But Metro 2033 is also critical of the nostalgia that it dwells upon.
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One of the scenes dwells upon how they mark their underwear in order to avoid confusion.
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And therein lies the concern that my neurotic mind dwells upon on auspicious occasions like today's, the 50th anniversary of the Beatles' Sgt.
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The ugly hand dwells upon the shoulders of these children like the person expects the children to take them wherever as if they are servants.
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The media dwells upon real-life killers, describing every detail of their crime during prime-time TV. The current conditions easily set up children to begin thinking like soldiers and even justify killing.
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The species is named graniticolus because it dwells upon the granite rock formations.
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Denise Giardina's novel dwells upon moral decisions, most notably the acceptability of sin if the sin will prevent a greater evil.
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Kurar is socially and politically committed. He is inspired by the social issues which he finds to be very important. Subjects that Kurar dwells upon are war, religion and consumerism. He wants to deliver a message of hope by using poetry, humor and provocation.
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The scene opens with "Descent". Edgecrusher is alone in this song, he has grown tired from running for so long from Smasher/Devourer and the Securitron. He wonders if his mission is worth it, he dwells upon his life, and what it actually amounts to. Edgecrusher stops in an abandoned building to rest himself.
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White's work 'Cape Tribulation I' was selected as one of the Finalists in the 2017 Paddington Art Prize. The description of the work on the Prize website states "This work dwells upon personal memory and history of Cape Tribulation and consequences for Indigenous Australians. Cook mentioned that 'here began all our troubles' and marks the first squeegee group based paintings executed using ripolin paints".
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Ramesan (Dileep) who supports the five member family by selling pickles and other eatables, reaches a border town named Pandavapuram under certain circumstances where he finds the conditions to be truly stark and dreary. Director dwells upon the ordeals of life in Pandavapuram. Ramesan is trying in vain to find his friend Leelakrishnan (Salim Kumar) who acts as a hijada to eke out a living. Devumma (Bindu Panicker) who runs a brothel gives him shelter.
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The title The Farming of Bones is alluded to in Chapter 10 when Amabelle refers to the cane life as “travay te pou zo,” or the farming of bones. Working in the cane fields proves to be dangerous and even life- threatening as it scars and mutilates many of the workers. Inundated with references to the past, the story contains many instances where characters are unable to move on. For example, Amabelle constantly dwells upon not only memories of her dead parents, but also memories with Sebastien.
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The 1997 textbook Foundations of Geopolitics by a controversial Russian sociologist and philosopher Aleksandr Dugin, among other things, dwells upon the Eurasianism, and within Dugin's plans, Poland (as well as Latvia and Lithuania) would have a "special status" within the Eurasian-Russian sphere of influence. In 1996, Poland's Prime Minister Józef Oleksy resigned because of his links to Russian Foreign Intelligence Service agent Vladimir Alganov. In 2004 Polish intelligence recorded Vladimir Alganov talking about bribery of top Polish politicians. Russian military exercises have practiced attack against Poland.
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The letter to the Venetian Marcantonio Michiel, of 20 March 1524, reporting on the state of art in Naples, and works there by Netherlandish painters, dwells upon Colantonio and his Netherlandish technique, which one sees assimilated in the art of Antonello; it was published by Fausto Niccolini, L'arte napoletana del Rinascimento (Naples) 1925:161-63. It is translated in Carol M. Richardson, Kim Woods, and Michael W. Franklin, Renaissance Art Reconsidered: An Anthology of Primary Sources (2007:193-96). This account of his training is accepted by most art historians.
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The journey of the swan in the ' is concluded in 35 of its 142 stanzas, as the distance of swan has to cover is fairly short, from Vrindavan to Mathura. Lalitā’s message takes up over half the poem, and dwells upon the state of the grief-stricken lover, Rādhā in this case, while praising her sweetheart – though Krishna is chided for forsaking the cowherd girls. In the ', Rūpa Gosvāmin uses a number of puns which are ingeniously employed in order to weave the mythology of Krishna into the work.
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The story opens on the fictional Burundian village of Hariho, with the introduction of a nameless, one-eyed elderly woman. The region is experiencing a dry season, causing the plant life and the locals to struggle drastically. While the land was fruitful in the past, it is implied that the unfortunate state that it is currently in is the result of the selfishness of the Burundian people, specifically the “war of ‘93.” As the one-eyed woman dwells upon her past, she hears a powerful scream in the distance, followed promptly by cries of rage directed at an unknown assailant.
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In the month of October last year, Justice M B Shah had submitted his third and final report, which was mainly on the mining mafia menace in Goa. The report is expected to prove crucial as it dwells upon the financial transactions and losses through illegal mining from 2006-2011. The commission has undertaken a thorough probe into the bank transactions of exporters, traders and mining lease owners to track down the exact financial transaction. The two interim reports submitted by the commission earlier had led the Supreme Court to impose a temporary ban on mining activities in Goa, the largest exporter of iron-ore in the country.
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In the aria, Turandot explains that she conceived the three riddles as a test for any prince who might want to marry her. She explains that in the same palace, countless generations ago (thousands of years ago), a reigning Princess Lo-u-Ling was conquered by the King of the Tartars, raped and murdered. In particular, she dwells upon the Princess' final crying out and her moment of death at the hands of a man. Based on the memory and the concept of that crying out having been carried down through the many generations to Turandot herself, she resolves to avenge that death by imposing it on all men who fail in the attempt to marry her.
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Here Whitehead is criticizing Christianity for defining God as primarily a divine king who imposes his will on the world, and whose most important attribute is power. As opposed to the most widely accepted forms of Christianity, Whitehead emphasized an idea of God that he called "the brief Galilean vision of humility": > It does not emphasize the ruling Caesar, or the ruthless moralist, or the > unmoved mover. It dwells upon the tender elements in the world, which slowly > and in quietness operates by love; and it finds purpose in the present > immediacy of a kingdom not of this world. Love neither rules, nor is it > unmoved; also it is a little oblivious as to morals.
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His second chronicle is an extract from his world chronicle of items concerning persecutions of the Jews. To this he added material from Samuel Usque's Consolaçam as Tribulaçoens de Ysrael (1557), the chronicle of Abraham ibn Daud as well as other material that had reached him, calling it Emeq ha-Bakha (The Vale of Tears). Its set purpose in the introduction to the book was to serve as reading on the fast of 9 Av. There he dwells upon the sorrows and sufferings the Jews endured in various countries in the course of centuries. The book, which is a martyrology from beginning to end, closes with the 24th of Tammuz, 5335 AM (1575 CE).
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It gives a full account of the Naraka legend and the old city of Pragjvotishpur. It dwells upon the special merit and sanctity of the shrine of Kamakhya. There is hardly any doubt that this work, like perhaps the Yogini Tantra, was compiled in Kamarupa probably at a time when the kings claiming descent from Naraka were ruling, when the capital was in the neighbourhood of the old city of Pragjyotishpura and the shrine of Kamakhya and when Tantrikism was the prevailing tenet. It can therefore tentatively assign this work to the eleventh century when the kings of the dynasty of Brahma Pala, who claimed descent from Naraka and particularly distinguished themselves from the previous mlechha dynasty, were ruling.
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A woven peplum, laid upon the knees of the goddess's iconic image, was central to festivals honoring both Athena at Athens, and Hera. In Homer's legend of the Odyssey, Penelope the faithful wife of Odysseus was a weaver, weaving her design for a shroud by day, but unravelling it again at night, to keep her suitors from claiming her during the long years while Odysseus was away; Penelope's weaving is sometimes compared to that of the two weaving enchantresses in the Odyssey, Circe and Calypso. Helen is at her loom in the Iliad to illustrate her discipline, work ethic, and attention to detail. Homer dwells upon the supernatural quality of the weaving in the robes of goddesses.
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Jawaharlal Nehru however in his autobiography writes that Azad met him a few weeks before his death, inquiring about possibility of not being considered an outlaw as a result of Gandhi-Irwin pact. He also saw the 'futility' of his methods and so did many of his associates, though not completely convinced of the 'peaceful methods'. The lives of Azad, Bhagat Singh, Rajguru, Bismil, and Ashfaq were depicted in the 2006 film Rang De Basanti, with Aamir Khan portraying Azad. The movie, which draws parallels between the lives of young revolutionaries such as Azad and Bhagat Singh, and today's youth, also dwells upon the lack of appreciation among today's Indian youth for the sacrifices made by these men.
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Last year he sent to Abdul Hamid a detailed > report of the sufferings of the peasants in certain of the richest provinces > in the empire. He pointed out that, unable to bear the heavy burden of > taxation and the arbitrary methods of the farmers of revenue, they were > cutting down their trees, tearing up their vines, leaving their lands > uncultivated, and even emigrating in vast numbers beyond the seas. America > alone, be said, contained more than 100,000 Syrian emigrants, a third of > whom were Mohammedans. "Never in the history of Islam has such a thing > occurred." In this year’s report he dwells upon the great numbers of high > officials and their enormous salaries.
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He tried to gather into one "Corpus" the Christian sarcophagi of which so many have been preserved in the south of France. In 1878 he published in Paris his "Etudes sur les sarcophages chrétiens de la ville d'Arles", which was followed by a second work "Etudes sur les sarcophages chrétiens de la Gaule" (Paris, 1886). In the introduction he treats of the form, ornamentation, and iconography of these monuments; he dwells upon the relationship between the sarcophagi of Arles and those of Rome, and the difference between them and those of the south-west of France, in which he finds more distinct signs of local influence. His studies and his personal tastes led him to take an interest also in the history of the persecutions and the martyrs.
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Krona inquires about the law of universes, wishing to know how the Worldsoul and other entities like it function and exist, hoping to learn of some higher plan or design. However, he is horrified to learn that the Worldsoul has no actual function other than to simply exist, resonate and, most importantly, to feel, to share in the positive emotions of every lifeform that dwells upon its surface, at one with the Universe in a Great Dance with the other souls of worlds. This explanation, such as it is, defies all logic and science Krona has studied, and he believes this renders himself and his entire life, in effect, pointless. In a fit of rage, he attempts to destroy the Worldsoul, but is stopped by the Trinity, who have survived the destruction of Earth.
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The second section discusses the genres of poetry: heroic, pastoral, and tragedy, comedy, satire, and lyric. The third section discusses poetic practice: about what subjects to write; what are the distinctive qualities of good poetry; and what rules of composition apply to individual genres of poetry. Examples from classical and modern poetry illustrate how poetry achieves its purposes: to teach, to move, and to delight the reader. Proceeding from the work of scholar Julius Caesar Scaliger (1484–1558), Scott dwells upon the four virtues of poetry, which apply to the poet’s choice of matter (genus) and style of writing, noting that Scaliger: > observes that to strike with the pleasure of our poem the doors of men’s > sense, these four virtues are especially requisite: first a > proportionableness or uniformity; secondly variety; thirdly sweetness; > lastly that energeia, force effectualness, or vigour, which is the character > of passion and life of persuasion and motion.
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The book was simply intended to impart to Jewish youth a knowledge of the Law, and to present in simple form the principles of Judaism to the unlearned layman. The writer seems to have had this lay-public always before him; and his work is in this respect different from that of his predecessors, Maimonides, Naḥmanides, and Moses of Coucy, from whose works he liberally draws. The Sefer ha-Chinuch is an enumeration of the six hundred and thirteen affirmative and negative precepts of the Mosaic Law, arranged in the order of the weekly lessons (parashot), with their ethical and halakic aspects, based upon rabbinical tradition of the Talmudic and post-Talmudic periods, for which latter feature he relies upon Alfasi, Maimonides, and Naḥmanides as main authorities. His chief and original merit is displayed in the ingenuity and religious fervor with which he dwells upon the ethical side of the Law, avoiding most admirably all abstruse philosophical and mystical theories, such as are only too abundant in his guides, Maimonides and Naḥmanides.
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The soil was hard to work and they kept looking for better land to farm. The infamous crickets destroyed much of that year's crop and so the group moved farther south to where Big Cottonwood Creek flowed into the Jordan River about 4800 South known then as Field's Bottom. By working together, eight families managed to bring in the first successful crop in 1851 using water brought down from Bingham Creek by what was later called Gardner's Millrace. John and Esther Bennion's daughter, Rachael, was the first pioneer child to be born in Field's Bottom. Despite the struggle to get food and shelter in those early days, John Bennion described Field's Bottom in these words: > if peace dwells upon this earth it is here and here are the happiest and > most prosperous people in the world, enjoying free soil, pure air, liberty > to worship our God just as we please… By 1851 more families settled in or near Field's Bottom where they dug the "lower ditch" and cleared land for small farms and pastures.
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