Pugh says she's been emotionally damaged and lost business as a celebrity stylist.
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After the crash, she's okay physically after the crash, but mentally and emotionally damaged.
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The childhood ideal exploded on contact with the emotionally damaged and physically weakened man.
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The plaintiff claims the dog was "emotionally damaged" and after 24 hours, she returned it to its original owners.
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Both shows center on an emotionally damaged protagonist returning to the small, insular, judgmental town where they grew up.
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But neither can I find that they are disadvantaged and emotionally damaged by all this, as Ganna weepingly claims.
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Indie romantic comedies are swarming with aimless, emotionally damaged men seeking meaning in the arms of confident young women.
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For his case, Arie makes the bold claim that Emily Maynard (the Bachelorette of season 8) left him emotionally damaged.
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Combat veterans tell me job interviewers have asked them how emotionally damaged they are, or how many people they've killed.
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The character is one of Christian Grey's ex-lovers, an emotionally damaged woman who features prominently in the franchise's second film.
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Over the course of the series so far, we've seen that the character is emotionally damaged, and is willing to kill without hesitation.
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" Lastly, actress Linnea Berthelsen will be playing the part of Roman, "an emotionally damaged, magnetic young woman who suffered a great loss as a child.
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The shot of Damian Lewis looking like he's about ready to cry because he doesn't want to admit he was emotionally damaged is just…so satisfying.
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What happens when two self-centered, emotionally-damaged commitment-phobes have a one-night stand and then decide to actually give this whole relationship thing a go?
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But the idea of using highly restrictive security measures is at odds with a strong belief by many experts that emotionally damaged children should not be criminalized.
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The first challenge, though, is to get emotionally damaged veterans to acknowledge their hidden agony and seek professional help instead of trying to suppress it, often by engaging in self-destructive behaviors.
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I took the dress to a seamstress once, and was told the fabric was too delicate to repair, which felt like a metaphor for how emotionally damaged I felt after being so violated.
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While internet giants like Facebook typically employ thousands of contractors to sift through reported content, they often have to work extraordinarily fast through endless queues of disturbing imagery than can leave them emotionally damaged.
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But the body count has come down, and an improbable, oddly moving love story between the emotionally damaged Swedish detective Saga (Sofia Helin) and her new Danish partner (Thure Lindhardt) has become central to the show.
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I mean that as the highest possible praise; Lynne Ramsay's human trafficking drama is as emotionally damaged as it is unstintingly violent, Taken if its tough-guy rescuer actually exhibited the cumulative effects of a lifetime's worth of brutality and trauma.
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The Case of the "Emotionally" Damaged Puppy In this episode, which seems to be from 2007 but was posted to YouTube in February of 2017, a woman sues a couple to return the money she paid for a female Yorkshire Terrier Poodle mix.
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And yet there's something kind of beautiful about a series that applies the dull plotting of most other TV shows — all life-and-death stakes and, "We've gotta get to the [plot device] before they do!" numbness — to two emotionally damaged people trying to heal.
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There's a vet who's been physically and emotionally damaged, a single mom raising her teen daughter, an old guy living with his hotshot son who may want him to move out, and the super and his wife who bring the building together to support each other.
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Telling of a surveillance state in which our every move is monitored, the careering narrative devolves into a nasty revenge drama, by which point you've lost sympathy for both the hotshot intelligence expert Neil (Oliver Johnstone) and the emotionally damaged journalist, Cora (Rona Morison), on whom he alights first professionally and then romantically.
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After the stunned and traumatized Lisa is robbed on a stoop by a man who befriends her, she sells the winter coat off her back to pay for a night at a flophouse (the charitable desk clerk is played by the poet Gregory Corso), and then stays in Tompkins Square Park in the company of Nick (Richard Edson), a bighearted but emotionally damaged and abusive Vietnam veteran.
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Other shows that pair a covetable look with physical prowess, like GLOW (glam 1980s women body-slamming in the ring, sporting big hair and neon polyester and glitter) and Jessica Jones (Krysten Ritter as a bad-ass, leather jacket wearing, emotionally damaged superheroine-turned-PI lifting cars and shooting whisky) have a similarly inspiring effect: We, too, want to perform these feats of strength, and look cool while doing it.
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In the grittier " Westworld ," the HBO show about a Wild West amusement park populated by cyborgs whom people are free to fuck and kill, Dr. Robert Ford, the emotionally damaged scientist played by Anthony Hopkins, tells his chief coder, Bernard (who's been unaware that he, too, is a cyborg), that "your imagined suffering makes you lifelike" and that "to escape this place you will need to suffer more"—a world view borrowed not from children's stories but from religion.
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A 16-year-old teen named Bobby is emotionally damaged by the early death of his mother. After accidentally causing a nun's death, he unleashes a chain of supernatural events that lead him into the pits of Hell.
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Téchiné followed this success with Alice et Martin (Alice and Martin) (1998), a haunting love story between two emotionally damaged outsiders that marked his reunion with Juliette Binoche. As in his earlier film Les Voleurs, Téchiné told the story out of sequence.
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OTAT has a second location in Logan Square that serves as an isolation center that treats highly emotionally damaged dogs that need extra care and attention. OTAT’s mission is to end pet homelessness and make pet ownership a pleasurable and accessible experience.
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Some Jagernauts manage to survive by suppressing their more human side, becoming either cold and machine-like (Kurj), or living lives of quiet emotional desperation and loneliness (Sauscony). Help is usually available to emotionally damaged Jagernauts in the form of military psychiatric therapists, known as "heartbenders".
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Worn, second-hand merchandise in a discount store is used as a metaphor for a woman emotionally damaged by an ill-fated relationship. However, the song was dropped from a number of country stations' playlists when programmers mistook the line "you can easily afford the price" as a thinly veiled reference to prostitution.
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In "No More Blood", Oliver keeps asking Connor about the things that he is hiding which leads to another argument where Oliver calls him "emotionally damaged". Connor, once again hurt and heartbroken, goes back to Michaela's apartment and cries saying "I hate him! I hate him so much!", breaking a glass table in anger.
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Their relationship took a while to happen because Dom was still emotionally damaged by Isaac. Ames defended Dom, stating "I think Dom can be forgiven for thinking that most men are bastards!" But Ames was actually happy with the slow progression of the relationship. He believed that Lofty helped his character remember that some people are "good and kind".
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Dominic Mafham trained at the National Youth Theatre and then the Bristol Old Vic Theatre School. Mafham began his career at The Royal Shakespeare Company in 1990. He was with the RSC for four years. Mafham first came to prominence when he played Nigel Hawthorne's emotionally damaged son Daniel Pascoe in Paula Milne's The Fragile Heart.
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The research that Anne did was quite extraordinary: women admitting that they would literally lock themselves in a room to stop them getting to the kid. Pretty horrific stuff." Anne Deveson said, "As a child Dianne was emotionally damaged, constantly criticized and frustrated, made to feel inadequate and insecure. She longs for society's and her mother's approval, tries too hard to be perfect.
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Johnny Kirkland (Connery) is a university student having problems with his alcoholic and emotionally damaged mother (Cilento), who was recently divorced. At school, his fraternity brothers find out that Johnny excelled in his high school academically and in sports, and try to prevent him from achieving the same level of success. Johnny also has problems with his girlfriend Robin (Williams).
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She explained that because of Daphne "it's natural that the proposal comes as a big shock." Both characters had been left emotionally damaged from previous relationships but Jones believed the duo had no hesitations once they made the commitment. The actress added "it's great that Des is finally over his mourning." She was also looking forward to her character taking the role of step-mother to Jamie.
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Michael Fry and T. Lewis have given Rudolph another brother in a series of Over the Hedge comic strips: an overweight, emotionally damaged reindeer named Ralph, the Infra-Red nosed Reindeer, who is referred to as Rudolph's older brother. Ralph's red nose is good for defrosting Santa's sleigh and warming up toast and waffles; he enviously complains about his brother Rudolph's publicity and his own anonymity.
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Empowered Vol.1, pages 166-169 Then known as Theresa, Spooky was looked down upon for her appearance differing from the rest of the supernaturally idealized blondes that appeared to be the status quo of the school.Empowered Vol.1, page 165 As a result of her social stigma in high school, Theresa was left emotionally damaged and bearing a deep, unreasoning hatred for all blondes - including her later teammate Emp.Empowered Vol.
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His next relationship was developed with nurse Lofty Chiltern (Lee Mead), which results in a doomed marriage. Holby City producer Kate Hall felt it was important because Dom had been emotionally damaged and could not move on quickly. Writers continued to create dramatic stories for the character when he contracts Hepatitis C from a needle stick injury. Producers later rewrote the character's back story which reveals he was adopted and introduced his biological mother Ange Godard (Dawn Steele).
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Egemen is an advertising agency clerk in his thirties who has to share a roof with his mentally ill mother, Gülseren. Having to endure his mother's anxieties and mental black outs, his only outlet is his workplace; where he feels he can breathe and escape the hell that is his home, even if it is for a little while. But Egemen's amorous interest in his boss Umay unveils little by little just how much Gulseren has emotionally damaged her son.
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There's also a new prostitute on the streets, the emotionally damaged and dangerous S&M; specialist Colette (Lena Headey). In the beginning of the second series, Rose and Carol are still going straight and working for Scrubbit. Tracy is now living with Rose and using the house as a Brothel much to Rose's dismay. Tracy has befriended Colette, who Rose dislikes by saying to Tracy she is bad news as Colette is a drug user as is Tracy who is spiralling out of control.
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The episode was written by head writer Neil Cross. It was also additionally written by Ben Richards. The plot of the episode was influenced by the resurgence of power in Russia following the end of the Cold War, which the producers felt in subtle ways is threatening the security of the West. The producers also included scenes that would show Lucas adjusting to the outside world following eight years of imprisonment, to show how emotionally damaged the character is, and make the audience realise he is struggling.
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Janov originally practiced conventional psychotherapy in his native California. He did an internship at the Hacker Psychiatric Clinic in Beverly Hills, worked for the Veterans' Administration at Brentwood Neuropsychiatric Hospital and was in private practice from 1952 until his death in 2017. He was also on the staff of the Psychiatric Department at Los Angeles Children's Hospital where he was involved in developing their psychosomatic unit.Psychologists on the March, page 251 In Janov's view, the repressed pain of traumatic childhood experiences eventually produces an emotionally damaged adult.
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Caleb, commonly referred to by his nickname "Cal", is characterised as a confident and self- assured man with who is played as irresistible to women. A writer from BBC Online described "a sense of a darker, emotionally damaged soul underneath" which women are attracted to. They added "Cal exudes confidence to get what he wants, but, occasionally, his bravado slips and he has to dig a little deeper to find out who he really is." Work wise Cal is an instinctive doctor practising within a busy emergency department.
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Min-ki has been emasculated by his inability to find a job and director Jung hammers this point home with a brief montage showing Min-ki grocery shopping, cooking, and doing the laundry. These are all very feminine jobs, particularly in very patriarchal South Korea. Most interesting is that Min-ki seems content to live with the cheating Bora, very much aware of his own shortcomings, which leaves him willing to be wronged. Bora is unable to stop going back to Il-beom even though she seems physically and emotionally damaged by their continued affair.
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In discussing the possibities for the 2009 Pulitzer Prize for Drama, Playbill wrote: "Another contender frequently mentioned for the 2009 Pulitzer is Gina Gionfriddo's Becky Shaw... as praised as that work [After Ashley] was, many critics considered Becky Shaw — about a quartet of emotionally damaged and dependent young people — to be her most mature play to date."Simonson, Robert. "Everything's Ruined: A Look at the Contenders for the 2009 Pulitzer Prize for Drama" playbill.com, April 10, 2009 Becky Shaw was a finalist for the 2009 Pulitzer Prize for Drama (won by Ruined).
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In the television series, Rita is portrayed as a loving and caring mother who is emotionally damaged due to physical abuse by her former husband, Paul Bennett. Rita is the mother of Astor Bennett (Christina Robinson) and Cody Bennett (Preston Bailey), and later in the television series, gives birth to Dexter's son, Harrison. In the book series, she and Dexter have a daughter, Lily Anne. Benz received positive reviews for her portrayal of Rita, winning a Satellite Award and Saturn Award, and receiving a Screen Actors Guild Award nomination.
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In season three, BoJack attempted to reconcile with Penny believing she may have been emotionally damaged because of the incident and finds her at her school Oberlin College. Penny freaked out when he suddenly appeared and ran off stating that he shouldn't be here. She appears again in season 6 when Paige and Maximilian ask for details about her encounter with BoJack. She considers if it is time to finally come forward, with Charlotte telling her that if she does, she must do it on her own terms.
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Although her daughter Mizuka died eleven years ago, she is still very emotionally damaged by the incident, and tends to show this with an unintended eye-twitch whenever Mizuka is mentioned. She also has admitted to taking medication, possibly to help her sleep, and also apparently cannot dream due to this medicine. ; : :Tarō's new counselor and therapist. An eccentric clinical psychologist from a university of Tokyo, he introduces much of the series' psychological terminology, and is apparently interested in Tarō's dreams and condition as a means supporting his own theories.
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By the 1930s there was physicians who recognised the need, including Agnes Hunt, who introduced open visiting. During the interwar period, leading up to the World War II, research conducted by people like Harry Edelston and John Bowlby further eroded the importance and veracity of behaviourism. Edelston, a Psychiatrist in Leeds, detailed that children were emotionally damaged by their stay in hospital. In 1939, John Bowlby wrote an open letter to the British Medical Journal which criticized government plans to evacuate a million children from towns and cities to the safety of the countryside.
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He attempts to interest the widowed, emotionally damaged Frances, but after two disastrous marriages she cannot face another deep personal relationship. David Anson, Julian's uncle, is an octogenarian who muses on the transitory nature of life. The governess, Miss Mathieson, despairs of finding a husband and makes an unsuccessful attempt to engage the affections of the bibulous but shrewd Dr Farley. While the characters are having a picnic on the beach a Foreign Office official comes to tell Julian he is no longer required in the embassy in Paris and must return to London.
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" He has said, "I suppose you could practically trace my life through my plays." In Lost in Yonkers, Simon suggests the necessity of a loving marriage (as opposed to his parents'), and how children who are deprived of it in their home, "end up emotionally damaged and lost". According to Koprince, Simon's Jewish heritage is a key influence on his work, although he is unaware of it when writing. For example, in the Brighton Beach trilogy, she explains, the lead character is a "master of self- deprecating humor, cleverly poking fun at himself and at his Jewish culture as a whole.
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Sticks and Bones is a 1971 play by David Rabe. The black comedy focuses on David, a blind Vietnam War veteran who finds himself unable to come to terms with his actions on the battlefield and alienated from his family because they neither can accept his disability nor understand his wartime experience. Rabe explores the conflicted feelings of many civilians during the era by parodying the ideal American family as it was portrayed on the television sitcom The Adventures of Ozzie and Harriet. Beneath the perfect facade of the playwright's fictional Nelson family are layers of prejudice, bigotry, and self-hatred that are peeled away slowly as they interact with their physically and emotionally damaged son and brother.
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A teacher at a private school in New Hampshire, Cross has retained her virginity due to a vaguely defined, but powerful, sense that she is destined for something described by the novel's author as dark and unique. After the outbreak of the superflu, Cross finds an emotionally damaged young boy whom she calls "Joe," who has regressed to a savage state of mind but trusts Cross and remains with her. Cross meets Underwood when Joe finds him sleeping—Joe is working up the courage to kill the sleeping Underwood, but Cross prevents the potential murder. The pair secretly follows Underwood to Maine, where Joe attempts once again to kill Underwood, but is overpowered.
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Jane's parents are Vincent and Amanda Lane, two artistic personalities with a very relaxed, uninvolved approach to parenting. She is the youngest of the Lane family, her older siblings being, in presumed ascending order, Trent, Penny, Wind and Summer Lane. Trent is a perpetually lazy grunge rock musician who performs in the garage band Mystik Spiral (a running joke being that the band are always seemingly thinking about changing the name, but never do); Penny, a disillusioned backpacker with a fondness for animals; Wind, an emotionally damaged three-time divorcé and Summer, a worn- out mother of four, including Jane's niece Courtney and nephew Adrian. Jane and Trent were the only two Lanes residing in the Lane household for the duration of the series.
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Witt made her stage debut in 2001, at Los Angeles' historic Tiffany Theater, in Robbie Fox's musical The Gift, in which she played a high-priced, albeit diseased, stripper. While in residence in the U.K. in 2004, she starred as Evelyn in a stage production of Neil LaBute's The Shape of Things at the New Ambassadors Theatre. In September 2006, Witt returned to the London stage at the Royal Court Theatre, in the critically well-received Piano/Forte, wherein she was "well-cast" in portraying the stammering, emotionally damaged pianist Abigail, sister to "unloved attention-seeker" Louise (Kelly Reilly). Witt performed alongside Amber Tamblyn in Neil LaBute's play, Reasons To Be Pretty, at the Geffen Playhouse, which ran until 31 August 2014.
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Some of Harris's recurrent themes are issues of identity, mother/child relationships, the emotional resonance of food, the magic and horror of everyday things, the outsider in the community, faith and superstition, and the joy of small pleasures. She has spoken out against entrenched sexism in the literary field, and she has discussed how she weaves a critique of sexist attitudes into her fiction: Her writing style focuses on the senses, especially those of taste and smell. This may be due to the fact that Harris has a form of synaesthesia, in which she experiences colours as scents. Her novels are often much darker than the film adaptation of Chocolat would lead us to suppose, and characters are often emotionally damaged or morally ambivalent.
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Minnelli had auditioned to play Sally in the original Broadway production but was deemed too inexperienced at the time, even though she had won Broadway's Tony Award for Best Actress in a Musical. By the time Cabaret reached the screen, however, Minnelli was a film star having won an Oscar nomination as the emotionally damaged college student in The Sterile Cuckoo (1969). For her performance as Sally in the film, Minnelli reinterpreted the character and—at the explicit suggestion of her father stage director Vincente Minnelli—she deliberately imitated film actress Louise Brooks, a flapper icon and sex symbol of the Jazz Age. Brooks, much like the character of Sally Bowles in the film, was an aspiring actress and American expat who temporarily moved to Weimar Berlin in search of international stardom.
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Sticks and Bones is a television film adapted from the Tony Award-winning play of the same title by David Rabe. The black comedy focuses on David, a blind Vietnam War veteran who finds himself unable to come to terms with his actions on the battlefield and alienated from his family because they neither can accept his disability nor understand his wartime experience. Rabe explores the conflicted feelings of many civilians during the era by parodying the ideal American family as it was portrayed on the television sitcom The Adventures of Ozzie and Harriet. Beneath the perfect facade of the playwright's fictional Nelson family are layers of prejudice, bigotry, and self-hatred that are peeled away slowly as they interact with their physically and emotionally damaged son and brother.
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Anne's major problem at the House of Dreams is helping her neighbor Leslie Moore, whose husband was left with brain damage after an accident, and who is as emotionally damaged as her husband is brain- damaged.Waterson, Elizabeth Magic Island, Oxford: Oxford University Press, 2008 page 79. Anne's first two children (one of whom dies in infancy) are born in the House of Dreams, before Anne and Gilbert and their growing family reluctantly move to larger quarters. In a moment of theological reflection, Anne questions if the death of her child is the "will of God", using phrases exploring the theodical question of death and pain in a universe presided by a just God that are identical to those Montgomery used in her diary after her second son was stillborn.Waterson, Elizabeth Magic Island, Oxford: Oxford University Press, 2008 page 80.
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In August 2020 Marvel announced that U.S. Agent would be getting a five issue mini series to be released in November that year, written by Christopher Priest (comics) and illustrated by Stefano Landini. Priest described the story - titled 'American Zealot' - as "A morality play in five acts". He continued: "John Walker has been fired. Or he quit. Depends on who’s telling the story. Now finding his way as a civilian government contractor, Walker is making more money and taking more risks as he can now venture into places sanctioned agents can’t always follow. However, with limited official access to intelligence data, the now-former USAgent’s missions can and often do lead him into blind alleys he’ll need to MacGyver himself out of.” Priest stated: "I was thrilled to be invited back to Captain America until I realized it was this guy, Cap’s scowling, emotionally damaged misfit cousin.
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From the beginning of development, the team intended for The Last of Us to feature dual protagonists with strong individual story arcs. The character interactions were inspired by the relationship between Nathan Drake and Tenzin in Uncharted 2: Among Thieves (2009), in turn inspired by the video game Ico (2001). The game's protagonists represent the two eras that are shown in the game; Joel represents the world before the outbreak, having spent most of his life during this period, while Ellie represents the world after the outbreak, as she was born in the post-apocalyptic world. While the former is emotionally damaged due to the loss that he has experienced, the latter maintains an optimistic view of life, having become familiar to the damaged world; spending time with each other saw these qualities overlapping, with Joel become more lively, and Ellie learning more survival skills.
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" Entertainment Weekly reported that the writers had "concocted a horrendously topical terrorism story line for their emotionally damaged, trigger-giddy protagonist to tackle. Bauer wasn't exactly Mr. Warmth last season, but now the grieving agent makes Andy Sipowicz look like Andy Griffith" and called the second season an "addictive, adrenaline-fueled thriller".Josh Wolk, "The Day After", EW, October 25, 2002 USA Today praised the returning series, saying "What hasn't changed is 24's knack for the unexpected or its ability to pull you into its often shocking world. Believe me, by the end of the first hour, you'll know Jack is back, and you'll be eager to see where he's headed next. Looks like another great day" Robert Bianco, "A Bad Day Gets a good '24' off to a great start", USA Today, October 28, 2002 In a review of the season, IGN said that "overall the second season moves at a much brisker pace, is definitely topical, contains some excellent performances, and never lets you down in the thrills department.
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The game's protagonists represent the two eras that are shown in the game; Joel represents the world before the outbreak, having spent most of his life during this period, while Ellie represents the world after the outbreak, as she was born in the post- apocalyptic world. While the former is emotionally damaged due to the loss that he has experienced, the latter maintains an optimistic view of life, having become familiar to the damaged world; spending time with each other saw these qualities overlapping, with Joel become more lively, and Ellie learning more survival skills. Though Druckmann initially wrote the character of Joel using inspiration from Josh Brolin's portrayal of Llewelyn Moss in No Country for Old Men (2007), which he saw as "very quiet, very cool under pressure", Baker's interpretation of Joel as a more emotional person evolved the character in a different way. Ultimately, the narrative became an exploration of how willing a father is to save a child; initially, Joel is willing to sacrifice himself, before evolving where he is willing to sacrifice his friends, until finally feeling that he would sacrifice all of humanity in order to save Ellie.
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