Using high-end laminate products from Abet Laminati and Homapal, Mr. Pott covered his furniture, constructed of wood chips and medium-density fiberboard, in a rainbow of hues offset by edgings in contrasting shades.
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42-43 Knotted stitches can be subdivided into individual or detached knots, continuous knotted stitches, and knotted edgings.
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It also has a bright yellow belly and under-tail coverts. It has two rufous wing bars and rufous wing edgings.
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Individual knots are often found used as detached filling stitches. Knotted edgings are used as a decorative trims, and can also be used to fill open spaces in cutwork and in needlelace.
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Syllepte tenebrosalis is a moth in the family Crambidae. It is found in Australia, where it has been recorded from Queensland. The wingspan is about . The forewings are dark bronzy fuscous, with the stigmata and lines indicated only by slightly paler yellowish edgings.
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The wings and tail have blue edgings. The rump is green and the belly is cinnamon. The sexes are very similar, but adult males have more extensive blue scaling. Immatures are generally duller, with no crown patch, and less distinct blue scaling.
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Originally controlled by a gradient water pipe from the canal at the Green Pump House, operation was upgraded to a circulation system with a pump and filter. The stones of the former well edgings were reused, new sculptures were cast from the originals images.
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Underside: the dark brown markings on the pale brown ground colour similar in shape and character but far more clearly defined and prominent, the slender white edgings to the minute spots and specks very conspicuous. Antennae, head, thorax and abdomen as in the male.
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19th century industrial braiding machine creating rickrack. Museum of Crafts and Industry, St. Etienne, France. In the 1860s, rickrack was known as "waved crocket braid" or "waved lacet braid". During the 1890s, American home sewists used imported European rickrack as decorative edgings for dresses, aprons, and lingerie.
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Its plumage is mostly pale blue, with a purplish-blue crown, distinctive dark spots across the chest, dark lores and lower auriculars. The mantle is mottled greenish-blue and black. The wings and tail are black with blue edgings. The bill is gray with a dark tip.
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This allows the paler tortoise to stay in the desert heat for longer. It is also an effective camouflage in the desert. The carapace is light yellow, often with two dark triangles on each abdominal scute. The tortoise's scutes have dark edgings that fade with age.
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The adult white-winged swallow is long and weighs . It has iridescent blue-green upperparts, white underparts and rump, and white edgings to the secondary flight feathers. The wings are otherwise black, along with the tail. It has dark brown eyes and a black bill and legs.
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The church was built in the Neo-Gothic style. The church exterior is of red brick with cream stone edgings. Inside, the plan is that of a nave and two aisles on either side. At the back, over the entrance, there is the choir balcony, on which a new organ has been constructed.
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Lefkaritiko or Lefkara lace Lefkaritika or Lefkara Lace is a handmade lace from Pano Lefkara Cyprus . Notable characteristics are the hemstitch, satin stitch fillings, needlepoint edgings, white, brown, ecru colours and geometric intricate patterns . in 2009, this traditional craft of lace-making was inscribed on the Representative List of the Intangible Cultural Heritage .
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The slaty vireo (Vireo brevipennis) is a species of bird endemic to shrubby highlands of southern Mexico. It differs from all other vireos in its predominantly slate gray plumage and long tail. These distinctions once afforded it its own genus, Neochloe. It also has green feather edgings on its wings and tail.
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Access to the professional suites is via the front entrance, with a separate side entry (at the southwest end of the hallway) reserved for the use of residents. Several small garden beds with edgings of Brisbane tuff have been established at the front and along the south-western side of the building.
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The feathers of the back and scapulars are dark brown, with prominent broad buff edgings and often subterminal buff bars or centers. There is usually an admixture of new gray feathers, especially on the mantle, quite early in the fall. The mantle is silvery-gray in the adult. The call is a characteristic krekk.
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The juvenile is mottled brown, buff and white above, with buff edgings to the wing and tail feathers. Its underparts are whitish with brown barring. The male of the most distinctive of the other subspecies, N. a. nigritemporalis, occurring in the central belt across Africa, has no supercilium and a white, not buff, shoulder patch.
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A medium-sized, pied woodpecker reaching a length of about . Glossy black above with broad white patches from shoulder to lower back, limited white barring on flight feathers and clean white tail edgings. Underparts and head white or plain pale buff with black Y-shaped mark on neck and cheeks. The crown is red in males and black in females.
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Reconstructed pleasure ground in Glienicke Park looking towards the Jungfernsee on the River Havel Flower bed in Glienicke pleasure ground Flower basket with flower bed edgings of terracotta The pleasure ground is an area of garden near to a building in landscape gardens of English style that, in contrast to the outlying park, stresses artistic elements over the more natural elements.
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The adult silver- throated tanager is long and weighs . The male is mainly yellow, with black streaks down its back, and a whitish throat bordered above with a black malar stripe. The wings and tail are black with pale green edgings. The sexes are similar, but adult females have duller and greener-tinged yellow plumage, and sometimes dark mottling on the crown.
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It had some yellowish plumes on its rump, but lacked yellow thigh feathers like the Bishop's ōō, and also lacked the whitish edgings on its tail feathers like the Oahu ōō. It had the largest yellow plumes on its wings out of all the species of ōō. The name of the cinder cone Puu Ōō is often translated as "Hill of the Ōō-Bird", referring to this species.
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Much variation occurs as the maturation process occurs. A great majority of juveniles have a white head and underside, which contrast with the thighs and legs, which are heavily spotted with black. The juvenile eagle's back is light brown or grayish-brown, with pale feather edgings that often give the back a scaled appearance, especially on the upper-wing coverts. There is often a pinkish red wash on the upper chest.
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For example, changing needle size is one way to bring the test swatch nearer to an accurate measurement in yarn weight. The Gauge swatch goes further. Not only is it a tool for checking whether yarn conforms to a desired dimension, but it is usually produced with some of the complexities of the intended project (i.e. multiple colours, varied stitches, edgings) making it a much larger test piece.
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The upperparts of the body are black apart from the turquoise shoulders, rump and edgings of the wings and tail. The flanks are blue and the central belly is white. Females have a greenish tinge to the head, sometimes with black speckling on the crown, and more extensively white underparts. Immatures are duller, with a green head, dark grey upperparts, off-white underparts, and little blue in the plumage.
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The rest of the head, upperparts including upper-wing coverts, and the upper-tail coverts are a glossy blue-black. The flight feathers are black with steel blue edgings and the entire underparts are yellow. The underwing coverts are white and the under-tail coverts are a dark dull grey. The inner webs of the outer 2-3 feather pairs are mostly white forming a large, white, oval-shaped area on the wing undersurfaces.
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The mace-bearer wears a gown with square ended sleeves of plain purple silk or stuff, edged for one inch in gold ribbon, and a black Tudor bonnet with cord and tassels of gold. Major benefactors of the university and other people associated with the university (but who are neither students nor staff) can wear a generally similar gown, in being of plain purple material with edgings of gold ribbon, at ceremonies.
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Bearskin caps had gold cords, and a plate and cross on the back patch. Shakos had gilt plates and chin scales, gold bands and sometimes chevrons. Plumes and pompons were colored in the company's color or white if on regimental staff. Drummers had basically the same uniform as their company with tricolor, yellow, or orange lace edgings, red wings edged with lace, and a bass drum with medium blue hoops and white belts.
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The vegetation provides an attractive setting and screens the cemetery from the nearby quarry and the surrounding residential areas, thus preserving its serenity. Interpretative signage outlining the history of the cemetery and identifying the graves is located by the double gate that provides the only access to the site in the north eastern corner. The cemetery has been maintained by family descendants since , who have revealed plot edgings and some hitherto unknown stones.
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Ye who see this place remember him kindly. To the south of the bath is the Governor's house, afterwards used as an office. In front of it, stone- edgings still mark the shapes of flower-beds, and above the beds is a small terrace with round unpaved spaces for flowering shrubs. Close to the house, at the north-west corner of the fort, is a well, which, along stone channels, supplied water to the whole fort.
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Antwrens in the genus Formicivora have comparatively long tails, and the males are unusual in having underparts that are darker than the upperparts. The serra antwren is about long and weighs about . In the northern part of the range, the male bird resembles the black-bellied antwren, but the crown and upper parts are a richer, more chestnut colour and the edgings to the tertial feathers are rufous rather than white. It also shows less white on the flanks.
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The circular area has a stone threshold and stone pillar, and the gravel path has stone edgings and stone garden features. The southwest section of the garden consists of a grove of mature trees with a wide terrace below a dry-stone embankment. A masonry retaining wall separates this area from a raised lawn and garden on the western side of the structure. The southeast section of the garden has an open lawn bordered by mature trees and shrubs.
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Their cement edgings were used in 1988 to recreate gardens for the centenary year. Some large fig trees, planted in 1923, still shade the lawns along Castling Street. The palms, African tulips, crepe myrtles and callistemons and various other shrubs and trees were planted in the 1980s. The interiors of most catholic churches in Australia were modified as a result of changes in church thinking following Vatican II in 1963, but no alterations were made to St Mary's Church at West Townsville.
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It is worn over the right shoulder with the bow on the left hip. The Riband of the Order is made of woven watered silk 35mm wide of cobalt blue with cadmium orange edgings on both sides of the ribbon. The riband is worn as a necklet with the badge of the Order as a pendant in the case of the First and Second Class. In the Third Class it is worn as a medal ribbon with the badge on the left breast.
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Passementerie of cording and braid, embellished with beads, French, 1908. Passementerie (, ) or passementarie is the art of making elaborate trimmings or edgings (in French, passements) of applied braid, gold or silver cord, embroidery, colored silk, or beads for clothing or furnishings. The art of passementerie Styles of passementerie include the tassel, fringes (applied, as opposed to integral), ornamental cords, galloons, pompons, rosettes, and gimps as other forms. Tassels, pompons, and rosettes are point ornaments, and the others are linear ornaments.
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The remains of a fish pond is located amidst remnant rose bushes, and hedges and shrubs divide the garden spatially with an accent on content and form. A large Black Bamboo, enclosing secluded pathways with stone edgings, screens the adjacent service garden compartment to the south of the residence. A non-original cricket practice net is located in the western corner. The informal garden was designed to be more private, and intimate spaces were created for the family's enjoyment and relaxation.
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Acehnese traditional house in Piyeung Datu village, Montasik district, Aceh Besar regency Rumoh Aceh are made entirely of wood, without nails. Traditionally, the floors are made of feather palm planks, the walls of thin woven bamboo, and the roof of thatched sago palm leaves. The entire construction is erected over pile construction which stands on stones. The ground under the house is compacted and made a bit higher than the area around the house, the soil is prevented from seeping away by edgings around this compacted soil.
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In the colonial era, the edgings were made of bottles planted into the ground bottom- up. When a daughter reached the age of seven, her father will start collecting building materials for the construction of the house where his daughter will live with her future husband. According to Acehnese custom, the girl has to live with her husband in the house of her mother until the first child is born. Afterwards she is allowed to move to her own house, within the compound of her mother.
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The adult common house martin of the western nominate race is long, with a wingspan of and a weight averaging . It is steel-blue above with a white rump, and white underparts, including the underwings; even its short legs have white downy feathering. It has brown eyes and a small black bill, and its toes and exposed parts of the legs are pink. The sexes are similar, but the juvenile bird is sooty black, and some of its wing coverts and quills have white tips and edgings.
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Towards the costa there is a broad edge and even broader along the termen of the ground colour. On the hindwing the blue or green occupies a medial area from the base to the disc, and leaves a broad brown edging to the costa, termen and dorsum. Forewings and hindwings have discocellular black spots encircled by pale edgings, followed on both wings by transverse discal series of pale bluish-white spots and anteciliary slender black lines. In some these spots are very prominent, in others barely indicated.
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Illustration of male, d'Orbigny 1847 The species grows to a length of and is rather variable in appearance. The male has a red fore-crown while the female has a brown or black crown. The upper parts of head and body are olive brown with white speckling, especially on the mantle. The wings are brown above, with pale edgings to the secondaries and tertiaries, and the tail is brown, the two central feathers being white, and there being a white patch on the outer edge near the tip.
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The original side platform is no longer clearly visible as a former platform rather it presents a garden bed like appearance, with a raised flat surface with timber paling edgings and earth infill. The end of the down siding, which was only used occasionally until recently to store track machines when waiting to start or be collected after trackwork, has been partially removed and completely covered with aggregate as part of upgrading works along the road boundaries of the rail corridor. Only two posts of the end timber stopper remain.
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In military uniforms, edgings or loops of soutache in different widths and colors are used to indicate rank, particularly in hats. In athletic uniforms, a contrasting soutache is sometimes used to trim the placket and outline numbers or players' names. The term is also used in bookbinding, where a narrow soutache is applied at the top and bottom of a book back to reinforce the spine and provide a barrier to keep dust out of the binding. Soutache is incorporated into standalone accessories like jewelry, typically with beads.
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Freehand Lace Freehand lace is bobbin lace worked directly on the fabric of the lace pillow without using a pricked pattern. Very few pins are needed (in most cases, only at the two edges.) The very early bobbin laces were probably made freehand, as pins were scarce, coarse, and expensive. At first, the laces were purely utilitarian: “seaming” laces (insertions) joining narrow widths of fabric, and toothed or scalloped laces reinforcing the edges (edgings). Many of the later freehand laces were also functional, but some areas produced very wide ornamental laces.
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During World War I, the War Office extended the earning of Certificate "A", which with Certificate "B", had been used by the OTCs (Officer Training Corps), to the Cadets. This became the goal for most Cadets until the Army Proficiency Certificate tests were introduced. The tests covered many aspects of infantry training, including drill, map reading, weapon training and shooting, fieldcraft (also known as Battle-drill), fitness, and command instruction. The award of the certificate permitted the holder to wear a four-pointed star (red with khaki edgings) on the lower sleeve.
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I remember getting my feet muddy and wet, with a Biblical plague of > cockleburrs at my ankles, but it did not matter. The fish was still in the > man’s landing met, and he raised it dripping and shining in his hand. It was > a brook trout of six inches, its dorsal surfaces drak with blue and olive > vermiculations, and its flanks clouded with dusky parr markings. Its belly > and lower fins were a bright tangerine, with edgings of alabaster and ebony, > and it glowed like a jeweler’s tray of opals and moonstones and rubies.
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In the immediate surrounds of the house, the gravelled carriage drive, lawn tennis court site, remains of a glasshouse and plantings are elements of a substantially intact mid-19th century garden plan. The carriage loop (with concrete edgings remaining from the Jackaman period: (1950-1990)) appears to relate to the 1858 house. It does not connect with the drive that passes in front of it to the east, but this "disconnection" may relate to Jackaman period changes. Perimeter fence lines and gates have been relocated during the Jackaman period.
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Compass points are set into the path at the main entry, and coral is used for some garden bed edgings. Two large palms are located in the northeast grounds, one at either side of the property, with the northern palm surrounded by a large strangler fig. Large palms and timber steps are located to the east of the building, and camphor laurel trees border the rear yard. A small corrugated iron garage with a skillion roof is located to the south of the building, and a flagpole is located near the picket fence at the river's edge.
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There is a narrow buff-coloured line extending from the base of the beak to over the eye and the lores, ear coverts, chin, throat and upper breast are black. The rest of the breast is buff, the belly creamy-buff and the underwing coverts and axillaries are black tipped with white. The wing feathers are black with tips and edgings of creamy-buff. The bird moults in late summer and by the following year, the edges of the feathers are abraded and the crown and nape are white and the mantle, scapulars and wings black.
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A deck has been constructed on the northwest, and an inground swimming pool is located on the northeast. The grounds include three large Camphor Laurel trees along the Albion Street frontage, and terracotta tiled paths lead from the front gate to the entrance off Wood Street, and a side path from Albion Street to the verandah near the living/dining room. The paths have Marseilles tiles with edgings in a cabled design, also referred to as a rope or barley-twist design, and the entrance path has been reconstructed in places with tiles from the side path.
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Above the windows runs a moulding, defining the roof edge at the base of the parapet, holding two gargoyles which drain the aisle roof. Two double-stepped angle buttresses support the aisle on its north wall, with a third diagonal buttress at the north-west corner. The south aisle shows a plain parapet above coursed ironstone with ashlar edgings reflecting the lower stages of the tower. Three three-light windows, one plain glazed to the west of the porch, two stained to the east, are of same style to those of the north aisle, but with added facetted details between the head arches and the frames.
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Ernest Law's, Shakespeare's Garden, Stratford-upon-Avon (1922), with photographic illustrations showing quartered plats in patterns outlined by green and grey clipped edgings, each centred by roses grown as standards, must have supplied impetus to many flower-filled revivalist Shakespeare's gardens of the 20s and 30s. For Americans, Esther Singleton produced The Shakespeare Garden (New York, 1931).Eleanour Sinclair Rohde, Shakespeare's Wild Flowers (London: Medici Society 1935), combines two gardening interests, the Shakespeare garden and the "wild garden". Singleton's and Law's plantings, as with most Shakespeare gardens, owed a great deal to the bountiful aesthetic of the partly revived but largely invented "English cottage garden" tradition dating from the 1870s.
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These doubts were put to rest by Wesley Lanyon's research of the flycatcher in 1979, which confirmed the bird's placement in a monotypic genus. Deltarhynchus is similar to the genus Myiarchus, but is distinguished from it by a broader and shorter bill, more rounded wings, a different face pattern, pale cinnamon wing and tail edgings, voice, streaking on the chest, and the bird's skulking habits. The flammulated flycatcher's generic name is derived from the Ancient Greek words delta, which means "delta-shaped" or, in this case, "wedge", and rhynchos, which means "beak". Its specific epithet is derived from the Latin word flammula, which means "little flame".
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The predecessor, a neo-gothic station, was built by the London and Windsor Railway on the west of London Road bridge, opening on 22 August 1848.The Times, Thursday 24 August 1848 Preparatory work for rebuilding by the Southern Railway in its "Southern Odeon" style on the east of London Road was halted by the outbreak of World War II, with most trackwork and the vertical edgings of the five planned through platforms in place. After the war some platforms were made level for rugby spectators' trains which were hand-flagged through the station. On 28 March 1954, a completely rebuilt station came into use with three through tracks.
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The brownish hue of the adult overall makes the somewhat wedge-shaped white tail stand out in contrast. All the bare parts of their body on adults are yellow in color, including the bill, cere, feet and eyes. Juvenile and immature are a much darker brown than the adult white-tailed eagle and are more unevenly marked, with whitish feather edgings variably showing, mostly manifesting in some small areas of the underside and under- wing, with a narrow white axillary strip usually apparent. Plumage of an immature white-tailed eagle Their upperside is usually similarly darkish brown but variable based on extent of blackish-brown tip to otherwise buff-brown feathers of the mantle, back and upper wing.
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Retrieved 18 August 2012. After over three years of fundraising and successfully applying for grants towards the project, the two replica statues, carved by Nick Roberson, member of The Master Carvers Association were unveiled at a Rededication Service held at the Garden of Remembrance after a Military Parade by the Todmorden branch of the British Legion on Sunday 12 October. The project led to further works being carried out to the War Memorial with a grant from the Yorkshire Garden Trust and funding from Calderdale Council. The works included re-laying of paths, together with new stone edgings, indent repairs to the name tablets, re- pointing of the memorial wall, cleaning of the St George statue and repairs to the stone steps at the rear of the garden.
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George, 2nd Earl Harcourt by Sir Joshua Reynolds. A peeress's coronation robe is described as a long (trained) crimson velvet mantle, edged all round with miniver pure and having a cape of miniver pure (with rows of ermine indicating the rank of the wearer, as for peers). Furthermore, the length of the train (and the width of the miniver edging) varies with the rank of the wearer: for duchesses, the trains are 1.8 m (2 yds) long, for marchionesses one and three-quarters yards, for countesses one and a half yards, for viscountesses one and a quarter yards, and for baronesses and ladies 90 cm (1 yd). The edgings are 13 cm (5 in) in width for duchesses, 10 cm (4 in) for marchionesses, 7.5 cm (3 in) for countesses and 5 cm (2 in) for viscountesses, baronesses and ladies.
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Traditional Japanese armour had six main components (hei-no-rokugu, roku gu, or roku gusoku), the dou or dō (chest armour), kabuto (helmet), mengu (facial armour), kote (armoured sleeves), sune-ate (shin armour), and the hai-date (thigh armour).The encyclopedia of the sword, Author Nick Evangelista, Publisher Greenwood Publishing Group, 1995, , , P.27The manufacture of armour and helmets in sixteenth century Japan: (Chūkokatchū seisakuben) Author Kōzan Sakakibara, Publisher C. E. Tuttle, 1964Secrets of the samurai: a survey of the martial arts of feudal Japan, Authors Oscar Ratti, Adele Westbrook, Publisher Tuttle Publishing, 1991, , P.192 The sangu was composed of the suneate (shin armour), kote (armored sleeves), haidate (thigh armour). These armour components were a combination of a cloth backing and various types of armour that was attached to the cloth backing. On an original authentic suit of Japanese armour (gusoku) the cloth backings, edgings, decorations etc.
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The Osborne was uniquely designed with 11 stories on the south-facing 57th Street front, containing the parade rooms of the apartments—foyers, parlors, dining rooms, with 14-foot ceilings—and 14 stories on the back, where bedrooms and private baths were either up or down a flight of seven steps, and the ceilings were just over 8 feet high. In 1891, the 11th-floor attic, which occupied the southern section of the building only, was extended to the north edge of the building to provide additional servants quarters, making it now 15 stories in the rear. About half of the spacious Gilded Age apartments, originally just four to a floor, in a variety of spatial configurations with separate servant quarters, have been subdivided since World War I. Floors are of parquet with banded edgings, fireplaces richly carved with tiled surrounds. Insulated walls thirty inches thick insulate apartments from neighbors' noise.
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Subspecies Poecile montanus restrictus in Japan The willow tit is in length, has a wingspan of and weighs around . In the east of its range it is much paler than marsh tit, but as one goes west the various races become increasingly similar, so much so that it was not recognised as a breeding bird in Great Britain until the end of the 19th century, despite being widespread. The willow tit is distinguished from the marsh tit by a sooty brown instead of a glossy blue black cap; the general colour is otherwise similar, though the under parts are more buff and the flanks distinctly more rufous; the pale buff edgings to the secondaries form a light patch on the closed wing. The feathers of the crown and the black bib under the bill are longer, but this is not an easily noticed character.
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Male has the uppersides of wings dark brown. Forewings and hindwings are overlaid from base outwards for some distance with purplish blue, clear dark blue or shining metallic green. The extent of this colour very variable; in some specimens, on the forewing it spreads irregularly outwards mainly along the costa and on the hindwing in the middle to the disc; in others, it covers the basal three-fourths of the wings, leaving a well-defined broad terminal margin of the ground colour on the forewing, and on the hindwing, broad costal, terminal and dorsal margins; cilia conspicuously white. Underside of forewing is a clear, slightly brownish grey, paler along the costal and terminal margins; a transverse, slightly lunular discocellular spot and a transverse series of six small discal spots black, all with slender white edgings, the discal series placed in a slight curve, the posterior three spots en echelon; no terminal markings except an anteciliary dark line.
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Female - woodcut from Charles Thomas Bingham's The Fauna of British India, Including Ceylon and Burma Male upperside: white, a greyish- blue shade at base of the wings and along the veins, due to the dark markings on the underside that show through. Forewing: veins black; apex and termen black, the inner margin of that colour extended in an irregular curve from middle of costa to base of terminal third of vein 4, thence continued obliquely outwards to the tornal angle; interspaces 6 and 9 with short narrow greyish-white streaks of the ground colour that stretch into the black apical area but do not reach the margin; a short black subterminal bar between veins 3 and 4 and another, less clearly defined, between veins 1 and 2. Hindwing: veins 4 to 7 with outwardly dilated broad black edgings that coalesce sometimes and form an anterior, irregular, black, terminal margin to the wing. Underside, forewing: white, the veins broadly margined on both sides by dusky black; costal margin broadly and apex suffused with yellow; subterminal black bars between veins 1 and 2, and 3, and 4 as on the upperside but less clearly defined.
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