An agency owning that end-to-end relationship can really help in that sense with executing on the ads themselves.
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On "The Dog / The Body", the band uses a surging chorus for a tale of escape from a dead-end relationship.
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I'm afraid this date will fall apart again and I'll be devastated about wasting my time and emotions on a dead-end relationship.
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And even I, a noted curmudgeon and hater of love, thought the scenes where Kristen Bell and William Jackson Harper grieved their about-to-end relationship were powerfully written and beautifully performed.
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With the peer-to-peer housing market maturing and Airbnb looking to go public, private equity firms see an opportunity in who controls the end relationship with home owners like Vacasa does.
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King is sharing her story in a series of videos produced by One Love for the foundation's annual Giving Day, which commemorates Yeardley's death every May 3 and invites people to help end relationship abuse.
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Though it may feel a bit daunting to assert your needs in such a candid way, it's the only way to know whether you can make the long distance work or if you're wasting your time on a dead-end relationship.
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Here, she shoots for Big Important Messages: There's an inward-looking anthem about finding your purpose ("Bigger Than Me"), an electro-R&B ballad about wanting to free yourself from a dead-end relationship ("Déjà Vu"), and a timely rumination on the suckiness of living in a digital world ("Save as Draft").
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Barrett performed the song for Bob Harris' show in 1971. "Dominoes" features imagery of regret and recollection in the lyrics. The song features a backwards guitar solo by Barrett, and organ and Rhodes by Wright. The song's "You and I" lyric refers to the tail end relationship Barrett had with Lindsay.
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Smith's vocal range on the track spans one full octave, from A to A. Musically, the song features melodic verses of singing and clean, bright guitar picking. This moves into a hard-hitting, wailing chorus and a distorted guitar solo as the interlude. Eric Aiese of Billboard described the song as having an "early-90s grunge sound" while also noting the influence of alternative rock in its production. The song's lyrics find the narrator contemplating if he is wasting his time investing in a dead-end relationship.
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"Takin' Over the World" "goes for these [girls] idea of global-pop" over "cool electro grooves." The sixth track, "Out of This Club" which features American singer R. Kelly and producer Polow da Don is "a slow jam" consisting of "rudimentary piano melodies" and a "plush beat against a romantic chorus." "Who's Gonna Love You", a leftover from Her Name Is Nicole, has been noted to have Janet Jackson influences, as well as "shimmering 80s gloss." In "Happily Never After" Scherzinger narrates the story of a woman who walks out on a dead-end relationship.
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Laura (Abby Wathen) is a down-on-her-luck actress whose love life is faring no better and Kevin (Michael Rady) is an up- and-coming screenwriter trapped in a dead-end relationship with ditzy Cyndy (Deja Kreutzberg). After a particularly awful audition, Laura stops in a coffee shop to wait for a friend, and accidentally spills her drink over Kevin. She apologizes profusely, and they have a moment, but Kevin has to rush out to a big pitch meeting. Laura's roommate and best friend, LA party girl Mindy (Meghan Markle), tries to help Laura with her love life, also to no avail.
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The song, backed with strong synths and trumpets "tells the story of a woman stuck in a dead-end relationship with a man who clearly doesn't deserve her, and with her journey to realizing that and eventually walking out on him", and her frustration that her man is not 100% committed. "Louboutins" topped the US Hot Dance Club Songs chart but did not garner any airplay. Furthermore, critics gave the song mixed reviews, calling the lyrical content "boring", "dated" and "poo", although some did appreciate that the song was "catchy" and had some club appeal to it. It was excluded from the final track listing.
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"Louboutins" is a song which "tells the story of a woman stuck in a dead-end relationship with a man who clearly does not deserve her, and with her journey to realizing that and eventually walking out on him", and her frustration that her man is not 100% committed. The introduction was said to be similar to "4 Minutes" by Madonna and Justin Timberlake, though the melody is "backed with trumpets and synth beats". A reviewer from Prefix said that the record did not sound like a typical Tricky Stewart and The-Dream production. Stewart told Vibe how he and The-Dream came up with the song's concept.
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"Mayday" is a mid-tempo country pop ballad about an unhealthy relationship in which the deteriorating situation is compared the sensation of drowning. The song is built around a hook, "Mayday, mayday, this is an emergency," which evokes a distress call. Each verse is sung in a syncopated manner, with the chorus sung straight, and the two are bridged by an "open-throated 'aaah'" that Cam described to Billboard as a "lamenting sort of sigh" befitting the song's tone of frustration. Co-writer and producer Tyler Johnson first conceived of the song after experiencing a similarly dead-end relationship and continued to work on the song with Cam after meeting her in 2010.
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The typical Cleo reader is represented by Ita's shy assistant, Leslie (played by Jessica Tovey) who begins the series faking orgasms and running errands, and by the end, escapes her dead-end relationship to begin working as a journalist in London. Women's sexual liberation is highlighted in playful tones. There is plenty of joking, bantering, and double entendres among the female characters who use humour to deal with obstacles that come their way from the suits upstairs when creating the magazine. When we are shown the discomfort expressed by Kerry Packer (played by Rob Carlton) and Sir Frank when the female staff have frank discussions with them regarding the sexual content of Cleo, the scene is meant to be funny.
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The wealthy stranger realizes the situation and quietly hands to Juan a check for $1 million, but under the condition that he MUST give back all the money in one month. Juan is suspicious and shows the check to Olivia Smith, his son's social worker, who encourages him to follow the directions given him. Instead, he is encouraged by his brothers to use the check to get credit extended to them at several posh Hollywood clothing stores, an exotic car dealership, and more. Juan comes to learn that Olivia is a woman in a difficult and likely dead-end relationship with a bossy businessman who cares little if nothing about her and the lives of the poor, unfortunately in this instance, the less educated Hispanics living and working, doing unskilled work in Metro Los Angeles.
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It is spring. Randy Dean is a 17-year- old student in her final year with poor grades, only one friend - Frank, a gay Latino - secret cigarette and marijuana habits and a cashier's job at a gas station with fellow worker Regina. Shunned by other students for her tomboyish personality and appearance, she spends most of her free time either by herself or in illicit meetings with her romantic partner Wendy, a married woman who drops by the gas station when it pleases her, even though Randy knows they are in a dead-end relationship. Randy lives with her lesbian aunt Rebecca and her girlfriend Vicky in their trailer, as well as Rebecca's ex-girlfriend Lena, who has no place to stay and is living with them until she finds somewhere else she can go to.
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Tweed occlusion refers to an end result of an orthodontic treatment that Tweed and his followers tried to achieve when finishing treatment. He believed in maximum facial harmony and balance, defined as the lower midface being more retruded than the upper, and therefore he believed in treating the mandibular incisors over the basal bone of the mandible. Components of tweed occlusion are: # Flat mandibular arch # Maintaining the Curve of Spee in Maxillary Arch # Second molars in both arches tipped distally and out of occlusion with each other # First molars tipped distally so Mesiobuccal Cusp of Upper 1st molar lying on the buccal groove of the lower 1st molar # Anterior teeth close to an end-to-end relationship. He believed in maximum facial harmony and balance and therefore he believed in treating the mandibular incisors over the basal bone of the mandible.
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