Billed as a "fictitious dramaturgic composition" by Finland's largest private art museum, the show invites visitors to use paintings to follow a story set in Helsinki during the 1930s, with the goal of solving the case of the mysterious murdered girl.
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Immermann's important dramaturgic experiments in Düsseldorf are described in detail in Düsseldorfer Anfänge (1840). More significant is his position as a novelist.
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A "reconceptualisation of the opera genre. Causal and dramaturgic sequence in libretto and music is replaced by a series of tableaux and compositions informed by purely visual and auditive principles rather than by dramatic modes of narration".
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Fletcher revised five scenes in Beaumont's play, scenes that deal with the chastity test. This dramaturgic element was a preoccupation with Fletcher, and recurs in his plays with Beaumont and other collaborators and his solo works as well.
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The manifold problems about Love's Cure inevitably complicate the scholarly and critical response to the play. It is hard to say what the play reveals about Fletcher's dramaturgic artistry when his participation in the project is so clouded by uncertainty – one critic even referring to Fletcher's "collaboration with the dead".MacMullan, pp. 135, 150–4.
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Poetics is the earliest surviving Western work of dramatic theory. The earliest non-Western dramaturgic work is probably the Sanskrit work Natya Shastra (The Art of Theatre), written around 500 BCE to 500 CE, which describes the elements, forms and narrative elements of the ten major types of ancient Indian dramas.Eckersley, M. 1997. Soundings in the Dramaturgy of the Australian Theatre Director.
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The name of Dobri Voynikov means the beginning of the Bulgarian theater. They call it the father of the Bulgarian drama and theater. According to the fact - an inaccurate definition, because the first dramaturgic work in Bulgaria is the comedy of Theodosius Ikonomov, "The Lovecycle Wanderer or Bella of the hunting poet Sahatchiya", published in 1863 but compiled as early as 1857. The first theatrical performances on the Bulgarian stage are also not Soldiers.
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Gram was killed during a fight with the Gestapo in November 1944, while Manus survived the war and died in 1996, 81 years old. Operation Mardonius was featured in the 2008 film Max Manus: Man of War, produced by John M. Jacobsen. The film's description of Mardonius deviates somewhat from the actual course of events, due to dramaturgic motives. Aksel Hennie played the role of Max Manus, while Nicolai Cleve Broch portrayed Gregers Gram.
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Let Mortal Heroes Sing Your Fame is the fifth studio album by the Austrian black metal band Summoning. It was released on 31 October 2001, through Napalm Records. It is the first of their releases to feature clean vocals, on the chorus of "Farewell". It is also their first album to make extensive use of audio samples (taken from radio productions of The Lord of the Rings), giving the album a slight dramaturgic bent.
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2009 she performed at Carnegie Hall the last five piano sonatas by Beethoven in a single concert evening. This event was realized in cooperation with The Breast Cancer Research Foundation founded by Evelyn Lauder.L.v.Beethoven The Last Big Five Roberta pili at Carnegie Hall 2009 2011 she performed the same concert programme in Tokyo at Sogakudo Concert Hall, starting a Japan concert tour. 2011 she gave a guest performance at Lisztfestival Raiding presenting a high philosophical and dramaturgic concert programme titled Totentanz.Totentanz.
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The films were issued to be directed by industry veterans who started their career in the 1930-40s, like Frigyes Bán or Márton Keleti, even while they were politically not to be trusted. Young directors could only work on dramaturgic jobs. Films with contemporary settings became more frequent, with the intention to be storied guides to explain communist morale, and to warn about its enemies. Manufacturing movies depicted the labor heroes of factory production or on the fields, showcasing the ideal worker (Első fecskék, Ütközet békében, Tűzkeresztség).
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Perhaps in this sense Shakespeare never wrote the ideal Shakespearean play; but again and again he came close to it. . . . he was the sort of craftsman who, if we believed such-and-such, could make a great play out of such beliefs, and could as easily have made a great play out of the opposite beliefs, if those others were what moved us. For what he believed in above all was the glory of his trade itself, which is to say, the great humaneness of the word . . . so masterfully embodied in Shakespeare’s blithe dramaturgic schemings.
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Abdurrahim bey Hagverdiyev's 40-year-old productive career in literature was a successful continuation to the dramaturgic traditions initiated by Mirza Fatali Akhundov in the early-to-mid 19th century. In his works and articles he communicated themes like the necessity of mass education and the respect for human rights and liberties. His tragedies were true depictions of contemporary problems. Due to his education, knowledge of Western and Eastern cultures and his refined manners Hagverdiyev was widely known and loved by Azerbaijanis, setting an example to the young generation of writers.
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Transiteatret-Bergen (Transit) is a theatre ensemble based in Bergen, Norway. Transiteatret-Bergen (Transit) works under the artistic direction of playwright and director Tore Vagn Lid with the development of a contemporary theatre working in the intersection between theatre and music. Transit constitute an artistic production-network, comprising director, sound-,video- designer, set designers, moviemakers, actors and musicians – mainly working with base in Lids concepts and plays . The core artistic ambition has been "to expand the theatre room as a critical room of experience, where the musical and musical dramaturgic potential of the theatre is the most central".
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This album demonstrates an evolution in Franquin's style from his previous drawing work, to a new treatment of characters and movement. Franquin's new Spirou is now distinct, and no longer an effort to mimic Jijé's Spirou as precisely as possible. As it is Franquin's first long format story (created gradually in 2 page installments over 32 Spirou issues) its dramaturgic construction may be considered as one shorter story with a separate bonus story added to the end, with the initial one being the seminal work. Jijé is credited as co-author of the script, following a scenario by Jean Darc, alias Henri Gillain, Jijé's brother, who is attributed with the conception of the Count of Champignac and his eccentric mushroom creations.
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Chin's play is set partly in a realistic apartment setting and partly in a theatrical setting in which Fred speaks to the audience as though they are his tour group. By dividing the play in this way, Chin forces the audience (who at the time were mostly white) to consider their own versions of Chinese Americans and of Chinatown life against a more realistic depiction in which sons and wives are not passively obedient to their fathers, American-born Chinese do not desire to move to China, and white interest in Chinese culture is not always a positive thing. Chin also touches on the artistic problems for Chinese Americans, noting that Fred's only options as a writer are autobiography and cookbooks, and that Pa has internalized the Chinese stereotypes he has seen in the movies, so far as to imitate Charlie Chan and refer to Fred as "number one son." Through these thematic and dramaturgic devices, Chin confronts the audience with the myth of the "model minority" and presents a more disturbing picture of Chinese American life, one that is probably no different from the average American life, but that does not accord with American stereotypes.
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