They have tolerated the periodic outrage Mr Renzi directs at Germany and the European Commission.
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He does not seem to appreciate the depth of antipathy that Putin directs at us.
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It directs at the individual the full hatred that society understandably has for an aggregate phenomenon.
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He's tired, bored, and frustrated beyond anything he can express via the abbreviated rants he directs at his oblivious students.
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One is about all the physical abuse the fictional character directs at her daughter, who is played by Margot Robbie.
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He doesn't drink or smoke, but he's clearly high off bottled-up hostility, which he directs at his hapless sound engineer.
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As a senior advisor in the Clinton White House, Emanuel has been on the receiving end of the same kind of suspicion he now directs at Trump.
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Sierra, who is confident about her intellect and working to get into Stanford, struggles with her body image, evident in a monologue she directs at her parents — especially her mom — toward the end.
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But the United States should also recognize that China's leaders are engaged in a sophisticated foreign policy game, using the reach of the media to multiply the impact of the abuse it directs at critics.
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China and self-governed Taiwan seldom see eye to eye, but in responding to Taipei's latest assertion of sovereignty over Itu Aba, Beijing has avoided the harsh language it often directs at other claimants to the busy waterway.
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Van Jones, a former Obama staffer (and an African-American), turned to Mr. Lord and argued that Mr. Trump was "playing funny with the Klan" by not deploring them with the same passion he directs at other terrorist organizations.
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Washington (CNN)In a court fight that's mimicked the buzzy insults President Donald Trump directs at the Justice Department, the indicted Russian company Concord Management and Catering is now comparing special counsel Robert Mueller's investigation to the cartoon Looney Tunes.
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"To refuse the obligations of international leadership for the sake of some half-baked, spurious nationalism cooked up by people who would rather find scapegoats than solve problems is unpatriotic," he writes in his preface, a scolding he directs at no one in particular.
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In addition to the broad range of substantive and organizational issues she oversees and directs at the Treasury Department, Raskin focuses on the macroeconomic impact of student loan borrowing and cybersecurity, as well as drivers that bolster and sustain U.S. and global economic growth and recovery.
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As seen in her books I Like You: Hospitality Under the Influence (2008) and Simple Times: Crafts for Poor People (2010) — co-written with her Strangers with Candy co-creator Paul Dinello, who also directs At Home With Amy Sedaris — Sedaris has long blended her fervent love of entertaining with her singular sense of humor.
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On Tuesday, Trump broke with the US tradition of using a measured tone when discussing the threat posed by North Korea and instead spoke with a level of intensity that North Korea typically directs at the US. "North Korea had best not make any threats against the United States," Trump told reporters at his golf resort in New Jersey.
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But one look at its bloody claws reveals that the character is capable of bloody violence, which it usually directs at a boy named Pitty, its owner: Gloomy Bear's juxtaposition of bloodiness and cuteness is what Kakeda is getting at when she describes what's missing from American character culture, where cute creatures typically aren't capable of being anything but good and ugly always connotes evilness.
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Olnek directs at a breathless pace, imaginatively varying styles and making the most of Munee Hayes's over-the-top furbelowed costumes.
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She is also an acting tutor and director, Ray Fearon being one of her students. She teaches and directs at ALRA. Since 2013 she has taught this method, Movement Psychology, at the Giles Foreman Centre for Acting in London, and also for GFCA in Paris and in New York.
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Here his younger literary alter ego Kogoro Akechi (Masahiro Motoki) picks up the story. Akechi finds out Shizuko has an affair with a duke in a Dracula- like castle located at the sea on a cliff. He decides to pay this duke a secret visit by "experimenting" with parachute jumping. He lands in a pack of biting hunting dogs the duke directs at him.
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Randy Kennedy, New York Times, 1999 In 1962, Pioneer Playhouse became the first theater in the nation to be accorded the legal status of State Theater by act of Legislation. Since Henson's death in 2004 the theater has been run by Henson's widow, Charlotte. Her daughter Holly served as artistic director until her death in 2012. Robby Henson, her son, directs at least one play at the theater every summer.
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In his poems, Catullus wavers between devout, sweltering love and bitter, scornful insults that he directs at her blatant infidelity (as demonstrated in poems 11 and 58). His passion for her is unrelenting—yet it is unclear when exactly the couple split up for good. Catullus's poems about the relationship display striking depth and psychological insight. He spent the provincial command year summer 57 to summer 56 BC in Bithynia on the staff of the commander Gaius Memmius.
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UNISON is a musical by UNIVERSES Theater (Mildred Ruiz-Sapp, Steven Sapp, William Ruiz), originally inspired by the poetry of August Wilson among others; commissioned and premiering at the Oregon Shakespeare Festival a.k.a. OSF (2017). UniSon was commissioned by the Oregon Shakespeare Festival (OSF) and premieres at OSF in April 2017. Robert O'Hara, directs; at the helm of his design team which consists of: Choreographer, Byron Easley; Scenic Designer, Christopher Acebo; Lighting Designer, Alex Jainchill; Video Designer, Kaitlyn Pietras; Composers, UNIVERSES with Broken Chord and Toshi Reagon.
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The two flee the building but are cornered on a balcony. Teito pretends to hold Mikage hostage, then makes his escape, though he is wounded by a Zaiphon blast that Ayanami directs at him. Three bishops in the nearby 7th District discover the injured Teito and take him to a nearby church to recuperate, where he is protected because of the 7th District's law of sanctuary. In due time, it is discovered that Teito carries the Eye of Mikhail, a powerful talisman for which his home country was destroyed.
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The novel's protagonist is known only as Gregor and shares other similarities to Rezzori, most notably being the son of an Austro-Hungarian aristocratic family in decline. The plot is arranged into five sections, and follows Gregor as he revisits his past from his childhood to middle-age. As Germany succumbs to Nazism, Gregor finds his complicated feelings for the Jewish friends and lovers in conflict with the hatred his country directs at them. His passive, apolitical nature ultimately is at tragic odds with the horrors happening around him.
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He continues to provide a multitude of voice-overs for films, cartoons, commercials and video games. He guest teaches and directs at Harvard Westlake High School in Los Angeles and was an instructor in multi-camera directing at the Columbia College Hollywood Film School. His father was Alfred Shaughnessy, a scriptwriter, best known for his work as Head Writer and producer of Upstairs, Downstairs. His elder brother is the actor Charles Shaughnessy, best known as Maxwell Sheffield on the television show, The Nanny and Shane Donovan in "Days of Our Lives".
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Corsi is also known as being the namesake for the development of the Corsi rating. This indicator is essentially a plus-minus statistic that measures shot attempts (usually only counting those at even strength). A player receives a plus for any shot attempt (on net, missed, or blocked) that his team directs at the opponent's net, and a minus for any shot attempt against his own net. This indicator is widely used in most NHL teams as it has shown a strong correlation to player and team success.
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In March 1999 the theatre closed again, but after only a short period of time Green & Lenagan were retained to operate and programme the theatre on behalf of the Trust, for a period of five years. Roy Marsden has been appointed as Artistic Director of the Palace Theatre Repertory Company and directs at least 5 in-house productions a year. In addition there are lively mix of visiting companies, local amateur societies, one nighters and Sunday concerts. As before the theatre often hosts local bands on Sunday nights, and with free entry the foyer is often full to capacity.
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John H. Young (born 1934, Liverpool), known professionally as Jeremy Young, is an English actor of Scottish descent. Young has numerous television credits, including Deadline Midnight (1960), Doctor Who (appearing as caveman Kal in three episodes of the first serial An Unearthly Child in 1963) and Coronation Street as nightclub owner Benny Lewis in 1972. His film credits include appearances in The Wild and the Willing (1962), Crooks and Coronets (1969), Eyewitness (1970), Hopscotch (1980) and Photographing Fairies (1997). He has worked for BBC Radio and teaches and directs at the Court Theatre Training Company which is part of the Courtyard, London.
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The narration by the Underground Man is laden with ideological allusions and complex conversations regarding the political climate of the period. Using his fiction as a weapon of ideological discourse, Dostoevsky challenges the ideologies of his time, mainly nihilism and rational egoism. In Part 2, the rant that the Underground Man directs at Liza as they sit in the dark, and her response to it, is an example of such discourse. Liza believes she can survive and rise up through the ranks of her brothel as a means of achieving her dreams of functioning successfully in society.
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Emotional Accounting posits that people use their feelings about money to guide how they spend it. One of the findings of the work suggests that people have negative feelings about a windfall of money, they tend to make utilitarian or virtuous expenditures in lieu of hedonic expenditures. More recently, McGraw has examined the antecedents and consequences of humor—work that has helped move the study of humor from the niche to the mainstream. One advantage that he has over his predecessors is his ability to conduct state-of-the-art experiments with the help of the team he directs at the Humor Research Lab (aka HuRL).
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This phenomenon appears to be involuntary, and surprises the person holding Franklin as much as those around them, evidenced by the quizzical stare which Buster directs at the puppet following the aforementioned outburst by the usually reserved Buster. Then Gob records a music CD with Franklin called "Franklin Comes Alive", a spoof of Frampton Comes Alive by Peter Frampton. Gob hoped that the CD would "break down racial barriers and maybe be a crossover hit." The song tracks include "It Ain't Easy Bein' White" and Gob's cover of Bryan Adams' song "(Everything I Do) I Do It for You" which Gob performed especially for Michael.
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Also whilst at University in 2005, Oakes assisted director Natalie Wilson on a production of Smilin' Through that was co-produced by the Truant Company, Birmingham Repertory Theatre, and Contact Theatre, Manchester. Later that year, Oakes once again turned to literary adaptation, taking a production of Stephen King's The Boogeyman to the Edinburgh Festival Fringe. With his and Bell's theatre company, Dog Ate Cake, in 2009 Oakes directed a small tour revival of John Maddison Morton's Box and Cox. Oakes frequently directs at Shakespeare's Globe extending their "Read Not Dead" series, a study devoted to performing fully staged readings of the entirety of the Early Modern Canon of Drama.
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While this model does a reasonable job of understanding the underlying semantics of many aspects in psycholinguistics, there are some flaws that have been pointed out in the logogen model. It has been argued that the prior stimulus patterns that have been seen in the logogen theory are not centrally localized in the logogen itself but are actually distributed throughout the different pathways over which the stimulus is being processed. What this directs at is that the notion and proliferation of logogens was due to modality. In essence, the logogen is unnecessary in the idea of attaining the title of being a recognition unit because of the variety of pathways that it is open to, not just logogens.
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Frieze studied English literature for a while at the University of London before moving into cultural studies at Carnegie Mellon, eventually earning her Ph.D. from Carnegie Mellon University in Cultural Studies in Computer Science. Her 2007 dissertation, The critical role of culture and environment as determinants of women's participation in computer science, was supervised by Lenore Blum. She has taught at the Royal National Orthopaedic Hospital School in England and in the English department at Carnegie Mellon before coming to work for the School of Computer Science. Women@SCS, one of the organizations Frieze directs at Carnegie Mellon, is based on the guiding premise of leveling the playing field, working to ensure that women receive the same social, networking, mentoring, and professional opportunities, that are more readily available to the majority male peers.
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Dynamics and strategies of returnees to the countryside in Castile and León '(2013). Since 2012 he co- directs at the University of Valladolid, with Dámaso J. Vicente Blanco, the 'European Training Course in Management of Intangible Cultural Heritage' and directs the team of researchers who carry out the ethnographic pre-inventories of several provinces of Castile and León. In 2016, was published his book The Intangible Cultural Heritage of Castile and León: proposals for an ethnographic atlas (CSIC), a book that collects the works of several authors and that is constituted as a guide, ethnographic atlas and ethnological catalog of Castile and León. From the first publications in the 70s of the 20th century, Díaz Viana claimed the importance of the philological tradition of folklore studies; pointing out the importance of the first contributions of foreign anthropologists for the history of Spanish anthropology.
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Sonatine bureaucratique, cover of the original 1917 edition That Satie would write a "neo-classical" composition a few months after the succès de scandale of Parade is not so surprising either: Satie was on friendly terms with Stravinsky from 1911, and after the latter had had his own succès de scandale with The Rite of Spring in 1913 (premiered with the same Ballets Russes), he also moved towards neoclassicism – although for Stravinsky there was no distinct neoclassical composition published before Satie's sonatina. The partition is full of funny remarks: for example, the final movement is called "Vivache" instead of the original Vivace ("vache" being French for "cow"). Satie directs at least part of the fun at himself: the sourd muet ("deaf-mute") from Lower Brittany, allegedly having provided the "Peruvian air" that forms the first theme of the last movement, is Satie himself. The sonatina can also be seen as the composition with which Satie concluded his series of "funny" three-part solo piano compositions, which he had begun in 1911.
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