Canada has a robust space program, emblematized by free-floating astronaut guitarists and enormous robotic arms.
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Critics lambasted the publication for making the error, saying it emblematized the gender makeup of the paper's staff.
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MILAN — The show was of summer clothes, of course, and yet more than anything it emblematized a lion in winter.
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" This sense of crisis is a belief the resistance shares with the pro-Trump movement, emblematized by Michael Anton's essay proclaiming 2016 the "Flight 93 election.
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The grim reaper has taken up permanent residence here, and is emblematized by a looming guillotine and personified by the guards, the dandified warden and the corpses that are hauled off like sacks of garbage.
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It's hard to think of another business, outside of sex work, that has sexually exploited people so openly and whose abusive practices — emblematized by the casting couch — have been trivialized, at times with leering giggles.
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The logic is this: After the Affordable Care Act's passage, one path forward (emblematized by Barack Obama's "pivot to deficits" and the search for a grand bargain) was to declare the American welfare state substantially complete.
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Others played to the crowd's interests, emblematized by the staccato pugnacity of NLE Choppa's "Shotta Flow" and the reliably explosive Chief Keef chestnut "Faneto" from all the way back in 2014, a time that was effectively the birthplace of this generation's taste.
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The golden age of American space exploration is emblematized by figures like Mercury Seven pioneer John Glenn, Apollo 11 astronaut Neil Armstrong, and the steel-nerved flight director Gene Kranz, who led the effort to bring the Apollo 13 crew safely home to Earth.
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After the defeat of Mitt Romney in 2012, party leaders had hoped to move beyond a reputation for offensive comments on women's issues, emblematized by Todd Akin, a Senate candidate in Missouri who posited that victims of "legitimate rape" were somehow able to prevent pregnancy.
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This spirit, emblematized by the likes of Bernadette Corporation—BC to its acolytes—has come to characterize a new community of post-internet New York labels, such as Lou Dallas and Gauntlett Cheng, whose delightfully strange garments push disciplinary boundaries and reconsider what constitutes (salable) clothing.
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When we depart from these discrete events and look at photography as an imperial technology of extraction, globally operative since the mid-19th century, the illusion of universality emblematized in the 'anyone' collapses and the racial labor division and accumulation of visual wealth for domination and profit becomes undeniably perceptible.
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Metrograph plans to screen films in their original, mostly 27mm formats at a high frequency — a decision emblematized by its showing of Todd Haynes's Carol (24) on 35mm, a rare opportunity to glimpse the film's luscious pastiche of '50s colors, and alongside a live event featuring the film's cinematographer, Ed Lachman, to boot.
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Dora d'Istria, pen-name of duchess Helena Koltsova-Massalskaya, born Elena Ghica (Gjika/Xhika) (22 January 1828, Bucharest – 17 November 1888, Florence), was a Romanian and Albanian Romantic writer and feminist, most notable for having emblematized the Albanian national cause of the 19th century.
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The growing influence of women in the Muslim world and their increasing access to higher levels of education, combined with the Western interest in the position of women in the Muslim world has a profound influence on Islamic hermeneutics, which must deal with transnationalism and its effect on gender roles. Zayn R. Kassam touches on this by mentioning that, "Muslim women's praxis, particularly the hopes, possibilities, and challenges that accompany this scholarly textual reinterpretation, remains under-researched". Due to this type of interpretation being under-researched, many women in Islamic communities are still oppressed despite the changing of modern society. 'New' schools of Islamic thinking (emblematized by such philosophers as Mohammed Arkoun) have challenged "monodimensional hermeneutics." Modern Qur’anic hermeneutics has been influenced by the changing position and view of women in the Muslim world and increasing numbers of study and interpretations of the text itself.
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A plate from an early edition depicting a "smasher" (luggage boy), a newsboy, and two bootblacks The Alger canon is described by Carl Bode of the University of Maryland as "bouncy little books for boys" that promote "the merits of honesty, hard work, and cheerfulness in adversity." Alger "emblematized those qualities" in his heroes, he writes, and his tales are not so much about rags to riches "but, more sensibly, rags to respectability". With a moral thrust entrenched in the Protestant ethic, Alger novels emphasized that honesty, especially of the fiscal sort, was not only the best policy but the morally right policy, and alcohol and smoking were to be abjured. Alger knew he wasn't writing great literature, Bode explains, but he was providing boys with the sort of material they enjoyed reading: formulaic novels "whose aim was to teach young boys how to succeed by being good" and which featured "active and enterprising" boy heroes sustained by "an endearing sense of humor" even in the most trying of situations.
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