"They are literally chasing people and going into the entranceways of housing buildings," Musin continued.
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There were few windows and no ventilation, so the entranceways of the city's factories and shops were often left open.
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In New York, we've yet to get snowed in, unless you count as a blizzard the ceaseless tide of cardboard boxes that block sidewalks and entranceways.
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Two new entranceways — each featuring a large staircase, escalator and elevator — should ensure that fans can find a seat, as well as food and tournament merchandise, without leaving the venue.
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Most of these pieces by Pope L. are displayed in the entranceways between galleries, and they felt too editorial for me, like comments in the comment section of an online article.
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For the new building, he proposed a series of architectural cutouts, replicas of entranceways to other museums around the world, which would cast moving shadows on the floor, in the manner of a Calder mobile.
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But reality waited outside the walls, in all of its ominousness, as well as persistent stirrings of hope: In recent weeks the police are cracking down: arresting people, confiscating work, sealing and re-sealing the entranceways.
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He failed to gain admission to several of the holiest Muslim sites, but at the entrance to the Church of the Holy Sepulchre, venerated by Christians as the site of Jesus's burial and resurrection, he captured the grooved arches and ornate Byzantine columns of the two entranceways — one of which was, and remains bricked shut.
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Those interested in masks and other carving arts should note that as mining technology advanced in Wakanda, much of the older equipment was repurposed or redesigned for sculpture and modeling, so don't be surprised to see many Wakandan buildings with elaborate moldings and dioramas carved into the doors and entranceways of even the smallest buildings in the most remote parts of Wakanda.
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In their book A Thousand Plateaus (1980), the French philosophers write: Unlike a structure, which is defined by a set of points and positions, the rhizome is made only of lines; lines of segmentarity and stratification … the rhizome pertains to a map that must be produced, constructed, a map that is always detatchable, connectable, reversable, modifiable, and has multiple entranceways and exits and its own lines of flight.
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Charles S. Burkhardt purchased the land for the Audubon Terrace (Smallwood side) and Audubon Terrace South (Lamarck side) subdivisions that these entranceways have marked since their 1926 construction. The entranceways are in fair condition despite perceptible light fixture changes and shoddy repairs. Trayfield Corporation, which has little known history, is the builder of the circa 1925 shelter entranceways and subdivision according to what is known about them. These entranceways are significant as relatively rare structures associated with the transformation of the formerly rural Town of Amherst into a residential suburban Buffalo community known as the hamlet of Snyder.
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Snyder, NY's National Register of Historic Places Entranceways at Lamarck Drive and Smallwood Drive and Roycroft Boulevard were added in to the register in 2005. Later other entranceways were added to the register. Main Street is a four-lane road running east-west connecting Williamsville (the other side of Interstate 290 (I-290), known as the Youngman Expressway) to points westward such as the neighboring hamlet of Eggertsville and downtown Buffalo. The entranceways are located proximately to large residential lawns of surrounding houses in the 1920s-built subdivisions.
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Entranceways at Main Street at Lamarck Drive and Smallwood Drive are a set of complementary residential subdivision stone entranceways built in 1926. They are located on Main Street (New York State Route 5) in the hamlet of Snyder, New York within the town of Amherst, which is located in Erie County. These entranceways are markers representing the American suburbanization of rural areas through land development associated with transportation on the edges of urban developments. The Smallwood entranceway is a pair of symmetric groupings of stone gatehouses and posts flanking the two sides of the drive at Main Street.
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2003 fieldwork involved sampling and geophysical surveys of the land around Durrington Walls in preparation for future study. This work helped identify two previously unrecognised entranceways to the henge, to the north and south.
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Snyder, NY's original National Register of Historic Places Entranceways at Lamarck Drive and Smallwood Drive and Roycroft Boulevard were added in to the register in 2005. Later other entranceways were added to the register. Today, Main Street is a four-lane road running east–west through Snyder connecting Williamsville (the other side of Interstate 290, known as the Youngman Expressway) to points westward such as the neighboring hamlet of Eggertsville and downtown Buffalo. The entranceway is located proximate to large residential areas of trees and grass, 1920s-built subdivisions flanking a wide central median.
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The Lamarck entranceway is a pair of Y-shaped and U-shaped stone half- walls flanking the two sides of the drive at Main Street. The entranceways were added to the National Register of Historic Places on December 7, 2005.
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Between 2012-2015 "new entranceways and water features were constructed", "Victorian-style amenities" installed, and planting and landscaping undertaken throughout the Park. "Upgrades included an outdoor skating loop, a new playground, upgrades to the pool area and a new [formal main] entrance".Grand Concourse Authority.
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The house has a low hipped roof with a wide overhang and a deep wooden cornice and features a full-width front porch and wide formal entranceways. (includes 12 photographs from 2007) It was listed on the National Register of Historic Places in 2008.
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The pitched sloped dormered roofs includes chimneys, finials, and turrets. The building's entranceways are placed diagonally on the building, flanked by perpendicular wings and turret towers. The form and massing of the hotel is defined by an L-shaped. Copper was the primary metal material used to build the hotel's roof.
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The school has eleven exits, which are located in the front and back entranceways, a Personal and Career Counselling (PCC) office, a daycare, a Communications Technology (CommTech) lab, two art rooms, an art hallway entrance, a cafeteria, and two exits to the field. The school also has various concealed exits used during emergencies.
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A tower with a conical roof rises to the same height as the body. This tower is connected to the body with entrances on both sides. The entranceways have gabled roofs and pediments. A similar design is found on the two centrally-located bays of the body on the northeast and southwest.
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From the junction with the I-290 heading west, the first intersection (after the adjacent Main Street and Kensington intersection) is a four-way light where it meets Lamarck Drive from the south and Smallwood Drive from the north. Both streets serve two way traffic. The entranceways sit on the four corners of this intersection.
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They represent the American suburbanization of rural areas through land development associated with transportation on the edges of urban developments. They are symbolic of the marketed character of the residential developments as a desirable residential alternative to urban life. The entranceways were added to the National Register of Historic Places on December 7, 2005.
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A prayer is said to Elegua to protect the entranceways from any unwelcome or evil spirits.Olmos and Paravisini-Gerbert: 195 Shortly after, prayers are recited to attract good spirits for the ritual. The ritual may end with an exorcism which can be acquired in a number of ways. One way to achieve purification is through a sahumerio.
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Below the entranceway the corbels or putlog holes have often survived. Even the fixtures of the original wooden stairways are frequently still visible. In several cases, elevated entranceways built in the Late Middle Ages or Early Modern times were accessed by staircase towers with spiral staircases. Occasionally an elevated entrance was also guarded by a small drawbridge.
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The two main arched entranceways consisted of recessed semicircular arches, each flanked by four fluted round Corinthian columns. Two angel reliefs were carved into each of the arches' extradoes. The arches had friezes, with decorative eagle medallions. Above this was a denticulated cornice, and above that, a wider frieze with triglyphs and alternating medallions with classical busts.
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The houses have stone and brick pedimented porticos over their entranceways. The lower- level windows have flat-arched surrounds with keystones; the oculi break the cornice lines beneath segmentally arched pediments. The northern gatehouse has another one-story rear addition and a small one-car garage. The club's two tall gateways are made of French-imported carved stone and ironwork.
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The building during the 2011 Philadelphia International Festival of the Arts At street level, three arched entranceways line Broad Street. The central arch is slightly larger than the others to indicate the entrance to the main banking hall. Carved into the facade above the center arch is the building's name. Inside the arches and above the doorways are windows designed by d'Ascenzo Studios.
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It is situated three blocks east of Harlem Road (New York State Route 240). Across Main Street and northeast from the Entranceway is the Eggertsville-Snyder Branch Library of the Buffalo & Erie County Public Library located at 4622 Main Street. Each side of the median serves one-way traffic. The entranceways sit on the two south side corners of this T-junction intersection.
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In 2015, the three exhibitors won an Egyptian Ministry of Culture contest to represent Egypt in Venice. In "Can You See", an installation featured looping astroturf surfaces replete with tablet computers, which showed insects, pests, butterflies, and bunnies in grassy pastures. The astroturfed surfaces were built in white medium density fiberboard and formed ramps, precipices, and entranceways. The structures could also resemble bridges.
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Other ornamental features include decorative plaster cornices and borders around entranceways. The main staircase occupies an alcove at the far end of the foyer, opposite the entrance. The winding half-turn staircase retains the original carved handrails and timber treads and is the dominant feature of the interior. Accommodation units and public areas (such as a laundry) occupy the remainder of the ground floor on the southern and western sides.
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Construction of the new building began in March 1930 and was completed the following year, with the first worship service held in January 1931. The church is built from Crab Orchard sandstone and has a slate roof. A prominent feature of the building is a large entrance tower. The original sanctuary and church school wing are arranged around a central courtyard, which is accessed through a series of pointed arch entranceways.
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Edmonton Public Schools Archives and Museum is located in historic McKay Avenue School. The building's cornerstone was laid in 1904 by the Governor General of Canada, Lord Minto. The year 1904 marked the beginning of an important new era of growth and prosperity in Alberta, and the building was designed to reflect this importance and inspire awe and grandeur. The design included unique features such as the Ionic Romanesque pillared entranceways.
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The Roxy Theatre and Peter's Greek Cafe complex is of state heritage significance as a distinctive, landmark Inter-War building designed in the Art Deco style in country NSW. Its exterior facade is finely detailed with a stepped silhouette, pilasters and entablature and simple panelling to break up its cement-rendered wall surface. The pilasters feature stylised low relief decorative patterns. Other external details include the chrome framed shopfront windows and entranceways.
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Ruins of walls and entranceways are all that remain today of the former Theobalds Palace. The manor was originally called Cullynges, later Tongs (after William de Tongge), and since 1440, Thebaudes, Tibbolds, and finally Theobalds. The original manor house was surrounded by a moat. In 1563, it was bought by William Cecil, 1st Baron Burghley, senior councillor of Queen Elizabeth I. He entertained Elizabeth in this house on 27 July 1564.Summerson (1959), p. 107.
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The front elevation on Pearl Street includes its original ornamental wrought iron fence and two decorative pole light fixtures, recreated based upon original documentation. Entranceways are present at each of the facade's three bays. The main entrance, located in the center bay, is composed of a pair of eight-paneled molded doors that open onto a foyer. Inside, a pair of wood doors adorned with upper panel patterning of octagonal openings is present at the foyer's rear wall.
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Only a minority of the houses had evidence of staircases survive, demonstrating that they definitely had upper storeys, while for the remainder of Olynthian houses the evidence is inconclusive. On the Murder of Eratosthenes demonstrates that at least some Athenian houses also had an upper storey. Entranceways at Olynthos were designed for privacy, preventing passers-by from seeing inside the house. Historians have identified a "hearth- room" in ancient Greek houses as a centre of female activity.
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Construction began in 1892, under the supervision of Corydon T. Purdy who would later earn accolades as the structural engineer for many famous Chicago and New York skyscrapers. The addition, 17 stories high, preserved the color and vertically massed profile of the original, but was more traditionally ornate in its design, with grander entranceways and more neoclassical touches. The building reflected in its design the transition taking place in skyscraper design from load-bearing walls to steel frame construction .
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Computer-generated cutaway model of the Salt Lake Temple post-renovation showing the newly-installed base isolators and underground facilities. The temple's outdated mechanical, electrical, and plumbing systems will be replaced with more modern and efficient systems. The walls around the temple will be reconstructed with new entranceways and openings for patron and visitor access, allowing easier viewing and passage. The interior of the temple, along with its historical artifacts, will be preserved and restored to their original design and aesthetic.
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These buildings feature steeply-pitched roofs, round-arch entranceways, corbelled brickwork decoration, gabled wall dormers, and polygonal window bays. One building has a distinctively Flemish character, with buttressed wall gables, and limestone pinnacles. The last two buildings are Georgian Revival, with red brick exterior and entrance porticoes with Corinthian columns. The Terraces were designed by the Boston architectural firm of Fehmer and Page for the developer, Eugene Knapp, who had seen developments involving condominium ownership in England, and sought to recreate them here.
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Another key Tourism landmark is the Smilin Thru Resort, originally named after the B52 Bomber the first owner of the resort flew in World War 2. The Smilin Thru Resort is the best fishing spot on the Vaal River and is infamous for the Black Carp. Stonehenge in Africa is also situated on the banks of the Vaal River. Stonehenge in Africa is well known as a holiday destination, venue and also for the massive granite blocks used to build arches and entranceways.
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Both the entranceways and the north and south sides' windows feature heavy limestone arches, a common Romanesque feature. The courthouse occupies a courthouse square which it shares with a Civil War memorial; the square is surrounded by Monroe's downtown commercial district. Artist Franz Rohrbeck painted two paintings displayed in one of the courthouse's court rooms. Rohrbeck, a German immigrant, painted murals in government buildings throughout the Midwest; one of his larger murals can be found in the Wisconsin State Capitol.
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Remains of the city walls also survive. The vast necropolis contains free-standing sarcophagi and simple vaulted burial niches, as well as catacombs, which often contain several rooms, with vaulted niches dug out of the cliff face and irregularly separated by pilasters. Most of the graves are grouped together in sections accessed by stairs carved into the cliff face at various points. Some of the tombs have remains of reliefs still surviving in front of the entranceways, but there is no other decoration.
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The William Prindle Livery Stable is a two-story, hip-roof structure with walls made of yellow sandstone, coursed in the front and rubble on the sides. The original front facade was broad and utilitarian, with segmental-arch wagon entranceways located in the center and on one end, and an office area with a wide storefront on the other end. Windows on the second floor were square-head double-hung units with six-pane sashes. On one side, a flank-gable, two-story frame wing is attached.
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Daily stage coach service also began in 1866 along Main Street and continued until it was displaced by an electric trolley in 1893, the track ran from Main and Bailey Avenue (U.S. Route 62 in New York) to the east with stops that included Entranceways at Main Street at Lamarck Drive and Smallwood Drive. The early 20th century estate era gave way to the residential subdivision era. The subdivisions in suburban Buffalo took on an urban flavor along the area's main thoroughfares and paths of migration.
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The entryways remain in their original location, retain original design, setting, and materials. The entranceways continue to serve their original functions of marking the vehicular and pedestrian entrance to the subdivision. The eastern Smallwood Drive entrance provides shelter for Niagara Frontier Transportation Authority Metro Bus riders heading west toward the Buffalo Metro Rail and downtown Buffalo, New York. The residential dwellings adjacent to the entrances are original and the setting has had no known changes since the widening of Main Street in the 1920s.
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Daily stage coach service also began in 1866 along Main Street and continued until it was displaced by an electric trolley in 1893, the track ran from Main and Bailey Avenue (U.S. Route 62 in New York) to the east with stops that included Entranceways at Main Street at Lamarck Drive and Smallwood Drive. The early 20th century estate era gave way to the residential subdivision era. Suburban Buffalo's subdivisions took on an urban flavor along the area's main thoroughfares and paths of migration.
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In 1912, architect Frank A. Rooke removed the front stoops and stairs, which projected onto the public sidewalk, and rebuilt the entranceways. In 1913 the Mount Morris Bank became a branch of the Corn Exchange Bank, the first New York City bank to establish local branches. The Corn Exchange Bank merged with Chemical Bank in 1954 and became the Chemical Corn Exchange Bank. Chemical closed the branch in the mid 1960s and moved its operations to a new location nearby, following which various commercial tenants and a church occupied the building.
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The Building at 1-7 Moscow Street in Quincy, Massachusetts, is a rare turn-of- the-20th century wood frame apartment house. It was built in the first decade of the 20th century, and is a long rectangular 2-1/2 story wood frame structure, with two sets of paired entranceways The gambrel projections over the entrances are a hallmark of the Shingle style, but its original wood shingle finish has been replaced by modern siding (see photo). The building was listed on the National Register of Historic Places in 1989.
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Rasor and Clardy Company Building is a historic commercial building located at Mullins, Marion County, South Carolina. It was originally a jail prior to 1914 when it was converted into a mercantile called the Rasor and Clardy Company, and is a two-story, brick commercial building. The building features metalwork, stained glass and glass tile, mosaic tiles at the entranceways, wooden coffered ceilings in the display windows, and pressed metal interior cornices and ceilings. It is considered the most intact early-20th century commercial building remaining in Mullins.
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A motor car garage was incorporated into the ground floor. The Anglo- Oriental building has solid tower-like features flanking the corner entranceways in addition to vertical and horizontal Art Deco patterns and lines. The vertically banded front elevation of the building, which is held between two towers, contrasts with the horizontal bands of the two side wings. The tall, first floor windows of the Anglo-Oriental Building have individual concrete canopies, while the second floor is treated as a narrow band which appears to recede due to the deep, continuous overhang above the windows and the darker shade of Shanghai plaster.
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As a result of the gradual emigration of the Christian inhabitants, the existing cloisters were slowly taken over by Turkish farmers, who renovated them according to their own needs. Since camouflage and defence were no longer necessary, facades and houses were built in front of entranceways that had formerly been hidden and inconspicuous. The rock-cut houses continued to be used by the Turkish inhabitants in the twentieth century – partially because of the continuously pleasant temperatures under the rock. In 1832, the population had to make use of the underground cities for safety against Egyptian armies during the First Egyptian-Ottoman War.
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The hamlet has two National Register of Historic Places listings: Entranceways at Main Street at Lamarck Drive and Smallwood Drive and Entranceway at Main Street at Roycroft Boulevard. The former were built in 1926 and the latter in 1918. Both were added to the National Register of Historic Places on December 7, 2005. These stone wall entrances to residential developments are common throughout Eggertsville and Snyder along Main Street and serve to give residential developments the appearance of having entrances similar to the former grand estates that were previously common along Main Street in the area.
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Though much of the original decor has been retained or restored, the spaces have been reorganized so that the East Block now houses, as well as ministers, members of parliament, senators, and parliamentary administrators. Corridors and entranceways are also lit by windows filled with stained glass, and contemporary adaptations of the original gas fixtures adorn the walls. Beneath the decor stand 0.6 m (2 ft) wide, double-wythe masonry partitions with a rubble fill core, and concrete floors more than 0.3 m (1 ft) thick. The main historic spaces in the East Block are restored to reflect the period around 1872.
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The Francis Brooks House stands in a large residential area southwest of downtown Reading, on the south side of Prescott Street between Pratt Street and Sunnyside Avenue. It is a 2-1/2 story wood frame structure, with a front-facing gabled roof and clapboarded exterior. Its main facade is nominally three bays wide, although a fourth bay is created by side projection that the porch wraps around to meet; it is a product of the house's conversion to a duplex. There are entranceways in the two right bays and windows in those on the left.
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On the ground floor, the vestibule occupies the whole width of the building, with access through the 3 doors of the main facade and lateral entranceways. From this space you can access the corridors leading to the audience seating or, to the side, the stairs to the upper floors. The avant- foyer and foyer are located on the first floor and occupy the entire width of the building, with two rooms for a restaurant and smoking room. With its double height, corresponding to the main hall and facade, the interior is profusely decorated along the windows and balustrades, with a wide oculus on the transition doors to the "avant-foyer".
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269-270 on the grounds that the monument had been abandoned "for a long time." According to some authors, Roger II further spoliated the structure in the 11th century for the construction of Catania Cathedral, including the grey granite columns that decorate the cathedral's facade and the apses, in which perfectly cut stones can be seen, which may also have been used in the construction of the Castello Ursino in the Swabian period. In the 13th century, according to tradition, the amphitheatre's vomitoria (entranceways) were used by the Angevins to enter the city during the Sicilian Vespers. In the following century, the entrances were walled up and the ruins were incorporated into the Aragonese fortifications (1302).
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The first archaeological evidence of human occupation on Khark island was reported by Captain A. W. Stiffe in 1898, with studies published about his discoveries by F. Sarre and E. Herzfeld in 1910. They discovered two rock-cut chambered tombs featuring arched entranceways to a main chamber with vestibule from which spawned around twenty smaller chambers. The southern tomb is deep and features a relief of a reclining man drinking in the Seleucid and Parthian styles of Palmyra along with a damaged relief suggested to feature Nike on the face of a sphere-topped column. Mary-Joseph Steve has argued that the architecture of the tombs is more reminiscent of Nabataean architecture at Petra than anything Palmyrene.
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Azrieli Mall in central Modi'in Wadi Anaba Park west of the city center The original city of Modi'in is laid out around a central hub, with the main arterial spokes organized as dual carriageways. Each side of the artery is a one-way street, and in between is a wide green space, with linear parks, playgrounds, schools, and some small commercial centers. Short lateral stubs fed by continuous-flow intersection turn lanes allow drivers to traverse the green spaces and effect a U-turn onto the artery's opposite direction lanes. These stubs also serve as the entranceways for the schools and mini-malls, preventing parking traffic from blocking the high-speed, left lanes of the arteries.
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The Great Mosque has a small museum annexed to it containing a number of ancient manuscripts. Similar to the Great Mosque of Damascus, a maqsurah was built in the form of a square domed room raised by one step above the floor level of the prayer hall, and adorned with Kashan tiles that cover all the internal surfaces of its walls. A large arched gate supported by two robust columns and topped with capitals as well as a bronze door screen comprise the entranceways to the maqsurah. The tomb containing the remains of Prophet Zakariah, decorated with silver embroideries containing Quranic verses from the chapter of Mariyam, was located in the center of the room.
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Early on, important sites within landscape were marked with shaped stones, similarly to distance markers on post roads. Burial sites were also given permanent marking by large scale tumuli or mounds, often surrounded by anthropomorphic shaped stones much akin to that of Inuit or First Nations' memory markers. The animistic belief of nature being alive, and large-scaled elements of nature having souls, has led to the continued use of massive sculpted stone in natural forms throughout Korean traditional entranceways, as the firstgrowth cedarwood traditionally used for gates is now rare. As Confucian scholarship ascended into the golden age of the Joseon dynasty, scholar rocks became an essential fixture of the writing tables of the yangban class of scholars, and a brilliant example of Confucian art.
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A large cascade of steps leading up to the main entrance is flanked by metal tripod tables each on a base decorated with a griffin on a terracotta plaque. The main lobby was remarkable for its Egyptian styling, featuring battered entranceways, papyrus ornaments and sphinxes. This lead via two sets of doors to the large Main Lodge room, which was used for Rural Lodge meetings and other large events, and featured neoclassical furniture and furnishings and a classical landscape fresco signed by the artist, Carroll Bill. The architects, J. Williams Beal, Sons, designed other nearby landmark buildings in downtown Quincy, including the Art Deco Granite Trust, The Patriot Ledger Building and the neo-Gothic Bethany Congregational Church which is adjacent to the Richardson Thomas Crane Public Library.
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"Hollywood" Hulk Hogan's character gained new life as a heel in WCW On the Memorial Day 1996 edition of Nitro, Scott Hall interrupted a match and, apparently out of character, challenged the wrestlers of WCW to a fight against him and unnamed companions. Though Hall was employed by WCW, the storyline took advantage of fans' knowledge of the Curtain Call incident by insinuating that Hall's departure from the WWF had been a ruse and that he was, in fact, staging an "invasion" of WCW on behalf of the WWF. Two weeks later, a second WWF defector, Kevin Nash (who had wrestled as Diesel), appeared on Nitro. Hall and Nash were dubbed "The Outsiders", and would show up unexpectedly during Nitro broadcasts, usually jumping wrestlers backstage, distracting wrestlers by standing in the entranceways of arenas or walking around in the audience.
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