputation as the greatest etcher in the history of the medium was established in his lifetime, and never questioned since. Few of his paintings left Holland whilst he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.White; Mayor, 472–505; Spangeberg, 164–168.
Sydney Curnow Vosper RWS, RWA (29 October 1866 – 10 July 1942) was an English painter and etcher of landscapes and figure subjects. His later work has a close association with Wales and Brittany. His most famous work is Salem (1908), which shows an old woman in the Welsh national costume, with Welsh hat and shawl, attending a service at Salem Baptist Chapel, Pentre Gwynfryn.
Gulston married Elizabeth Bridgetta, second daughter of Sir Thomas Stepney, Bt., a woman as extravagant as himself celebrated for her beauty and accomplishments, and as the inventor of plated harness. She was also an etcher, and etched portraits of her husband and of Dr. Francis Courayer from paintings by Hamilton in 1772 (Nichols, Lit. Anecdotes, ii. 44). She died 9 March 1780, and was buried at Ealing.
On 19 October 1796 was the painter and etcher, Carl Wagner, son of the poet Johann Ernst Wagner, born in Roßdorf. He lived here the first eight years of his life. 1804 the family moved to Meiningen, the royal capital of Saxe-Meiningen. From 1813 to 1816 he studied at the Academy of Forestry in Dreißigacker and attended the Royal Saxon Academy of Forestry in Tharandt.
Alabama Monument Joseph Walker Urner (January 16, 1898 - 1987) American sculptor, painter and etcher born in Frederick, Maryland. He was the son of the Hon. Hammond G. Urner (1868-1942) and Mary Lavinia "Birdie" Floyd (1872-1956). His paternal grandfather was Milton Urner (July 29, 1839 – February 9, 1926), a U.S. Congressman from the sixth district of Maryland who served two terms from 1879 until 1883.
William Walcot (10 March 1874 – 21 May 1943) was a British architect graphic artist and etcher, notable as a practitioner of refined Art Nouveau (Style Moderne) in Moscow, Russia (as Вильям Францевич Валькот). His trademark Lady's Head keystone ornament became the easily recognisable symbol of Russian Style Moderne. In 1920s–1930s, he concentrated on graphic art and was praised as the best architectural draftsman in London.
Vasa Pomorišac (Jaša Tomić, Sečanj, 15 December 1893 — Belgrade, 9 September 1961) was a Serbian artist and professor at the Academy of Applied Arts in Belgrade. He worked as a painter, stained glass window maker, etcher, printmaker and he was also an art critic. He is considered an expressionist painter in the same category as his contemporaries Mihajlo Petrov, Ivan Radović, Petar Dobrović, and Jovan Bijelić.
Hale was one of eight children, and she helped her mother and father take care of her younger siblings. From a young age, Hale was raised within an artistic atmosphere, as her mother encouraged her interest in art, and her aunt, watercolorist Susan Hale, most likely provided her first artistic instruction.Angelilli, Claire. Inked Impressions: Ellen Day Hale and the Painter-etcher Movement: January 26 - April 14, 2007.
All his children (11) were baptized in the Mennonite church. In 1777 he was one of the founders of Felix Meritis, a "club" where artists and scientist gathered or discussed, with an eminent building on Keizersgracht. Five years later he was a mennonite teacher on Singel. Jan Christiaan was an engraver, etcher, bookseller, author as well as illustrator for Nederlandsche Vogelen (in English: Dutch Birds).
He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s. The Martyrdom of Saint Philip (1639; often described as Saint Bartholomew, martyred in similar fashion, but now recognised as St Philip) [See Museo del Prado, Catálogo de las pinturas, 1996, p. 315, Ministerio de Educación y Cultura, Madrid, ] is in the Prado, Madrid.
Illumination of the Lenten Cross, etching by Francesco Piranesi, coloring by Louis Jean Desprez. Francesco Piranesi (; 1758/59 - 23 January 1810) was an Italian engraver, etcher and architect. He was the son of the more famous Giovanni Battista Piranesi and continued his series of engravings representing monuments and ancient temples. He worked for a long period in France, where he lived during the French Revolution.
Sidney Tushingham (1884–1968) was a painter and etcher who specialised in rustic scenes of villages and small town life. He was born in Burslem, Stoke- on-Trent, England, where he started his artistic career as a china painter. He attended Burslem School of Art and progressed to the Royal College of Art. Tushingham married Ella Maria Westlake at St John, Walham Green on 22 December 1913.
Richard Sass (1774 – 7 September 1849) (or Sasse) was an English landscape painter, etcher, and drawing master to royalty. He was the half brother of Henry Sass, the founder of Sass's Academy in London. Sass exhibited at the Royal Academy in London from 1791 to 1813. He was appointed teacher in drawing to the Princess Charlotte, and later landscape painter to the Prince Regent.
Jacob’s earliest known works of 1584–6 are mostly cabinet-size landscapes that clearly show the influence of his master Hans Bol. Panoramic river landscape, c. 1590 In Amsterdam Jacob was active as painter, etcher and draftsman. He produced a series of etchings in Pieter Bruegel the Elder's stipple technique depicting idealized rural scenes full of picturesque details, such as castle ruins and rabbit hunts.
Tavík František Šimon (May 13, 1877 in Železnice, Bohemia (now the Czech Republic) - December 19, 1942 in Prague), was a painter, etcher, and woodcut artist. Born František Šimon, he later adopted the additional name 'Tavík', which was his mother's maiden name, generally signing his work T. F. Šimon. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
Philips Angel II or Philips Angel van Leiden (c. 1618 in Leiden - after 11 July 1664 in Batavia, Dutch East Indies) was a Dutch Golden Age painter, etcher, writer and colonial administrator. Today he is remembered as the author of a 58-page booklet entitled 'Praise of the Art of Painting' which represents a rare resource for understanding Dutch art theory from the mid-17th century.
Johann Jakob Biedermann, The Pissevache Falls, Kunstmuseum Winterthur, 1815 Johann Jakob Biedermann (August 7, 1763 – April 10, 1830) was a Swiss painter and etcher. Beidermann was born in Winterthur, and initially instructed by Johann Rudolph Schellenberg and Heinrich Rieter in Bern. He primarily painted landscapes and portraits. Beidermann traveled to many European locations including Zurich, Paris, Frankfurt, Basel and Konstanz where he got his inspiration.
He found employment in the Osnabrücker Kupfer- und Drahtwerk for about seven years. In this time he worked on that war experience with some charcoal drawings. Also rare at that time, he created interior views of the factory, and its workers. At that time he had contact with the Berliner painter and etcher Julius C. Turner (1881-1948) who is also known for his industrial interiors.
Authors born in or living in Brampton include Rohinton Mistry, Jesse Thistle, and Edo Van Belkom. Visual arts notables from Brampton include etcher Caroline Helena Armington, Ronald Bloore, Member of the Order of Canada; Organiser and member of the "Regina Five",(1960) watercolourist Jack Reid, and William Ronald, who was raised in town. Norman Mills Price. Animators David Feiss and Jay Stephens grew up here.
The Het Loo Palace, 1838 Frozen Waterway, 1845 Winter Landscape with 'koek en zopie' at night, 1849 Andreas Schelfhout (1787–1870) was a Dutch painter, etcher and lithographer, known for his landscape paintings. Schelfhout belongs to the Romantic movement. His Dutch winter scenes and frozen canals with skaters were already famous during his lifetime. He became one of the most influential Dutch landscape artists of his century.
Harry Fenn (1837 – April 22, 1911) was an English-born American illustrator, landscape painter, etcher, and wood engraver. From 1870 to around 1895 he was the most prominent landscape illustrator in the United States.Sue Rainey, Creating a World on Paper: Harry Fenn's Career in Art (University of Massachusetts Press, 2013), 5-6. He is also noted for his illustrations of Egypt, Palestine and the Sinai.
The book is still used today by medical professionals as a primary reference for this disease. A master of diagnosis, his clinical teaching at Queen Square earned him an international reputation. He was appointed Professor of Clinical Medicine at University College London in 1887. He was a self-taught artist, and skilled etcher, an accomplishment he enjoyed both as a hobby and in his work.
An example of Senff's landscape painting, "A View on Narva" (1812). Gouache on paper. Senff was born in the village of Kreypau, Kingdom of Prussia. The son of Karl Friedrich Senff, a Protestant theologian, he had originally planned to study medicine at Halle but by 1788 had transferred to the Leipzig Academy of Arts to study painting with the German etcher, painter and sculptor Adam Friedrich Oeser.
She was appointed as a member of the Royal Fine Art Commission for Scotland in 1995. Rae also became a member of the Royal Academy of Art in 1996. In 1999, she was awarded a Commander of the Order of the British Empire. She is also a Royal Etcher, a Fellow of the Royal College of Art, and an Honorary Fellow of the Royal Society of Edinburgh.
Dirk Langendijk (1799), The landing of British troops at Callantsoog. National Maritime Museum, Greenwich, London Dirk Langendijk (Rotterdam, 8 March 1748 - Rotterdam, 15 December 1805), written as Langendyk in his day, was a Dutch draughtsman, painter and etcher. He produced mainly depictions of land and sea battles and other military scenes from the Dutch Patriottentijd (circa 1780-1800) and the French Revolutionary and Napoleonic Wars (from 1792).
Caballero was raised in a conservative Catholic household. He studied at the University of Los Andes (Colombia) in 1961-62, where he met and was influenced by etcher artist Juan Antonio Roda and art critic Marta Traba. He continued his academic studies in Paris at the Académie de la Grande Chaumière, graduating in 1964. It is during this time that he discovered Willem DeKooning, and Francis Bacon.
He had, too, the reputation of being a good etcher, and in 1823 published six examples after his idol, G. Poussin. In 1809 he was an unsuccessful candidate for admission in the Water-Colour Society. At length he determined to take orders, and with that view entered Wadham College, Oxford. He took the two degrees in arts, B.A. 14 January 1812, M.A. 13 May 1818.
In his works in oil, Gibson founded his style on Claude Lorrain and Nicolas Poussin. His water-colours were executed with washes of subdued pigments. He was also an etcher, and published in 1818 a series of six Etchings of Select Views in Edinburgh. Gibson contributed a comprehensive article on "Design" to the Encyclopædia Edinensis; and articles on "Drawing", "Engraving", and "Miniature-painting" to the Edinburgh Encyclopædia.
He also became friends with the etcher and sculptor Maurice Bastide du Lude, at a studio situated at the Château du Lude near Orléans where they both worked. He created several small prints of his etchings which are still owned by the descendants of Bastide du Lude. Maurice Achener settled down in Paris in 1905. From 1907-1908, he worked with Jean-Paul Laurens.
Diss High School and its predecessor schools have been attended by several notable former pupils. These include footballers Matthew Upson and Declan Rudd. Politician Ralph Howell, businessman Eric Nicoli and Church of England clergyman Christopher Dalliston all attended Diss Grammar School. Painter and etcher James Henry Govier taught art at the Grammar School between 1965 and 1972 after it merged with the grammar school in Eye.
It is said that his presence in San Francisco achieved its purpose: encouraging local printmakers to get prepared and organized to take advantage of the promotional opportunities afforded by the upcoming San Francisco PPIE, the largest display of original art work of its time. The four founders of the California Society of Etchers were artist colleagues: Robert B. Harshe (1879–1938), himself an etcher and then art professor at Stanford University; Pedro Joseph J. Lemos (1882–1954), then etcher and professor at the San Francisco Institute of Art (now San Francisco Art Institute); Gottardo Piazzoni (1872–1945), painter and muralist; and Ralph Stackpole (1885–1973), a sculptor, printmaker, and at that time Piazzoni's studio assistant. The young organization began exhibiting immediately, with its first annual exhibition in April 1913 at Vickery, Atkins and Torrey Print Gallery, 550 Sutter Street, San Francisco. Its second annual exhibition was also held in 1913.
Karel Dujardin was a Dutch painter and etcher, born in Amsterdam in 1622. Typical of his landscape paintings is Farm Animals in the Shade of a Tree (1656; National Gallery, London). He died in Venice in 1678. After supposedly training with Nicolaes Berchem,Bolton, Roy (2009) The Collectors: Old Master Paintings, "Karel Dujardin: A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses", London, Sphinx Books. .
Both brothers studied at Sheffield College of Art under Anthony Betts. During the 1920s Kenneth Steel studied briefly under the landscape artist, Stanley Royle, throughout their careers both artists remained close friends. Kenneth Steel supported and encouraged fellow Sheffield etcher, Leonard Beaumont. During World War II, both his mother, Annie and wife, Olive died during 'the Sheffield Blitz', victims of German bombing raids on the city during December 1940.
John Middleton (9 January 1827 – 11 November 1856) was an English artist known for his accomplished watercolour paintings. He was the youngest and the last important member of the Norwich School of painters, which was the first provincial art movement in Britain. As well as being a talented etcher, he produced oil paintings and was an enthusiastic amateur photographer. Middleton's father, also named John, was a Norwich glass stainer.
Wimmis (engraving, around 1783) Johann Ludwig Aberli Johann Ludwig Aberli (1723 - 17 October 1786) was a Swiss painter and etcher. Aberli was born in Winterthur. He is primarily known for his landscapes of Switzerland, first etched in contours then painted or colorized. This style is later to be known as the Aberli manner and found many imitators, such as Heinrich Rieter Senior, Franz Niklaus König or Johann Jakob Bidermann.
François Joullain (1697-1778) was a French etcher, engraver and art dealer. His career and that of his son, François-Charles Joullain (died 1790), expanded from their initial roles as engravers and printmakers to merchants of paintings and publishers. He became a noted publisher for producing books of engravings which were of high quality and very popular in the 18th century and a prominent art dealer in Paris.
Brighton and Hove Museum and Art Gallery hold a large collection of Goff's work. In 2011 art historian Alexandra Loske researched this collection in preparation for an exhibition of Goff's work at the museum's Prints and Drawings Gallery: Robert Goff: An Etcher in the Wake of Whistler (29 November 2011 to 29 April 2012). The exhibition comprised approx. 50 works by Goff, mostly etchings and some other works on paper.
Franz Edmund Weirotter, Landscape with Hut at the River, Hermitage Museum Franz Edmund Weirotter (May 1733 - 11 May 1771)Grove: Edmund Weirotter was an Austrian painter, draughtsman and etcher. Weirotter was born in Innsbruck, and painted primarily landscapes and maritime scenes. He traveled to Paris and Rome where he produced a number of paintings and etchings. Some of his works reside at the Fine Arts Museums of San Francisco.
He wrote regularly on prints for the art magazines The Studio and Apollo. Salaman also wrote the introductions to the 33 volume series Modern Masters of Etching published between 1925 and 1932 by The Studio, each of which contained reproductions of 12 prints by a great etcher. This series included volumes on Frank Brangwyn, Alphonse Legros, Ernest Stephen Lumsden, Malcolm Osborne and Edmund Blampied. He married Annie Sarah Isaac in 1914.
Schwabinger Tor in Munich, 1850 Carl August Lebschée (1800–1877) was a German a painter, etcher, and lithographer, born at Schmiegel (modern Śmigiel), Poland. He studied at Munich, where his parents settled in 1807. He painted landscapes and architecture in oil and watercolours, and designed in the style of different masters. His etchings are executed with great spirit, and he signed with the initials C. L., or a monogram.
A Davison Bible exhibited in the Bailiffgate Museum. One of the first fully annotated bibles to be issued as a part-work William Davison (1781–1858) was born in Alnwick. He was a pharmacist, apothecary, printer, engraver/etcher, bookseller, stationer, publisher, bookbinder, librarian/owner of a circulating library, and stereotyper/stereotype founder. His main employment became printing/publishing but he was always dedicated to social reform through education.
These paintings were a result of three years' work in Bavaria, the Netherlands and Belgium. In the mid-1890s, he went to work as an etcher and illustrator for The New York Times and worked there until the paper moved from Park Row to midtown in 1906. He continued painting throughout the remainder of his life, which was spent in Cambridge, Massachusetts, and Hartsdale, New York, in Westchester County.
His seven-year tenure featured a stock controversy that reached the Illinois Supreme Court and a large strike. DeWolf was passionate about the arts, amassing a collection of Anders Zorn works that he donated to the Art Institute of Chicago. DeWolf was an etcher himself, and some of his works were showcased at the Art Institute. A room there was named the DeWolf Gallery of American Landscapes in his honor.
Jennie Augusta Brownscombe (December 10, 1850 – August 5, 1936) was an American painter, designer, etcher, commercial artist and illustrator. Brownscombe studied art for years in the United States and in Paris. She was a founding member, student and teacher at the Art Students League of New York. She made genre paintings, including revolutionary and colonial American history, most notably The First Thanksgiving held at Pilgrim Hall in Plymouth, Massachusetts.
Lucille Douglass (November 4, 1878, Tuskegee, Alabama - September 26, 1935, Andover, Massachusetts) was an American painter, etcher, and lecturer. She traveled in, depicted and spoke about Cambodia and China. In 1928 Douglass was described by the New York Evening Post as "one of America's best known painters and etchers". Her works are included in the Metropolitan Museum of Art, the Birmingham Museum of Art and the British Museum, among others.
He married Marguerite d'Avril. Their son Paul Mignard became a painter and etcher and their son Pierre II Mignard a painter and architect. When King Louis XIV and his Court visited Avignon on their way to the King's wedding with Maria Theresa of Spain, Mignard was commissioned to paint portraits of various courtiers including Cardinal Mazarin. Mazarin ordered Mignard by lettre de cachet to come to Paris in 1660.
Rosella Hartman (May 23, 1895 — March 5, 1984) was an American painter, etcher and lithographer. She studied at both the Art Institute of Chicago and the Art Students League of New York. She was awarded a Guggenheim Fellowship in 1934 and 1938 to study graphic arts abroad. Hartman married a sculptor, Paul Fiene (1899–1949) and lived in Woodstock, New York, then a leading center for the arts.
Holmes was a draughtsman, painter in watercolours and oils, and etcher, mostly of landscapes. Self taught, he developed a highly personal style from studying European as well as Japanese sources like Hiroshige and Hokusai, travelling to Japan in 1889. These inflences can be seen in his magazine, the Studio Magazine, founded in 1893. Later, he came under the artistic influence of Ricketts, and he learned etching from William Strang.
The Dinky Bird, an illustration from Poems of Childhood by Eugene Field (1904), exemplifies Parrish's characteristic use of androgynous figures. Maxfield Parrish was born in Philadelphia, Pennsylvania, to painter and etcher Stephen Parrish and Elizabeth Bancroft. His given name was Frederick Parrish, but he later adopted Maxfield, his paternal grandmother's maiden name, as his middle, then finally as his professional name. He was raised in a Quaker society.
Jacob Isaackszoon van Ruisdael (; 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular. Prolific and versatile, Ruisdael depicted a wide variety of landscape subjects. From 1646 he painted Dutch countryside scenes of remarkable quality for a young man.
Smith was born in Foxborough, Massachusetts to Lawton and Lucy Thompson Smith on June 15, 1845. He was the third of three sons. In 1847, his family moved to Canton, Massachusetts, where he was educated in the public school system.Smith, Amy Gertrude; Teall, Gardner Callahan; and Lombard, Herbert E. (1931) Sidney Lawton Smith, designer, Etcher, Engraver, with Extracts from his Diary and a Check-list of his Bookplates.
Voltz received his first art instruction from his father, Johann Michael Voltz, a painter and engraver. He began as an etcher and, in 1834, went to Munich to study at the Academy of Fine Arts. However, he derived more inspiration from nature and his studies of the old Dutch Masters at the Alte Pinakothek. He was heavily influenced by Albrecht Adam and his friends, Carl Spitzweg and Eduard Schleich.
Most were already etchers, at the start of the French etching revival. Unlike Corot and the others, it is thought that Daubigny did much of the printing himself. He was an experienced etcher, who sometimes produced prints of a subject in both techniques. Beginning with 17 plates in 1862, he used etching techniques, such as a roulette to produce dotted areas for a tonal effect, and also brushwork.
In the 1650s, Nooms made a series of etchings of ships and topographical views characterized by a high degree of detail and precision. These etchings served as an example to many artists. The 19th century French etcher Charles Meryon was highly influenced by Nooms, whose etchings of Paris cityscapes inspired him to his own series of Paris etchings. Meryon dedicated some of these works to Nooms in poetic form.
His compositions were engraved by leading Antwerp engravers including Hans Witdoeck, Wenceslaus Hollar and Lucas Vorsterman although he was an accomplished etcher himself. Cornelis made etchings after his own works. For instance, he made a series of etchings on the theme of the liberal arts which are similar to his designs for cartoons on the same subject. He also created many small, decorative etchings of naked children or putti.
In 1911, Royds settled in Edinburgh where she taught at the Edinburgh College of Art, then under the directorship of Frank Morley Fletcher, under whose influence she took up making colour woodcuts. In 1913 she married the etcher Ernest Lumsden, who also taught at Edinburgh, and together they travelled through Europe, the Middle East and India. In 1921 Royds exhibited at the newly-formed Society of Graphic Art in London.
Albert R. Thayer (19 October 1878 - October 1965) was an American painter and etcher. Born in Concord, Massachusetts, he studied at the Boston Museum School and at the Art Students League in New York City. His teachers include Edmund Tarbell, Eric Page and Aldro Hibbard. He was a gifted teacher as well as oil painter and was a long-standing member of the Rockport Art Association, which he served as Treasurer.
As an engraver and etcher of international renown, he has brought greater visibility to Québec printmaking and has been pivotal in inviting printmakers from abroad to take part in major collaborations with Québec, including artist's books, residencies, and exchanges between Québec and other countries. He has also helped foster talent in Québec, both through his work with artists at Atelier Circulaire and as the organizer and curator of numerous exhibitions.
He was the youngest son of the painter, etcher and art professor Friedrich Preller the Elder. From the age of thirteen, he worked in his father's studio, where he received his first lessons. In 1859, he travelled to Italy with his father and, in 1862, undertook several excursions to the coast of Sicily and Naples to see the original landscapes he had read about in the Odyssey.RS: Friedrich Preller d.
350px View of Victoria Embankment in London (Dutch - Gezicht op Victoria Embankment in Londen) is an 1890 etching by the Dutch artist, etcher and photographer Willem Witsen. It shows a foggy autumnal scene on Victoria Embankment in London - he stayed in the city between 1888 and 1891 with only a few interruptions. He also produced prints of the scene in 1906 and 1908, one of which is in the Rijksmuseum.
Self-portrait (1883; Aberdeen Art Gallery) Tiff, by Robert Walker Macbeth Robert Walker Macbeth (30 September 1848 in Glasgow – 1 November 1910 in London) was a Scottish painter, etcher and watercolourist, specialising in pastoral landscape and the rustic genre. His father was the portrait painter Norman Macbeth and his niece Ann Macbeth. Two of his five brothers, James Macbeth (1847-1891) and Henry Macbeth, later Macbeth-Raeburn (1860–1947), were also artists.
The happy mother, ca. 1775, now in the Wallraf-Richartz Museum Johann Anton de Peters (16 January 1725 – 6 October 1795) was a German painter and etcher. Peters was born at Cologne in 1725, and studied in Paris under Greuze. He was raised to the rank of a noble by the king of France, and appointed court painter by the Danish king, Christian VII, as well as by Prince Charles of Lorraine.
His tomb is in Santa Maria degli Angeli e dei Martiri, where a portrait of him has been set up. Salvator Rosa, after struggles of his early youth, had successfully earned a handsome fortune. He was a significant etcher, with a highly popular and influential series of small prints of soldiers, and a number of larger and very ambitious subjects. Among his pupils were Evangelista Martinotti of Monferrato and his brother Francesco.
François Joullain began his career as an engraver, etcher and print-maker. He received some of his early art education from the engraver, Claude Gillot and was entered as a member the Académie de Saint-Luc, 13 August 1733, as an engraver, and became its director, 19 October 1747.Guiffrey 1915. In his early career, he illustrated a number of books, sometimes in collaboration with other engravers, especially his former teacher, Claude Gillot.
William J. Wood was a Canadian painter, etcher (May 26, 1877January 5, 1954) Wood was a close friend of several members of the Group of Seven: Arthur Lismer and A.Y. Jackson. In 1923 at one exhibition Wood is listed as a member of the Group of Seven, replacing Franz Johnston. Much of his work depicts Midland, Ontario, his hometown. The Huronia Museum, in Midland, Ontario, has an extensive collection of his works.
Westendorp-Osieck was a member of Arti et Amicitiae and the St. Luke Artists in Amsterdam. She was also a member of the Pulchri Studio in The Hague and the Dutch Watercolors Circle. As an etcher Westendorp-Osieck created a number of illustrations of the "Old Amsterdam garden houses" which was published by Bernard Houthakker in 1923. Westendorp-Osieck traveled extensively around America, Belgium, Cambodia, Ceylon, Egypt, France and Japan where she made travel sketches.
She toured Europe in 1926-27 where she made an extensive body of sketches and paintings. Soon before returning home to Washington, she met etcher and printer John Taylor Arms, beginning a 25-year collaboration. In 1957 she was elected an Academician of the National Academy of Design. In 1930-31 Loggie built a house on the shores of Eastsound, Orcas Island, where she spent most summers creating her small pencil drawings and etchings.
Jean-Pierre Velly (14 September 1943, Audierne, France – 26 May 1990) was a Breton etcher, draftsman and painter. In 1965, after attending the Ecole des Beaux Arts de Toulon, he began study at the École Nationale Supérieure des Beaux-Arts in Paris. The following year he won the "Grand Prix de Rome" for etching. In 1967 he moved to Rome for three years to work under Balthus at Villa Medici, the French Academy.
View of Steyr, etching by Hans Sebald Lautensack (1554)Hanns Lautensack (sometimes erroneously referred to as Hans Sebald Lautensack) (1524 – 1560) was a German etcher and draughtsman. He was one of two sons of Paul Lautensack, a painter of Bamberg, where he was born in 1524. When still a child his parents settled in Nuremberg, and there he lived during the greater portion of his life. In 1556 he was working in Vienna.
Frank Raubicheck (1857–1952) was an American painter and etcher who arrived in the United States from Bohemia in the 1870s. He was an art student at the University of Munich and began his career as a painter while still in Europe. His style has been compared to that of Claude Monet. In the 1880s, Raubicheck painted and sold many impressionist landscapes, many of which are scenes on the East End of Long Island.
He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona.
In the first generation was Christiaan Andreas Sepp (c. 1710-2 August 1775), born in Goslar, the son of a conrector, who established himself shortly in Hamburg and Göttingen, but before 1739 in Amsterdam as an etcher and engraver of land and sea maps. His son, Jan Christiaan, was baptized in 1739 in the Lutheran church, like Johanna Elisabeth in 1744. In 1750 Christiaan bought a house at Rozengracht, in the Jordaan.
The work which he executed of 'Jason ploughing,' intended for the tapestry manufactory at Beauvais, has disappeared. He went to Paris, where he displayed his talents, not only as a painter and etcher, but also as a poet and writer. In 1735, he became a member of the Academy; in 1752 professor; afterwards secretary; and finally teacher of historical painting. He was also the founder of the Académie des Beaux-Arts at Marseilles.
Katharine Kimball A.B.E. (17 April 1866 – 19 March 1949)) was an American artist, illustrator, and etcher, who spent most of her life in England. She is best known for her drawings and etchings of urban and rural landscapes in England and Europe. Many of her images were used to illustrate history and travel publications, such as Paris and Its Story, by T. Okey, and The Story of Canterbury, by G.R. Stirling Taylor.
Edward Frederick Ertz (born 1 March 1862 in Canfield, Illinois (renamed Edison Park in 1890, now a community area of Chicago). Died 1954 in Pulborough, England) was an artist and fellow of the Royal Society of Arts. He was also an etcher and wood engraver, and an early member of the Society of Graphic Art. He first worked in New Orleans and then New York, and showed work at the 1893 World's Fair.
Edmond Ramus (5 May 1822 - 1890) was a French etcher best known for his copies of paintings for art catalogues. Ramus was born in Paris and first exhibited at the Paris Salon in 1847.RAMUS, Edmond Joseph (1822 - 1890), Engraver in Bénézit He was awarded a bronze medal in 1881. He is listed as one of the contributors of eaux-fortes in the catalogue of objects for the palais de San Donato in 1880.
Thus, the front cover and the booklet of the CD were adorned by the drawings of Sergei Balenok, an artist from Belarus. Musicians of Hair Peace Salon were amazed at his etchings that they found in an art gallery. With the consent of the etcher, few works were bought and used for the design of the cover and other CD booklet pages, as well as for an animated video for the announcement of the album.
Paul César Helleu (17 December 1859 – 23 March 1927) was a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the Belle Époque. He also conceived the ceiling mural of night sky constellations for Grand Central Terminal in New York City. He was also the father of Jean Helleu and the grandfather of Jacques Helleu, both artistic directors for Parfums Chanel.
The distinctive style of his watercolours was influenced in part by Crome, and John Sell Cotman. As an etcher he was unsurpassed by the other Norwich artists in the use of drypoint, and he anticipated the modern revival of etching that began in the 1850s. His prints were made by his friend and neighbour Henry Ninham, whose technique he influenced. His paintings of the Near East may have been made with future works in mind.
Parrish and fellow etcher Stephen Ferris were enrolled in the men's life class at the Pennsylvania Academy. A number of the women at the Academy became significant in the American etching revival, including Esté, Gabrielle Clements, Blanche Dillaye, Margaret Lesley, Margaret Levin, and Mary Franklin. Florence Esté moved permanently to France in 1888. In Paris she enrolled at the Academie Colarossi and studied with Alexandre Nozal (1852–1929) and Raphael Collin (1850–1916).
Willem van Mieris was a painter, sculptor and etcher active in Leiden. He was born in Leiden and studied under his father Frans van Mieris the Elder (1635–1682), who was a successful genre painter. Willem had a reasonably successful career, being supported by a few patrons who commissioned and collected various of his works. His oeuvre consists mostly of genre and portraiture, with some landscape painting, as well as some sculptures.
John French Sloan (August 2, 1871 – September 7, 1951) was an American painter and etcher. He is considered to be one of the founders of the Ashcan school of American art. He was also a member of the group known as The Eight. He is best known for his urban genre scenes and ability to capture the essence of neighborhood life in New York City, often observed through his Chelsea studio window.
Vegetables Willem Linnig was a painter and etcher who was very prolific. He left a large number of paintings and 123 etchings. Born out of his time: Willem Linnig, Junior at Adventures in the print trade He worked on a wide range of subjects: history and genre scenes, landscapes and still lifes. His earliest works such as the Antwerp wedding are in a realist style and show his strong skills as a colorist.
A Dutch mansion with garden Johann Baptiste Bouttats or Jan Baptist BouttatsOther name variations: Jan Baptiste Bouttats, Johann Baptist Bouttats, Joan-Baptist Bouttats, Jan-Baptista Bouttas (1680s - 1743) was a Flemish painter, draughtsman and etcher who worked in a wide variety of genres including history, landscapes, architecture, topological views, marine scenes and still lifes.Jan Baptist Bouttats at the Netherlands Institute for Art History He was active in Antwerp, Bohemia, Silesia and England.
Addams was a superb draftsman, and became a master etcher, manipulating his copper plates with variated inkings and wipings. Etchings such as An Obscure Turning, Venice come in daylight and night time versions, depending upon how Addams chose to apply the inks.David Adams Cleveland, "Clifford Addams, 1876-1942," Adventures in Scholarship (2015). He visited Venice for the first time in 1913, and had a triumphant London exhibition of the resulting etchings in Spring 1914.
Joseph Stannard (13 September 17977 December 1830) was an English marine and landscape painter, portrait painter and etcher. He was a talented and prominent member of the Norwich School of painters. After attending the Norwich Grammar School, his parents paid for him to be trained as an artist by Robert Ladbrooke, one of the founding members of the Norwich Society of Artists. During Stannard’s career he exhibited in both Norwich and London, with some success.
Orovida Pissarro (8 October 1893 – 8 August 1968), known for most of her life as Orovida, was a British painter and etcher. For most of her career she distanced herself from the Impressionist and Post-Impressionist styles of her father, Lucien Pissarro and grandfather, Camille Pissarro, in favour of a technique influenced by Chinese and other Asiatic art; but in the last quarter of her career developed a manner which drew on both traditions.
24 Glover Place, Skinner's last residence Thomas Skinner's father was etcher and cutler Thomas Skinner senior, who worked for Joseph Rodgers & Sons of Sheffield. Thomas junior was born in Sheffield on 16 June 1819. By 1841 at the age of 22 he was an ornamenter, living in Carver Street, Sheffield, with his widowed mother Mary who kept a lodging house. He had three sisters: Ann, Matilda (born ca. 1820) and Eliza (born ca. 1830).
Dorothy Stevens was born in Toronto, Ontario, Canada, on 2 September 1888. In 1904 she left Canada to study at the Slade School of Fine Art in London under Henry Tonks, Philip Wilson Steer and Walter Westley Russell. She also studied in Paris at the Académie Colarossi and at the Académie de la Grande Chaumière under Lucien Simon. Stevens returned to Canada in 1911, and began a successful career as a painter and etcher.
Portrait of Bonaventure Peeters, by Wenceslas Hollar Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 - 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships in rivers and harbours.Hans Vlieghe (1998). Flemish Art and Architecture, 1585–1700.
23, p1214, 1983 Klaus Honnef wrote about looking at his works: "The viewer is forced to question his viewpoint, to change it. To decipher the intricacies of these images one must learn to accept ones judgement as always temporary and never ultimate."Klaus Honnef in: Georg Klusemann: Bilder, Zeichnungen, Collagen, Graphik 1967-1981, ed. Kunstverein für die Rheinlande und Westfalen, Düsseldorf 1983 Georg Klusemann worked as a painter, drawer, etcher, and author of children books.
Francis Barlow (c. 1626 - 1704) was an English painter, etcher, and illustrator. He ranks among the most prolific book-illustrators and printmakers of the 17th century, working across several genres: natural history, hunting and recreation, politics, and decoration and design. Barlow is known as "the father of British sporting painting"; he was Britain's first wildlife painter, beginning a tradition that reached a high-point a century later, in the work of George Stubbs.
Cameron became a skilled etcher making a name for himself in this medium and gaining international recognition by the 1890s. He was elected associate of the Royal Society of Painter-Etchers (RE) in 1889. In 1895 he was elected Fellow of the RE. He exhibited regularly from 1889 to 1902, before resigning his membership in 1903. His subjects included architectural studies, of which he produced a number of popular 'sets' and landscapes.
He was appointed director of the drawing academy of Temse in September 1896 and also taught drawing. He changed the way and content of the teaching and brought the school to a higher level. As an etcher and graphic designer he provided his services to clubs and societies. In 1899 he illustrated the Studentenliederboek ('Student song book') of Karel Heyndrickx and in 1910 a few children's stories for the author Lodewijk Scheltjens (1861–1946).
Saint George and the Dragon (1510) Albrecht Altdorfer is regarded as one of the founders of Western landscape art.Keane, p. 165 He was a painter, etcher, architect, and engraver, and the leader of the Danube school of German art. As evidenced by such paintings as Saint George and the Dragon (1510) and Allegory (1531), much of Altdorfer's work is characterised by an attachment to sprawling landscapes that dwarf the figures within them;Clark, p.
At first, he also worked as a watercolorist and etcher; having been a student of Axel Tallberg and . He designed factory and office buildings, as well as worker housing, for several large Swedish companies; notably in Hallstahammar, Fagersta, Stråssa, Köping and Nacka. He also designed, retirement homes, manors, villas and spas, throughout the country. Notable examples are the Teachers' Rest Home, outside Stockholm and in Lärkstaden, an area inspired by the English garden city movement.
He was a clever and industrious etcher, and published a great number of plates similar in character to his drawings, and delicately executed with a fine needle. He also produced a number of caricatures in the manner of Rowlandson. Howitt was particularly noted for the illustrations in (Captain) Thomas Williamson's Oriental Field Sports (1807), based on sketches made by the author in India .Thomas Williamson and S. Howitt, Illustrations of Indian Field Sports, (A.
Roy Saunders was a Welsh author, illustrator, educator, radio broadcaster, and sheepdog enthusiast. His books include Sheepdog Glory (1956) and Craig of the Welsh Hills (1958). His artwork as an etcher of the landscape and architecture of Wales was renowned. He kept a small sheep farm and competed at sheepdog trials with his dog "Toss"; he was chairman of the South Wales Sheepdog Trials Association and a Director of the International Sheepdog Society.
LE BROC, French Riviera Villages aquatint Augusta Payne Briggs Rathbone (November 30, 1897-March 19, 1990) was an American painter, etcher and printmaker. She studied at the University of California, Berkeley and in Paris. She depicted people and locations from San Francisco, the Sierra, New York City, the West Coast of Canada, the Canadian Rockies, and France. In 1938, she published a book of aquatints of French Riviera Villages with photographs by Juliet Thompson and text by Virginia Thompson.
William Frederick Wells (1762 - 10 November 1836) was a British watercolour landscape painter and etcher. Wells was born in London in 1762. Wells studied art in London under John James Barralet (1747–1815). On 20 November 1804, Wells initiated the founding of the Society of Painters in Watercolours (now the Royal Watercolour Society), at a meeting held at the Stratford Coffee House, Oxford St, London. He served as President of the fledgling association from 1806 to 1807.
It was Joseph Pennell, scheduled to be a juror for this event, who inspired a handful of local printmakers to launch the California Society of Etchers in preparation for that great event. Pennell, perhaps the best known American etcher, local to New York City and London, had traveled to Panama to sketch the construction of the Canal, then traveled to San Francisco where he produced a series of etchings of San Francisco, exhibiting them in 1912 in San Francisco.
Cantarini was a prolific etcher to whom are attributed with certainty 37 plates of mythological, religious and allegorical subjects, all of exceptional quality. His prints were praised in his lifetime for their extraordinary delicacy and vibrant and luminous quality. Cantarini was able to imbue his plates with a new spirit, treating them in the same way as a piece of paper by using nervous and flickering signs. This gave his creations a modern movement and a vibe.
Pescheret devoted his business to etching full-time by 1930. While exhibiting in 1933 at the Century of Progress, he became interested in color etchings. To study this craft, he returned to Europe and became the private pupil of Roger Hebbelinck, a famous color etcher, and gained practical knowledge in doing one and multiple plate work. In 1936, he purchased the Halverson Home located on 519 West Main St., Whitewater, Wisconsin and opened his art studio and gallery there.
Loneliness. Landscape near Schilde Jean Pierre François Lamorinière was a painter and etcher whose main subject matter was the landscape. He is regarded as a transitional figure in Belgian landscape painting between the Romanticism of Balthasar Paul Ommeganck and Eugène Joseph Verboeckhoven and later Realism. He painted his landscapes from nature based on his own observations. Even while his flat landscapes are derived from his direct observation of nature, Lamorinière did not just paint nature as he found it.
Troy Sylvanus Kinney (December 1, 1871 – January 29, 1938) was an American artist, etcher, and author. Troy Kinney was most notable for his works portraying dance performers, fanciful subjects, and classically styled nudes. He worked with dancers, including Ruth St. Denis, Anna Pavlova, and Sophie Pflanz among others. His artistic works are part of the collections of the Art Institute of Chicago, the Cleveland Museum of Art, the New York Public Library, the Library of Congress, and many others.
He also made a Ceres drinking in the Cottage of the old and a set of twelve plates of the Life of St. Bernard of Siena. He also etched a set of friezes and basso- relievi, among them, the Aldobrandini Marriage from an antique painting. Capitelli overcame his shortcomings as a draughtsman and achieved the unique position of virtually the only tenebrist etcher in Italy. The use of abrupt contrasts of light and dark is characteristic of Capitelli's work.
Stephen Alesch is a designer, draftsman, photographer, painter, illustrator, etcher, and printer who studied engineering and philosophy at Northern Arizona University. He left the university for an architectural apprenticeship and worked for architecture firms Bahram Nashat, Quentin Dart Parker, and Venice Atelier in Los Angeles. Standefer and Alesch met in the 1990s while working in Hollywood as production designers and art directors. Together, they designed more than 20 Hollywood films, including Practical Magic, Addicted to Love and Zoolander.
A Field Army Letter, published in ' in 1896. Poem and illustrations both by Maximilian Liebenwein. From 1897, Liebenwein lived as an independent painter in Munich, and also ran painting classes. During a visit with his draftsman/etcher friend Walter Ziegler, they saw Burghausen and the medieval Burghausen Castle.Menches, 2007. pp. 10, 49 The medieval town of Burghausen and its castle impressed them as an appropriate conceptual setting for the romantic-chivalric themes of many of Liebenwein's works.
Oakley Public Library (in the Lady Verney Reading Room) was opened on 17 February 1911 and closed in 1936. On 1 August 1910 the British painter etcher and engraver James Henry Govier was born at Oakley to Henry and Mary Ann (née Measey) Govier. In 1914 the family moved to Gorseinon in Glamorgan. During the First World War about 93 village boys went to war, of which 23 gave their lives for their country, including four brothers named Measey.
In 1880, Dover was managing a confectioner's shop, or a spice shop, in London Road, Sheffield. In 1882, she became housekeeper to widower Thomas Skinner (1819–1881) of Sheffield, who was a well-to-do inventor, etcher, and painter. Skinner may have taught her his trade, as he had done with his previous housekeeper. It is not known whether he used her drawing talent as an asset in his designing processes, although etched flower designs were used on cutlery.
Eileen Alice Soper (Municipal Borough of Enfield, 26 March 1905 – 18 March 1990) was an English etcher and illustrator of children's and wildlife books. She produced a series of etchings, mainly of children playing, and illustrated books for other writers, notably for Enid Blyton and Elizabeth Gould. She also wrote and illustrated her own children's book. Some of her illustrations of children and animals were used in a china series for children by Paragon China in the 1930s.
Portrait of Jacob Binck engraved after self-portrait by Simon Frisius Jakob Binck (or Bink) (1485 - 1568/9) was a German engraver, etcher, painter, medalist, copyist and art dealer. He was a peripatetic artist who worked for various courts in Northern Europe, especially the Danish court, and also resided in Antwerp for a while.Jacob Binck at the Netherlands Institute for Art History As an engraver he is counted as a peripheral member of the Little Masters group.
The Seven Liberal Arts, engraving by Greuter Matthaeus Greuter (1564–1638), known in Italian as Matteo Greuter, was a German etcher and engraver who worked in Rome. He is known for his cartographical prints. Born in Strasbourg, Greuter worked in France, in Avignon and Lyon. Apparently to escape the "strong intellectual and commercial pressure of Dutch cartographic publishing",Dahl, Edward, Gauvin Jean-Francois,Sphaerae Mundi, David M. Stewart Museum, McGill-Queen's Press - MQUP, 2000, pp. 125-30.
Pearson was born in Brussels on 5 July 1817. He was the son of William Pearson, etcher, of Durham, and was brought up there. At the age of fourteen he was articled to Ignatius Bonomi, architect, of Durham, whose clergy clientele helped stimulate Pearson's long association with religious architecture, particularly of the Gothic style. He soon moved to London, where he became a pupil of Philip Hardwick (1792–1870), architect of the Euston Arch and Lincoln's Inn.
Parrish was born November 12, 1888, in Colorado Springs, Colorado, where she attended the Misses Ferris' and San Luis Schools. Her father was Thomas Clarkson Parrish, an etcher from Philadelphia. Her mother, Anne (née Lodge), had studied at the Pennsylvania Academy of Fine Arts, becoming a portrait painter and a friend of Mary Cassatt in Paris. Anne Parrish was the elder sister of the illustrator-writer Dillwyn Parrish and a cousin of the painter Maxfield Parrish.
J.J. van der Maaten, Museum Elburg Jacob Jan van der Maaten (Elburg, 4 January 1820 – Apeldoorn, 16 April 1879) was a Dutch painter and etcher. Van der Maaten was a pupil of Hendrikus van de Sande Bakhuyzen and studied at the Royal Academy of Art, The Hague. In 1852 he became a member of the Royal Academy of Fine Arts in Amsterdam. Later, Van der Maaten became teacher at the so-called King’s School in Apeldoorn (1866–1879).
In the preparation of the latter work he was assisted by his daughter (a pupil of John Sell Cotman), who drew and lithographed the figures of the various species noted. Brightwell, who was a good Italian scholar and a remarkably able etcher, owed little to teachers, and followed her own methods. She went little into society. Her philanthropic spirit was shown in her exertions and contribution of £180, for the Brightwell lifeboat put on the Norfolk coast at Blakeney.
Shortly after his arrival in Vienna in 1656, van der Steen asked the court chancellery for court quarters (i.e. accommodation) and in the same year he was appointed court etcher to Emperor Ferdinand III with an annual income of 1200 gulden. This sum was reduced to 800 gulden the following year.Guido Messling, Point of View #14 at the Kunsthistorisches Museum Portrait of Emperor Ferdinand III, after Jacob Toorenvliet Franciscus van der Steen operated a workshop in Vienna.
She was also one of the first Finnish etchers. Albert Edelfelt called her Finland's best etcher; in 1902 Louis Sparre wrote of her etchings that she "[gave] promise of very considerable talent" and "some of her work recalls that of the best masters of the past." Her work is displayed at the first Salon d'automne of Paris in 1903 puis en 1905, 1913 and 1927. She returned to Finland in 1906 and her relationship with Rodin fades.
William Monk R.E. (1863–1937) was a British etcher, wood-engraver and painter in oils and watercolours. Born in Chester, the son of gunmaker William Henry Monk, he studied art at the Chester School of Art and etching at the Antwerp Academy, Belgium. temporary cenotaph in Whitehall, London, in 1919, published in his calendar for 1920. He was an Associate of the Royal Society of Painter-Etchers and Engravers from 1884 and elected a full member (R.
Antonie Frederik Zürcher (2 January 1825 – 15 April 1876) was a Dutch painter, draughtsman, etcher and art teacher. Zürcher was born in Nieuwer-Amstel as the oldest son of Johannes Cornelis Zurcher in a family of artists.Antonie Frederik Zürcher in the NNBW After his formal training in Amsterdam he became a drawing teacher at the academy there. He married in Amsterdam in 1850 and the couple had 14 children, including the painter Johannes Wilhelm Cornelis Zurcher.
Ignace Schott de Dabo (July 28, 1818 – March 3, 1883) generally known by the name Ignace Schott, he was a French born artist, etcher and teacher. Born in Dabo, located in the Lorraine region of France,U.S. Passport Application #57182 - for Leon Dabo [father Ignace Dabo was born in Dabo, France] he was a successful ecclesiastic decorator. He worked mostly as a mural painter but also in stained glass and many of his creations have survived to this day.
Hans Werner Schmidt (1859-1950) was a German painter, illustrator and etcher. Primarily, he created history paintings, frequently dealing with the history of Weimar and the life of Johann Wolfgang von Goethe. Grown up as the son of a craftsman, Schmidt began studying at the Weimar Saxon Grand Ducal Art School in 1879. As a student of Albert Heinrich Brendel and Theodor Hagen he became a master student in 1885 and was appointed professor in 1903.
Scene from Faust Die Schachspieler (The Chess Players) Friedrich August Moritz Retzsch (December 9, 1779 - June 11, 1857) was a German painter, draughtsman, and etcher. Retzsch was born in the Saxon capital Dresden. He joined the Dresden Academy of Fine Arts in 1798 under Cajetan Toscani and Józef Grassi, later working autodidactically, copying the famous pictures of the Gemäldegalerie, among them a copy of the Sixtinian Madonna. He was made a member of the Academy in 1817 and professor in 1824.
Millier became an etcher, printmaker and painter in San Francisco, exhibiting his work as early as 1922. He taught at the Chouinard Art Institute, Otis Art Institute, the University of Southern California, and the Pasadena Art Institute from 1922 to 1926, and he was the art critic for the Los Angeles Times from 1926 to 1958. He subsequently resumed painting watercolors in San Luis Obispo, California, and he received the Humanities Award from the National Watercolor Society in 1973. Millier married Sarah Pritchard.
His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organised by Martin Hardie in London in 1926, and his first etching was made in that year. He was particularly moved by Palmer's early Shoreham works which had been so influential on fellow students such as Paul Drury, William Larkins and Graham Sutherland. He also acknowledged his admiration for the technical craftsmanship of the older etcher, F.L. Griggs.
When the Australian Painter-Etchers Society in 1932 held its only thematic exhibition, Sydney Harbour Bridge Celebrations, Traill contributed a series of seven prints. The works comprised six etchings completed across the period 1927 to 1931, and a coloured aquatint created after construction was finished in 1932. These have become Traill's best known and most highly regarded images. At the time they were created, the artist Arthur Streeton observed: > Melbourne should be proud of that fine draughtswoman and etcher Miss Jessie > Traill.
Griffiths, 154 Several people were of special importance to the French Etching Revival. The publisher Alfred Cadart, the printer Auguste Delâtre, and Maxime Lalanne, an etcher who wrote a popular textbook of etching in 1866, established the broad contours of the movement. Cadart founded the Société des Aquafortistes in 1862, reviving the awareness of the beautiful, original etching in the minds of the collecting public.Chambers, Chapter 1; Salsbury; Martin Kemp, (ed.), The Oxford History of Western Art, Oxford University Press (2000), p.
Color viscosity intaglio with aquatint and soft ground. 24 x 18 3/4 in.Barooshian enjoyed very early success following his “discovery” by famed American etcher John Taylor Arms. This exposure directly led directly to the Library of Congress acquiring a complete portfolio of his woodcuts when Barooshian was only aged 22."Library of Congress Collection" Childs Gallery in Boston held Barooshian’s first one-man show in 1951. “One Man Show for Artist.” The Armenian Reporter-Spectator 13 Oct. 1951: 4–5.
Harry Northwood who founded the company was the son of John Northwood a noted maker of English cameo glass. He came to America in 1880 and worked at J. H. Hobbs, Brockunier and Company. He worked as a glass etcher there from approximately 1881-1884. He then worked for the La Belle glass company and during a strike there moved to Phoenix glass company in Pittsburgh, Pa. He became a glass maker when he returned to La Belle about 1886.
War Scene Robert Wakeham Pilot (1898–1967) was a Canadian artist, who worked mainly in oil on canvas or on panel, and as an etcher and muralist. Pilot was born on 9 October 1898, at St. John's, Newfoundland, to Edward Frederick Pilot and his wife Barbara (née Merchant). In 1910, his widowed mother married the artist, Maurice Cullen, moving into Cullen's home in Montreal. As a child, Pilot assisted Cullen in his studio, and the two would take sketching trips together.
Self-Portrait, in the Vasari Corridor of the Uffizi Gallery. Sinibaldo Scorza (16 July 1589 – 5 April 1631) was an Italian painter, draughtsman and etcher. He was born into a wealthy aristocratic family from Voltaggio (now part of Piedmont), his father being the Conte Scorza di Voltaggio, and he received a literary and humanist education. He first trained with a poorly known painter, Giovanni Battista Carosio, and his son Bernardo until he moved in 1604 to Genoa and apprenticed with Giovanni Battista Paggi.
Geddes made his chief success as a portrait painter, but he produced occasional figure subjects and landscapes, and executed some copies of the old masters as well. He was also a good etcher. His portrait of his mother, and a portrait study, called Summer, are in the National Gallery of Scotland, and his portrait of Sir Walter Scott is in the Scottish National Portrait Gallery. His portrait of Alexander Oswald of Changue FRSE is held at the Glasgow Museum Resource Centre.
Keith Duncan Mallett (born October 7, 1948) is an American artist who has worked as a painter, etcher and ceramic artist. His subject matter ranges from figurative to still life and abstracts. Mallett's work has been exhibited worldwide and is featured in corporate and private collections. He has also enjoyed considerable success with numerous sold-out limited-edition prints, and was given the commission to craft the official limited-edition print commemorating the 50th anniversary of Jackie Robinson's breakthrough into major league baseball.
The noted architectural watercolourist Samuel Prout painted the bridge in a study dated "before 1814", now held at the Yale Center for British Art in Connecticut. In 1795, J. M. W. Turner sketched the bridge and gatehouse during one of his annual summer sketching tours. The watercolourist and etcher John Sell Cotman sketched the bridge in the early 19th century, his drawing showing the overhanging accommodation and guardhouse that were later removed. Joshua Cristall produced a similar pencil sketch in 1803.
He was married to Katherina Martin and they had 6 daughters and 4 sons. He was a skilled etcher and graphic artist. During the Second World War, he used his skills to forge papers for Jewish people. He was a member of the Amsterdam artist societies Arti et Amicitiae, Hollandse Aquarellisten Kring, Nederlandse Kring van Tekenaars, and Federatie van Verenigingen van Beroeps Beeldende Kunstenaars, and the Haarlem-based Kunst zij ons doel until 1948, when he joined the Teisterbant club of Godfried Bomans.
Death appearing to a man cooking Willem Linnig was a painter and etcher whose main subject matter was history and genre scenes. Linnig's paintings show the influence of the style and subject matter of his teacher Jan August Hendrik Leys. Leys had made a name with his meticulously painted historical scenes recounting major events from Belgium's national history, which were regarded as a key to the country’s national identity. In addition, Leys painted genre scenes inspired by 17th century genre painting.
Hieronymus Cock, or Hieronymus Wellens de Cock (1518 - 3 October 1570) was a Flemish painter and etcher as well as a publisher and distributor of prints.Hieronymus Cock at the Netherlands Institute for Art History Cock is regarded as one of the most important print publishers of his time in northern Europe. His publishing house played a key role in the transformation of printmaking from an activity of individual artists and craftsmen into an industry based on division of labour.Hans Devisscher and Timothy Riggs.
Victor Llewellyn Child (1897-1960) was a Canadian painter, etcher and newspaper illustrator. A senior pen-and-ink commercial artist at the Toronto Telegram for much of his professional career, in private life he produced landscapes and portraits in watercolours and oils. Victor Child was born in Palmerston, Ontario, and studied first in Toronto at the Ontario College of Art under George Agnew Reid, Charles Macdonald Manley (Manly) and John William Beatty, and later in London at Heatherley's.Art Gallery of Ontario, Toronto.
Besides genre and portrait painting, Van Mieris was also a skilled landscape painter, etcher, and draughtsman; moreover, he also tried his hand at history painting with remarkable results. He acted as headman and once as dean of the Leiden Guild of St. Luke in 1693. A year later, in 1694, he founded a drawing academy in Leiden together with the painters Jacob Toorenvliet (c. 1636–1719) and Carel de Moor (1655–1738), which he and de Moor directed until 1736.
Del Pò is best known as an etcher who reproduced the paintings of the most important seventeenth-century artists. His choice of subjects reveals a preference for classical themes, and he reproduced primarily the works of Domenichino, Nicholas Poussin, Lanfranco and the Carracci. In addition, requests for his etchings came from abroad, as evidenced by several prints published in Paris by Bertrand and Coypel. Led by Bartsch, most scholars discuss Del Pò’s work favourably and point out his talent as a draftsman.
"A spring afternoon in the park" Francis Sylvester Walker (1848–1916) was an Irish painter, illustrator and etcher. Walker was the son of Thomas Walker, Master of the Workhouse at Dunshaughlin and Ann Delany of Clavistown Mills, Killmessan, County Meath. He studied Art at both the Royal Dublin Society (RDS) and the Royal Hibernian Academy (RHA), Dublin. He exhibited at the RHA in 1863, at Burlington House, London in 1905, and in various cities in Britain (Birmingham, Liverpool, Glasgow etc.).
Watercolour study, Sea and sky at Seaford Sir Francis Job "Frank" Short PPRE (19 June 1857 - 22 April 1945) was a British printmaker and teacher of printmaking. He revived the practices of mezzotint and pure aquatint, while expanding the expressive power of line in drypoint, etching and engraving. Short also wrote about printmaking to educate a wider public and was President of the Royal Society of Painter Etcher & Engavers (now styled the Royal Society of Painter-Printmakers) from 1910 to 1938.
Stevens continued her career as an etcher during World War I (1914–1918), alternating between Toronto and New York. Her personality was unconventional and exuberant. She said that at one time in New York she went to so many parties that she saw no daylight for three weeks. Late in 1918 she heard of a program to commission works from Canadian artists depicting home-front subjects, led by Eric Brown, when her friends Frances Loring and Florence Wyle were given commissions.
Felicia Dorothea Kate Dover (1855 – 26 March 1925) was an English woman who was tried for murder and convicted of manslaughter in 1882 following the death of Thomas Skinner from arsenic poisoning. She was trained as an artist at Sheffield School of Art and was skilled in drawing flowers. She was popularly known as the Queen of Heeley due to her artistic interests and her standard of dress. In 1880, at age 25, she become the housekeeper of etcher Thomas Skinner, aged 61.
A.R. Barker became a painter in the traditional school of English watercolour as well as an engraver, lithographer and etcher. He exhibited over many years at the Royal Academy and examples of his work are owned by the Victoria and Albert Museum, the British Museum and the Walker Art Gallery in Liverpool. In the 1920s he was a leading member of the Senefelder Club. He published two children's books illustrated with his own wood-cuts, The Fairyland Express (1925) and Hidden Gold (1926).
Hoare himself was a delicate etcher and published a number of private plates, mostly of family and friends, including a Miss Hoare (probably Mary), Christopher Anstey and the 3rd Duke of Beaufort. His pastels were influenced by Rosalba Carriera. William Hoare was the first fashionable portraitist to settle in Bath, and he was the leading portraitist there until the arrival of Thomas Gainsborough in 1759. He remained the favourite of his powerful patron the Duke of Newcastle, his family, followers and political associates.
Gustav Philipp Zwinger (3 January 1779 – 15 January 1819), painter and etcher, was born at Nuremberg. He was the son and pupil of the painter and engraver Sigmund Zwinger (1744—1813), now chiefly remembered as a teacher. Gustav completed his studies under Heinrich Füger in Vienna, and returning to his native town, became in turn professor and director of the Art School. He was also known as an historical painter, both in oil and watercolour, and as a designer of book illustrations.
Willem Roelofsby Jozef Israëls, 1892 Willem Roelofs (10 March 1822, Amsterdam – 12 May 1897, Berchem) was a Dutch painter, water-colourist, etcher, lithographer and draughtsman. Roelofs was one of the forerunners of the Dutch Revival art, after the Romantic Classicism of the beginning of the 19th century, which led to the formation of The Hague school. His landscapes, especially the early ones with their dominating cloudy skies, demure bodies of water and populated with cattle, are typical for the School of Barbizon.
The painting details the moment in which one of the captured Africans is brought before Scipio, who recognises him to be Massiva, the nephew of a chieftain of Eastern Numidia, Massinissa. Scipio reportedly frees Massiva, sending him home to his uncle laden with gifts and so winning Massinissa's loyalty for Rome. Giovanni Battista Tiepolo (1696-1770) was an Italian painter and etcher most famous for his decorative fresco cycles. Tiepolo joined the Venetian painters’ confraternity in 1717 at twenty one years of age.
The 32nd Venice Biennale, held in 1964, was an exhibition of international contemporary art, with 34 participating nations. The Venice Biennale takes place biennially in Venice, Italy. Winners of the Gran Premi (Grand Prize) included American painter Robert Rauschenberg, Swiss sculptor Zoltan Kemeny, German draughtsman Joseph Fassbender, and Italians sculptor Andrea Cascella, sculptor Arnaldo Pomodoro, and etcher Angelo Savelli. Rauschenberg's selection for the Golden Lion marked the United States' ascendancy over European artistic dominance, and the entrance of pop art into canon.
The first issue of "Flora Batava" was published in Amsterdam in 1800, with illustrations that were provided by artists working under J. C. Sepp & Son. The publisher Jan Christiaan Sepp was not only a Mennonite, but also an engraver, etcher, bookseller, author and illustrator. The final issue, volume 28, was published in 1934. Willem Jan Lütjeharms, the editor for that volume, stated that the work had ended and its publication had stretched over more years than any other botanical magazine.
Mayor, 511–515. The last third of the century produced relatively little original printmaking of great interest, although illustrative printmaking reached a high level of quality. French portrait prints, most often copied from paintings, were the finest in Europe and often extremely brilliant, with the school including both etching and engraving, often in the same work. The most important artists were Claude Mellan, an etcher from the 1630s onwards, and his contemporary Jean Morin, whose combination of engraving and etching influenced many later artists.
Norris was born in London in 1779, to John Norris (1721-1786), a wealthy merchant, by his mistress Deborah Busby.Biography of Charles Norris National Library of Wales In 1800, Charles Norris moved to Milford in Wales, but by 1810 he had moved further down the coast to Tenby. He came to note as an etcher of landscapes of the Pembrokeshire countryside, but mainly of Tenby. Norris is seen as an important recorder of Medieval buildings of Pembrokeshire, due to the lack of alternative recordings during the period.
St Stephen's Walbrook, London, EC4 (1945) (Art.IWM ART LD 5306) Strang was born in London, the eldest son of William Strang, an internationally known etcher, and his wife Alice née Rogerson. He studied at the Slade School of Art from 1902 until 1906 with Henry Tonks and under Jean- Paul Laurens at the Académie Julian in Paris, 1906–8. Strang held his first solo exhibition at the Goupil Gallery in 1914. He served in the Middlesex and Royal Berkshire Regiments (1914–19) during the First World War.
A panoramic landscape, with Ernest Slingeneyer Nicolaas Johannes Roosenboom (23 August 1805 - 1 March 1880), was a Dutch painter, etcher, lithographer, watercolorist, and illustrator who was specialised in landscape art.Nicolaas Johannes Roosenboom at the Netherlands Institute for Art History He painted various types of landscapes but was mainly known for his winter landscapes.Nicolaas Johannes Roosenboom , Skaters on a frozen waterway at Master Art Roosenboom's work is situated in the Dutch Romantic movement. He collaborated with various artists who painted the staffage in his landscapes.
When he completed the program, he went to work for his grandfather, an engineer, as a surveyor for a new housing development. Klabunde had no plans to attend college until a co- worker his own age persuaded him to enroll. Klabunde earned his B.F.A. in 1958 from the University of Nebraska and then attended graduate school at the University of Iowa, earning his M.F.A. in 1962. While at Iowa, he met the Argentine printmaker, Mauricio Lasansky, who encouraged him to build a career as an etcher.
Kees Stoop (19 March 1929 in Werkendam 16 February 2019) was a Dutch painter, illustrator and etcher. Born in Werkendam, he studied at the Royal Academy of Fine Arts and the Higher Institute for Fine Arts in Antwerp in the 1950s where Professor Jos Hendrickx influenced the young artist greatly. Further inspiration was found in the works of Constant Permeke and Gustave De Smet.Tekens, Dagboek in 1000 krabbels van Kees Stoop, Steffelaar, H., Kees Stoop Foundation, 2012:5 He lived and worked in Holten since the 1960s.
Richardson also insists on his importance as an etcher: "In etching he was similarly innovative. His technique was unlike that of any contemporary: unsystematically he used dense webs of light, fine, multidirectional hatching to create a tonal continuum embracing form, light, shadow, and air. His etchings are the only real equivalent in printmaking of later 16th-century Venetian painting modes, and his technical experiments were emulated by 17th-century etchers such as Jacques Bellange, Giovanni Benedetto Castiglione and Rembrandt". Meldolla died in Venice in 1553.
Jules De Bruycker, self-portrait (1932 Jules De Bruycker (29 March 1870 - 5 September 1945) was a Belgian graphic artist, etcher, painter and draughtsman.Jules De Bruycker at the Netherlands Institute for Art History He is considered one of the foremost Belgian graphic artists after James Ensor and achieved a high level of technical virtuosity. He is best known for his scenes of his home town Ghent, architectural views of cathedrals, war prints and book illustrations.Dirk Van Assche, The Etchings of Jules de Bruycker, in: The Low Countries.
John Austin Sands Monks (1850–1917) was an American painter and etcher known especially for his paintings of sheep. Born in Cold Spring, New York, to John and Sarah Catherine Monks, he was educated at the Hudson River Institute and studied engraving under George N. Cass and painting under George Inness. He was a longtime resident of Medfield, Massachusetts, and had a studio in Boston. He was a member of the Boston Art Club, the Copley Society, the Salmagundi Club, and the New York Etching Club.
Much of his work was townscapes or landscapes with a melancholic feeling, often with a setting sun or a rising moon and typically done in autumn or winter. The landscapes are usually bare, skeletal and stylized, betraying the fact that he was a skilled etcher, but never detailed. Human or animal figures are not sharply defined but appear to dissolve into the background. As a result of his illness, from 1889 he did more work in the studio, such as portraits and still life.
Edwin was originally self-taught, he seems to have no formal art training except for learning basic techniques by his friend and fellow artist, Joseph Vickers de Ville. He sketches in charcoal, pastel and watercolour and painting mainly in oil. He was a prolific painter, a competent etcher, and apparently a sculptor too, though no examples of his sculpture are known. He exhibited his images of the Black Country from 1904 until his death and a large amount of his work is held by Wolverhampton Art Gallery.
Willem Schellinks (1623–1678), was a Dutch painter, draughtsman and etcher of landscapes and marine scenes and also a poet. Willem Schellinks was one of the most widely traveled Dutch artists of his time. He traveled along the Loire and the Seine in 1646, and between 1661 and 1665 he visited England, France, Italy, Malta, Germany and Switzerland, keeping a record of his travels in multiple landscapes and scenic views as well as a journal.Willem Schellinks at the J. Paul Getty Museum Alternative spellings, Schellinger and Schellinx.
Fyt was an accomplished etcher and he produced a series of etchings depicting mainly animals and dogs. These were published in his lifetime in two sets referred to respectively as the Set of the Dogs and the Set of the Animals. The set of 8 prints of the Dogs series was published in 1642. The title plate shows two hunting dogs in front of a pedestal with a dedication to the Spanish Don Carlo Guasco, Marquess of Soleno who was the patron of the publication.
Asa Lynn "Ace" Powell (April 3, 1912 – January 25, 1978) was an American painter, sculptor, and etcher of genre scenes and imagery relating to indians, cowboys, horses, and wildlife. His artwork was influenced by that of fellow Montana artist Charles M. Russell. Powell's lifetime body of work consists of between 12,000 and 15,000 artworks. Although he preferred working with oil paints, he also produced a large number of watercolor paintings and drawings, as well as a number of works in bronze, terracotta, and wood.
He continued to work with LaFarge on stained glass work and decorative projects that came through LaFarge's studio in New York, until 1887. In 1893, Smith moved his family and business to Boston.Finding Aid for Society Sidney Lawton Smith Papers, 1887–1931, held by the American Antiquarian Society During this period, Smith worked primarily as an etcher and engraver, and a designer of bookplates. Smith's bookplate clients included notable book and engravings collectors, college and public libraries, historical and research societies, publishing houses, bookstores, and collector's clubs.
Percy Robertson RE (1868–1934) was an English watercolour landscape painter and etcher. Robertson was born in Bellagio, Lombardy, Italy. His father, also a painter and engraver, was Charles Robertson and his mother was Alice Mary, the daughter of the colonist Captain William Lonsdale (1799–1864), who supervised the founding of Port Phillip, later to become the location of Melbourne in Australia. Between 1883 and 1885, he was educated with his brothers at Charterhouse School in England, where he won the Leech Prize for drawing in 1884.
Brooklyn Bridge by Rudolph RuzickaGeorges Guynemer by Rudolph Ruzicka, 1918 Rudolph Ruzicka (29 June 1883 – 20 July 1978) was a Czech-born American wood engraver, etcher, illustrator, typeface designer, and book designer. Ruzicka designed typefaces and wood engraving illustrations for Daniel Berkeley Updike's Merrymount Press, and was a designer for, and consultant to, the Mergenthaler Linotype Company for fifty years. He designed a number of seals and medals, including the American Institute of Graphic Arts (AIGA) and the Dartmouth Medal of the American Library Association.
George Frederick Arthur Belcher (19 September 1875 – 3 October 1947) was an English cartoonist, etcher and painter of genre, sporting subjects and still life. He was born in London on 19 September 1875 and studied at Bideford Art School and the Gloucester School of Art. He drew for the Punch Almanac from 1906 and for Punch itself regularly from 1911; also for the Tatler and Vanity Fair. His work was also part of the painting event in the art competition at the 1928 Summer Olympics.
Van Wijnen, Franeker, "My soul is abhorred by the Calvinists". He also instructs her to give the children a Christian education, but to show them how evil the Calvinists are, so that they will dislike it. Until execution of the death penalty, he was detained in the Gevangenpoort in The Hague. An inscribed was made of the imprisoned pastor Slatius, dressed in peasant clothes and with handcuffs, by Claes Jansz Visscher (1587–1652), not only a skilled draftsman and etcher, but also a strict Calvinist.
Marjorie Sherlock (1897-1973) was a British painter and etcher. Three books of her etchings were published between 1925 and 1932. Her painting Liverpool Street Station, now in the Government Art Collection, was first shown at the Royal Academy in 1917 and in 1987 was at 10 Downing Street when Margaret Thatcher was Prime Minister of the United Kingdom. She studied at the Westminster Technical Institute, a pupil of Walter Sickert and Harold Gilman; at the Slade School of Fine Art; and the Royal College of Art.
Thomas Skinner (16 June 1819 – 6 December 1881) was an etcher, inventor and amateur oil-painter in Sheffield, West Riding of Yorkshire, England. During the 1840s he invented a method by which the mass production of etched designs on steel blades could be facilitated by means of paper transfers. The British and American patents brought him a good income, but he devoted his life to developing the method. After he was widowed he was killed by arsenic poisoning at the hands of his housekeeper Kate Dover.
People from Shaw and Crompton are called Gawbies or Cromptonians. Philip Gilbert Hamerton, an acclaimed etcher, painter, and art critic was born in the area in 1834. The town is the home of Oldham-born actress Shobna Gulati, former Oldham Athletic player and manager Andy Ritchie, and is the hometown of Kevin O'Toole, a founding member of dance act N-Trance. Shaw and Crompton was the birthplace of Nicola White, a Team GB-gold medalist in women's field hockey at the 2016 Summer Olympics.
Jacob reproaching Laban, after Caravaggio Coelemans worked as an engraver and etcher who mainly produced reproductive prints after paintings made by other artists. The commission by Boyer d'Aguilles required him to reproduce paintings in all genres. He was a versatile printmaker who was able to complete the commission successfully. The plates that he executed for Boyer d'Aguilles were published after his patron's death by Coelemans, in a folio volume containing 118 plates, under the title Recueil des plns beaux tableaux du cabinet de messire J.-B.
Lathrop (pronounced "LAY-throp") was born in Painesville, Ohio and grew up on his family's farm. Lathrop began his art career in New York City in the late 1870s as an illustrator and part-time etcher, both pursuits that earned him little money. In the late 1880s Lathrop traveled to Europe where he met and married his wife. Returning to America, Lathrop endured financial difficulty and briefly turned away from art before friends convinced him to enter his watercolors in a prestigious New York show.
At the end of the summer they spent additional time traveling and sketching in France, Switzerland, and Italy. After their return the United States, Mess resumed his work at the Circle Art Academy and continued to paint on weekends and in the evenings. Mess's wife, a master etcher, introduced him to the medium of etching and taught him the fundamentals. She later assisted him with the technical aspects of his etching and printing work due to his busy schedule as an art teacher and commercial artist.
Battle scene Jacques Courtois or Giacomo Cortese, called il Borgognone or le BourgignonSometimes also referred to as Giacomo Borgognone delle Battaglie, P. Giacomo Cortese, P. Giacomo Cortesi, Giacomo Cortese, Iacopo Cortese, Jacopo Cortesi, il Jesuita. See entry at the Netherlands Institute for Art History (12 December 1621 - 14 November 1675) was a French-Italian painter, draughtsman and etcher. He was mainly active in Rome and Florence and became known as the leading battle painter of his age. He also created history paintings and portraits.
The 34th Venice Biennale, held in 1968, was an exhibition of international contemporary art, with 34 participating nations. It took place in Venice, Italy. Winners of the Golden Lions Awards (Grand Prizes) included British painter Bridget Riley, French sculptor Nicolas Schöffer, German etcher Horst Janssen, and Italian sculptors Gianni Colombo and Pino Pascali. The opening days of the Biennale were marred by hard encounters between students protesting and the local police, which resulted in some of the artists refusing to show their work in solidarity.
He returned to his home city after a period at sea and then briefly worked as an apprentice to a surgeon in the nearby town of Downham Market. He studied etching under the water-colourists Henry Ninham and James Stark, and the etcher E. W. Cooke. He specialised in marine painting and is noted for his depictions of water and waves. He moved to London in 1835, but returned to Norwich in 1848, living there for a further two years before he died of tuberculosis in 1850, aged forty.
He found enough beauty and romance in all that was around him, and, in his Punch work, enough subtle humour in nature seized at her most humorous moments to satisfy him. He never required his models to grin through a horse collar, as James Gillray did, or to put on their company manners, as was George du Maurier's wont. But Keene was not only a brilliant worker in pen and ink. As an etcher he has also to be reckoned with, notwithstanding the fact that his plates numbered not more than fifty at the outside.
Kenneth Steel (RBA, SGA, 9 July 1906 – 1970) was a British painter and etcher, noted for his works of art in watercolor. As an accomplished draughtsman his work is noted for its intricate detail, which can be best seen in his landscapes views and street scenes, many of which were reproduced as designs for railway carriage prints and station billboard posters. thumb Kenneth Steel was born in Sheffield, England to G. T. Steel, an artist and silver engraver. His elder brother, George Hammond Steel (1900–1960) was a successful landscape painter.
James Neild (Samuel De Wilde) Samuel Thomas Russell (1766–1845) as Jerry Sneak in The Mayor of Garratt, a play by Samuel Foote (Samuel De Wilde, 1810) Samuel De Wilde (1751–19 January 1832), born and died in London, was a portrait painter and etcher of Dutch descent famous for his theatrical paintings. He was the leading painter of actors and actresses between 1770 and 1820. He lived in Clarendon Square, Somers Town. De Wilde was baptised in London on 28 July 1751, the son of a Dutch joiner who had settled there by 1748.
Composite armor for the Italian joust, Higgins Armory Museum Anton Peffenhauser (1525 – 1603) was the foremost armourer in Augsburg during the late 16th century. He was trained by members of the Helmschmied family.Anton Peffenhauser in the German national dictionary of biography He frequently collaborated with the armor etcher, Jörg Sörg the Younger (1525 – 1603), his exact contemporary, and their works are documented in a manuscript known as the Stuttgarter Harnischmüsterbuch. Becher, Charlotte, Ortwin Gamber, and Wolfgang Irtenkauf. “Das Stuttgarter Harnisch-Musterbuch, 1548-1563.” Jahrbuch Der Kunsthistorischen Sammlungen in Wien 76 (1980): 9–96.
Heather Tanner attended Chippenham Grammar School, where she met her future husband, the etcher and teacher Robin Tanner. In his autobiography, Double Harness, Robin recounts how, as school prefects he and Heather would smuggle secret messages to each other in the absentee registers for which they were responsible as their relationship blossomed in the early 1920s.Robin Tanner, Double Harness: An Autobiography(London: Impact, 1987), 21. Heather achieved a First Class degree at King's College London, which she left in 1929 to become an English teacher at The Duchess School for Girls, Alnwick Castle, Northumberland.
Sir Muirhead Bone (23 March 1876 – 21 October 1953) was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War. He promoted the work of many young artists and served as a Trustee of the Tate Gallery, the National Gallery, and the Imperial War Museum.
Louis Monziès began to learn painting and etching in Paris in 1871 from the painters Jean-Louis Ernest Meissonier and Isidore Pils, and from the etcher Léon Gaucherel. He got second-class and third-class medals in 1876, 1880 and 1881 at the annual Salon in Paris. He married Eugénie Alphonsine Courtignon in 1882 at Cherbourg and three children were born : Jean in 1889, Pierre in 1891 and Jacques in 1895. He lived then in Paris but he owned also a small house in Normandy near Gréville-Hague.
He painted several subjects for Boydell's Shakespeare Gallery, designed illustrations to Bell's edition of the poets, and practised to some small extent as an etcher and mezzotint-engraver. It is, however, as a painter, in both oil and water- color, of landscapes and rustic subjects that Wheatley is best remembered. He was elected an associate of the Royal Academy in 1790, and an academician in the following year. In 1787 he married one of his most popular models, the young Clara Maria Leigh (1768–1838), who was also an artist.
At the same time the Museum continues to strengthen its earlier twentieth-century holdings. The collection also includes a substantial number of prints and drawings, among them works by George Bellows, Marsden Hartley, Larry Rivers, Helen Frankenthaler, and Robert Rauschenberg. In 1982 Paul F. Walter donated drawings by many Minimalist painters and sculptors, including Barry Le Va, Dorothea Rockburne, Mel Bochner, and Jennifer Bartlett. Robert Dunnigan gave the Museum more than 500 etchings in 1976, with prints by many of the American artists who participated in the “painter-etcher” movement of the late nineteenth century.
The English translation is "Adam and Eve were both naked and were not ashamed." Mulder's etchings are actively collected today. According to his contemporary, art historian Arnold Houbraken, he was a good etcher who had been the pupil of the Amsterdam painter Hendrick Bogaert in 1672. Joseph Mulder Biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature Houbraken reported that Mulder claimed to have played a similar prank on a baby as Adriaen Brouwer had done.
Norris had five illegitimate children by his housekeeper, Deborah Busby, of which three survived: Elizabeth Norris (who married Richard Bevan), John Norris (1774–1845), and Charles Norris (1779‑1858). John inherited his father's lands and properties, and was considered to be the wealthiest commoner in England. Charles was a topographical etcher and writer who is best known for his landscape work of the Welsh countryside, especially the area around Tenby. Norris left £5,000 in his will to Magdalen College, Oxford, for the completion of the New Buildings, although the buildings were never completed.
Cornelis Botke (1887-1954) was a Dutch-born American painter and etcher. He emigrated to the United States in 1930, and he first lived in Chicago before moving to Southern California. By the time of his death, his artwork hung in the New York Public Library, the Los Angeles Public Library, and the California State Library. His etchings are in the permanent collections (but not currently on view) of the Smithsonian American Art Museum, the National Gallery of Art, the San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art.
According to Gotwals, "In May, 1796, Dies apparently eloped with a young girl to Salzburg." The following year he moved to Vienna, and lived there on the produce of his brush as a landscape painter, and on that of his pencil or graver as a draughtsman and etcher. He also taught landscape painting at the Imperial and Royal Academy, and later, in his final post, was gallery director to Prince Nikolaus Esterházy II. During this time his physical condition grew worse, and he even lost the use of one of his hands.
Cantarini's skill as a designer/draughtsman informed his work as an etcher by allowing him to arrive at a graphic simplification of great beauty and effectiveness.Simone Cantarini. Opere su carta agli Uffizi (2015) Mars, Venus and Cupid Cantarini is known to have followed a set procedure in the design and creation of his prints: he would start with a general sketch of the composition in pen or pencil. After having thus studied the details of the composition one by one, he traced the design in red stone, with the details defined.
Portrait of Albrecht de Vriendt by Ramon Casas Albrecht Frans Lieven De Vriendt or Albrecht De Vriendt (In French-language publications referred to as Albert De Vriendt or Albert François Lieven De Vriendt)In memoriam. Albrecht De Vriendt, Antwerp, J.-E. Buschmann, 1901 (Ghent, 8 December 1843 – Antwerp, 14 October 1900) was a Belgian painter known for his genre scenes, history paintings, interiors and figure paintings.Albert De Vriendt at the Netherlands Institute for Art History He was also active as an author, publisher and copyist He was also a watercolorist and an etcher.
Pope Paul III for the portrait of Luther Albrecht De Vriendt was a painter of genre scenes, religious subjects, history paintings, interiors and figure paintings. He was also a watercolorist and an etcher. Albrecht De Vriendt principal subject matter was the glorious Belgian and Flemish history from the 15th to 17th centuries. He thus continued the tradition of the Belgian Romantic- historical school who chose as the subject matter of their work important historical events in Belgium’s history which were regarded as key to the country’s national identity.
A marine etching from Platt's early period after he studied under Stephen Parrish Platt was born in New York City, the son of Mary Elizabeth (Cheney) and John Henry Platt. Platt trained as a landscape painter, and as an etcher with Stephen Parrish in Gloucester, Massachusetts in 1880. He attended the National Academy of Design and the Art Students League in New York, and later, the Académie Julian in Paris, with Gustave Boulanger and Jules Joseph Lefebvre. At the Paris Salon of 1885, he exhibited his paintings and etchings and gained his first audience.
122Verhoogt, 2007, 447 Reproductive prints have been called the "cash cow" of the Victorian Art Market, and proved lucrative to Arthur Tooth. Example of framed and glassed print published by Arthur Tooth & Sons and copyrighted by Knoedler with a signature by the original artist Jules Breton and etcher Charles Albert Waltner The 19th century saw an increased number of middlemen operating between artists and consumers in the art market.Bayer and Page, 2011, p.116. Arthur Tooth & Sons' business model can be seen as typical of these new firms.
Nadar. Félix Henri Bracquemond (22 May 1833 - 29 October 1914) was a French painter and etcher. He played a key role in the revival of printmaking, encouraging artists such as Édouard Manet, Edgar Degas and Camille Pissaro to use this technique. Portrait of Félix Bracquemond, by his friend Paul Adolphe Rajon, etching, 1852 Unusually for a prominent artist of this period, he also designed pottery for a number of French factories, in an innovative style that marks the beginning of Japonisme in France. He was the husband of the Impressionist painter Marie Bracquemond.
Oliver Baker (1856-1939) was an English painter, etcher, designer and silversmith, best known for his role in the development of the Cymric Silverware line for Liberty & Co. Baker was born in Birmingham, the son of the artist Samuel Henry Baker. He studied under his father, with whom he shared a studio in Edgbaston, and at the Birmingham School of Art. He exhibited at the Royal Academy frequently from 1883 and was elected a member of the Royal Birmingham Society of Artists in 1884. His younger brother Harold (1860-1942) was a noted photographer.
Christine Dixie (born 1966) is a South African printmaker. Born in Cape Town, Dixie received her BFA from the University of the Witwatersrand; following this she attended the University of Cape Town for graduate school, receiving both her post-graduate degree and her MFA from that institution in 1993. She works primarily as an etcher and printmaker, and has produced numerous large- scale installations. Her 2009 installation work The Binding, consisting of six sculptures, six altars, six etchings, and two digital prints, was purchased in 2010 by the National Museum of African Art.
Into the mural, Rivera painted a figure of Stackpole's son Peter holding a model airplane. During his stay, Rivera and his wife Frida Kahlo lived and worked at the studio, becoming in the process lifelong friends with Stackpole and Ginette. They met tennis champion Helen Wills Moody, an avid painter-hobbyist, who soon agreed to model for Rivera at the studio. Neighbor Dixon saw the attention, and the American money being given to Rivera, and with etcher Frank Van Sloun organized a short-lived protest against the Communist artist.
Daniel was trained as an etcher of armour. There are only two proven examples of his own work on armour: a shield from 1536 now in the Royal Armoury museum (La Real Armería) of the Royal Palace of Madrid and a sword in the Germanisches Nationalmuseum of Nuremberg. An Augsburg horse armour in the German Historical Museum, Berlin, dating to between 1512 and 1515, is decorated with motifs from Hopfer's etchings and woodcuts, but this is no evidence that Hopfer himself worked on it. Three German Soldiers Armed with Halberds, c. 1510.
Illustration for The Pickwick Papers (1837) Buss was commissioned by Dickens' publishers, Chapman and Hall, to provide two illustrations for The Pickwick Papers after the original illustrator, Robert Seymour, committed suicide. Buss immediately set aside his other work and prepared a dozen or so preliminary sketches for the novel, then in its second of twenty instalments. Five of these sketches are in the Pierpont Morgan Library in New York. His drawings were regarded as adequate, but the process of etching on a steel plate was unfamiliar to him so he hired an expert etcher.
Sadler and Green printed in Liverpool, where their trade included overglaze printing on tin-glazed earthenware, porcelain, and creamware.Honey, 295–296 Transfer printing on porcelain at the Worcester porcelain factory in the 1750s is usually associated with Robert Hancock, an etcher and engraver, who signed some pieces and had also worked for Bow. Richard and Josiah Holdship, the managers of Worcester, were very supportive and involved with Hancock's work. By the mid-1750s the Worcester factory was producing both underglaze prints in blue and overglaze prints, predominately in black.
Portrait of Jan Baptiste de Jonghe Jan Baptiste de Jonghe or Jean-Baptiste de Jonghe (Kortrijk, 8 January 1785 – Schaerbeek, 14 October 1844) was a Belgian painter, draughtsman, etcher and lithographer. He is known for his Romantic landscapes with people, herds and ruins.Jan Baptiste De Jonghe at the Netherlands Institute for Art History In his graphic work he also made views of cities in the area of what is now Belgium and the Netherlands. He was an art professor at the Academy of Kortrijk and the Antwerp Academy of Fine Arts.
It was only after his marriage in 1897 with Honorine Tian (1871-1953), known as Nori Malo- Renault, a student of etcher Géry-Bichard, that Malo-Renault began his engraving career with the support of his wife for the development of color prints, in particular in Le serpent noir by Paul Adam. Between 1903 and 1928 he participated in many exhibitions at the Salon of the Société Nationale des Beaux-Arts, where he was a member from 1910. It is a representative of the art nouveau style with a Japanese influence.
Ruines de l'hôtel de Bretonvilliers, à la Pointe de l'Île Saint-Louis, etching on blue paper, 1875 Gabrielle-Marie Niel (1840-1894) was a French etcher. Born in Poligny, Jura, Niel was the daughter of Jules Niel, who was at the time an administrator of the Jura subprefecture. After receiving initial lessons, and advice, from Émile Wattier, a friend of her father's, she studied under Charles Méryon. She is chiefly noted for producing etchings of old Paris and of other cities, as well as images of Italy and Algeria.
Robertson K. Mygatt or 'R.K.', (1861–1919) was an American landscape painter and etcher working at the turn of the 20th century. He is often associated with the Tonalist movement which was being experimented with in painting during most of his active years, having emerged as a movement in the 1880s that continued through about 1915. R. K. Mygatt was born in New York City in 1861, where he studied at the Art Students League of New York with noted landscape artist John Henry Twachtman and American impressionist painter William Merritt Chase.
Nieuwenkamp by Nico Jungmann (1909) Wijnand Otto Jan Nieuwenkamp (Amsterdam, July 27, 1874 – Fiesole, April 23, 1950), was a Dutch multi-faceted autodidact. As an artist he was active as a painter, draftsman, sculptor, etcher, lithographer, and designer of book covers and of ex-libris. In addition, he was also known as a writer, architect, explorer, ethnologist and collector of East Asian art. He was the first European artist to visit Bali, being greatly influenced by and himself influencing the island's art and culture, and making it better known in wider world.
The second line consists of interviews with four artists as they practice their art to create a politically inspired product. It is not until the end, when the creative products of each artist are finished that the two lines of the movie converge in the artistic processes and political perspectives that allow them to create their politically-inspired artistic products. The four artists interviewed during the film are: Paul Marcus who is a woodcutter concerned with torture. Sigmund Abeles who is a painter, etcher and works on a war-themed etching.
He also made drawings of paintings by famous masters, including The Young Bull by Paulus Potter. Hague also worked as an engraver and etcher. ;Prince William V Gallery As court painter to Prince William V, Haag also managed the collection of paintings by the governor and was his chief adviser in the foundation in 1774 of a stadtholder 'Picture Gallery' at the Buitenhof in The Hague. He was thus the first director and curator of this first public museum in the Netherlands, which would later be known as the Prince William V Gallery.
Sutherland's early prints of pastoral subjects show the influence of Samuel Palmer, largely mediated by the older etcher, F.L. Griggs. He did not begin to paint in earnest until he was in his 30s, following the collapse of the print market in 1930 due to the Great Depression. These pieces are mainly landscapes, which show an affinity with the work of Paul Nash. Sutherland focused on the inherent strangeness of natural forms, abstracting them to sometimes give his work a surrealist appearance; in 1936 he exhibited in the International Surrealist Exhibition in London.
He built forty large greenhouses in which to grow carnations and eight cottages to accommodate the farm workers. He died in Pangbourne in 1938. Menpes became a member of the Royal Society of Painter- Etchers and Engravers (RE) in 1881, Royal Society of British Artists (RBA) in 1885, Royal Institute of Painters in Water Colours (RI) in 1897 and Royal Institute of Oil Painters (ROI) in 1899. An exhibition of his work, The World of Mortimer Menpes: Painter, Etcher, Raconteur opened at the Art Gallery of South Australia on 14 June 2014.
Procession of the Knights of the Garter Gheeraerts was a painter, draughtsman, print designer, etcher and ornamemtal designer. As many of his paintings were lost as a result of the Iconoclasm of the 16th century, he is now mainly known for his work as a printmaker and print designer. He was a keen innovator and experimented with etching at a time when woodcut and engraving were dominant techniques. For example, his 1562 birds-eye view of the town of Bruges was etched on 10 different plates, and the resulting map measures 100 x 177 cm.
The feathery lightness of these drypoints was in visual contrast with the rock and water of the subjects. He became highly sought after by collectors, until the Great Crash of 1929 brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of states of his prints, and is believed to hold the record at twenty-eight states in one case. As well as becoming well known as an etcher the artist also produced a great many oil paintings and watercolour sketches of landscapes and architectural subjects.
Canterbury bell flowers, ca. 1921–1930, State Library Victoria Whyte was a painter, etcher, and wood-carver who studied at the National Gallery School from 1890–1895 and together with Dora Wilson and Jessie Traill took lessons in etching from John Mather. Their etchings were published in The Lone Hand in 1907 as some of the earliest works in this field made by women. Whyte was an impressionist artist who painted portraits, figure studies, and landscapes, and was one of the first Melbourne women to paint dockyard scenes.
His father was the village surgeon and barber. His Latin teacher, the local pastor, introduced him to Johann Caspar Lavater who was impressed by Lips' talent for drawing, persuaded his parents to let him study art, and arranged an apprenticeship for him with the painter, Johann Caspar Füssli. Later, he was also able to obtain a position with the etcher, Johann Rudolf Schellenberg, in Winterthur. From 1774 to 1776, he worked with Schellenberg to produce the illustrations for Lavater's famous work Physiognomische Fragmente zur Beförderung der Menschenkenntniß und Menschenliebe, a major treatise on physiognomy.
In the simple composition of a fisherman reflected influence by Japanese artists and demonstrated his skill as an etcher. Benson declared Calm Morning of his three oldest children his "best out of door work." In this case Benson was deliberate in his approach, he made three oil studies before making the final painting; Generally he started and finished he outdoor paintings on one canvas. From left to right, Eleanor, Elisabeth and George fished over the side of a boat off in the waters of their summer home in Maine.
Poor Things contains illustrations by Alasdair Gray, which the text claims are by the Scottish etcher and illustrator William Strang. There are also punning additions of fragments of images from Gray's Anatomy. One feature of the novel which has also attracted comment is the page of review quotes which also features a printed erratum strip. Some of these reviews are patently fictitious (such as those from the Skiberdeen Eagle and the Private Nose) and others are attributed to real publications, but seem so harsh that their authenticity is called into question.
John Peter Arendzen was born in Haarlem, Amsterdam on 6 January 1873, one of nine children born to the distinguished artist and etcher Petrus Johannes Arendzen and his wife Epiphania Stracke. Four of their five sons became priests."Canon John Arendzen (obit)", Catholic Herald 23 July 1954 In 1873 Petrus Arendzen was commissioned by the Dutch government to make copies of a number of Dutch paintings in English collections, and so brought his family to London. John Arendzen was educated privately at home and then attended St Mary's College, Oscott.
His best work included "The Halt" after Jean-Louis-Ernest Meissonier, etched for the magazine l'Art, and "Portrait of Madame Pompadour" after Maurice Quentin de La Tour, published by the Société des Artistes Français. During his lifetime he was called "one of the most skillful original etchers of the modern French school". An 1889 book described him as an etcher with extreme facility who composed elegant vignettes and frontispieces. Later, Claude Roger-Marx criticized him for having fallen from interpretive drawing into a "laborious work of illustration" and of multiplying small compositions and vignettes.
Louis Abrahams (1852 – 2 December 1903) was a British-born Australian tobacconist, art patron, painter and etcher associated with the Heidelberg School art movement, also known as Australian Impressionism. Born in London, England, Abrahams arrived in Melbourne, Victoria, Australia, as an eight-year- old with his family in 1860. Later that decade, Abrahams attended the Artisans School of Design in Carlton, where he met Frederick McCubbin. The pair formed a close friendship and later enrolled at the National Gallery of Victoria Art School in 1871, where they founded a club to study the nude.
Parmigianino Selfportrait (1540). Portrait of Galeazzo Sanvitale, 1524, Museo di Capodimonte Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen. Though the techniques of printing the copper plates required special skills, the ease with which acid, as a substitute for ink, could reproduce the spontaneity of an artist's hand attracted Parmigianino, a "master of elegant figure drawing".Michelle Leicht, "Correggio and Parmigianino", exhibition, Metropolitan Museum of Art, 2001 (on-line review) Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking.
Kovick was born in Fresno, California and attended California State University in the early 1970s, moved to Seattle for five years, and then settled in San Francisco in 1980. In San Francisco, she lived in the Bernal Heights neighborhood, where she became known as "The Mayor of Norwich Street", a take-off on San Francisco activist Harvey Milk's nickname "The Mayor of Castro Street". In San Francisco, she worked as an etcher and scanner operator for a printing company—and was the first woman to become a member of the printing trade union in the Pacific Northwest.
The Manchester School of Painters was formed by a number of disgruntled young vanguard painters in the 1870s. They were deeply influenced by the artist Joseph Knight, who was a successful painter, etcher and photographer. He was the founder member of the Manchester School of Painters. Knight painted how he desired and refused to conform to traditional Art School rules and this appealed to his young admirers. Twice weekly they would all meet up at Knight’s studio in York Place behind the Union Chapel in Oxford Road, Manchester to discuss new ways to develop their techniques.
Antonio Baratti (or Baratta; 7 January 1724, in Belluno (not in Florence as some sources sayFor example ) – 28 July 1787, in Venice) was an Italian engraver, etcher and printmaker. Baratti was educated in the workshop of Joseph Wagner in Venice, later together with Fabio Berardi and Francesco Bartolozzi. Baratti studied and worked for a time at an engraver's workshop in Bassano del Grappa. He married Valentina Monaco and opened his own workshop in which he was supported by his wife and his three sons Domenico, Tommaso (or Tomaso) and Pietro and soon also by the pupils Antonio Sandi and Giuseppe Daniotto.
Mario Moreno Zazueta is a painter, etcher and art professor born in Hermosillo, Sonora, Mexico in 1942. He received his artistic training at the Academia Artes Plásticas of the Universidad de Sonora and at the Escuela Nacional de Pintura y Escultura La Esmeralda in Mexico City. After this, he also went to San Francisco, California to study as well. Moreno notes that his main artistic influence has been Héctor Martínez Arteche. Moreno’s work has been displayed in numerous shows and galleries in various parts of the world, where is work is known for its abstract experimentation with color, light and shadow.
In 1872 he decided to work independently as an etcher and engraver, mainly reproducing contemporary portraits and subject paintings, and designing bookplates, the latter of which would later form the bulk of his work. He also made original etchings of London, and was a regular exhibitor at the Royal Academy. He was a close friend of Sir Francis Seymour Haden, co-founder of the Royal Society of Painter-Etchers and Engravers, and was elected a fellow of that society in 1884. Before his death, he presented a complete set of his works to the British Museum.
In 1966, Avraham Eilat studied in the famous "Atelier 17", Paris, an international etching studio founded and directed by the English etcher Stanley William Hayter. In the workshop he met artists from different countries and became a close friend with the Japanese artist Kenji Yoshida, who in 1968 was his guest for two months in Kibbutz Shamir. They kept in touch until Yoshida's death in 2009. In 1970, after participating in some exhibition in Israel and abroad, Eilat received a grant for overseas studies from the America-Israel Cultural Foundation, and studied at St. Martin's College of art in London.
The site is reached by Via Santa Sabina, which ends in the small, picturesque Piazza dei Cavalieri di Malta enclosed on two sides by the cypresses of the garden of the Benedictines backing the fantasy screen of obelisks and stele constructed in 1765 to designs by Giovanni Battista Piranesi, one of the very few executed designs by this etcher of Roman views who prided himself on being an architect.Touring Club Italiano, Roma e dintorni, 1965:416. Ahead rises the Neo-Romanesque campanile of the Church of San Anselmo (1893-1900) attached to the international Benedictine seminary (Seminario Internazionale Benedettino).
Weldon began his career at Brisbane's Truth newspaper as a half-tone colour etcher in the process engraving department. It was there he was taught by his first boss, Horrie Hogarth, two guiding principles, "never compromise on quality; and, allow workers now and then to spend time with the boss." Despite the brevity of his tenure at Truth, Hogarth had an indelible impact on Weldon during these formative years. Shortly thereafter, driven by his enduring fascination for all things maritime, he joined the Royal Australian Naval Reserve, a decision that was to have a major effect in charting the course of his life.
Thirtle's works were collected by Thomas Lound, a prolific water colourist and etcher who was found to have owned seventy of Thirtle's drawings at the time of his own death in 1861. Lound's etching of Devil's Tower - Looking towards Carrow Bridge created a superb rendition in black and white of Thirtle's original watercolour. The Norwich Art Circle held an exhibition of his paintings in 1886. In 1939, the centenary of his death, an exhibition of his works was held in the Norwich Castle Art Gallery, but it was forced to close prematurely because of the outset of the Second World War.
Bagpipe player, Musée des Beaux-Arts de Strasbourg Philippe Mercier (also known as Philip Mercier; 1689 – 18 July 1760) was a French painter and etcher, who lived principally and was active in England. He was born in Berlin of French extraction, the son of a Huguenot tapestry-worker. He studied painting at the Akademie der Wissenschaften of Berlin Academy Webpage and later under Antoine Pesne, who had arrived in Berlin in 1710. Later, he travelled in Italy and France before arriving in London—"recommended by the Court at Hannover"—probably in 1716. He married in London in 1719 and lived in Leicester Fields.
Very little is known about his early life. Kirkpatrick notes that he did not appear in the census records until 1891, when he was 34 years old, and there is no record of his birth in the Civil Registration Birth Index. The first public notice of Symington appears to be in the Leeds Mercury in April 1886, which announced that The Rivers of Yorkshire by George Radford would be published in October by Richard Jackson and would have 12 etchings by Symington, a Yorkshire etcher of rising popularity.The book was published by subscription, with ordinary subscribers paying 10s. 6d.
Portrait of Rinaldo Orsino, Archbishop of Florence (1474-1508), pen and ink, wash, gouache and chalk on green paper Bernardino Capitelli (1589–1639) was an Italian painter and etcher of the Baroque period. He was born in Siena. He became a pupil of Alessandro Casolani, and then of Rutilio Manetti, and between the years 1622 and 1637 was active in both at Rome and at Siena. Among his etchings are a Portrait of Alessandro Casolani, a St. Anthony of Padua (1637), a Marriage of St. Catharine after Correggio, a nocturnal Repose in Egypt after Rutilio Manetti, a Lot and his Daughters after Manetti.
The agricultural chemist Sir John Saint (1898–1987) lived at Selwyn in St George's Lane.'SAINT, Sir (Sidney) John', in Who Was Who 1981–1990 (London: A. & C. Black, 1991, ) The Olympic runner Frank Salvat also lived there until his death in 2013, and Brighton & Hove Albion winger Kazenga LuaLua lived in the village. The village was home to the geologist and authority on mollusca Robert Ashington Bullen (1850-1912) for a period. William Walcot RE (1874-1943): was a British architect graphic artist and etcher, notable as a practitioner of refined Art Nouveau in Moscow, Russia.
Maurice R. Bebb (1891–1986) (or M. R. Bebb as he signed his work) was a notable etcher and printmaker of the American Midwest, whose best-known subjects were birds native to Oklahoma and Minnesota, where he spent his time. Etching involves using copper plates on which an artist has etched or “bitten” his picture with acid. Color etchings like Bebb's require two to four copper plates, each is inked with one or more different colors and printed one over the other to produce the finished picture. Technically, the process is called multi-plate soft-ground and aquatint etching.
Johann Carl BodmerSwiss Artist Encyclopedia (1905) (11 February 1809 – 30 October 1893) was a Swiss-French printmaker, etcher, lithographer, zinc engraver, draughtsman, painter, illustrator and hunter. Known as Karl Bodmer in literature and paintings, as a Swiss and French citizen, his name was recorded as Johann Karl Bodmer and Jean-Charles Bodmer, respectively. After 1843, likely as a result of the birth of his son Charles-Henry Barbizon, he began to sign his works K Bodmer. Karl Bodmer was well known in Germany for his watercolours, drawings and aquatints of cities and landscapes of the Rhine, Mosel and Lahn rivers.
Ludwig Richter. Portrait by Wilhelm von Kügelgen (1836) Ludwig Richter's house at Schlossbrucke in Meissen Statue of Ludwig Richter next to the Albertinum in Dresden Bridal Procession in a Spring Landscape (1847) Civitella (Evening) (1827 - 1828) Adrian Ludwig Richter (September 28, 1803June 19, 1884), a 19th- century German painter and etcher, who was strongly influenced by Erhard and Chodowiecki. He was the most popular, and in many ways the most typical German illustrator of the middle of the 19th century. His work is as typically German and homely as are the fairy-tales of Grimm, for whom he produced several woodcuts.
Thus, he became established as a painter and etcher and was elected a member of Society of British Artists in 1879, and the Royal Society of Painters-Etchers and Engravers in 1881. In London, Helmick became friendly with the famous painter James Whistler, who was the President of the Society of British Artists. Around 1880, Helmick expressed his appreciation for Whistler’s works, like his Etchings of Venice and Venice Pastels, both exhibited at the Fine Art Society, London. In 1878, James Whistler had created his Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle, engraved by Richard Josey.
Among his pictures may be mentioned The Death of Torrigiano (1886), The Satyr King (1889), The Supper at Emmaus, and, perhaps his best picture, Pan and Peasants (1893). For the church of Aveley, Essex, he painted a triptych altar- piece, The Adoration of the Shepherds, with wings representing St Michael and St Gabriel, and designed as well the window, The Resurrection. His portraits, such as that of GF Watts, RA, in the Legros manner, show much dignity and distinction. Holroyd made his chief reputation as an etcher of exceptional ability, combining strength with delicacy, and a profound technical knowledge of the art.
The Minorite Church was the parish church in the old town, and is now used to hold art exhibitions. Apart from this Gothic church, the town also has the Pfarrkirche St. Nikolaus Church that depicts paintings on the altar and the ceiling, which are credited to the famous painter Kremser Schmidt, who lived in Linzer Tor from 1756 until his death. He was the leading painter, draughtsman and etcher of the Austrian late Baroque. Ancient records of 1263 AD make mention of a payment of 10% tax by the farmers to the Bishop of Passau's Zehenthof.
Johann Carl Friedrich Dauthe (26 September 1746 – 13 July 1816) was a German architect and etcher who specialised in the Neo-Classical style. Nikolai Church column detail Dauthe was born in Leipzig and educated by Adam Friedrich Oeser. In his hometown, where he had been the city's construction official most of his buildings have been built, such as the first concert chamber of the Gewandhaus (1781), the square now known as the Augustusplatz (1785) and the interior of the St. Nicholas Church (1794). Dauthe became member of the Lodge Minerva zu den drei Palmen Leipzig in 1778.
Niels Ryberg with his Son Johan Christian and his Daughter-in-Law Engelke, née Falbe In 1772 Juel left Copenhagen, moving to Rome where he stayed for four years together with other Danish artists, including Nicolai Abildgaard. From Rome, he moved to Paris, at the time a center of portrait painting. In 1777 he moved on to Geneva, where he stayed for two years at the home of his friend Charles Bonnet in the company of other Danish artists, including etcher Johann Friderich Clemens. In Geneva, Juel soon earned a reputation as an excellent artist, and he painted many portraits.
Although he mastered multiple printing media including wood- engraving, etching, and lithography, which he learned from his brothers, he received renown for his paintings in oil and in watercolor. The height of his career coincided with the popularity of chromolithography, which Moran used to make color prints of his works, so that they could be widely distributed. He was also one of the leaders of the etching revival in the United States and Great Britain. Grand Canyon of the Colorado River Moran was married to Scottish born Mary Nimmo Moran (1842–1899), an etcher and landscape painter.
Sir Ernest Gowers, KCB, KBE, Senior Regional Commissioner for London, Lt Col AJ Child, OBE, MC, Director of Operations and Intelligence, and KAL Parker Deputy Chief Administrative Officer in the London Regional Civil Defence Control Room (1943) (Art.IWM ART LD2905) George Vernon Meredith Frampton (17 March 1894 - 16 September 1984) was a British painter and etcher, successful as a portraitist in the 1920s–1940s. His artistic career was short and his output limited because his eyesight began to fail in the 1950s, but his work is on display at the National Portrait Gallery, Tate Gallery and Imperial War Museum.
Frampton's first house and studio was at 32 Queen's Grove (where a blue plaque to his name has been erected), but he later built a larger house nearby in Carlton Hill, both in St John's Wood, London. He was married to the artist Christabel Cockerell and had one son, the painter and etcher Meredith Frampton. He was an active member of The Art Workers' Guild and became Master in 1902. He sculpted the Art Workers' Guild's Master's Jewel in silver representing 'Art is Unity' He died on 21 May 1928 aged 67 and was cremated at Golders Green Crematorium on 25 May.
Peasant Fair, after Pieter Bruegel the Elder, 1559 Pieter van der Borcht (I) or Peter van der BorchtAlternative spellings of last name: van der Borght and Verborcht, sometimes also: Pieter van der Borcht (II) or Pieter van der Borcht (IV), and alternative first name spellings: Peeter and Pierre (c. 1530–1608) was a Flemish Renaissance painter, draughtsman and etcher. He is regarded as one of the most gifted botanical painters of the 16th century.Thomas Gloning, Lydia Kaiser und Ans Schapendonk, Rembert Dodoens und sein Cruyde Boeck (1563) in: 'Rembert Dodoens, Cruyde Boeck, Antwerpen 1563', UB Marburg, Marburg, 2005, p.
George Joseph Mess (June 30, 1898 – June 24, 1962) was an American painter, printmaker, commercial artist, and art educator. The Cincinnati, Ohio, native began his career as a commercial artist and teacher; however, he became nationally known for his work as an etcher, printmaker, and painter. Along his wife, Evelynne Mess Daily, he became a prominent member of the Indianapolis and Brown County, Indiana, arts communities. Mess produced mostly Impressionist-style landscapes as a painter, but he was especially known for his aquatint etchings and prints of rural scenes in the modern styles of the 1930s and 1940s.
In May the painters returned to Amsterdam and Moes began her own workshop in the home of her mother on the P.C. Hooftstraat. That same summer she went to the art colony Laren for the first time where she met the painters Anton Mauve, Max Liebermann and Jan Veth. Though she was not an etcher, she received an invitation in 1885 to make a submission for the newly formed Dutch Etcher's Club and submitted an etching for several years after that to their yearly magazine. In this period she became a member of Arti et Amicitiae and sold a painting to Museum Boijmans van Beuningen.
Westerik in 1955 Born in The Hague on 2 March 1924, Westerik received his education at the Royal Academy of Art, The Hague from 1942 to 1947. After his graduation he made a study trip to the United States in 1948. After his return to the Netherlands, he settled as an independent artist in The Hague. With the artists Herman Berserik, Jan van Heel, Willem Hussem and Jaap Nanninga he participated in the Verve group,Co Westerik ; male / Netherlandish ; watercolorist, etcher, photographer, gouache painter, ceramicist, lithographer, painter, draftsman, wall painter, serigrapher, academy lecturer at rkd.nl, 2015. which they founded in 1951 and dissolved in 1957.
Study in the mercato vecchio of Florence in the year 1884. Watercolour, reproduced in Florence & some Tuscan cities Painted by Colonel R. C. Goff · Described by Clarissa Goff (London: A. & C. Black, 1905 Robert Charles Goff (1837–1922) was a printmaker and painter who specialised in topographical scenes. As an etcher he was strongly influenced by the work of James McNeill Whistler. Born in Ireland, he obtained a commission in the 50th Queen's Own Regiment just before his eighteenth birthday. He fought in the Crimean War and became adjutant of his regiment before going to Ceylon and then transferring to the 15th Foot then the Coldstream Guards.
Fig. 1. The surface of a MEMS device is cleaned with bright, blue oxygen plasma in a plasma etcher to rid it of carbon contaminants. (100mTorr, 50W RF) Plasma cleaning is the removal of impurities and contaminants from surfaces through the use of an energetic plasma or dielectric barrier discharge (DBD) plasma created from gaseous species. Gases such as argon and oxygen, as well as mixtures such as air and hydrogen/nitrogen are used. The plasma is created by using high frequency voltages (typically kHz to >MHz) to ionise the low pressure gas (typically around 1/1000 atmospheric pressure), although atmospheric pressure plasmas are now also common.
Horsley married Elvira Walter in 1846 with whom he had three sons: Edward (1848), Frank (1849), and Harry (1850). Elvira died of consumption in 1852 followed by the deaths of Edward and Harry in 1854 and Frank in 1857 due to scarlet fever. Horsley remarried to Rosamund Haden who came from a family of distinguished surgeons—her father Charles Haden had a practice in Sloan Street and her brother Francis Seymour Haden was a surgeon and etcher who founded the Royal Society of Painters, Etchers and Engravers in 1880. Rosamund gave birth to Walter (1855), Hugh (1856), Victor (1857), Emma (1858), Fanny (1859), Gerald (1862) and Rosamund (1864).
Boy Carrying a Sword is an 1861 oil painting by the French artist Édouard Manet and is now displayed at the Metropolitan Museum of Art in New York. The work depicts a small boy costumed as a page of the Spanish court of the seventeenth century; he is holding a full-sized sword and sword belt. The work was later reproduced as an etching under the direction of Dijon painter and etcher Alphonse Legros who collaborated in the work. According to Émile Zola, the work is typical of the influence of Spanish painters and shows the strong influence Diego Velázquez and Frans Hals had on Manet at the time.
Linnell - Rev E.T. Daniell This is an incomplete list of works by Edward Thomas Daniell, an English landscape painter and etcher, who is best known for his drawings made on an expedition to the Middle East, including the coast of Lycia. Born in 1804 of wealthy parents, he was brought up in Norwich by his widowed mother. He studied at Balliol College, Oxford, before being licensed as the curate at Banham, Norfolk in 1832, and two years later as a curate in London, where he became a patron of the arts. In 1840, he left England for a tour of Egypt, Palestine and Syria.
Rolf Kultzen, Michael Sweerts (1618-1664), Davaco Publishers, 1996 Among his religious works is the altarpiece representing Calvary in the St. Gummarus church in Lier, Belgium. The description by the early Dutch biographer Arnold Houbraken of Peter Franchoys as someone who 'liked to paint landscapes with small figures' does not appear to fit the currently known oeuvre of Franchoys, which consists primarily of portraits and some religious works.Pieter Francois biography in: Arnold Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 1718 Peter Franchoys was also active as an etcher. The Rijksmuseum has an etching by Franchoys representing Christ and St John the Baptist as Children.
In the mid-1860s Haden argued against Ruskin's sometimes violently expressed objections to etching; what Haden saw as etching's strength, the ease of transmitting the thought of the artist, was exactly what Ruskin deplored: "in the etching needle you have an almost irresistible temptation to a wanton speed".Chambers, Chapter 1 Philip Gilbert Hamerton had become an enthusiastic promoter of etching in Britain. He had trained as a painter, but become a professional art critic and amateur etcher. His Etching and Etchers (1868) was more an art history than a technical text but it did much to popularize the art and some of its modern practitioners.
Novotny, 95–101 Runge's portraits, mostly of his own circle, are naturalistic except for his huge-faced children, but the other works in his brief career increasingly reflected a visionary pantheism.Novotny, 106–112 Adrian Ludwig Richter is mainly remembered for his portraits, and Carl Wilhelm Kolbe was purely an etcher (as well as a philologist), whose later prints show figures almost swallowed up by gigantic vegetation.Griffiths and Carey, 112–122 Johann Friedrich Overbeck of the Nazarene movement, Italia und Germania. The Nazarene movement, the coinage of a mocking critic, denotes a group of early 19th-century German Romantic painters who aimed to revive honesty and spirituality in Christian art.
Collage of details of rowers from sketches by Méheut Photo, 1941 or before Mathurin Méheut (21 May 1882 – 22 February 1958) was a French painter, ceramist, engraver, and etcher best known for his depictions of Breton scenes, the sea, and nature. Méheut was born into a family of artisans in Lamballe, Brittany, and apprenticed to a house painter before entering the École des Beaux-Arts de Rennes in 1898, from which he graduated at age 20. He then attended the École nationale supérieure des arts décoratifs in Paris, working for the revue Arts et Décoration to finance his studies. In 1906 he exhibited with the Société des Artistes Français.
While Pescheret's work mastered monochromatic images, he established a national reputation as a color etcher. Most of his work was produced using a single plate, all the color necessary to the development of the image rubbed into the copper plate then printed by passing the plate and through the press. Only one print is obtained from one coloring, and it must be a perfect print, as no additions or subtractions can me made after the print is struck. In 1954 Pescheret's color etching were shown at the O'Brian Galleries in PhoenixO'Brien Galleries Announcement, Arizona Republic, January 21, 1954 and in 1955 the Arizona State Museum exhibited thirty of his color etching.
Raymond John "Jack" Coutu ARE ARCA (born 13 September 1924 – 17 May 2017) was an English printmaker, sculptor, etcher, engraver, carver, watercolourist and teacher. He was influenced by Oriental art. Jack Coutu was born Raymond John Coutu at Farnham, Surrey, England, and was educated at Farnham Grammar School. On leaving school in 1940, he worked at Abbott of Farnham, a coachbuilding company in Farnham, where his father Bert Coutu was also employed painting coats of arms and heraldic shields. In 1942, at the age of 18 during World War II, he joined the Royal Corps of Signals, where after training he served in Ceylon (now Sri Lanka), India, and Singapore.
Arthur Henderson Hall (Sedgefield, County Durham, 1906 - London, 1983); ARCA (1930), RE (1961), RWS (1970), Prix de Rome in Engraving (1931), MSIA; was an English painter in oil and water-colour, draughtsman, etcher and illustrator, and glass designer. He was educated at Sedgefield, Accrington and Coventry Schools of Art, The Royal College of Art and The British School, Rome. He was also Instructor of Drawing at London Central School of Art, in 1947–1952; Head of School of Graphic Design at the Kingston School of Art, in 1965-1971 (Senior Lecturer in charge 1952-1965). He was illustrator of children's books and books on gardening.
Bayes was born in St Pancras, London, the second of four children to Alfred Walter Bayes, a painter and etcher who exhibited regularly at the Royal Academy, and Emily Ann Fielden. Walter's sister, Jessie, was a designer in the Arts and Crafts style and his younger brother was the sculptor Gilbert Bayes. Walter Bayes attended the Quaker School at Saffron Waldon and then University College School before beginning work in a solicitor's office. He did not enjoy the work and in 1886 began to take evening classes at the City and Guilds of London Institute in Finsbury before studying full-time at the Westminster School of Art.
Born Holroyd Anthony Ray-Jones in Wells, Somerset, he was the youngest son of Raymond Ray-Jones (1886–1942), a painter and etcher who died when Tony was only eight months old, and Effie Irene Pearce, who would work as a physiotherapist. After his father's death, Tony's mother took the family to Tonbridge in Kent, to Little Baddow (near Chelmsford, Essex), and then to Hampstead in London. He was educated at Christ's Hospital (Horsham), which he hated.Richard Ehrlich, "Introduction", Tony Ray-Jones (Manchester: Cornerhouse, 1990) 'Crufts Dog Show 1968' by Ray-Jones Tony Ray-Jones studied at the London School of Printing, where he concentrated on graphic design.
John Sell Cotman (16 May 1782 – 24 July 1842) was an English marine and landscape painter, etcher, illustrator, author and a leading member of the Norwich School of painters. Born in Norwich, the son of a silk merchant and lace dealer, Cotman was educated at the Norwich Grammar School. He showed an early talent for art. It was intended that he followed his father into the family business but, intent on a career in art, he moved to London in 1798, where he met artists such as J. M. W. Turner, Peter de Wint and Thomas Girtin, whose sketching club he joined, and whom he travelled with to Wales and Surrey.
David Pièrre Giottino Humbert de Superville, portrayed by Jacobus Ludovicus Cornet around 1840-1849 David Pierre Giottino Humbert de Superville (The Hague, 18 July 1770 – Leiden, 9 January 1849) was a Dutch artist and art scholar. He was a draughtsman, lithographer, etcher, and portrait painter, and also wrote treatises on art, including the influential work Essai sur les signes inconditionnels dans l'art (Leiden, 1827). His 1815 painting of the jurist and statesman Johan Melchior Kemper is now part of the collection of the Rijksmuseum in Amsterdam. His 1801 etching Allegory may have been a direct visual inspiration for Paul Gauguin's Spirit of the Dead Watching.
His artistic education was provided by his father, the painter-etcher- watercolorist :sv:Allan Österlind, of post romantic and naturalist inclination, and by his French friends Maurice Rollinat, Maxime Maufra, Jean- François Raffaëlli, as well as by the Nordic community he used to get with, and in particular the swede Per Ekström who taught him the art of painting knife which shall become a feature of his work. In 1905, at the SNBA Paint Fair, Anders Osterlind hung a pastel "L'Aurore" (The Dawn) and an oil painting "Effet de neige" (Snow effect), his first painting which he presented to his master Per Ekström as a gesture of recognition.
Born in 1878 in Quincy, Illinois, he moved to Los Angeles, California, in 1885, where his father taught in the physics and chemistry department at the University of Southern California. Shrader attended Los Angeles High School the Los Angeles Business College, which his father founded. He graduated from the Los Angeles Business College in 1895 and received his high school diploma in 1897 with a major in science. He was admitted to the Art Institute of Chicago in 1901, where he studied for two years under influential professors such as John Christen Johansen, who taught luminism, tonalism, and impressionism, and Thomas Wood Stevens, a mural painter, etcher, and head of the illustration department.
The Norwich School of painters, which included George Vincent, was a regional school of landscape painters who were connected personally or professionally. Though mainly inspired by the Norfolk countryside, many also depicted other landscapes, and coastal and urban scenes. The school's most important members were John Crome and John Sell Cotman—the leading spirits and finest artists of the movement—as well as Vincent, James Stark, Joseph Stannard, Robert Ladbrooke, John Thirtle and Edward Thomas Daniell, the best etcher of the school. It was a unique phenomenon in the history of 19th-century British art; Norwich was the first English city outside London which had the right conditions for a provincial art movement.
A notable example, The Eastern Arboretum (1841), included The Thorn - Hethel, his illustration of the ancient tree growing south-west of Norwich near to the church at Hethel. His illustrations for Views of the Ancient Gates of Norwich, which described the city gates prior to their removal between 1792-5 and 1807-8, have been described by the author Geoffrey Searle as examples of his most characteristic plates. He was a friend of the Reverend Edward Thomas Daniell, a landscape painter and etcher who grew up in Norfolk. Daniell was licensed in 1832 as the curate of Banham, and lived there until in 1834 he was appointed to the curacy of St. Mark's, North Audley Street in London.
Autoportrait, 1801 A student of the history painter Jean-Baptiste Regnault, she soon exhibited fine portraits and genre paintings at the Paris' Salons from 1800 to 1806 and from 1810 to 1814. In 1805 Princess Caroline Murat-Bonaparte, a sister of the Emperor, purchased "La Chèvre Nourricière" a painting exhibited at the 1804 Salon and in 1806 Henriette Lorimier was awarded a First Class Medal for her painting of "Jeanne de Navarre" which was then purchased by the Empress Josephine de Beauharnais, consort of the Emperor Napoleon Ier. The painting is still displayed at Josephine's Chateau de la Malmaison to this day.The etcher M. Gudin made a notable etching of this painting.
According to Houbraken he was an able etcher who made famous prints (in his lifetime), and who had an unusual talent for drawing after a live model with charcoal that was unparalleled. Kornelis Visscher in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literatureJ. Paul Getty Museum Houbraken mentioned that his works could be seen in the collection of the rich Dutch East India Company director and art collector in Amsterdam who had a large art cabinet, Jeronimus Tonneman. Prints by Visscher's hand were made after various famous painters from Haarlem such as Nicolaes Berchem, Adriaen van Ostade, Pieter van Laer and Adriaen Brouwer.
Claude Lorrain (; born Claude Gellée , called le Lorrain in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology. By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work.
He also established himself during this time as an etcher of some renown. One of his works is in the permanent collection of the Parrish Art Museum in Southampton, New York and several appear in an edition of Washington Irving's Knickerbocker's History of New York, published in 1886 by the Grolier Club in New York. He was one of the creators of the official seal for the Grolier Club, which still hangs on the banner outside the club's E. 60th Street address in Manhattan. In 1892, he exhibited more than 40 paintings at the Fifth Avenue Auction House in New York under the management of William B. Norman and the E. W. Noyes Gallery in Boston, Massachusetts.
Evening Tide, 1948 Kupferman held various jobs while pursuing a career as an artist, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a strictly realistic style very different from his later work. (For examples, see his drawings at the Fogg Museum and the Smithsonian.) In the 1940s he began incorporating more expressionistic forms into his paintings, and from then on his work became increasingly abstract. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollack, and other abstract painters.
As an etcher Locher was regarded among the best and most productive of the Danish artists; From 1885 he made a number of smaller and larger prints, with a lot of picturesque energy. In 1892, he devoted most of his time to the art of etching, and travelled - with support from the Danish state - to Berlin, where he became a student of the excellent copper etching artist professor Hans Meyer (1846-1910) at the Berlin University of the Arts (Hochschule der Künste Berlin). A complete collection of his prints can be found at Skagens Museum. Supported by the State, he opened an etching school for Danish artists in Copenhagen, where he taught until 1900.
He exhibited his art throughout England including at the Royal Academy and was elected an Associate of the Royal Society of Painters in Water Colours and a Fellow of the Royal Society of Painter-Etchers and Engravers. As a potter, watercolour painter, jeweller, silversmith, metalworker, etcher, print-maker and writer on artistic subjects, his reputation has probably suffered because he spread his talents too thinly. Nevertheless, the British Museum, the Victoria & Albert Museum and National Maritime Museum at Greenwich hold collections of his work and papers. He married Edith Robinson in 1893 and together with his wife, he was one of the key figures in the jewellery of the Arts and Crafts movement.
Moreover, the overall quality and combination of these elements is indicative of a highly skilled architect, of whom there were few in the subject period, and no others known with the reputation of Verge. Both the sandstone Hampton Villa and the 1840 timber Hampton Cottage remained on the allotment for some time. Between 1851 and 1856, Hunt purchased a number of the surrounding lots accumulating approximately 3.5 acres (1.4 ha) occupying all the land between Adolphus Street and Camerons Cove. Hunt died in the house in December 1866, after which his widow Hannah continued to live there until 1872. In 1872 Hampton Villa was leased to businessman, etcher and gallery director Eliezer Levi Montefiori.
Ralph Ward Stackpole (May 1, 1885 – December 10, 1973)Obituary, The New York Times of December 13, 1973. was an American sculptor, painter, muralist, etcher and art educator, San Francisco's leading artist during the 1920s and 1930s. Stackpole was involved in the art and causes of social realism, especially during the Great Depression, when he was part of the Public Works of Art Project, Federal Art Project of the Works Progress Administration, and the Treasury Department's Section of Painting and Sculpture. Stackpole was responsible for recommending that architect Timothy L. Pflueger bring Mexican muralist Diego Rivera to San Francisco to work on the San Francisco Stock Exchange and its attached office tower in 1930–31.
His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone. In his works he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population. Because of his empathy for the human condition, he has been called "one of the great prophets of civilization".
Sloan's training consisted of his study and reproduction of works by painters such as Rembrandt, a few classes at various institutions, mentorship by Robert Henri, and his work experience as an etcher and draughtsman. The high school that Sloan attended had a good art department, but it is not known whether he gained any training there. Sloan worked several jobs in draughtsmanship, etching, and commercial artwork before he attended the Pennsylvania Academy of the Fine Arts, where he studied briefly under Thomas Anshutz. The experience Sloan gathered from his various press jobs provided him with a certain amount of knowledge and allowed room for him to explore and expand in his free time.
Shepperson worked in a wide variety of media including oil, watercolour, chalk, charcoal, paster, ink and pencil, and he was a practised etcher and lithographer. Bryant notes that for line drawings, Shepperson would first sketch nudes in charcoal on very thin banknote paper and draw clothes in ink over this, usually at near-reproduction size. Percy Bradshaw, commenting on a Punch reader's remark that Shepperson was a Sketcher of Aristocrats, said that Shepperson would rather be called an aristocrat who sketches. Shepperson was one of the leading illustrators selected by Percy Bradshaw for inclusion in his The Art of the Illustrator (1917-1918) which presented a separate portfolio for each of twenty illustrators.
Christopher Richard Wynne Nevinson (13 August 1889 – 7 October 1946) was an English figure and landscape painter, etcher and lithographer, who was one of the most famous war artists of World War I. He is often referred to by his initials C. R. W. Nevinson, and was also known as Richard. Nevinson studied at the Slade School of Art under Henry Tonks and alongside Stanley Spencer and Mark Gertler. When he left the Slade, Nevinson befriended Marinetti, the leader of the Italian Futurists, and the radical writer and artist Wyndham Lewis, who founded the short-lived Rebel Art Centre. However, Nevinson fell out with Lewis and the other 'rebel' artists when he attached their names to the Futurist movement.
Frederick Landseer Maur Griggs (30 October 1876 - 7 June 1938) was an English etcher, architectural draughtsman, illustrator, and early conservationist, associated with the late flowering of the Arts and Crafts movement in the Cotswolds, centered in Chipping Campden. He was one of the first etchers to be elected to full membership of the Royal Academy, and was part of the final phase of the Etching Revival in Britain. Born in Hitchin, Hertfordshire, he worked as an illustrator for the Highways and Byways series of regional guides for the publishers, Macmillans. In 1903 he settled at Dover's House, in the market town of Chipping Campden in the Cotswolds, and went on to create one of the last significant Arts and Crafts houses at 'New Dover's House'.
Caylus in Receuil d'Antiquités, Book 7, 1767 Caylus was an admirable etcher, and copied many paintings of the great masters. He caused engravings to be made, at his own expense, of Bartoli's copies from ancient pictures and published Nouveaux sujets de peinture et de sculpture (1755) and Tableaux tirés de l'Iliade, de l'Odyssée, et de l'Enéide (1757). His cultural interests were not confined to the arts of Classical Antiquity but extended to Gallic monuments, such as the megaliths of Aurille (Poitou), of which he commissioned drawings in 1762. He encouraged artists whose reputations were still in the making, and befriended the connoisseur and collector of prints and drawings Pierre-Jean Mariette when Mariette was only twenty-two, but his patronage was somewhat capricious.
Linnig trained early on as an etcher and was one of the first to practise this art as an autonomous genre.James Ensor, Norbert Hostyn, Patrick Florizoone, Art graphique d'Ensor en confrontation: Musée des beaux arts d'Ostende, 19 septembre 1999-13 février 2000, Éditions Snoeck-Ducaju, 1999 He is regarded as one of the first realistic engravers in Belgium. His etchings, while technically finished, preserve a character of free and swift execution. The subject matter of his graphic work included marines and ship portraits as in his painterly oeuvre and extended beyond this to coastal landscapes, topographical views of harbours and city scenes as well as genre scenes with people such as fishermen and women busy on the beach, in ports or on markets.
After starting a degree course at the Academie voor Industriële Vormgeving in 1964 Eugène Peters left in 1968 after being offered an internship at Royal Sphinx, a designer and manufacturer of toilet bowls and other ceramic items. While there, a fellow artist, Cornelis Le Mair, recommended he should move to Antwerp, where he went on to study graphic design at the Royal Academy of Fine Arts from 1968 to 1971. His teachers in Antwerp included the etcher René De Coninck, himself a pupil of Jules De Bruycker, as well as the engraver Mark Severin, who designed several Belgian postage stamps, and Jos Hendrickx. Having trained as a graphic designer Eugène found that this discipline offered insufficient satisfaction and so decided to teach himself to paint.
Beginning as a writer of fiction, she made her initial move into non-fiction with a biography of the fin de siècle novelist George Gissing. She wrote books about Londoners as separate in time as Rosamond Lehmann, a novelist contemporary of the Bloomsbury Group, and Wenceslaus Hollar, a Czech etcher of the seventeenth century. Another of Tindall's works, The Journey of Martin Nadaud: A Life And Turbulent Times (1999), reconstructs the life and voyage of a 19th-century Frenchman from the Limousin region – a master stonemason-builder, who became a French political figure, revolutionary, republican Member of Parliament, and then an exile in England for eighteen years. Following this book's publication, Tindall was awarded in France the title of Chevalier of the Order of Arts and Letters.
Sir Henry George "Harry" Rushbury (28 October 1889 – 5 July 1968) was an English painter and etcher. The War Refugees' Camp, Earl's Court (1918) Born the son of a clerk in Harborne, then on the outskirts of Birmingham, Rushbury studied on a scholarship under Robert Catterson Smith at the Birmingham School of Art from the age of thirteen. He worked as an assistant to Henry Payne chiefly as a stained-glass artist, until 1912, when he moved to London, where he shared lodgings with fellow Birmingham student, Gerald Brockhurst. Rushbury was an official war artist during World War I, and took up etching and drypoint under the influence of Francis Dodd before studying briefly under Henry Tonks at the Slade School of Art in 1921.
Reynolds Morse had many business, writing and collecting interests in addition to the collection of Salvador Dalí's paintings which he and Reese Morse built up and to running Injection Molders Supply Company. For instance, he published "Injection Molding News"; added to the rock collection of the Denver Natural History Museum where he was a trustee, and he collected George Elbert Burr manuscript materials which he donated to the Denver Public Library. Reynolds Morse also authored George Elbert Burr: Etcher of the American West and published an anthology of his own, which he called Some Fifty Unprofessional Poems, as well as Gold Links Tailings in memory of his maternal grandfather. Reynolds Morse collected and wrote about the works of M. P. Shiel.
Sitting figure, sandstone sculpture by Bernard Reder, created in Prague around 1930 Female figure, sandstone sculpture by Bernard Reder, created in Prague around 1930 "Woman" by Bernard Reder Bernard Reder (29 June 1897 – 7 September 1963) was an artist, sculptor, etcher, engraver and architect, born in Czernowitz, Bukovina, (Chernivtsi, Bokovina) part of Austria before World War II and a centre of Jewish and Hasidic culture. His subjects were drawn from Jewish folklore, from Greek mythology, the Bible, and also from François Rabelais. Reder is quoted as having said, "We were born already drunk with fantasy", referring to his early life in Bukovina. The son of a Jewish innkeeper, at 17 he was conscripted into the Austrian army and spent World War I in the trenches.
He was born in Haarlem as the youngest of 6 children of the lawyer Paulus van Beresteyn and his third wife Catharina van der Eem.Nieuw Nederlandsch Biografisch Woordenboek, part 10, page 41 His portrait as a child was added to the family portrait in a long swathe of canvas on the right hand side. This canvas was later sold in the 19th century to the Louvre as a Frans Hals painting, though later analysis by art historians have since disputed its attribution to Pieter Soutman. On 5 January 1644 he became a member of the Haarlem Guild of St. Luke as a pupil of Salomon de Bray and became an etcher and landscape painter in the manner of Cornelis Vroom and Adriaen Hendriksz Verboom.
The daughter of Robert William Buss, a painter and etcher, and his wife, Frances Fleetwood, Buss was one of six of their ten children to survive into adulthood. Her grandparents, whom she was visiting in Aldersgate, sent her to a private school housed in the most basic accommodation "...to get me out of the way".A. E. Ridley, Frances Mary Buss and her work for education (1895) pg 3 Next she was sent to a similar school in Kentish Town which she remembered as simply consisting of children learning Murray's Grammar. Aged 10 she attended a more advanced school in Hampstead; by the age of fourteen she herself was teaching there and by sixteen she was occasionally left in charge of the school.
She took one lesson of Stephen Ferrier in the technique of etching. It seemed so simple that she unhesitatingly sent in her name as a contributor to an exhibition to be held in the Pennsylvania Academy of Fine Arts, and went so far as to order her frame. She knew little of the vicissitudes of the etcher, but she was on the way to learn, for, when the exhibition opened, her labor was represented only by an underbitten plate, an empty frame, the name in the catalogue of a never-finished etching, and the knowledge that etching represented patient labor as well as inspiration. The same year, Stephen Parrish came to her rescue, and by his counsel and assistance, enabled her to work with insight and certainty.
Troilus and Cressida, Act V, Scene II. Painted by Angelica Kauffman in 1789, and engraved by Luigi Schiavonetti for the Boydell Shakespeare Gallery's illustrated edition of Shakespeare in 1795. Luigi Schiavonetti (1 April 1765 - 7 June 1810), Italian reproductive engraver and etcher, was born at Bassano in Venetia. After having studied art for several years he was employed by Testolini, an engraver of very indifferent abilities, to execute imitations of Bartolozzi's works, which he passed off as his own. In 1790, Testolini was invited by Bartolozzi to join him in England, and, it having been discovered that Schiavonetti, who accompanied him, had executed the plates in question, he was employed by Bartolozzi and became an eminent engraver in both the line and the stipple manner.
Her works from these years are a record of her travels, showing many cities in Germany, the Netherlands, Croatia, Italy, Sweden, London, Istanbul, Paris, Prague, and Budapest. Her 1936 visit to the United States resulted in memorable views of New York, Chicago, Philadelphia, Washington, D.C., and Niagara Falls. Her works include many images of her native country as well, views of Vienna and other places in Austria, such as Salzburg and the countryside of Salzburg province. In 1927, the centennial of the composer Beethoven's death, she completed and published an album of woodblock prints showing the houses where Beethoven had lived in Vienna and the surrounding towns. In 1924, she married Eugen Milch (1889–1958), a physician and a talented painter and etcher in his own right.
André Salmon was born in Paris, in the XI arrondissement, the fourth child of Émile- Frédéric Salmon, a sculptor and etcher, and Sophie-Julie Cattiaux, daughter of a founder of the Radical Socialist party. Often assumed to come from a Jewish family,Peter Y. Medding, Studies in Contemporary Jewry: Volume XIV: Coping with Life and Death: Jewish Families in the Twentieth Century, Oxford University Press (1999), p. 313 they were in fact secular Republicans, frequently in financial difficulty, and moved several times. André Salmon claimed in a letter to the editor of Le Crapouillot, now in a private collection, that his family descended from the Renaissance poet Jean Salmon Macrin, whose position in the court of Francis I surely indicated that his forebearers were not Jewish.
It was hoped that technical improvements might save the art, but by the beginning of the 20th century, pictorial line engraving in England was practically non-existent. The disappearance of the art is due to the fact that the public refused to wait for several years for proofs (some important proofs took as long as 12 years to create) when they could obtain their plates more quickly by other methods. The invention of steel-facing S copper plate enabled the engraver to proceed more quickly; but even in this case he can no more compete with the etcher than the mezzotint engraver can keep pace with the photogravure manufacturer. Line-engraving flourished in France until the early 20th century, only through official encouragement and intelligent fostering by collectors and connoisseurs.
Abraham Bosse, a Parisian illustrative etcher popularized Callot's methods in a hugely successful manual for students. His own work is successful in his declared aim of making etchings look like engravings, and is highly evocative of French life at the middle of the century. Early mezzotint by Wallerant Vaillant, Siegen's assistant or tutor Wenzel Hollar was a Bohemian (Czech) artist who fled his country in the Thirty Years War, settling mostly in England (he was besieged at Basing House in the English Civil War, and then followed his Royalist patron into a new exile in Antwerp, where he worked with a number of the large publishers there). He produced great numbers of etchings in a straightforward realist style, many topographical, including large aerial views, portraits, and others showing costumes, occupations and pastimes.
Rhoda Delaval Astley, , whom Pond taught to paint His numerous original portraits include Alexander Pope, William, Duke of Cumberland, and Peg Woffington. Pond was also a prolific etcher, and used various mixed processes of engraving by means of which he imitated or reproduced the works of masters such as Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, and the Poussins. In 1734–5 he published a series of his plates under the title Imitations of the Italian Masters. He also collaborated with George Knapton in the publication of the Heads of Illustrious Persons, after Jacobus Houbraken and George Vertue, with their lives by Thomas Birch (London, 1743–52); and engraved sixty-eight plates for a collection of ninety-five reproductions from drawings by famous masters, in which Knapton was again his colleague.
Charles Walter Stetson, a famous etcher, as well as W. Woodward and Edward Bannister. After reviewing this exhibition, artist George Whitaker wrote in the December 3, 1881 issue of the Providence Journal, that "Arthur Douglas of the Rhode Island School of Design showed meritorious work".Providence Journal Upon graduation from RISD, Douglas traveled in Europe as a companion to a wealthy person. While in Yorkshire, UK, he painted landscapes and seascapes of the North Sea Coast; three water colors are East Cliffs, Whitby (Auctioned at Christie's Fine Art Auction May 22, 1991, lot 99), Off of Whitby Harbor (Auctioned at Sloan and Company Fine Art Auction September 15, 1991, lot 2282) and Castle Hill, Scarborough (Auctioned at Sloan and Company Fine Art Auction October 26, 1991, lot 1718.Artnet.
Milan: Mimesis, 2005: 30-45 Universally known as the etcher of the Prisons and the Views of Roman monuments, Piranesi was an eclectic personality, who pursued a wide range of interests. Giovanni Battista Piranesi had a prominent role within the Graeco-Roman debate. In this controversy Piranesi supported the superiority of the architects and designers of the Roman Empire and demonstrated the indigenous roots of Roman culture, arguing that the Romans had been influenced more by the Etruscans than the Greeks.John Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi. London: Thames & Hudson, 1978 In his polemical treatise Della Magnificenza ed Architettura de’ Romani (Concerning the Magnificence and Architecture of the Romans) (1761) Piranesi draws on the entire heritage of the philosophical, ethical, economic and artistic aspects of the notion.
Self-portrait (Theodore Blake Wirgman) Gather Ye Rosebuds While Ye May (1905) by Wirgman Theodore Blake Wirgman (29 April 1848 - 16 January 1925) was a British painter and etcher who moved to London, studied at the Royal Academy Schools, became a painter of history and genre subjects, and worked as a portrait artist for The Graphic. A number of these portraits are held at the National Portrait Gallery. Theodore Blake Wirgman was born in Belgium and died in London. He and his siblings, Charles Wirgman (1832-1860), Thomas Ernest (1834-1907), Francis Wirgman (1837-1860), Clara Emma (1841-1905), Helen Augusta (1843-1906), George Ferdinand (1845-1923) and Arthur David (1846-1925), were the sons of Ferdinand Charles Wirgman Russell (1806-1858) and Frances Letitia Diggins (1812-1891).
Born in Ferrara from a Jewish family of traders, in his twenties Melli moved to Genoa to start an apprenticeship as an engraver and thereby discovered his artistic talent. He began an activity as xylographer, befriending painter and etcher Giorgio De Vincenzi, also from Ferrara. In 1910 Melli moved to Rome, where he shared a studio with sculptor Giovanni Prini. In 1913 he participated in the first exhibition of the Scuola Romana, and subsequently exhibited his work at various shows organised by the Futurism movement, although Melli from then on would pursue his own peculiar style and technique. In 1915, together with artists Vittorio Costantini, Cipriano Efisio Oppo and Guglielmo Pizzirani, Melli formed the "Gruppo Moderno Italiano" (Modern Italian Group) and in 1918 he contributed to the creation of the magazine and current "Valori Plastici".
Josias English was an amateur etcher. He was originally thought to have died in 1718, but upon the discovery of his will it transpired his death actually occurred in 1705. English was a gentleman of independent means who resided at Mortlake which was then in Surrey and is now a district of London. He was an intimate friend and a pupil of Francis Cleyn, the manager of the Mortlake Tapestry Works, and etched numerous plates in the style of Wenceslaus Hollar, after Cleyn's designs; these include a set of eleven plates, etched in 1653, entitled "Variæ Deorum Ethnicorum Effigies, or Divers Portraicturs of Heathen Gods", a set of four representing "The Seasons", a similar set of "The Four Cardinal Virtues", and a set of fourteen plates of grotesques and arabesques.
In 1900 his family moved to Philadelphia where he worked as a copper etcher for Beck's Engraving. From 1902 to 1906, he lived in New York and continued his evening art studies under Robert Henri at the New York School of ArtVirginia Artists Series No. 5, PAUL ROHLAND, Virginia Museum of Fine Arts, January 21-February 4, 1939. Original located in the Rohland Papers in the Valentine Museum archives, Richmond, VA. See also Richmond Times Dispatch, “Rohland’s One Man Show,” Friday, January 20, 1939, p. 16, Newspapers.com. See also “In Quest of Harmony: The Founding Years of the Woodstock Artists Association, 1919-1925,” June 1, 2019, No. 1 of Woodstock Artists Association and Museum (WAAM) Lecture Series, Part II: Woodstock Art Colony: The Nascent Years 1900-1930, by Bruce Weber, PhD.
An online facsimile of the entire text of Vol. 1 is posted on the Traditional Fine Arts Organization website (). In 1921 she began her studies in the Department of Art at the University of California, Berkeley, where she perfected her skills as a painter under Ray Boynton and was first introduced to printmaking by the renowned etcher, Perham Wilhelm Nahl. Gene sketched and exhibited with the large art colony in Carmel-by-the Sea, California, and until 1938 periodically rented a cottage there for several months in the summer. After she graduated in 1924 with "honors in art," she briefly studied at the California School of Fine Arts (today’s San Francisco Art Institute), and exhibited her etchings at the California Society of Etchers (today’s California Society of Printmakers) and at the Oakland Art Gallery.
And it was during this time that Jack Van Ryder worked as a hired hand for Martinez.The West, Books and Pamphlets, J.E. Reynolds Bookseller, Van Nuys, California, June 1964 Martinez moved to Philadelphia to study at the Pennsylvania Academy of Fine Arts where he developed his skill as an etcher, winning an award from the Graphic Sketch Club of Philadelphia. He also studied at the Art Student League in New York, where he kept a studio in the Woolworth Building. To supplement his income he performed on the rodeo circuit in New York and Boston, The West, Books and Pamphlets, J.E. Reynolds Bookseller, Van Nuys, California, June 1964 competing in Madison Square Garden During the 1932 World Series Rodeo he joined up with other "hard-riding artist" including, Henry Ziegler and Harmon Pritchard.
Dugdale embarked on his project due to discovering hampers full of decaying 14th and 15th century documents from the cathedral's early archives.Kelly, 56–59. In his book's dedicatory epistle, he wrote: > ... so great was your foresight of what we have since by wofull experience > seen and felt, and specially in the Church, (through the Presbyterian > contagion, which then began violently to breake out) that you often and > earnestly incited me to a speedy view of what Monuments I could, especially > in the principall Churches of this Realme; to the end, that by Inke and > paper, the Shadows of them, with their Inscriptions might be preserved for > posteritie, forasmuch as the things themselves were so neer unto ruine. Dugdale's book is also the source for many of the surviving engravings of the building, created by Bohemian etcher Wenceslaus Hollar.
In June 1918 Kanae co-founded the Nihon Sōsaku- Hanga Kyōkai ("Japan Creative Print Cooperative Society") with lithographer Kazuma Oda, etcher Takeo Terasaki, and woodblock artist Kogan Tobari; this last had been a member of the Pan no Kai and had also recently returned from several years in Europe. The group held its first exhibition at the art gallery in the Mitsukoshi building in Nihonbashi on 15–20 January 1919. It represented 277 works by 26 artists, including seventeen woodblock prints and two etchings by Kanae. The show drew twenty thousand visitors and was widely reported in the media, including a special sōsaku-hanga issue that March of the prominent art magazine Mizu-e which included an article in which Kanae outlined the principles of the artform and the goals of the Nihon Sōsaku-Hanga Kyōkai.
Jacoba, or Coba, was born in 1876 as the daughter of the book printer Coenraad Ritsema and his wife Jeanette (Jannetje) Moulijn in an artistic family with one sister and two brothers.Description by Mesdag van Calcar: Coba Ritsemazaal (Dutch) In her family there were already a few known artists - her grandfather Jacob Ritsema was an amateur painter, her father was a lithograph and the painter and etcher Simon Moulijn was a nephew of her mother.Biography of Coba and Jacob Ritsema by Mesdag van Calcar (Dutch) Her brother was studying at the Academy of Düsseldorf since his 15th year, also the age when Coba also was allowed to experience herself in the arts. However, for a girl it was not realistic to go abroad at such young age, and she was taught drawing at the Haarlemse School voor Kunstnijverheid from 1891 until 1893.
The painting, depicting the Queen as lying half-length among lilies and other flowers, swathed in white tulle, her right hand holding a cross, is part of the Royal Collection held at Osborne House on the Isle of Wight, England, where it hangs in the Pavilion Principal Stairs Vestibule. In 1907, Herkomer was knighted by King Edward VII. He exhibited a very large number of memorable portraits, figure subjects and landscapes, in oil and watercolour; he achieved marked success as a worker in enamel, as an etcher, mezzotint engraver and illustrative draughtsman and he exercised wide influence upon art education by means of the Herkomer School (Incorporated) at Bushey, which he founded in 1883 and directed without payment until 1904, when he retired. It was later voluntarily wound up in 1926 having been run up to that time by Lucy Kemp- Welch, and it is now defunct.
T.W. Latchmore's hoax photograph of the Minsden ghost (1907) In 1907 he and two others, the Hitchin photographer Thomas William Latchmore (1882–1946)Thomas William Latchmore on the 'Herts Memories' website and the noted artist and etcher F. L. Griggs, took a camera to Minsden Chapel with the intention of photographing the ghost of a monk who it was believed had been murdered there and whose spirit was said to emerge from the stone walls of the ruined chapel. Hine claimed that they had been successful and published the resulting photograph in his The History of Hitchin. The photograph is now accepted as having been a practical joke at best, and a hoax at worst, but Hine never admitted this,Whitmore, Richard The Ghosts of Reginald Hine (2007, Mattingley Press (Hitchin) pp. 113–116 and its inclusion in what was purported to be a work of serious history is questionable.
Portrait of Elizabeth I of England Marcus Gheeraerts the Elder, Marc Gerard and Marcus GarretMany name variations: Marcus I Garret, Marcus the elder Geeraerts, Marcus Gerard the Elder, Marcus I Gheeraerts, Marcus Garret the Elder, Marcus Gheeraerts, Marcus the Elder Gerard, Marcus Geeraerts the Elder, Marcus the elder Gheeraerts, Marc Gerard, Marcus I Gheeraerts, Marc Gerards, Marcus I Gerard, Marc Geerarts, Marcus I Geeraerts, Marcus Geerards, Marc Gheeraerts, Marcus the Elder Gerards, Marcus Gheeraerts (I), Marcus Garret (I), Marcus Garrett, Marcus Garrett (I), Marcus Geeraerts, Marcus Geeraerts (I), Marcus Geerarts, Marcus Geerarts (I), Marcus Gheerhaerts, Marcus Gheerhaerts (I), Marcus Gerard, Marcus Gerard (I), Marcus Gerards, Marcus Gerards (I), Marcus (The Elder) Geeraerts, Marcus Gheeraerts Elder, Marcus Elder Gheeraerts, m. gheeraedts the elder, Marcus Geraers (c. 1520 – c. 1590) was a Flemish painter, draughtsman, print designer and etcher who was active in his native Flanders and in England.
Evelynne Bernloehr Mess Daily (January 8, 1903 – January 9, 2003) was an American etcher, printmaker, painter, illustrator, and art educator from Indianapolis, Indiana, who founded the Indiana Society of Printmakers in 1934. Along with her first husband and fellow artist, George Joseph Mess, she was active in the Indianapolis and Brown County, Indiana, arts community. Awarded an honorary doctor of philosophy degree from Colorado State Christian College in 1973, and a recipient of a Sagamore of the Wabash award in 1987, she was also a past president of the Indiana Federation of Art Clubs and a former secretary of the Indiana Artists Club. Her work is represented in several permanent collections that included the Library of Congress, the Indianapolis Museum of Art, the Indiana State Museum, the Indiana State Library, the Indiana University Art Museum, the Richmond Art Museum, DePauw University, and the Philadelphia Museum of Art.
'Through the memory of their eloquence' - acrylic by David Carpanini David Lawrence Carpanini (born 1946) is a Welsh artist, etcher, teacher and printmaker whose drawings, paintings and etchings are mostly concerned with the natural and industrial landscapes of South Wales. He was President of the Royal Society of Painter-Printmakers (1995–2003) and was Professor of Art at the University of Wolverhampton (1992–2000). Carpanini was born of Italian and Welsh descent in the Afan Valley in Glamorgan in Wales in 1946, the son of Lawrence Carpanini and Gwenllian (née Thomas), and was educated at Glan Afan Grammar School in Port Talbot. He trained as an artist at Gloucestershire College of Art, the Royal College of Art and the University of Reading. In 1969 he won the British Institution Awards Committee Annual Scholarship for engraving, going on to teach Art at the Kingham Hill School from 1972 until December 1978, and at Oundle School from 1979 to 1986.
For Hamerton and others, the father of the British Etching Revival was Francis Seymour Haden, the surgeon etcher, who, with his brother-in-law, the American, James McNeill Whistler, produced a body of work starting around 1860 that still stands as one the highpoints of etching history.Griffiths, 69 Haden was a collector and authority on the etchings of Rembrandt and it comes as no surprise that as Whistler, the younger man, began to show signs of veering far from the 17th-century model, Haden and he parted company. Figures from other countries included Edvard Munch in Norway,Carey, 218, 248; Griffiths, 21, 106, 117 Anders Zorn in Sweden, and Käthe Kollwitz in Germany.Carey, 218, 230 Stephen Parrish, November, etching, 1880 It was Whistler who convinced the artist Alphonse Legros, one of the members of the French Revival, to come to London in 1863; later he was a professor at the Slade School of Fine Art.
The Society was established on 31 July 1880 at 38 Hertford Street, Mayfair, London, as the Society of Painter-Etchers for the promotion of original etching as a creative art form, inspired by the French group of the same name which existed in Paris. The first six Fellows, all elected at this formation were Francis Seymour Haden (English, 1818–1910); Heywood Hardy (English, 1852–1926); Hubert von Herkomer RA (German/English, 1849–1914); Alphonse Legros (French, 1837–1911); Robert Walker Macbeth RA, (Scottish, 1848–1910), and James Tissot (French, 1836–1902). Samuel Palmer (English, 1805–1881) – the only painter-etcher to be granted a posthumous Honorary Fellowship of the RE – was terminally ill at the time of the Society’s formation, otherwise would have been approached. James McNeill Whistler (American, 1834–1903) who was in Venice at the time of the RE’s founding, had a row with his brother-in-law, Haden, and was not invited to join.
Portrait of Leonardus van der Voort Johann or Johan Bernard Scheffer (also Jean Baptist Scheffer), (1764 in Homberg, Hesse-Kassel – 30 June 1809 in Amsterdam)Leo Ewals, Ary Scheffer, 1795-1858: gevierd romanticus, Waanders, 1996 was a German-born painter and etcher active in the Netherlands and the father of the painter Ary Scheffer. He was the son of Johann Werner Scheffer (1730-1799) and Catharine Maria Pfluger (1731-1799) John A. Fritchey, Ancestry of Margaret Ann (Fritchey) Trahan, 1969 and a pupil of Johann Friedrich August Tischbein. By 1788 he lived and worked in Utrecht and from 1790 in Dordrecht where in October 1794 he married the miniature painter Cornelia Lamme (1769-1839), daughter of the landscape painter Arie Lamme. They had three sons who survived to adulthood: the portrait painter Ary Scheffer (1795-1858), the journalist and writer Karel Arnold Scheffer (1796-1853) and the painter Hendrik Scheffer (1798-1862).
As well as designing buildings, Ansell was also an etcher of architectural subjects.‘ANSELL, William Henry’, in Who Was Who 1951–1960 (London: A. & C. Black, 1984 reprint, ) In 1914 Ansell designed a new Temple of Humanity for the Positivists at Upper Parliament Street, Liverpool, built in brick with patterns in tiles. It has a five-bay nave with narrow aisles, a chancel with a canted apse, and a projecting organ loft. The clerestory has Diocletian windows and there is a baldachino with Byzantine columns. Now a Grade II listed building, in 2012 it was in use by the Church of Christ, Scientist.Joseph Sharples, Richard Pollard, Liverpool (Pevsner Architectural Guides), New Haven and London: Yale University Press, 2004, , p. 245 Ansell saw active service as an officer in the Royal Engineers between October 1915 and 1918, during the First World War, receiving the Military Cross and twice being mentioned in despatches. After the War, Ansell returned to his profession.
A landscape artist, Waterloo also produced many etchings which increased his popularity and extended his influence into the next century and beyond to the French Barbizon painters of the mid-19th century. While many of Waterloo's larger etchings and drawings (some almost the size of his paintings) are careful in their depiction of the smallest, individual detail, his smaller drawings of mountain valley views often feature an impressionistic group of forms as atmospheric perspective leads the eye into the hilly distance along a characteristically Baroque zig- zag course.Mountain Valley Landscape which in 2009 entered the collection of Columbia Museum of Art in South Carolina Such drawings may have been known to the English landscape etcher John Robert Cozens and, in turn, may have had a stylistic impact upon the young J.M.W. Turner. His art dealership exposed him to the work of a number of respected contemporary landscape artists such as Jacob van Ruisdael, Simon de Vlieger, Roelant Roghman, and Caesar van Everdingen, from whom he absorbed a variety of influences.
Toledo – Puerta de Zocodover, from The Cities of Spain Rimington took an interest in mechanical engineering: for a time he was a partner in a machinery agency based in the City of London and in 1875 he gave notice of a patent for a device to measure the delivery of liquids and solids, He became a skilled etcher, and in 1887 was elected as Associate Member of the Royal Society of Painters Etchers and Engravers. He considered the reproduction quality of etching superior to that of ink drawings. In an exchange of letters published in the Pall Mall Gazette in 1889, Joseph Pennell (a Fellow of the Society), openly disagreed with Rimington's views, saying that he lacked awareness of the mechanical part of the art, and that the photo engraving of ink drawings provided the equal of autographic etching. He first exhibited at the Royal Academy Summer Exhibition in 1880 with a picture titled An "Inche" on the Blackwater, South of Ireland; his address at this time was given as Weston- super-Mare.
While developing his skills as an etcher and lithographer in the early 1920s Blampied continued to work extensively for magazines and contributed hundreds of political cartoons and decorative drawings to The Bystander magazine between 1922 and 1926; he illustrated short stories by E.F. Benson and other authors in Hutchinson’s Magazine, and continued to design book jackets for publishers including Hodder & Stoughton, Herbert Jenkins, T. Fisher Unwin, Eveleigh Nash, William Collins and Constable. The books for T. Fisher Unwin included dust jackets for new impressions in 1923 of eleven of E. Nesbit's famous children’s novels and James Hilton's rare second novel called Storm Passage. Blampied also illustrated a film edition of Black Beauty by Anna Sewell and a new edition of The Roadmender by Michael Fairless. Blampied held his first exhibition of paintings and drawings, rather than prints, at the Leicester Galleries in February 1923 while continuing regularly to exhibit his prints at the annual shows of the Royal Society of Painter Etchers and Engravers and the Senefelder Club of British lithographers, named after Alois Senefelder, the inventor of the method.
Lillian Baynes was the only daughter of John Baynes (1842–1903), a British inventor, and Helen Augusta Nowill Baynes (1850–1909). In the 1870s, after John had failed at running a textiles company in Calcutta, the family moved to New York. John set up the Baynes Tracery and Mosaic Co., which produced etched memorial tablets, among other products. (He patented manufacturing processes with the tastemaker Lockwood de Forest, and Baynes tablets survive at Grace Church in Newark, the Battell Chapel and Norfolk Library in Norfolk, Conn., and the Cleveland Soldiers’ and Sailors’ Monument.) Lillian trained at the New York Institute for Artist Artisans at 140 West 23rd Street (around 1893) and, in summer 1894, at the Shinnecock Hills Summer School of Art in Southampton on Long Island run by William Merritt Chase. Her brothers, the naturalist Ernest Harold Baynes and the metal etcher and photographer John R. Baynes, briefly worked for their father, who claimed (without proof) to have invented “photo-modeling,” a technique for using light to carve sculpture.
His father was an engineer in the chemical industry in Marcinelle and Couillet and later became a professor. Jules himself was a gifted student, getting his PhD in Law from the Université Libre de Bruxelles at the age of 20. His younger brother, Olivier Georges, became a monk, first in the Maredsous Abbey, later in the Keizersberg Abbey in Leuven, under the name Bruno Destrée. Besides his judicial work, he liked circulating among the artistic and literary circles of his time. There, he met etcher Auguste Danse, whose daughter Marie, a niece of Constantin Meunier, he married in 1889. In 1892, together with Paul Pastur, he founded the Democratic Federation. He started a political career with the socialist party Parti Ouvrier Belge (POB), and was elected as a member of the Belgian Chamber of People's Representatives in 1894, where he continued to work until his death. He wrote many and diverse publications; prose, political and social works, and studies on artists (like Odilon Redon and Rogier van der Weyden). In 1911, during an exhibition of ancient arts of the Hainaut, Jules Destrée realised that Wallonia had many specific characteristics.

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