This is what one of the entrance halls of LVCC looked like.
|
|
Mr Cazeneuve this week announced that access to the entrance halls of French airports and main transport hubs will be allowed only for those with tickets—a first for Europe.
|
|
Those who could afford such lavish works of art hung them in the entrance halls of their canalside houses to show visitors that they were members of an exclusive club.
|
|
But if we start locking down airport entrance halls, we would logically have to move on to train terminals, and bus stations, and concert halls, and public squares, and churches, and schools.
|
|
Markus Söder, Bavarian state premier, as he hangs a cross in the entrance area of the Bavarian State Chancellery after his cabinet ordered that Christian crosses be fixed in the entrance halls of all public buildings.
|
|
Initiates for the mysteries, their stomachs empty apart from the ritual drink of kykeon, would have moved slowly through long entrance halls of the sanctuary before looking up to their right and seeing a large cave beneath the Acropolis.
|
|
Cutaway drawing of the tunnel-in-progress and the two entrance halls on either side of the ThamesThe Thames Tunnel was designed for horses and carriages to travel under the river, though because of financial problems, the approach for wheeled vehicles was never finished.
|
|
The Carmelit stations are small; entrance halls are at only the two terminal stations.
|
|
Entrance halls, stairways, and the elevator shaft displayed "fine hand-carved woodwork.""First 'Skyscraper' Built in Portland, Historic Labbe Building, To Be Razed." Morning Oregonian [Portland, Oregon.] 4 Dec. 1933.
|
|
Honmaru Palace has a surface area of . The complex has four parts: living quarters, reception and entertainment rooms, entrance halls and kitchen area. The different areas are connected by corridors and courtyards. The architectural style is late Edo period.
|
|
The Qatar National Folkloric Troupe and Doha Sports Stadium are headquartered here. A wedding celebration complex is located in Al Rufaa on Celebration Street. The complex consists of six entrance halls, five ceremonial halls, a gathering room and several corridors.
|
|
Upstairs there were storage rooms and living areas. Ashlar, brick and crushed stone were used as materials. Two entrance halls to the station building were built in 1851. Also built were a roundhouse, a carriage house, a goods shed, a water station and several other buildings.
|
|
Under the tower is a two-storey building with equipment rooms, entrance halls and a conference centre. The diameter of the tower at its base is 15.2 metres and the wall thickness is 50 cm. The diameter of the tower from 140 metres up is 8.2 metres.
|
|
It has, as of 2012, a capacity of 200,000 square meters indoor and 100,000 square meters outdoor exhibition area. Expo Center facilities include 17 exhibition halls, conference rooms, and a business center. Hotel facilities and a subway station are located at one of the entrance halls of the center.
|
|
Sweet and ours: Szaloncukor Website translated through the help of translate.google.com. Retrieved March 21, 2013 German wealthy families would erect Christmas trees in the entrance halls of their homes (called salons) and decorate them with sweets wrapped in shiny paper.Szaloncukor, The Hungarian Christmas Candy Retrieved March 21, 2013 Such candies were made first in the 14th century in France.
|
|
Teatralnaya (, ) is an underground metro station on the Zamoskvoretskaya line of the Moscow Metro, named for the nearby Teatralnaya Square, the location of numerous theaters, including the famed Bolshoi Theatre. The station is unique in that it does not have its own entrance halls. The north escalator leads to Okhotniy Ryad and the south escalator to Ploshchad Revolyutsii.
|
|
The building was erected on a rectangular plan measuring with an inner courtyard. Both the exterior and interior of the school, its representative rooms, entrance halls and the auditorium received a neo-Renaissance decor. Even the layout of storeys and regular distribution of windows give the entire building a harmonious look. The windows are separated by pilasters and beams.
|
|
The tower over the main entrance was torn down in 1942 but was not rebuilt. As work was delayed during the war, the extension was not completed until 1955. In conjunction with Hans Christian Andersen's 200th anniversary in 2005, comprehensive renovation work was completed on the building's interiors, including the entrance halls, meeting rooms, banqueting hall and council chamber.
|
|
GEC is a joint venture of Deutsche Messe AG, Messe Düsseldorf GmbH and Messe Munich GmbH. Since 2014, the German Michael Kruppe is general manager of the company. The United States design firm Murphy/Jahn Architects designed the center. Expo Center, including the 3 entrance halls and 17 halls (W1-W5, E1-E7, N1-N5), and the south Subway Station Connections.
|
|
On the ground floor, corridors of width each connect the three entrance halls to the circular hall. The architecture of the building combines old and modernist elements, and is distinct from that of surrounding structures. The whole exterior is made of bay windows, and square patterns are found on both the exterior and interior. The base columns are slender and rectangular.
|
|
Morton next focussed on East Hull and, as Holderness Hall Ltd built a theatre for cinematograph entertainment, opening 16 November 1912. This work was also designed and carried out by Freeman, Sons,and Gaskell. It cost £12,000, seated 2,000 people and had three cafes. The two large entrance halls on Holderness Road and New Clarence Street meant no more queuing in the cold and rain.
|
|
Stained glass ceiling in the Jubilee Room (formerly the main reading room of the Parliamentary Library) Legislative Council (upper house) chamber The main entrances are contained in a two-storey building with a colonnaded front verandah. On the ground floor, there are two entrance halls. Between these halls is the Parkes Room, which is used for small committee meetings and events. The upstairs rooms are used by Hansard.
|
|
When the shopping mall "Gropius Passagen" was opened, the station was refurbished and got a direct entrance to the shopping mall. The station was designed by Rainer G. Rümmler. The station has a central platform with a central staircase leading to the Gropius Passagen shopping center and an exit on the northern platform that leads to a vestibule. The original entrance halls, as they existed in 1970, no longer exist.
|
|
In 1937, Bent Helveg-Møller won the competition for the building's enlargement. The tower over the main entrance was torn down in 1942 but was not rebuilt. As work was delayed during the war, the extension was not completed until 1955. In conjunction with Hans Christian Andersen's 200th anniversary in 2005, comprehensive renovation work was completed on the building's interiors, including the entrance halls, meeting rooms, banqueting hall and council chamber.
|
|
The raised ground floor now houses the kitchen (usually the only one) and a reception room, with doors leading out onto a terrace and down to the garden, also a bathroom and perhaps a bedroom or office. Upstairs are the expected bedrooms and bathroom(s). The style now is grandeur. Not square houses, but ones with contours and definition, large entrance halls, sweeping reception rooms, heavily decorated bathrooms with corner hydromassage tubs and more.
|
|
The Coonley house is also the first example in Wright's work of a zoned plan. The raised second floor includes three zones: The public area (living room and dining room), the bedroom wing (with its pendant guest wing) and finally the kitchen and servants areas. The original residence was over-9000-square-feet and built on a ten-acre parcel. The entrance halls, playroom and sewing room are on the ground floor.
|
|
View of one of the museum's entrance halls The museum was founded in 1816 with the legacy of the library and art collection of Richard FitzWilliam, 7th Viscount FitzWilliam. The bequest included £100,000 "to cause to be erected a good substantial museum repository". The Fitzwilliam now contains over 500,000 items and is one of the best museums in the United Kingdom. The collection was initially placed in the Perse School building in Free School Lane.
|
|
The castle plan had trapezoidal form, with four or five vertices. Today only the north wall is visible, between the King's Battery and the Queen's Battery. Also preserved, though hidden by vegetation, is the East-West wall and a circular tower in the southwestern edge, which was probably crenellated. The entrance to the fortification was through a barbican: a small defensive system that consisted of a series of entrance halls before the front door.
|
|
Additionally, both the M5 and A38 roads suffered disruption due to flooding. Greater Manchester was also affected by flooding, particularly in the towns of Oldham, Rochdale and Castleton just after 25 minutes of reported rain. In Middleton, rising floodwaters forced people to abandon their cars, while Middleton Shopping Centre was closed after water began to enter the entrance halls and some shops. Flooding was also reported at Middleton Arena and along the Broadway in Chadderton.
|
|
In 1947 Schwanzer opened his own studio. At the beginning of his career as a freelance architect he worked on smaller projects, such as entrance halls and exhibitions, leading to new contracts in the early years. No matter how small the task, Schwanzer completed the assignment with outstanding energy and ingenuity. Successes in national and international competitions helped the studio grow, gaining international recognition with working methods guided by the principle: "Quality is more important than merit".
|
|
The entrance halls included the Principal Entrance Hall of the villa and the great cross that presided over them. They were destroyed in the middle of the 18th century in order to clear the surroundings of the town. The only natural door was the one of the bar of the sea, which was apparently the most dangerous for being the most accessible. From the 16th century, the metal of the bells of the parish have been fused countless times.
|
|
There are entrances at either end of the front facade, set under gabled hoods supported by scrolled brackets. A cross- gable section projects slightly between them, with a gable roof that is raised slightly above that of the main ridge, with an octagonal turret at the central meeting point. The interior of the building originally had a single classroom flanked by entrance halls, whose ceiling conformed to the roof line. The building's construction came about through two gifts.
|
|
The return by rail from one such trip was briefly, though alarmingly, delayed by the Soviet led Warsaw Pact invasion of Czechoslovakia. Pupils put on plays, mostly in French, at the Institute's theatre (now the Ciné Lumière) and art exhibitions in the entrance halls of the 'Institut' and 35 Cromwell Road. The languages offered through the parallel curricula were Ancient Greek and Latin, German, Italian, Russian and Spanish. 'English Section' pupils took part in British school competitions in the recitation of Latin verse.
|
|
The church will offer a permanent exhibition about the construction of the church, a bell information gallery and one that informs on the life of Saint Sava. At the northeastern and southeastern pillar, two elevators are being installed to reach the dome galleries. The northern and southern entrance halls have baptism fonts, a third at gallery level is on the northern side of the altar. The material of the sixteen great columns in the choir were imported from Italy in 1939.
|
|
After 1949, the People's Republic of China again used the building as the headquarters of the Premier and State Council. During the massive renovation of Zhongnanhai in the late 1970s, plans were made to modernize Regent palace. However, it was found that the quality of the building was very poor, the foundations were loose and the gaps between the wooden columns were filled with broken brick. As a result, the main hall and entrance halls were torn down and rebuilt completely.
|
|
Originally, one-story timber frame Dielenhäuser – houses with very high entrance halls – with gables towering over jetty bressummers, as are still commonly seen, for instance, in Quakenbrück, were the predominant type. In Schüttorf, however, the façades were not seldom massively remodelled. After demolitions, only a few older examples are still to be seen. Worthy of mention among them is the town pharmacy, which was originally made up of two forward-gabled single houses that were joined about 1750 with a false façade.
|
|
After the war functionalism would be widely adopted out of the necessity to reduce building costs. Austerity houses were small, with an eye to the future addition of bedrooms as families expanded. To save on the cost of building materials and labour, living rooms and dining rooms were combined into one space, entrance halls disappeared with the arrival of the "L" shaped house, and verandahs shrunk to small cantilevered porches over the front door. People made do with one chimney, and pretentious ornamentation was dropped.
|
|
The railway station has two grand entrance halls, the eastern one for the Royal Saxon State Railways and the western one for the Prussian state railways. In the 19th century, Leipzig was a centre of the German and Saxon liberal movements. The first German labor party, the General German Workers' Association (Allgemeiner Deutscher Arbeiterverein, ADAV) was founded in Leipzig on 23 May 1863 by Ferdinand Lassalle; about 600 workers from across Germany travelled to the foundation on the new railway. Leipzig expanded rapidly to more than 700,000 inhabitants.
|
|
Because the station is on a viaduct above the junction of Prinzenstraße and Gitschiner Straße, a street level entrance hall could only be erected on its south side on the grounds of a gas plant, while the stairs to the northern platform had to be included in the opposite residential building. Destroyed in World War II on 28/29 January 1944 and 3 February 1945, the station was rebuilt in the 1950s. It later received new entrance halls in a hotly disputed Postmodern style, in 1984J. Meyer-Kronthaler, Berlins U-Bahnhöfe, Berlin: be.
|
|
Following unification in 1871 Germany underwent several decades of rapid economic modernisation and growth, which was coupled with government encouragement for expressions of national pride. This was reflected in a building boom in Karlsruhe and across the country. New churches, commercial properties and homes for rich entrepreneurs were enhanced with fashionable coloured glass embellishments, elaborate ironwork grills and ceramic tiles, wall-mounted fountains in entrance halls and, naturally, with sculptures. Municipal authorities and other public bodies also competed to commission and erect imposing sculptures in public squares, outside public buildings and in other suitable locations.
|
|
In accord with the ethos of the project, it is generally executed in high quality materials. It is built with full-brick walls in a combination of red and yellow coal-burned bricks, a reference to the traditional apartment blocks in the Nørrebro working-class neighbourhood where red was used on the street and yellow on the courtyard side of the houses. The building has detailing in red and yellow glazed Chinese tiles on balconies and in the entrance halls leading to the staircases. Windows are made of wood and aluminium, roofs are capped with a combination of zinc or copper.
|
|
According to the article 20.20 of the Offences Code of Russia, drinking in a place where it is forbidden by the federal law is punishable with a fine of 500 to 1500 rubles. The article 16 of the Federal Law #171-FZ "About the State Regulation of Production and Trade of Ethanol, Alcoholic and Ethanol-containing Products and about Restriction of Alcoholic Products Consumption (Drinking)" forbids drinking in almost all public places (including entrance halls, staircases and elevators of living buildings) except bars, restaurants or other similar establishments where it is permitted to sell alcoholic products for immediate consumption.
|
|
As an excellent example of its type it is important in demonstrating the principal characteristics of a well-designed, well- constructed, domestic-scale block of self-contained residential flats for single women. Each small flat contains a bed-sitting room, sleep-out, kitchenette, bathroom, water closet, built-in cupboards, and front and rear (trades) entrances. Common areas include the central street entrance, halls, stairwells and the former shared laundry facilities on the rooftop. The lack of provision of garaging is consistent with its interwar purpose as flats for young women residing within easy walking distance of their place of work.
|
|
Letňany Station is the terminal station of line C. It is located at the junction of Beranových street and Prosecká street, at the south end of Tupolevova street. The station is below street level, it has an island platform and two entrance halls, each of them connected to the platform by a staircase, two escalators and a lift. The north hall serves the Prague Exhibition Centre (PVA) and parking lots; the south hall connects the station with a number of bus stops. There are eighteen bus lines of Prague Integrated Transport (PID) and one parking lot (P+R Letňany).
|
|
The 23,104-square- meter area has a capacity for 1,312 standard-size vendor booths, a column-free hall on the fourth floor with an average clearance height of 18 meters. It is a sufficient venue for large-scale trade shows, conventions, sports or other events. It has a floor loading capacity for 2,000 kg per square meter with concealed electricity and water outlets. Two large entrance halls, 1,200 square meters and 850 square meters respectively, are located both on the ground and the fourth floors and can be used for registration, meeting areas, information distribution, and other pre-function activities.
|
|
Each landing off the staircase gave access to ornate entrance halls paneled in the William & Mary style and lit by ormolu and crystal light fixtures. At the uppermost landing was a large carved wooden panel containing a clock, with figures of "Honour and Glory Crowning Time" flanking the clock face. The Grand Staircase was destroyed during the sinking and is now just a void in the ship which modern explorers have used to access the lower decks. During the filming of James Cameron's Titanic in 1997, his replica of the Grand Staircase was ripped from its foundations by the force of the inrushing water on the set.
|
|
Public passersby could clearly view the entrance halls of Dutch homes decorated to show off a particular family's wealth and social standing. The home was also a place for neighbors, friends, and extended family to interact, further cementing its importance in the social lives of 17th-century Dutch burghers. The physical space of the Dutch home was constructed along gender lines. In the front of the house, the men had control over a small space where they could do their work or conduct business, known as the Voorhuis, while women controlled most every other space in the house, such as the kitchens and private family rooms.
|
|
In Sana'a of the early 20th-century, qadad-plaster was used to line pools, reservoirs, and cesspits, and to make them impermeable. Often its use extended unto the main kitchen room and to gutters and sinks, wherever water was likely to be used extensively (see also tadelakt). The walls of store-rooms where grain was kept and which required being impervious to water were also frequently painted-over with qadad, and which gave to the rooms an appearance of being painted with oil-paint. Carl Rathjens who visited Yemen in the first-half of the 20th-century mentions seeing in Sana'a "the houses of well-to-do people" where the entrance halls were often painted with qadad up to a certain height.
|
|
The large, upper clerestory windows along the nave and chancel depict scenes from the Old Testament, while the smaller medallion windows along the walls of the nave aisles represent scenes from the New Testament. Both Old and New Testament images are present in the two large transept windows as well as the altar window. The windows of the narthex depict women of the Old Testament, and the small windows of the two small entrance halls on either side of the narthex contain six scenes from the life of Jesus painted in black on amber glass. The windows of the Memorial Chapel are made from silver-tinted grisaille glass, and those in the crypt are of purple glass framed in lead grilles.
|
|
The platforms were on an embankment and below the tracks at the ends of the platforms there were entrance halls connecting to Galenstraße and also to the intersection of Staakener Straße and Seegefelder Straße, where a subway led to the station of the East Havelland District Railways (Osthavelländische Kreisbahnen). The station had three tracks next to two platforms, with the regularly-used tracks on either side of an island platform. The Spandau Suburban Line, which connected to the Stadtbahn, ended at the station. The passenger tracks of the Hamburg-Lehrter Bahn (that is the tracks of the lines to Hamburg and Lehrte that had been rebuilt as a single set of tracks between Berlin and Spandau) from Lehrter Stadtbahnhof (Lehrter Stadtbahn station, now part of Berlin Hauptbahnhof) ran as the long-distance lines to the north and the south of the platforms.
|
|
Miller (2005) p. 80 rather than the French ones which were more oblong. As in the Baroque style, furniture for the wealthy was usually gilded with silver, gold or bronze. Middle-class families and Lombard workshops left furniture unpainted, and was often made with fruitwoods or walnut.Miller (2005) p. 80 Armchairs and couches had several cartouches and cabriole legs as in French designs, but usually looked more like joined-together seats in the English fashion.Miller (2005) p. 80 Italian settees tended to be low, and were usually placed in the borders of ballrooms and entrance halls for decoration or for seating at parties and balls.Miller (2005) p. 81 Console and side tables, however, remained very similar to the Baroque ones, often very rich in decoration, with caryatids and putti, and carvings gilded in gold and bronze. However, one major difference was that tables were given specific roles and were uniquely labelled. Trespoli served as commodes in bedrooms, to hold a candle and possibly some prized possessions and a crucifix,Miller (2005) p.
|
|