The hall ennobles even the most contentious speakers with its majestic rostrum.
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In painting African-American daily life, Mr. Marshall monumentalizes and ennobles it.
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Biggie, not because it ennobles one or debases the other, but because it
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And in a curious way, death at the hands of terrorists ennobles the dead and wounded.
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They shared a clear message about a simple fading virtue the ennobles and unites us – respect.
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And at its very best, politics ennobles us by attaching us to great cause for justice and human dignity.
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But do you know the intricate, intimate labor that ennobles a child to look at that stove picture and say hot?
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But it has not created a democratic culture that captures, celebrates and ennobles the way average Americans live day to day.
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It's that connection that Mr. Whishaw and Ms. Okonedo so beautifully embody here, and it ennobles their characters as much as their moral stances.
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The sacralization process which the white cube enables and ennobles now seems, in some instances, to leach the significance from work that needs to be alive.
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Also lost: that once deeply held American ideal that the person who says "no" when everyone else says "yes" (or vice versa) doesn't defy democracy, but ennobles it.
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Mr. Parlá ennobles decay — his abstract expressionist works resemble pieces that have been applied over other pieces, and so on, on and on for decades, then left out in the elements for decades more.
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Now that the best jobs require high levels of education and training, we need to make sure that lifelong learning is accessible and appreciated, not only because it enriches our economies but because it ennobles our lives.
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On a practical level, it doesn't really matter why Clinton opposed even socialism-lite reforms, but a sincere (if wrongheaded) belief they're impossible would speak better of her than being beholden to the donor class or believing that struggle ennobles the poor.
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Her most recent film, "Blood on the Mountain," may be exactly what Mr. Cogan, Ms. Jackson and others have in mind: a history of West Virginia coal mining that excoriates the coal industry, ennobles the coal miner and is told by someone from that culture.
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In a culture that ennobles the pursuit of self-betterment and happiness by raising it to the rank of life purpose and meaning, it is nothing less than utter hypocrisy to condemn those who try to follow this precept but are prevented from doing so by lack of means or proper papers.
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It was not long before a belief took hold in the community that the people who had alerted the police to Mr. Vassell's erratic behavior were surely outsiders — new arrivals who had become synonymous with the Crown Heights of untenable rents and contrived adventures in millennial night life (take for example Butter & Scotch, a bar and bakery that ennobles the protracted childhood, serving a vodka martini and a hot fudge sundae as a pairing and funneling one dollar from every cocktail to Planned Parenthood).
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No. 63: The Arbejde Adler Building The neighboring building (Mp. 63) was built for a charity called Arbejde Adler ("Work Ennobles") in 1934. A relief above the door depicts a worker with a hoe and wooden shoes. Thorsgadekollegiet (No.
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"Review of Religions Vol. 97, Num. 7, July 2002. Pg. 8 "He (the Prophet) removes the poisonous matters, gives the elixir vitae in their stead, burns the carnal passions and low motives of worldly life and ennobles the soul with the pure and exalted divine morals.
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"At times Sonbert tweaks the grandeur of his scenes (one magnificent image of Venice cuts to a pet puppy), but just as often he ennobles the ordinary (a man adjusting a woman's clothes becomes a flock of flamingos)."Camper, Fred. "Carriage Trade", Chicago Reader. Accessed April 1, 2014.
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It stimulates a "kind of thirst for the unknown" which ennobles and enlivens science—where, as experimenters, we need "only to stand face to face with nature".Bernard (1957), p. 221. The minds that are great "are never self-satisfied, but still continue to strive."Bernard (1957), p. 222.
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The white symbolises purity and truth, and the black symbolises sacrifice. The other colours of the Crest are blue and red, which the former one stands for loyalty and the latter stands for charity. The Latin words "Sola Nobilitas Virtus", which mean "Virtue Alone Ennobles", at the bottom of the crest denote the school motto.
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The Emperor: Franz Joseph in Austrian Field Marshal uniform. In northern Italy, during the Battle of Solferino (24 June 1859), the well- intentioned, but blundering, Emperor Franz Joseph I, is almost killed. To thwart snipers, Infantry Lieutenant Trotta topples the Emperor from his horse. The Emperor awards Lt. Trotta the Order of Maria Theresa and ennobles him.
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Principales born of these unions had possibilities to be elected gobernadorcillo by their peers. Filipino Chinese family, c. 1880. Wealth was not the only basis for intermarriage between the principales and foreigners, which were commonly prearranged by parents of the bride and groom. Neither did having a Spaniard as one of the parents of a child ennobles him.
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" In 2010, David Thomson rhetorically asked whether any other family drama in cinematic history was more moving than Tokyo Story. Ebert called Ozu "universal", reported having never heard more weeping in an audience than during its showing, and later stated that the work "ennobles the cinema. It says, yes, a movie can help us make small steps against our imperfections.
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The grade of Brother was abolished in 1994; by then there was no living Brother nor surviving widow(er). The badge of honour for Brothers was a silver medal, with the lion from the Netherlands coat of arms on the obverse, and the motto Virtus Nobilitat (English: Virtue Ennobles) on the reverse. The ribbon for Brothers was blue with a single orange central stripe.
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The hard work, which is done with great love, the way they treat animals (you very seldom see an animal being mishandled) entitle them to be proud. In most cases, work here has reached the ideal standard of being done with love. You can see it in the movements of their hands. And that, in turn, ennobles the facial expression and imbues all personal contacts with a great delicacy.
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In a letter Robert Burns wrote, > Is not The Task a glorious poem? The religion of The Task, bating a few > scraps of Calvinistic divinity, is the religion of God and Nature: the > religion that exalts, that ennobles man. He is said to have loved the poem enough to have habitually walked about with a copy in his pocket. The Works of Robert Burns (London: James Cochrane, 1834) vol. 3, p. 252.
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Princess von Khevenhüller-Metsch, Princess Maria Dolgoroukov and Prince Alexander Pavlovich Dolgorouki sued Brimeyer. They charged that Brimeyer was using their noble titles with malicious intent. The prosecutor presented a large number of fraudulent documents, including letters where Emperor Charles V supposedly ennobles Brimeyer. The court noted that his claim of marriage between his "grandfather", Prince Dolgorouki, and his "grandmother", Maria Nikolaevna (who had supposedly survived the execution of the Romanov family in July 1918), was false.
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For the latter, Mathilde is desirable since others desire her. Her social rank pushes him to accept their affair. But Mathilde falls pregnant, and to avoid any dishonour, the marquess gives Julien a great sum of money, ennobles him as Julien Sorel de la Vernaye and makes him a lieutenant of the Hussards. But Julien abandons his new life when he attempts to murder Mme de Rênal in the church at Verrières, since she exposed Julien's immorality to the marquess as her confessor advised her to.
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Bochnak (1975), p. 185 His seminal project for his graduation in 1858 was Sigismund I the Old ennobles the professors of the Jagiellonian University (Zygmunt I nadaje szlachectwo profesorom Uniwersytetu Jagiellońskiego). After graduation, Matejko received a scholarship in 1859 to study with Hermann Anschütz at the Academy of Fine Arts, Munich. The following year he received a scholarship to study at the Academy of Fine Arts Vienna as well, but after a few days and a major quarrel with Christian Ruben, Matejko returned to Kraków.
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Only convicts with a record of good behaviour would qualify for this redemption scheme, because the work site was considered to be a low security environment. The motto used by the Nationalist government was "el trabajo enoblece" ("Work ennobles"). It is claimed that by 1943, the number of prisoners who were working at the site reached close to six hundred. It is also claimed that up to 20,000 prisoners were used for the overall construction of the monument and that forced labour was used.
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Hamilton Academy's motto was Sola Nobilitat Virtus ('Virtue alone ennobles') another credo being Labor Omnia Vincit ('Work conquers all'.) Composed by Thomas Smith, and set to music by T. S. Drummond, listed as masters at Hamilton Academy when the 'new' Academy building opened in 1913, the school song of Hamilton Academy had as its last verse: :"Vivat Academia!" join the chorus, let it ring, :"Vivat Academia!" young and old we sing, :If they ask us whence thy glory, :This the secret, this the story; :Sola virtus nobilitat, :Sola virtus nobilitat.
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In the same issue, Marvin McAllister noted that the production's heavy hip-hop influence works so well because "Miranda elevates the form through this marriage with musical theater storytelling, and in the process, ennobles the culture and the creators." A review in The Economist summed up the response to Hamilton as "near-universal critical acclaim". Barack Obama joked that admiration for the musical is "the only thing Dick Cheney and I agree on." In 2019, writers for The Guardian ranked Hamilton the second-greatest theatrical work since 2000.
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In keeping with common pastoral themes, Smith ennobles the hardships of the rural poor, and criticizes the luxuries of the rich. Smith juxtaposes pastoral happiness with the history of commerce as a way of revealing the unethical and exploitative nature of trade, which is harmful both to humanity and to nature. She especially criticizes the phenomenon of shepherds and farmers abandoning rural labor in favour of smuggling, now that war with France has increased the demand for smuggled goods. The poem thus eulogizes "the erstwhile happiness of agrarian and peasant life," a classic pastoral subject.
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The New York and German press were very critical, not just of these exhibitions but of the very work itself, regarding them as a blatant commercialization of the sacred art of music and the intimacy of family life. Strauss responded: "True art ennobles this Hall, and a respectable fee for his wife and child is no disgrace even for an artist".Symphonia Domestica – About the Piece, Los Angeles Philharmonic The Viennese premiere of the Domestica was conducted by Gustav Mahler on 23 November 1904. A typical performance of the work lasts approximately forty-four minutes.
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It is a love story like there is no other, which not only encompasses the most endearing Mexican traditions, but also ennobles one of the most representative icons from its culture: mariachi music. The story begins when we meet Santos Martinez de la Garza, a young handsome and carefree millionaire, who owns a car distributor company. Santos is deceived by his closest partners; one of them is Bruno, his friend and his sister's boyfriend, Wendy. After being accused of fraud and money laundering, Santos is compelled to escape from Los Angeles to Mexico, like a fugitive.
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Q called "I'll Go Crazy If I Don't Go Crazy Tonight" the band's "most unabashed pop song since 'Sweetest Thing'". while Mojo labelled it a "superficial pop anthem formed around a dainty kernel of pure melodic gold", calling the performance "[s]o cumulatively devastating is the band's delivery that it ennobles the succession of cute self-referential Bono homilies". Blender likened the "I'll Go Crazy If I Don't Go Crazy Tonight"'s piano parts to the hook of the Journey song "Faithfully", while Rolling Stone noted that the lyrics reflected Bono's inability to meet his own ideals. Rolling Stone also likened the "harrowing" beginning of the O'Reilly video to a Disney film, calling the animation "incredible".
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Christina Elizabeth (Betsy) Perk (Delft, March 26, 1833 - Nijmegen, March 30, 1906), was a Dutch author of novels and plays, and a pioneer of the Dutch women's movement, who wrote under the pen names Philemon, Liesbeth van Altena, and Spirito. She is known as the founding member of the Algemeene Nederlandsche Vrouwenvereeniging Arbeid Adelt ("General Dutch Women's Association 'Labor Ennobles'") in 1871, the women's magazine Onze Roeping, and the weekly magazine for women Ons Streven in 1869, the latter publication being the country's first women's periodical. In later years, her influence and activism diminished due to poor health, and she mainly focused on writing historical novels. From 1880 to 1890, she lived in Belgium.
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The insignia of the Order (from top to down): breast star and badge on sash for the Grand Cross rank, badge suspended on necklet together with breast badge for the Commander rank, and badge on a ribbon for the Knight rank The Medal for a brother of the order The badge of the Order is a gilt, white-enamelled Maltese Cross, with the monogram "W" (for King William I) between the arms of the cross. The obverse central disc is in blue enamel, bearing the motto Virtus Nobilitat (Virtue Ennobles). The reverse central disc is plain golden, with the lion from the Netherlands coat-of-arms. The badge hangs from a royal crown.
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Johannes de Silentio, Kierkegaard's pseudonymous author of Fear and Trembling, argues that the knight of faith is the paradox, is the individual, absolutely nothing but the individual, without connections or pretensions. The knight of faith is the individual who is able to gracefully embrace life: Kierkegaard put it this way in Either/Or, "When around one everything has become silent, solemn as a clear, starlit night, when the soul comes to be alone in the whole world, then before one there appears, not an extraordinary human being, but the eternal power itself, then the heavens open, and the I chooses itself or, more correctly, receives itself. Then the personality receives the accolade of knighthood that ennobles it for an eternity."Either/Or part II p.
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Ibsen often used his childhood environment and relatives as models for people, environments, motives and events in his plays, and this also applied to Rosmersholm. Ibsen scholar Jon Nygaard writes that the loss of joy of life is an underlying theme of several of Ibsen's plays, including Rosmersholm, in which "the spirit of the dead and the aristocracy of officials [lingers heavily] over the manor [and] the Rosmerian view of life ennobles man – but it kills happiness". A key theme in Rosmersholm and other plays was, according to Nygaard, "the joy of life that was lost – and the new Puritan Civil Servant State that was coming. It was the spirit of civil servants from Upper Telemark, the Paus family," Ibsen's relatives on both his parents' sides.
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Burleigh views the encyclical as confounding the Nazi philosophy that "Right is what is advantageous to the people" through its defense of Natural Law: > 29\. ...To hand over the moral law to man's subjective opinion, which > changes with the times, instead of anchoring it in the holy will of the > eternal God and His commandments, is to open wide every door to the forces > of destruction. The resulting dereliction of the eternal principles of an > objective morality, which educates conscience and ennobles every department > and organization of life, is a sin against the destiny of a nation, a sin > whose bitter fruit will poison future generations. In his history of the German resistance, Anton Gill interprets the encyclical as having asserted the "inviolability of human rights".
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From the fictive columns that separate the different scenes on the walls (capped with real stone corbels), rise illusionistic ribs embossed with scroll work that divides the ceiling into sections. In the corbeled sections between the vaults are illusionistic relief cravings from the lives of Arion, Orpheus, and Hercules set in painted gold mosaic that harken back to antiquity. Above them are the first eight Roman emperors in medallions held aloft by putti, all depicted in grisaille on gold lite from below in order to achieve the effect of real stucco reliefs. The implied connection between the glory of Italy's Roman past and the Gonzaga's Mantua through the classical references of the ceiling, ennobles the Gonzaga as both a military and learned might that is comparable to the Roman Empire.
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Chivalry underwent a revival and elaboration of chivalric ceremonial and rules of etiquette in the 14th century that was examined by Johan Huizinga, in The Waning of the Middle Ages, in which he dedicates a full chapter to "The idea of chivalry". In contrasting the literary standards of chivalry with the actual warfare of the age, the historian finds the imitation of an ideal past illusory; in an aristocratic culture such as Burgundy and France at the close of the Middle Ages, "to be representative of true culture means to produce by conduct, by customs, by manners, by costume, by deportment, the illusion of a heroic being, full of dignity and honour, of wisdom, and, at all events, of courtesy. ...The dream of past perfection ennobles life and its forms, fills them with beauty and fashions them anew as forms of art".
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The camp was soon renamed as the "Central Labor Camp" (COP) and the German inscription "Arbeit macht frei" ("Work makes (you) free") was replaced by Polish "Praca uszlachetnia człowieka" ("Work ennobles man"). The prisoners mostly worked on the construction of Jaworzno power plant or in nearby factories and mines. All of them were interned in separate subcamps and were guarded by more than 300 soldiers and officers from the Internal Security Corps, aided by about a dozen civilian personnel. One of the commandants (from 1949), was a Polish Jew and communist named Solomon Morel, who had gained a reputation for cruelty in the Zgoda labour camp in Świętochłowice; the others included Włodzimierz Staniszewski, Stanisław Kwiatkowski and Teofil Hazelmajer (all answering to Jakub Hammerschmidt, later known as Jakub Halicki), as well as the Soviet NKVD officer Ivan Mordasov.
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The myriad forms of exile are more directly depicted in Takas, a play about friendship between a Vietnamese refugee who comes to shore and the Filipino boy whose family takes in the stranger. In no time, the boy discovers that he too is a stranger in his own country. “Batang Pro, a controversial work about child prostitution, portrays the tragedy of children pushed out of their very childhood by dehumanizing destitution, while the film Soltero shows the anguish of an aging single male in a culture centered on family. “By presenting characters who are out of place and at the same time, refusing an easy way out for their dilemma, Noriega ennobles the plight and struggle of the Filipino. He takes an insider’s point of view to depict outsiders’ lives, and thus is able to confront, even satirize, every facet of Filipino life without despair nor disdain.
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Since the institute was not founded until 1988 and established their acquisition policy the following year, the bulk of the materials in the institution were collected in the 1980s or later. Just some of the organizational collections include, the records of the feminist organization Tegen Haar Wil (Against Her Will); the papers of a martial arts center, Kenau, where women learned self-defense; the archives of the oldest Dutch women’s organization, Labor Ennobles (), documents of the Dutch Association of Business and Professional Women (); the archival records of the International Federation of Business and Professional Women; the archival materials of the International Federation for Research in Women's History (IFRWH); the archives of the International Federation of University Women (IFUW); the records of the first Dutch Arab organization, the National Association of Single Arab Women (); and the papers of Zami, a multi-ethnic women's organization, among others. In 1992, another portion of the looted archive of IAV was discovered and after eleven years of negotiations with Moscow's Osobyi Archive was returned to Amsterdam in 2003. Among the individual archives which the institute holds are the personal papers of both Aletta Jacobs and Rosa Manus.
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