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54 Sentences With "erotic dance"

How to use erotic dance in a sentence? Find typical usage patterns (collocations)/phrases/context for "erotic dance" and check conjugation/comparative form for "erotic dance". Mastering all the usages of "erotic dance" from sentence examples published by news publications.

If you're feeling it, do a little erotic dance. Masturbate.
Friday and Saturday we have erotic dance parties where sex also happens, so this is really a different concept.
To be fair, there is a small break in which Britney Spears makes an appearance to have an erotic dance-off with Austin Powers.
Yes, she was naked and about to straddle an undercover officer -- but 40 says she could've been doing lots of things besides offering sex ... like a nude massage or erotic dance.
The emergence of Mr. Sheen as a hybrid spokesman-activist at the party, where dancers in hexagon-pattered leotards performed erotic dance routines, signified a new act for the troubled actor.
There's the old-fashioned strip club for anyone who can't be bothered to watch an erotic dance on film, and your average rom-com, fantasy drama, or mumblecore TV show now depicts pseudo-realistic sex in high definition and with an unwavering eye.
However, Berg says the movement to recognize pole dance as a competitive sport far removed from strip culture doesn't do much for those fighting for basic labor rights, or protesting the "racial discrimination that's rampant in the erotic dance industry" as some dancers did last fall during the NYC Stripper Strike, Berg says.
Plugaru was recognized for her contributions to the advancement of the Romanian adult entertainment industry. In March 2009 she was voted The Ideal Romanian Woman and nearly a quarter (24.69%) of website visitors voted for her in an online poll. On 24 September 2009 Plugaru announced her retirement from the adult film industry. Plugaru founded the erotic dance troupe Erotic Dreams Show by Alina Plugaru in 2011 and she performs frequently with her erotic dance troupe at festivals, private parties and public venues.
Nudes-A-Poppin' is an annual pageant in the United States for nude women and men competing in erotic dance. It is the best-known nude event in Indiana, and has been held annually since 1975.
The club continued to open once a month for eight hours to retain its erotic dance establishment license and land use rights. However, the license was revoked in August 2019, as the building had fallen into disrepair and was the target of vagrant break-ins.
Kagura performed by miko at the Hachiman shrine in Tamba, Hyōgo Prefecture Shinto music is the ceremonial and festive music of , the indigenous religion of Japan. Its origin myth is the erotic dance of Ame-no-Uzume-no-Mikoto which lured Amaterasu from her cave.
Michelle L'amour at the Miss Exotic World Pageant, 2007. Photo Michael Albov In the West, a fan dance (i.e. a dance performed with fans), may be an erotic dance performance, traditionally by a woman, but not exclusively. Beyond eroticism it is a form of musical interpretation.
However, following Frances Aparicio's work on salsa, Dominican anthropologist Carlos Andújar refutes the connection between provocative stage presence and an adherence to classic patriarchal values, arguing instead that erotic dance is an embrace of female sexuality, a commonly pervasive theme embodied in African-influenced artistic expression.
Wolosso is a type of erotic dance from Côte d'Ivoire. The moves involved, described as involving "buttock-swinging," have caused controversy among Muslims in Guinea. Several allegations of rape have been made by young women in Conakry against men who accused them of doing the Wolosso dance.
There, they meet Francesca (Gastini), who performs an erotic dance. Sadie agrees to join Alex only if Francesca joins them. At the villa, Sadie and Francesca drink and take drugs and begin a sexual relationship while Alex prepares for a party. At the party, many guests arrive, take drugs, and have sex with one another.
The historian Dio tells of how a prostitute pretended to be a leopard for the gratification of a senator.Cassius Dio 76.8.2; Barton, The Sorrows of the Ancient Romans, p. 68. The actor Bathyllus was known for an erotic dance in which he dressed as Leda having sex with the swan; the women watching were variously aroused.
She received an award for Best European Starlet in Brussels in 1997. She appeared in productions in Germany, Italy, Holland, Spain and USA, where the media became interested in her and she appeared on several television shows. She appeared in many articles and adult press covers. Passionate about dance, she performed erotic dance shows in French discothèques.
It was made for Hayworth's own company, Beckworth Productions, for Columbia Release.THOMAS M PRYOR Special to THE NEW YORK TIMES. (1952, Feb 13). "WALD AND KRASNA TO REMAKE 'RAIN'" New York Times According to her biographers, Hayworth's erotic Dance of the Seven Veils routine was "the most demanding of her entire career", necessitating "endless takes and retakes".
Charley runs off to find Peter, and the two of them arm themselves with crosses and crash Regine's party. There, Charley finds Richie, but is shocked to find him alive and well, with no bite marks on his neck. Regine makes her entrance, doing an erotic dance with a mesmerized Charley. She introduces herself to Peter and Charley, and claims to be a performance artist in town for some shows.
The Bump is a form of popular dance introduced in the 1970s. Two partners, generally one male and one female, bump their hips against each other to the beat of the song. Sometimes the dance can be more suggestive, with the female dancer bumping her hip against the male dancer's crotch. For this reason, the Bump is often believed to be the precursor to the erotic dance grinding.
The only outlet for his humanity is his care and concern towards his grandmother. Many heated arguments pass between Camille and Franck, the latter annoyed at her presence and the former finding him rude and disrespectful. This reaches a crisis when, whilst drunkenly directing an erotic dance by his latest nana, he refuses to turn down the music. Camille storms out and throws his boom-box out of the window.
In May 2011 she received the Best Show Awards for her erotic dance troupe, at the Romanian Erotic Industry Awards (PIER 2011). After her retirement from the adult film industry, she manages her business, one of the top rated erotic massage parlor in Bucharest. In 2015, Plugaru was a contestant in the PRO TV reality series Sunt celebru, scoate-mă de aici! (the Romanian version of I'm a Celebrity...Get Me Out of Here!).
In a contemporary review, The Monthly Film Bulletin spoke of the film in negative terms, calling it a "dispiriting experience". The piece referred to Freda's direction as "laboured", stating that he "brings neither gusto nor honest vulgarity to the narrative". Regarding the action scenes, the reviewer felt that only the chariot race was staged with "any suggestion of real flamboyancy or flair" and that Canale's erotic dance before Justinian was "painfully unexciting".
More traditional industries have made use of go-go dancers to provide entertainment and act as bargirls or hostesses. The lack of explicit nudity makes go-go dancers more socially acceptable than topless and nude performers in public areas. There are also exhibitions, festivals, and competitions where independent strippers are more likely to be performing. Nudes-A-Poppin' is a popular festival scheduled annually which features both female and male dancers competing in erotic dance.
A black-and-white music video for the single, directed by David Hogan, was also released. During the beginning of the video, a man is shown trespassing among the narrator's house as the blind singer plays his piano. During the climax, it shows his wife's imaginary lover playing an electric guitar as she performs an erotic dance to the solo. In the end, it shows detectives investigating a tape outline of an electric guitar.
Salome (as portrayed by Maude Allan) with the head of John the Baptist after her Dance of the Seven Veils. The Wilde play and the Strauss opera led to the phenomenon of "Salomania", in which various performers put on acts inspired by Salome's erotic dance. Several of these were criticised for being salacious and close to stripping, leading to "insistent vogue for women doing glamorous and exotic 'oriental' dances in striptease". In 1906 Maude Allan's production "Vision of Salomé" opened in Vienna.
The bubble dance is an erotic dance made famous by Sally Rand in the 1930s. The dancer (sometimes naked) dances with a huge bubble shaped like a balloon or ball placed between her body and the audience to make some interesting poses. Julie Atlas Muz at the Miss Exotic World Pageant, 2006. Photo Michael Albov In Tex Avery's cartoon Hollywood Steps Out (1941) which depicted various Hollywood celebrities, a rotoscoped Rand performs her famous bubble dance onstage to an appreciative crowd.
In this realm, she befriends four other patients/dancers: Amber, Blondie, Rocket, and Rocket's sister and "star of the show", Sweet Pea. Dr. Gorski is envisioned as the girls' dance instructor. Blue informs Babydoll that her virginity will be sold to a client known as the High Roller, who is actually the doctor scheduled to perform her lobotomy. Gorski encourages Babydoll to perform an erotic dance, during which Babydoll further fantasizes she is in feudal Japan, meeting the Wise Man.
The upper circles were narrow, like promenade circles, with swagged velvet drapes reminiscent of the Criterion Theatre, where the troupe had performed in London. The domed ceiling was adorned with curvaceous Art Nouveau motifs. The curtain featured an elaborate portrayal of a Shinto goddess performing an erotic dance, a famous scene from Japanese mythology. The lighting and stage machinery were the very latest Western imports but there was also a hanamichi walkway, a revolving stage, and an orchestra box, as in a kabuki theater.
Miller and The Long Riders, this is your film." Roger Ebert noted the "curiously erotic dance of death" between James and the "mesmerized" younger Ford. Finally, he said, "If Robert cannot be the lover of his hero, what would be more intimate than to kill him?""Review: 'The Assassination of Jesse James by the Coward Bob Ford'", Roger Ebert, 4 October 2007 He notes that it has the "space and freedom" of classic Western epics, where "the land is so empty, it creates a vacuum demanding men to become legends.
Although Mata Hari's claims about her origins were fictitious, it was very common for entertainers of her era to invent colorful stories about their origins as part of the show. Her act was successful because it elevated erotic dance to a more respectable status and so broke new ground in a style of entertainment for which Paris was later to become world-famous. Her style and free-willed attitude made her a popular woman, as did her eagerness to perform in exotic and revealing clothing. She posed for provocative photos and mingled in wealthy circles.
Alonso was billed as the "Cuban H-Bomb", and mixed Afro-Cuban rhythms from her homeland with "bump and grind". Alonso was first noticed internationally in the 1959 film, Nel segno di Roma (Sheba and the Gladiator), which starred Anita Ekberg and Georges Marchal. Owing to a particularly erotic dance number, her picture and name became more prominent on the movie's publicity posters than either of the two leads, much to Ekberg's dismay. Most of Alonso's films were adventure movies in the style of Le fatiche di Ercole (Hercules).
Murder at the Windmill (1949), (known in the US as "Mystery at the Burlesque") directed by Val Guest is set at the Windmill Theatre, London and features Diana Decker, Jon Pertwee and Jimmy Edwards. Salome (1953) once again features Rita Hayworth doing a striptease act; this time as the famous biblical stripper Salome, performing the Dance of the Seven Veils. According to Hayworth's biographers this erotic dance routine was "the most demanding of her entire career", necessitating "endless takes and retakes".Edward Z. Epstein and Joseph Morella (1984) Rita: The Life of Rita Hayworth.
Among numerous acts of alleged sexual harassment were: asking a 15-year-old to do an erotic dance in their cabin for cash, entering the cabin of four girls uninvited, asking if they were going to the disco where they 'could go down on them' and asking one woman if he could perform oral sex on her, among others. The inquest heard the initial interview that Silvestri had given police in New Caledonia. The interview was conducted two days after Brimble's death. At that time, Silvestri denied any involvement with Brimble.
As with many other pre-Code films that were reissued after the Motion Picture Production Code was strictly enforced in 1934, this film has a history of censorship. In the original version, Marcus Superbus (Fredric March) is unsuccessful in his attempt to seduce Mercia (Elisa Landi), an innocent Christian girl. He then urges Ancaria (Joyzelle Joyner) to perform the erotic "Dance of the Naked Moon" that will "warm her into life". This "lesbian dance" was cut from the negative for a 1938 reissue, but was restored by MCA/Universal for its 1993 video release.
Stevens was a pioneering sex industry figure during the 1970s, in New York City. He appeared in over 80 pornographic movies; he also led an erotic dance troupe called Le Clique and performed in live sex shows. He was bisexual, and while he predominantly appeared in heterosexual films and porn loops, he made a number of gay films as well. He was a close associate of leading sex industry figures such as Jason and Tina Russell, Annie Sprinkle, who was also his neighbor for a time, Sharon Mitchell, Jamie Gillis, Georgina Spelvin, and Gloria Leonard.
A pole dancer performing in 2015 Pole dance combines dance and acrobatics centered on a vertical pole. This performance art form takes place not only in gentleman's clubs as erotic dance, but has also as a mainstream form of fitness, practiced in gyms and dedicated dance studios. Pole dancing enthusiasts are all ages; although many who perform this dance and acrobatic form are adults, that does not stop younger children from learning and performing in competitions. Amateur and professional pole dancing competitions are held in countries around the world.
It is accompanied by an erotic dance that involves no physical touching. The dance was so racy that the government and the Roman Catholic Church sought to end the practice.Curacao Culture The seú was performed during the harvest festival during traditional times, but is now continued during annual parades in the city of Willemstad. Formerly the seú was a march through the fields, during which the workers brought the crops to the warehouses, the men playing drums, kachu and chapi, while the women carried produce on their heads.
Since its inception, it has followed largely the same format (though expanded for larger crowds and more recently included bigger name bands): providing entertainment aimed at the motorcycle riding fraternity, including live rock music, beer tents, motorcycle racing, drag racing and stunt riding demonstrations. Adult entertainment traditionally features high on the bill, including a wet T-shirt contest, erotic dance shows and a topless bike wash. The event runs over four days, with gates opening on Thursday, running through until Sunday. In April 2013 it was announced that the 2013 event had been cancelled.
This song was a shock for Balkan publicity, most probably for the new video, in which Slađa and Vesna (former enemies) are singing about their (former) husband Đole being a sex- maniac, and her being lied to, "Đole cheating Slađa with Vesna, and then Vesna with Slađa". The video is full of (by some) erotic dance. On June 1, 2010, in an interview for "Svet" tabloid, Đole Đogani confirmed that on new tour for Đogani duo, Slađa is going to be a partner, so many of the shows will be combined with Slađa's promotion of her upcoming album "Pet". In June 2010.
Some claim the origin of the modern striptease lies in Oscar Wilde's play of 'Salome', in 1893. In the Dance of the Seven Veils the female protagonist dances for King Herod and slowly removes her veils until she lies naked.Toni Bentley (2002) Sisters of Salome: 31 After Wilde's play and Richard Strauss's operatic version of the same, first performed in 1905, the erotic 'dance of the seven veils', became a standard routine for dancers in opera, vaudeville, film and burlesque. A famous early practitioner was Maud Allan who in 1907 gave a private performance of the dance to King Edward VII.
In an exception to the non-sexual nature of other nudist resorts, the Ponderosa Sun Club in Roselawn, Indiana hosts Nudes-A-Poppin', an annual weekend festival described by its promoters as a nude beauty pageant and erotic dance contest for women and men. In recent years, many of the contestants are from strip clubs, and the judges or MCs are either porn stars or other celebrities. Ponderosa is otherwise a family-oriented naturist resort. Few regular members of the club attend the festival, (which is also adults only), but concede because it subsidizes their annual fees.
The pas de deux features a man who leaves his seat in the audience to climb on stage for an erotic dance with the "tattooed love goddess". In 1956, six dancers drove around the country in a station wagon, performing twenty-three shows in eleven states. This was the first tour of the Robert Joffrey Studio Dancers, and they soon performed in India, the Middle East, the Soviet Union, and at the White House. The Robert Joffrey Ballet took up residence at New York City Center in 1966 replacing New York City Ballet and changing its name to the City Center Joffrey Ballet.
The dances of the Ghawazee in North Africa and Egypt consisted of the erotic dance of the bee performed by a woman known as Kuchuk Hanem. In this dance the performer disrobes as she searches for an imaginary bee trapped within her garments. It is likely that the women performing these dances did not do so in an indigenous context, but rather, responded to the commercial climate for this type of entertainment. Middle Eastern belly dance, also known as oriental dancing, was popularized in the United States after its introduction on the Midway at the 1893 World's Fair in Chicago by a dancer known as Little Egypt.
In fact, it has become the must-see concert of the year." Jeannine Etter of Youth Outlook stated "Janet takes us from ballads to hard-core dance beats, and from sex to politics. The set changes appropriately reflect some of the stages of her musical development, from the more playful circus/funhouse vibe of light and playful songs like "Escapade" to the sexual side of Janet's music that keeps getting stronger and stronger as the years go by. During the performance, one lucky man is picked from the audience, strapped to a chair and "tortured" as Janet performs a highly erotic dance for him.
As a character inspired by Steve Jobs, Timberlake takes the stage at the Pan-Asian Deep Learning Conference in Kuala Lumpur, Malaysia, in 2028 and debuts Al. In the dance-centric visual, the artificial intelligence machine displays dance moves while being remotely manipulated by Timberlake. As the video progresses, Al performs more elaborate and erotic dance moves with the dancers, being rewarded with an enthusiastic ovation from the previously expressionless audience. The line between creator and his invention blurs by the clip's end, as described by a Rolling Stone reviewer. For the CGI character, Timberlake and several dancers performed the motions that became Al's moves in the final product.
Portraits of a Naked Lady Dancer (2004) is a documentary, directed by Deborah Rowe. In Closer (2004), Natalie Portman plays Alice, a young stripper just arrived in London from America. Crazy Horse Le Show (2004) features dance routines from the Crazy Horse, Paris. Mrs Henderson Presents (2005) portrays the erotic dance routines and nude tableau-vivants which featured at the Windmill Theatre before and during World War II. The film Factotum (2005) (by Norwegian director Bent Hamer) concludes with Matt Dillon (in the role of Henry Chinaski - an alter ego of Charles Bukowski, who wrote the novel on which the film is based) having an artistic epiphany whilst watching a stripper in a strip club.
During the following years, Aitolehti got married with Esko Eerikäinen, a member of the all-male erotic dance group Scandinavian Hunks, and started appearing in reality television shows, including Big Brother Finland, and had a small role in the Finnish daily soap opera Salatut elämät (Secret Lives). She also founded her own dance group Dazzling Ladies, dancing and singing with the group all around Finland. Aitolehti and her then-husband Esko Eerikäinen starred in their own reality television series Martina & Esko: Vauvakuumetta (Martina & Esko: Baby Fever) and Martina & Esko: Isku Kolumbiaan (Martina & Esko: Strike to Colombia) on Sub in 2010 and 2011. The shows followed their everyday life from having a baby to visiting Eerikäinen's family and friends in Colombia.
Alex forces Chris to assume the roles of his childhood cat 'Samuel' (she has to lap up milk from a bowl while nude), his mother (she has to nurse him), his wife, his child (he spanks her), his horse, and finally his mistress. Therewhile, Mary seems to be burning up in her green dress. She performs an erotic dance for Marcus (who seems to do nothing more than moan in agony or pain throughout most of the film), lapses into a memory of her mother having intercourse with a lover while she was a girl, and finally masturbates while watching Alex and Chris pretend they are lovers. The film closes on a threesome between Alex, Chris and Mary, Marcus choking Chris to death on her own night gown and finally Chris's awakening from the bad dream she just had.
Abbie tells Vince that the place is possessed and not to cross over the underground stream, since demons cannot cross over running water, but Vince forces them all to enter at gunpoint. Vince, trying to prove demons do not exist, taunts them and shoots a hole in the wall, causing the evil spirit that possesses the house to rush upstairs from the basement crematorium in the guise of Angela. Orson decides to stand up for himself and reveal that he has the police officer's pistol, and tells Vince that he will watch the others and Angela while Nick, Lois, and Vince make sure no one else is in the house. Angela puts on some music and does an erotic dance to distract Orson, and Abbie and Holly see this as an opportunity to escape with Reggie.
A conclusive description and visualization can be found in the 1720 German translation of the French La Guerre D'Espagne (Cologne: Pierre Marteau, 1707), where a galant party of high aristocrats and opera singers has resorted to a small château where they entertain themselves with hunting, play and music in a three-day turn: Other possible influences on modern stripping were the dances of the Ghawazee "discovered" and seized upon by French colonists in 19th century North Africa and Egypt. The erotic dance of the bee, performed by a woman known as Kuchuk Hanem, was witnessed and described by the French novelist Gustave Flaubert. In this dance the performer disrobes as she searches for an imaginary bee trapped within her garments. It is likely that the women performing these dances did not do so in an indigenous context, but rather, responded to the commercial climate for this type of entertainment.
The Sun goddess and her sibling the moon god's interpersonal conflicts explain, in Japanese myth, why the sun and the moon do not stay in the sky at the same time — their distaste for one another keeps them both turning away from the other. Meanwhile, the sun goddess and the storm god Susanoo's conflicts were intense and bloody. Various accounts of Susanoo's temper tantrum in Amaterasu's home depict a variety of disgusting and brutal behaviors (everything from smearing his feces across her home's walls to skinning her favorite horse alive and throwing it at her maid and killing the maid) but it is usually, in depictions of this particular myth, Susanoo's behavior that scares Amaterasu into hiding in a cave. It would take the combined efforts of many other kami, and the erotic dance of a particular goddess named Ame no Uzume, to lure Amaterasu from the cave again.
Spiegelschrift moved to Toronto in 1989 for the dance program at Claude Watson School for the Arts at Earl Haig High School but dropped out 2 months later after attending the live presentation of Gerhard Bohner's revision (1977) of Oskar Schlemmer’s "Triadisches Ballett" (1922), ending his formal dance education. Initial choreographic works were often created for erotic dance performers and club kids presented alongside Toronto fashion designer Honey Garlic's Alternative Fashion Shows at RPM(The Government) and The Boom Boom Room before expanding to site specific and more traditional venue presentations. Often billed as the "Royal Bad Ass Ballet" Spiegelschrift created THEVARS as a working ensemble name for the dance theatre projects in 1991. Creations during this period include: "Young Man Intrigued by the Flight of the Non-Euclidean Fly" (1992) inspired by the same titled Max Ernst painting this solo was premiered at the opening of the Acrobat - 1221 Bay Street, Toronto along with follow Canadian performers such as Jaymz Bee and Kiki Bonbon.
By the mid-1930s, the Hays Code banned any homosexual themes in Hollywood-made films and several pre-Code films had to be cut to be re-released. For example, The Sign of the Cross originally included the erotic "Dance of the Naked Moon", but the dance was considered a "lesbian dance" and was cut for a 1938 reissue. Even suggestions of a romantic attraction between women were rare, and the "L-word" was taboo. Lesbianism was not treated in American cinema until the 1962 release of Walk on the Wild Side in which there is a subtly implied lesbian relationship between Jo and Hallie. Depictions of lovemaking between women first appeared in several films of the late 1960s – The Fox (1967), The Killing of Sister George (1968), and Therese and Isabelle (1968). During the 1970s, depictions of sex between women were largely restricted to semi-pornographic softcore and sexploitation films, such as Cherry, Harry & Raquel! (1970), Score (1974), Emmanuelle (1974), and Bilitis (1977). Although semi-explicit heterosexual sex scenes had been part of mainstream cinema since the late 1960s, equivalent depictions of women having sex only began making their appearance in mainstream film during the 1980s.

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