His neo funk energy filled the entirety of Bryant Park and then some.
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Her energy filled the room, and she was self-aware, super smart, and madly funny.
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You know it's really one of the most interesting, energy-filled arenas that I operate in.
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The blues and bright greens on the right feel very joyous and energy-filled to me.
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Everyone onstage looked like they were having a great time, and once you add in the gospel choir and Chance's energy-filled jumping and striding across the stage, this one was tough to beat.
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To the best of their abilities, Earl and McAuliffe put a plan in place in case the first-time mom wasn't feeling as energy-filled in the final stage of her pregnancy as she was the day she spoke with CNN.
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On Saturday, her events were energy-filled if still intimate, her crowds growing but nowhere near the hundreds that some top-tier candidates can draw to their town halls and rallies: Dozens of Iowans packed into a coffee shop in Creston for Ms. Klobuchar.
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PopMatters described the album as "an energy-filled fusion of progressive and modern rock." Allmusic compared the album to the music of At the Drive-In and Incubus.
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There came a time when her work in the group wasn't fulfilling her wishes", the singer's husband said. "Rouge will go on with four energy-filled girls," affirmed Elisabetta Zenatti, their manager. "It's a big change. Rouge is one.
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There came a time when her work in the group wasn't fulfilling her wishes", the singer's husband said. "Rouge will go on with four energy-filled girls," affirmed Elisabetta Zenatti, their manager. "It's a big change. Rouge is one.
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The track, recorded in early 2009, was the first song to be written for the album. Musically, "Ignorance" is an alternative rock song. Farro's and Williams's inspiration for writing the song was from personal experiences. The song received positive reviews from critics for its energy-filled musicianship.
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This personality has even scared her former partner. She appears to have died when she fell into the energy filled planet. ;; :: ::Rubis is a Shadow worker of G-society, first appearing in episode 4 with her partner Saphir, despite the fact she doesn't like cold temperatures. Her ability allows her to transform into a powerful feral form with extending claws.
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"Untouched" is an electropop and power pop song set in common time with an energy-filled fast tempo of 176 beats per minute. The song is written in the key of F-sharp minor. The song begins with strings, which are sometimes performed by a real string section in live performances, followed by guitars and synthesized drums. Lisa and Jess's vocal ranges span from A3-E5.
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"Take Me on the Floor" is an uptempo electropop-dance song. The song is set in Common time with an energy filled fast tempo of 138 beats per minute. The song is written in the key of E minor. The song begins with techno synths playing followed by breathy vocal, then progresses into fast tempo techno-dance beat played by guitars, synthesizer keyboards, and synthesized Tr-808 drums.
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The metal–ligand bond can be further stabilised by a formal donation of electron density back to the ligand in a process known as back-bonding. In this case a filled, central-atom-based orbital donates density into the LUMO of the (coordinated) ligand. Carbon monoxide is the preeminent example a ligand that engages metals via back-donation. Complementarily, ligands with low-energy filled orbitals of pi-symmetry can serve as pi-donor.
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The proposed identification of dark matter with GIMPs makes dark matter a form of dark energy filled with singularities, i.e., “entangled” dark energy. This would roughly affirm Einstein's hope in 1919 that all particles in the universe would follow the traceless version of his equation. If we identify all matter as the sum of dark energy plus dark matter in the form of GIMPs, his expectation would turn out to have been almost right.
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Vendetta Music, W.A.S.T.E. bio, "" In 2007, W.A.S.T.E. releases Violent Delights, also on Sistinas Music. With the genre growing, more artists contributed to remixing tracks on this album, including Embodi's remix of Electric Beatdown Bitch and To Mega Therion's remix of Omega 3. The album's title track contains even more of the energy- filled, rage-infused efforts as the previous albums. W.A.S.T.E. seemed to have taken on a much darker overtone with this album.
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In the show catalog, Carl Andre noted, "Art excludes the unnecessary. Frank Stella has found it necessary to paint stripes. There is nothing else in his painting." These reductive works were in sharp contrast to the energy-filled and apparently highly subjective and emotionally charged paintings of Willem de Kooning or Franz Kline and, in terms of precedent among the previous generation of abstract expressionists, leaned more toward the less gestural, often somber, color field paintings of Barnett Newman and Mark Rothko.
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The album was the first of two HSFH albums to be released by Asbestos Records (CT). Recorded at Sabella Studios of Roslyn Heights, NY, the 28 minute full length is a frantic, energy-filled production that provides a close representation of the band's live performances at the time. After three years of consistent touring, the band released a self- recorded six-song EP entitled "We've Fooled Around Long Enough". The album was recorded at Hofstra University, using Jason Rutcofsky's studio time as a student there.
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The band started rehearsing new songs during the summer of 2002 and entered the studio in August 2002. Private Line recorded 5 songs in the Jyväskylä Lutakko studios. In December 2002, they released their second CD-EP Six Songs of Hellcity Trendkill with a revamped, energy-filled style with hard R'N'R riffs flavored with synthesizers. The Band used 3 earlier recorded songs "Makin' A Mess Since'77", "Grown Like Others", "Crack In Reality" and 3 new songs "Superstar I.Q.", "Downstairs Upstairs" and "Virgin Suicide" for the new EP. The EP got positive reviews from the Finnish rock media as well as glam and hard rock-orientated webzines.
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In the show catalog, Carl Andre noted, "Art excludes the unnecessary. Frank Stella has found it necessary to paint stripes. There is nothing else in his painting." These reductive works were in sharp contrast to the energy-filled and apparently highly subjective and emotionally charged paintings of Willem de Kooning or Franz Kline and, in terms of precedent among the previous generation of abstract expressionists, leaned more toward the less gestural, often somber, color field paintings of Barnett Newman and Mark Rothko. Stella received immediate attention from the MoMA show, but other artists—including Kenneth Noland, Gene Davis, Robert Motherwell, and Robert Ryman—had also begun to explore stripes, monochromatic and Hard-edge formats from the late 50s through the 1960s.
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Courteney Larocca of Insider wrote that it transports one to a "'80s jazzercise class or an underground rave", while Callie Ahlgrim of the same website praised how it hooks the listener in and labelled it "pop perfection". For GQ, David Levesley thought that it "will live longer than any of its inspirations" and concluded by writing it "should open every festival and close every club night". Mariya Zheleva of Soundigest praised its mix of house and disco vibes and labelled it "energy-filled", while Voxs Alex Abad-Santos called it a "starship laser-beam spectacle." In a mixed review from Under the Radar, Conrad Duncan stated "Hallucinate" does a "faithful impression of 2000s disco-house", but criticised it, writing "it might as well have been written as radio fodder for 2004".
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