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93 Sentences With "draws a parallel"

How to use draws a parallel in a sentence? Find typical usage patterns (collocations)/phrases/context for "draws a parallel" and check conjugation/comparative form for "draws a parallel". Mastering all the usages of "draws a parallel" from sentence examples published by news publications.

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Hughes draws a parallel between the truck's presence and street art.
The Hollywood Reporter draws a parallel to the situation facing Birth of a Nation.
As such, Mr Jaquemet draws a parallel between modern scientists "playing God" and the biblical creator.
The movie also draws a parallel between its own avant-garde style and Mr. Cabral's teaching methods.
Taylor draws a parallel between his relationship with Brittany's grandma and that with his boss back home in California.
Andrew Balls of PIMCO draws a parallel with the mortgage-backed bonds that were central to the global financial crisis.
In 13th, Ava DuVernay (Selma) draws a parallel between the two, examining mass incarceration in America within the context of slavery.
He even draws a parallel between Brayden's relationship and his own marriage, which is a weird move but also quite sweet.
Buchanan draws a parallel between Mitch, recovering from the loss of his loved one, and O'Brien, recovering from a near-death accident.
He draws a parallel to AIDS and the stigma attached to those who contracted it during the first outbreaks in the 1980s.
He draws a parallel with Raheem Sterling, a close friend who was born in Kingston but now represents Manchester City and England.
Ms. McCulloch draws a parallel to spoken language: A period at the end of a sentence would usually suggest a lowering intonation.
Parrilla draws a parallel between OPEC and central banks,cautioning on the moment when real control dissolves into only an appearance of control.
Haigh draws a parallel between the leasing of land for fracking and the wreckage left by the pursuit of now dwindling energy sources like coal.
" FDNY Prez Jim Slevin was equally pissed, saying anyone who draws a parallel between a presidential election and the horrific attacks "has clearly lost their mind.
" Scudamore draws a parallel between hiring great people and finding great friends: "You don't sit there and make a checklist and go ask interview questions [when finding friends].
Similarly, a grotesque ad from Texas draws a parallel between transgender people and child molesters, suggesting that anti-discrimination policies will cause little girls to be assaulted in restrooms.
He draws a parallel between Molly's upbringing and the strict way Charlie is raises his own child by making her do extra homework assignments—like, for instance, read The Crucible.
Advertise on Hyperallergic with Nectar Ads In his classic 1938 study of play in human culture, Homo Ludens, Dutch anthropologist Johan Huizinga draws a parallel between playing fields and ceremonial sites.
He draws a parallel between Paley and David Foster Wallace, although the latter wrote about the world outside of himself with a plunging-in attitude that does not resemble Paley's at all.
A former undercover cop in the UK who worked against biker gangs across Europe draws a parallel between the use of junior clubs for unsavory business on both sides of the pond.
Based on a book by Naomi Oreskes and Erik M. Conway, it draws a parallel between the tactics of Big Tobacco and Big Oil, revealing the world of politics, spin and public opinion.
Len Sherman of Columbia Business School draws a parallel between Uber's business and that of unregulated taxis in New York in the 1930s, when Ford's Model T emerged as a new, low-cost cab.
Mary Douglas, a Hunt supporter and Conservative councillor in Wiltshire, southern England, draws a parallel with the United States, where she thinks voters made a mistake in backing Trump despite concerns about his character.
The tableau draws a parallel between the life-support provided by modern medicine and the umbilical life support provided from mother to child — trailing from the pelvis of the skeleton-mother is a child in utero.
Separately, IFC Center will show "The Gleaners & I" (Tuesday), one of Ms. Varda's most popular films, in which she draws a parallel between herself, as a maker of documentaries, and the "gleaners" seen in a classic Jean-François Millet painting.
One subplot draws a parallel with the real-life case of a convicted drug lord who named the SAD deputy chief's brother-in-law as his accomplice (the brother-in-law, a state minister, says the accusations are baseless and politically motivated).
Evans draws a parallel to Civil Rights Era, when the Voting Rights Act of 1965 displaced state laws that required unreasonably difficult literacy tests for voter registration—the right to vote, it was found, was a stronger right than that of the state to determine the circumstances under which people could vote.
Far from Deliveroo's model representing a hyper modern form of disruption, the report draws a parallel between the five-year-old startup's 'flexible work' model and casual labor practices at British dockyards until the middle of the 20th century — "where workers would gather around the dock gate desperately hoping that they would be offered work", and where only some workers were fortunate to be offered fairly regular shifts, while others were offered no work at all.
McRuer further writes that the anthology implicitly draws a parallel between compulsory heterosexuality and "compulsory able- bodiedness".
The poem is recited in the film One Hundred Steps by the film's hero Impastato, with which the film draws a parallel between Impastato and Leopardi.
The fourth and final film to the autobiographical film is Alexandria ... New York (2004). The film draws a parallel between Chahine's life and the narrative he tells: it explores the relationship between The United States and Egypt.
Ecofeminism originated in the 1970s and draws a parallel between the oppression of women in patriarchal societies and the oppression of the environment.Long, Douglas (2004). Ecoterrorism (Library in a Book). New York: Facts on File. pp. 21-23.
John Lindow draws a parallel between Jörmungandr's biting of its own tail and the binding of Fenrir, as part of a recurring theme of the bound monster in Norse mythology, where an enemy of the gods is bound but destined to break free at Ragnarok.
In his comments elsewhere Lem draws a parallel with Solaris: both deal with a non-human entity (Harey, in Solaris and the hound machine in The Mask) which has human impulses and behavior. In the foreword to Mortal Engines, the translator Michael Kandel also draws a parallel with Solaris in that the two are both love story and horror story, with quite a few twists.Mortal Engines, 1992, , p. xii The observation on the humanizing ability of being "equal before the divine providence" is similar to that found in Lem's short story The Inquest, where a human defeats a robot due to his ability to have doubts and hesitate.
In the text, he states that his previous views were due to a period of doubt and unbelief. The historian Peter Brock draws a parallel between Finch's (albeit later recanted) anti-pacifism and the views of the banker and abolitionist Samuel Hoare Jr who similarly expressed some anti-pacifist beliefs.
Additionally, Interstate Highway 90 is centered on Blue Earth, as the east and west construction teams met here in 1978. As a tribute, there is a golden stripe of concrete on the interstate near Blue Earth. This draws a parallel to the golden spike set in the first transcontinental railroad.
Snorri Sturluson, Ynglingasaga, Chapter 41, p. 41 An episode in the fragmentary saga Sögubrot draws a parallel between Guðröðr and "Heimdall, who was the most foolish of the Aesir, though he was bad to [Ivar Vidfamne]",Sögubrot, Chapter 3 implying that he was compared unfavourably with his highly praised brother Halfdan.
The film explores the horrors and fantasies of a patient trapped in a mental asylum. Birsa is a mental patient with a history of abuse from his father and elder brother. He's sent to mental asylum from where he draws a parallel between his life in an asylum and that at his home.
The National Interest. 22 June 1996 Retrieved on 17 July 2002 The poem is a stylization of The Bullfinch, Derzhavin's elegy on the death of Generalissimo Suvorov in 1800. Brodsky draws a parallel between the careers of these two famous commanders. Aleksandr Solzhenitsyn re-interpreted Zhukov's memoirs in the short story Times of Crisis.
Michimasa's relationship with the former Ise Priestess is mentioned in the Eiga monogatari in several places. The narrator draws a parallel between Ariwara no Narihira's relationship with a serving Ise priestess and Michimasa and Masako's relationship. However, the narrator points out that as Masako was no longer serving it was not as great an offense.McCallugh, Hellen C. (1980).
Omar tails Slim back to his home and the monotony of the task begins to annoy Renaldo. Bodie and Poot discuss Marlo's actions. Bodie is angry that Marlo killed Little Kevin without proof that he was working with the police. Poot draws a parallel between Marlo's order to kill Little Kevin and Stringer Bell's order to kill Wallace.
Also on EWTN, Pearce was the host for a special hour-long program which was broadcast Dec. 14, 2014, titled Tolkien: Elves, Hobbits, and Men. Pearce emphasized some elements of The Lord of the Rings which in his opinion are based on Tolkien's Catholic Faith. For example, Pearce draws a parallel between Boromir's death scene and the Sacrament of Penance.
First edition (publ. Claassen Verlag) Crowds and Power () is a 1960 book by Elias Canetti, dealing with the dynamics of crowds and "packs" and the question of how and why crowds obey power of rulers. Canetti draws a parallel between ruling and paranoia. Also, the memoirs of Daniel Paul Schreber are analyzed with an implicit critique of Sigmund Freud and Gustave Le Bon.
Here Skinner draws a parallel to his position on self- control and notes: "A person controls his own behavior, verbal or otherwise, as he controls the behavior of others." Appropriate verbal behavior may be weak, as in forgetting a name, and in need of strengthening. It may have been inadequately learned, as in a foreign language. Repeating a formula, reciting a poem, and so on.
Hilda Davidson draws a parallel between these incidents and Tacitus's account of Nerthus, suggesting that in addition a neck-ring-wearing female figure "kneeling as if to drive a chariot" also dates from the Bronze Age. Davidson says that the evidence suggests that similar customs as detailed in Tacitus's account continued to exist during the close of the pagan period through worship of the Vanir.Davidson (1964:96).
In the novel, the protagonist, Hurtle, is appalled when his lover's husband drowns a sack of stray cats. White draws a parallel between the way in which the cats are discarded, and the treatment of certain characters in the book; by extension, the cats symbolise the most innocent and vulnerable members of society, and the casual cruelty with which they sometimes meet their fate.White, Patrick. The Vivisector.
In The World of Geisha, he does this while also "censoring" titles, such as Sodeko's, "I'm coming again!!", which is marked out with "X"s, as were reports of Japanese casualties in Siberia in the Russian Civil War. By using these two forms of censorship in juxtaposition, Kumashiro draws a parallel between Taishō period censorship, and Eirin's, and the government's contemporary forms of censorship.
These tactics were proved effective during the Sino-Dutch War beginning in 1661. While the Chinese were undermined as the inferior empire due to lack of weaponry, their strict adherence discipline and tactical strategy led to them defeating the Dutch. This draws a parallel to the Sino-Portuguese conflict. During the first war, in 1521, the Portuguese firepower was far more effective than the Chinese.
The movie draws a parallel from the political turmoil of India. The main character is a journalist named Digu Tipnis (Nilu Phule) who uncovers a network of telephone tapping, relations between trade unions and politicians, etc. The plot addresses Maharashtra's political corruption linked with Mumbai's entrepreneurial sector. The movie starts with an assembly session where Chief Minister (Arun Sarnaik) has to leave the heated discussion to attend an urgent call.
In a study of 19th-century warfare, historian James Reid posited that Anderson suffered from delusional paranoia, which exacerbated his aggressive, sadistic personality. He sees Anderson as obsessed with, and greatly enjoying, the ability to inflict fear and suffering in his victims, and suggests he suffered from the most severe type of sadistic personality disorder. Reid draws a parallel between the bashi-bazouks of the Ottoman Army and Anderson's guerrillas, arguing that they behaved similarly.
Dunand, Zivie, op.cit., p. 344 Some depictions of Ash show him as having multiple heads, unlike other Egyptian deities, although some compound depictions were occasionally shown connecting gods to Min. In an article in the journal Ancient Egypt (in 1923), and again in an appendix to her book, The Splendor that was Egypt, Margaret Murray expands on such depictions, and draws a parallel to a Scythian deity, who is referenced in Sebastian Münster's Cosmographia universalis.
Courtois raised the comparison between Nazism and Communism as an issue to be dealt with by historians and called for the establishment of an equivalent of the Nuremberg tribunal to try those Communists responsible. He compared the organisation of the two movements, and the number of victims attributed to communism to the number of deaths from Nazism. He draws a parallel between Nazi "race genocide" and what he calls, following Ernst Nolte, "class genocide".Fascism & Totalitarianism, pp.
This connection is most clear between the medieval legend of green children and the novel's titular Welsh "girl green." Stow draws a parallel between greenness and strangeness in the medieval period to the aftermath of contemporary colonialprojects. Ultimately, according to Duckworth, it is trauma (both for the main character, Crispin Clare, and the colonial/postcolonial places he inhabits) that draws the narrative out of and across time. Destabilization of time is positioned as a means of recovery, particularly for Clare.
Post's main area of scholarly interest is intellectual property law and the relationship of complexity theory to the law. Post wrote In Search of Jefferson's Moose: Notes on the State of Cyberspace (Oxford, 2009).David G. Post, Cato Institute (accessed June 3, 2016). In the book, Post draws a parallel "between the Internet and the natural and intellectual landscape that Thomas Jefferson explored, documented, and shaped."Book Forum: In Search of Jefferson’s Moose: Notes on the State of Cyberspace (February 4, 2009).
Ultimately, Fossey's favourite gorilla, Digit, was killed by the vengeful locals. Curtis draws a parallel between Fossey and the colonialists who oppressed the Congolese, describing her as one of many westerners who brutalised and terrorised African peoples for their own high-minded ideals. John von Neumann in the 1940s Bill Hamilton was a solitary man who saw everything through the lens of Darwin's theory of evolution. He wanted to know why some ants and humans give up their life for others.
The same trees, in slightly altered forms, can also be seen in other works. Eldena Abbey may well have had personal meaning for Friedrich, as it was destroyed during the Thirty Years War by invading Swedish troops, who later used bricks from the abbey to construct fortifications. In the painting Friedrich draws a parallel between those actions and the use of Greifswald churches as barracks by occupying French soldiers. Thus, the funeral becomes a symbol of "the burial of Germany's hopes for resurrection".
Journalists have drawn parallels between Wakanda's vibranium reserves and the mining of coltan in the Democratic Republic of Congo. Coltan is an ore containing niobium and tantalum, two rare and valuable metals, and its exploitation is linked with child labour, systematic exploitation of the population by governments or militant groups, exposure to toxic chemicals and other hazards; see coltan mining and ethics. Historian Thomas F. McDow draws a parallel to uranium, found in the mine Shinkolobwe in Haut-Katanga Province, also in the Democratic Republic of Congo.
The Nine Circles of Hell In a 1999 article, John N. Serio claims that the poem is a compression of Dante's Inferno. He draws a parallel between the nine lines of the poem with the nine rings of Hell, and notes that, like the downward funnel of the rings of Hell, the poem narrows considerably in the last two lines. Additionally, the rhyme scheme—ABA ABC BCB—he remarks, is similar to the one Dante invented for Inferno. Partly quoted in "On 'Fire and Ice'".
Macdonald commented on his novel that he had spent some twenty years thinking about and taking notes for Black Money. It was "the longest I have held a book in mind before I wrote it". He also mentioned as formative influences his visit to Panama as a seaman in 1946 and F. Scott Fitzgerald's The Great Gatsby (1925);Quoted in Nolan 2017 it is no accident that Fitzgerald is mentioned once in the text itself. Matthew Bruccoli draws a parallel between the themes of Fitzgerald there and Macdonald's novel.
Wright was affiliated with the Communist Party of the United States both prior to and following his publishing of Native Son. The Communist ideas in Native Son are evident as Wright draws a parallel between the Scottsboro boys case and Bigger Thomas' case. One parallel is the court scene in Native Son, in which Max calls the "hate and impatience" of "the mob congregated upon the streets beyond the window" (Wright, p. 386) and the "mob who surrounded the Scottsboro jail with rope and kerosene" after the Scottsboro boys' initial conviction.
Netru Indru ( Yesterday, Today) is a 2014 Tamil action film, directed by Padmamagan, a filmmaker who earlier directed Pallavan and the R. Parthiban- starrer Ammuvagiya Naan. Prasanna and Vimal, along with Richard Rishi and Bharani of Naadodigal fame, played the lead roles, while Arundhati and Manochitra were the female leads. Rehhan scored the music for the film, while Dinesh Sre was the cinematographer and C. S. Prem was the editor. Shot entirely in forests of South India, Netru Indru draws a parallel between events happened in the past and ones that happens in the present in the forest.
In the 17th century, Robert Burton picked up the tale in The Anatomy of Melancholy and gave it a historical character: the Indian king Porus sends Alexander the Great a girl brimming with poison. In Hawthorne's story, the character Pietro Baglioni draws a parallel between Beatrice's fate and an old story of a poisonous Indian girl presented to Alexander, a tale that appears to be based on the Burton/Browne story. Also, the University of Padua is famed for its vast botanical garden, which was founded in 1545. But whether the garden actually influenced Hawthorne in writing "Rappaccini's Daughter" is not known.
It was ranked number 22 on The Guardians list of best sci-fi and fantasy films, included on Film4's list of top 50 science fiction films, and ranked number 27 on Complex magazine's list of 50 best sci-fi movies. Phelim O'Neill of The Guardian draws a parallel on Akiras influence on the science- fiction genre to Blade Runner and Stanley Kubrick's 2001: A Space Odyssey. Akira is considered a landmark film in the cyberpunk genre, particularly the Japanese cyberpunk subgenre. The British Film Institute describes Akira as a vital cornerstone of the cyberpunk genre, along with Blade Runner and Neuromancer.
Halliwell asserts that the idea that life imitates art derives from classical notions that can be traced as far back as the writings of Aristophanes of Byzantium, and does not negate mimesis but rather "displace[s] its purpose onto the artlike fashioning of life itself". Halliwell draws a parallel between Wilde's philosophy and Aristophanes' famous question about the comedies written by Menander: "O Menander and Life! Which of you took the other as your model?", noting, however, that Aristophanes was a precursor to Wilde, and not necessarily espousing the positions that Wilde was later to propound.
Jack decides that, because Liz ruined Tracy's life with her book, Tracy should be given the right to ruin her life, and he orders Liz to sign over her life rights to Tracy. Jack tells Liz a story about an accident he had ice climbing, falling into a crevasse. He broke his leg and was unable to climb upwards to escape, but by going deeper down into the crevasse he found a path out. Jack draws a parallel to his situation with Devon a realizes a solution - he accepts government bailout money (which he had previously refused), effectively making Devon Jack's boss.
Diana, the main character, is judged in the court of law because she refuses the role of being a mother and transferred her unborn child to a machine which works as an incubator. In her judgement, questions about life, abortion, individual choice, women's body, freedom and gender roles are brought as an attempt to justify her decision against a male jury and authorities. Valek draws a parallel between the microcosm of Diana's judgment in court and the actual Brazilian society. Currently in Brazil, there is a growing effort by the religious, right wing politicians in parliament to restrict, even more, access to abortion.
The Disney Films by Leonard Maltin 3rd Edition Peter Ellenshaw's work on set allowed him to get a "lifetime contract" with the Disney studio. He moved to the United States after the shooting of 20,000 Leagues Under the Sea (1954). Douglas Brode draws a parallel between The Sword and the Rose and Lady and the Tramp (then in production) in which two female characters of noble lineage are enamored of a poor male character. Steven Watts sees The Sword and the Rose and Rob Roy as showing the Disney studio's concern for individual liberty fighting against powerful social structures and governments.
73-5 Two Neo-Latin poems are dedicated to the fable by Hieronymus Osius in his collection of 1564. In the first of these, he draws a parallel with human suffering and remarks that no- one really wishes to die;Fabulae Aesopi carmine elegiaco redditae, Fable 22 in the shorter poem that follows, the conclusion is that learning to overcome our fears is part of growing up.Fable 23 Eduard de Dene's Dutch version of the tale makes an emblematic appearance under the title "A stout heart is the remedy for fear", where it is given a religious interpretation.
The logo's design represents the blossoming of the hopes and aspirations of Qatar, rooted in the rich heritage of the country. The Aldahma, the 'Flower of the Spring', was chosen to represent the vital and energetic spirit of the season. The Aldahma's natural habitat in the sands of the desert draws a parallel with the vibrant and colourful life flourishing in the State of Qatar. The calligraphy strokes making the words 'Doha 2016' are a unique manipulation of the traditional organic Henna patterns that women use to adorn their hands and arms as part of social and holiday celebrations.
He then draws a parallel between her death and that of his daughter Susy who succumbed to meningitis at age twenty-four. A significant detail about her death is that her last word was “Mamma.” Twain relies on the bond which existed between his wife and his daughter to write an even longer (eight pages) eulogy of his Susy, emphasizing her intelligence and quick thinking even as young child, and her having inherited her mother's positive qualities (thoughtfulness, altruism, maturity, honesty). He almost apologizes for only wanting to focus on the positive aspects of her life.
A characteristic feature of his music is the sophisticated climactic activity and the alternation of tension and relief, mostly supported by harmony. In his writings Vermeulen draws a parallel between melody and the individual: "The melody is a frame of mind expressed in tones." Seen in the light of Vermeulen's line of reasoning, a multi-voiced, polymelodic composition takes on the meaning of an aural representation of society. By combining several individual melodies, he reveals the wish he cherishes for society, namely that of every individual being able to freely express and develop himself, without infringing upon other people's freedom to develop their abilities.
Some people, known generically as espers, have various psychic powers including telekinesis, telepathy and teleportation – these, too, are carefully regulated and exploited by the empire. The vast majority of imperial citizens, while denied many forms of political self- expression, appear to lead fairly normal lives under the fiefdoms of the different clans. The author draws a parallel to certain periods of the Roman Empire, with the citizenry being kept compliant through the use of public holidays and spectacles such as gladiatorial games. Although a parliament exists, its autonomy and influence are trivial – in large part due to the widespread corruption that permeates every facet of the empire's institutions.
He was convicted on all counts in February 1947 and hanged later that month. On 1 July 1973, Platon's remains were exhumed and reinterred in the crypt of the Church of the Holy Trinity in Banja Luka, which had been dynamited by the Ustaše during the war and had only recently been rebuilt. In 1998, the Serbian Orthodox Church elevated Platon to the status of hieromartyr. The religious scholar Dimitri Brady argues that Platon was "martyred for [his] ethnic affiliation as much as for [his] religious convictions", and draws a parallel between his murder and that of the monk Father Chariton, who was abducted, tortured and killed by the Kosovo Liberation Army in June 1999.
The New American Bible commentary draws a parallel to the Epistle of Jude and the statements set forth in Genesis, suggesting that the Epistle refers implicitly to the paternity of Nephilim as heavenly beings who came to earth and had sexual intercourse with women.New American Bible, footnotes page 1370, referring to verse 6. :The angels too, who did not keep to their own domain but deserted their proper dwelling, he has kept in eternal chains, in gloom, for the judgement of the great day. Likewise, Sodom and Gomorrah, and the surrounding towns, which, in the same manner as they, indulged in sexual promiscuity and practiced unnatural vice, serve as an example by undergoing a punishment of eternal fire.
Some of the other stories are simple humorous anecdotes. Getting an advantage in a seemingly impossible situation and making his challengers look silly are usual occurrences in these tales. According to C. M. Naim, the earliest known reference of Birbal's wit is in the 18th-century biographical dictionary, Ma'athir al-Umara in which he, thanks to his poetry and wit, becomes a member of the Akbar's inner circle and gradually outranks all other courtiers. Naim draws a parallel between the Akbar-Birbal tales with others in Indian folklore involving a king and his quick-witted minister such as the Vijaynagara emperor, Krishnadevaraya and Tenali Ramakrishna and King Krishnachandra of Nadia and his barber, Gopal Bhar.
In Japanese folklore studies, the "Shippeitarō" story is classed under the tale type , categorized as Type 91 by Seki in his paper written in English., note 26 This general tale group is more broad, and includes tales where a dog is not involved at all. The tale group (Sarugami taiji) is assigned Seki No. 256 (NMBS = Nihon mukashibanashi shūsei II; NMBT=taisei.) in Japanese scholarship. Since the story concludes with the heroes abolishing the practice of offering maidens as human sacrifice, it draws a parallel to the legend of Saint George and the Dragon, and there are certain similarities also to the story of Susanoo saving Kushinadahime from the great serpent Yamata no Orochi.
It was testimony to her professionalism that, in spite of her intense workload and personal loss, she produced a book that sold well.' Drayton interestingly draws a parallel between Marsh's fictional Breezy Bellairs Boys and the real American band, Spike Jones & His City Slickers, whose novelty numbers and zany spoof versions of ballads were popular in the 1940s. Readers enjoying Swing, Brother, Swing will appreciate it best as a lighthearted throwback to the 1930s society world of the English upper classes Ngaio Marsh so convincingly described in her 1938 Death In A White Tie. Her next novels, starting with Opening Night were to develop her Roderick Alleyn mysteries into new territory within the classic whodunit format.
Isaac embraces his father Abraham after the Binding of Isaac, early 1900s Bible illustration The early Christian church continued and developed the New Testament theme of Isaac as a type of Christ and the Church being both "the son of the promise" and the "father of the faithful". Tertullian draws a parallel between Isaac's bearing the wood for the sacrificial fire with Christ's carrying his cross.Cross and Livingstone, Oxford Dictionary of the Christian Church, 1974, art Isaac and there was a general agreement that, while all the sacrifices of the Old Law were anticipations of that on Calvary, the sacrifice of Isaac was so "in a pre-eminent way".Kelly, J.N.D. Early Christian Doctrines, A & C Black, 1965. p.
The text is based on the gloss of Psalm 55, "Give ear to my prayer, oh God", by 16th-century poet, preacher, and translator . Uncommonly, Kodály chose a sacred text to mark a secular occasion; the libretto's passages of despair and call to God provide opportunities for the composer to address Hungary's tragic past and disastrous post-Trianon Treaty predicament, when it lost over 70% of its national territory. The music reflects the nation's crisis during and after World War I (the partition of the historical Hungary), and the text draws a parallel between the sorrows of King David and the suffering of the Magyars in Ottoman Hungary. Thus, the Psalmus Hungaricus encompasses two and a half millennia of political distress.
In The Saga of Hadingus, Georges Dumézil tries to demonstrate that the legend of Hadingus shows many similarities with myths concerning the god Njörðr, and more generally that Hadingus shares many features with the Vanir. Some of his arguments have to do with Hadingus' relationship with Harthgrepa. Before their integration into the Æsir, the Vanir used to have incestuous relationships (Freyr and Freyja are for instance Njörðr and his sister's children). Hadingus' relationship with Harthgrepa is a quasi-incestuous one, all the more so that Harthgrepa insists on the fact that she was like a mother to him. Dumézil also draws a parallel between Hadingus / Harthgrepa relationship and the one between Freyr / Gunnar helming and Freyr’s priestess as related in Ögmundar þáttr dytts.
The song describes the reality of Brazilian slums, more specifically in the city of Rio de Janeiro (specifically the verse "a cidade que tem braços abertos num cartão-postal" meaning "the city with open arms on a postcard") during the economic crisis that hit the nation in the 1980s, the "lost decade". In the chorus, the song draws a parallel between the slums in Trenchtown, Jamaica and the slums in Alagados, Salvador. The song portrays Rio de Janeiro as a place with "fists" which denies its poorest residents. A reference to the popularity of TV sets during that time was also done in the verse "a esperança não vem do mar, nem das antenas de tevê" ("hope does not come from the sea, nor from the TV antennas").
Jerome draws a parallel with parable of Lazarus and Dives: He then compares her with a consul who had lived in wealth and would find himself in agony in the afterlife and exhorts Marcella to serve Jesus rather than the world. Jerome ends his letter by urging Marcella to remember the lesson of St. Lea's life: Jerome's use of the adjective "blessed" is taken as sufficient evidence for Lea's veneration by the Roman Catholic Church, where her feast day is March 22. The name Lea is likely a derivation of Leah coming from a Hebrew word meaning "weary"; or from a Chaldean name meaning "mistress" or "ruler" in Akkadian. In Genesis 29, Leah is seen as being Jacob's first wife and the mother of seven of his children.
After Marwan's 732 expedition, a period of quiet set in. Marwan was replaced as governor of Armenia and Adharbayjan in spring 733 by Sa'id al-Harashi, but he undertook no campaigns during the two years of his governorship. Blankinship attributes this inactivity to the exhaustion of the Arab armies and draws a parallel with the contemporaneous quiet phase in Transoxiana in 732–734, where the Arabs had also suffered a series of costly defeats at the hands of a Turkic steppe power. In the meantime, Marwan is reported to have gone before Caliph Hisham and remonstrated against the policy followed in the Caucasus, recommending that he himself be sent to deal with the Khazars, with full authority and an army of 120,000 men. When Sa'id requested to be relieved in 735 due to his failing eyesight, Hisham appointed Marwan to replace him.
In an article for The Guardian, published in May 2020, Bregman describes the true story of a group of schoolboys from Tonga who were shipwrecked on the deserted island of Ata with few resources and no adult supervison. Bregman draws a parallel with the classic fiction novel Lord of the Flies; however, he highlights how much the real-life story does not turn out the same way as Lord of the Flies. Bregman was able to track down the captain of the fishing boat who rescued the boys in 1966, Peter Warner, son of Australian businessman Arthur Warner, and also one of the rescued individuals, Mano Totau. He interviewed Warner and got the full story of the boys' ordeal and their rescue; including the fact that Warner hired all of them as crew members for his fishing boat.
Alexander Pope mentions Bavius in his 1729 Dunciad Variorum and explains, in a note, that he drew the reference from Virgil. Pope draws a parallel between these two critics and his own dunces by quoting John Dennis who thought it likely that Bavius "and Maevius had (even in Augustus's days) a very formidable Party at Rome, who thought them much superior to Virgil and Horace: For (saith he) I cannot believe they would have fix'd that eternal brand upon them, if they had not been coxcombs in more than ordinary credit" (Dunciad Variorum). Bavius and Maevius are also like the "dunces" in Pope's own Dunciad in that little is remembered of them except for their bad reputations. In the Dunciad, Book III, Pope has Bavius dip the transmigrating souls of poetasters in Lethe, making them doubly stupid before being born as hack writers.
A significant number of his students have become professional printmakers and teachers. Kempson's ability to develop an ancient artform in line with 21st century technologies, and to respond to 21st century philosophies and changing social demographics, is well established. "The term ‘Printmaking’ is used to describe a suite of techniques that allows an artist to make an original image in multiple form using remarkable examples of human ingenuity like the invention of paper and then those developed for the purpose including ink and the printing press. Cicada Press uses these techniques, or combinations of them, in collaboration with the many artists with which we work, to create fine art original prints." In a 2014 interview with Anthony Springford, Kempson describes his teaching philosophy: “Kempson draws a parallel between printmaking and jazz music; both are highly technical, experimental, open and collaborative, with a rich tradition of innovation.
Then Magni came up, son of Thor and Járnsaxa: he was then three nights old; he cast the foot of Hrungnir off Thor, and spake: 'See how ill it is, father, that I came so late: I had struck this giant dead with my fist, methinks, if I had met with him.' Thor arose and welcomed his son, saying that he should surely become great; 'And I will give thee, he said, the horse Gold-Mane, which Hrungnir possessed.' Then Odin spake and said that Thor did wrong to give the good horse to the son of a giantess, and not to his father. : ::—Skáldskaparmál (17), Brodeur's translation John Lindow draws a parallel between Magni and Odin's son Váli for they both have a giantess mother (Rindr for Váli) and achieve a feat at a very young age (Váli is only one day old when he kills Höðr, thus avenging Baldr's death).
Scandix pecten- veneris has a wealth of evocative common names in English - most of them needle-related, in reference to the distinctive fruit, which, when mature, make it unlikely to be confused with any other native umbellifer. The English folk imagination has made of the plant the 'needle' of the following : Adam, the beggar, the clock, the crow, the Devil, the old wife/old woman/witch, Puck, the shepherd, and (more prosaically) the tailor. Of these, the tailor is (self-evidently) a user of needles in his work; Adam, the beggar, the crow and the shepherd convey rustic simplicity; the clock draws a parallel with clock hands and 'needles', and the Devil, the Witch and Puck play on the idea of the (malignly) supernatural and uncanny. English 'comb' names for the plant are less plentiful, one, of the two recorded, invoking (once again) the shepherd and the other relating to the lady i.e.
Some libertarian leaning supporters have grown increasingly annoyed by the influx of religious social issues into the movement. Many in the movement would prefer the complex social issues such as homosexuality, abortion, and religion to be left out of the discussion, while instead increasing the focus on limited government and states' rights. According to a review in Publishers Weekly published in 2012, professor Ronald P. Formisano in The Tea Party: A Brief History provides an "even-handed perspective on and clarifying misconceptions about America's recent political phenomenon" since "party supporters are not isolated zealots, and may, like other Americans, only want to gain control over their destinies". Professor Formisano sees underlying social roots and draws a parallel between the tea party movement and past support for independent candidate Ross Perot,Publishers Weekly Reviewed on: 02/06/2012 The Tea Party: A Brief History (Ronald P. Formisano, The Johns Hopkins University Press; 2012) a similar point to that made in Forbes as mentioned earlier.
Birns argues that the effect is to bring the "consequentiality of abroad" (including Isengard, where Saruman was strong) back to the "parochialism of home", not only scouring the Shire but also strengthening it, with Merry and Pippin as "world citizens". In his "Foreword to the Second Edition", Tolkien denies that the chapter is an allegory or relates to events in or after the Second World War: The Tolkien critic Tom Shippey writes that the Shire is certainly where Middle-earth comes nearest to the 20th century, and that the people who had commented that the "Scouring of the Shire" was about Tolkien's contemporary England were not wholly wrong. Shippey suggests however that rather than seeing the chapter as an allegory of postwar England, it could be taken as an account of "a society suffering not only from political misrule, but from a strange and generalized crisis of confidence." Shippey draws a parallel with a contemporary work, George Orwell's 1938 novel Coming Up for Air, where England is subjected to a "similar diagnosis" of leaderless inertia.
Tye won a Goldsmith Research Prize from Harvard's Kennedy School of Government, an Alicia Patterson Fellowship, a Rockefeller Foundation Bellagio Residency, and research grants from the Newberry Library, Gilder Lehrman Institute, and the Eisenhower and Truman libraries. His books have won awards, including the National Alliance on Mental Illness's highest honor for one on mental illness co-authored with Kitty Dukakis. Tye's biography of Satchel Paige was named a New York Times Notable Book, and won two prizes—the Casey Award and Seymour Medal—as best baseball book of 2009. The Wall Street Journal wrote that Tye’s latest book, Demagogue: The Life and Long Shadow of Senator Joe McCarthy, was “the fullest account yet” of McCarthy and “the rigor of his research ensures he goes far beyond the caricature to give us a portrait of nuance and depth.” NPR reported that the book also, “draws a parallel between McCarthy's tactics and President Trump's divisive rhetoric.” Additionally, Tye is director of the Boston-based Health Coverage Fellowship, which each year trains 10 American medical journalists on better covering issues in this field.
However, despite Radha's struggle against feudal oppression depicted in the film, her action of stopping the rebellious Birju and upholding status quo—the feudal and patriarchal order—is seen as "regressive" by various authors. In a study of media and popular culture in South Asia, author Mahasveta Barua draws a parallel between the film's metaphorical representation of the mother as nation, and the metonymic identification with India that Indira Gandhi, India's only woman prime minister, sought and tried for during her tenure (1966–77, and 1980–84). In his book Terrorism, Media, Liberation, John David Slocum argues that like Satyajit Ray's classic masterpiece Pather Panchali (1955), Khan's Mother India has "vied for alternative definitions of Indianness". However, he emphasises that the film is an overt mythologising and feminising of the nation in which Indian audiences have used their imagination to define it in the nationalistic context, given that in reality the storyline is about a poverty-stricken peasant from northern India, rather than a true ideal of a modernising, powerful nation.

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