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56 Sentences With "dies away"

How to use dies away in a sentence? Find typical usage patterns (collocations)/phrases/context for "dies away" and check conjugation/comparative form for "dies away". Mastering all the usages of "dies away" from sentence examples published by news publications.

If a behavior provokes no response, it typically dies away.
But, with the onset of night, the noise dies away.
Several fingers close the door and the song dies away in crunching riffs.
Chatter dies away around them, and all are sitting still, identical faces pointing upward.
Even the scandalized chatter of the townspeople, who frown at this sinful setup, dies away.
The sudden darkening of the waters as the cursed music dies away and the great shark appears.
Continue swirling until everything dies away, then spoon the caramel over the fruit again and serve with vanilla ice cream.
As the heat of the day dies away, boys and young men play basketball on improvised courts, or a version of billiards that's popular in the slums of the Philippines.
"If I can show the people marching in support of the KKK there's an alternative mentality that's willing to get out and show them, it's only a matter of time before that dies away," Maxwell said.
The self-inflicted wounds in the GOP from the extraordinary primary season have evidently not healed, and that reality is likely to reassert itself as the rapturous reception Trump received for his acceptance speech dies away.
The music, sometimes rhythmic, sometimes humming, sometimes vocal, is oddly inconsequential; the most atmospheric moments are when it dies away, and you hear the soft whirring of the tiny fans on each side of the orbs, drawing attention to their own choreography in the air.
The notes of the Russian and Asiatic melodies join in a common > harmony, which dies away as the caravan disappears in the distance.
The movement ends with chorus singing John Bowring's Epiphany hymn "Watchman, Tell Us of the Night". Unlike the bold beginning, the movement dies away, quadruple-pianissimo, at the end.
Real estate became a prime business as prices rose. The city has become a weekend destination for people in Central Texas, specifically those from Austin and San Antonio. Fredericksburg in the 21st century is in a state of flux. As each generation of descendants of the original settlers dies away, or moves to new horizons, the authenticity of the rural German farm culture of the Texas Hill Country communities also dies away.
There is use of the Lydian mode, and the accents are even heavier than in the second section. After several percussion chords, the central theme returns and the mazurka gradually dies away.
The full orchestra returns with the opening pizzicato motif, now romantically dressed up in opulent sounds, and the movement dies away to a quiet narrante reminiscence of the first theme in the piano.
Both parents take turns incubating. The song is a thin and clear feeeee that dies away. Calls include a short high-pitched pok and harsh notes. The glossy eggs are ellipsoidal and densely speckled.
Back come the shadowy > dancers, gyrating in a wild, mad rhythm. The weird gaiety reaches a climax; > there is a knock at the door, which flies wide open; the mother utters a > despairing cry; the spectral guests vanish; the music dies away. Death > stands on the threshold.
The tempo then changes to Più lento and the key signature reverts to D major. The cellos introduce a new theme, which is quickly passed to the first violins: center As it too dies away like the opening theme, it gradually metamorphoses into a chorale-like theme in F minor, which is solemnly intoned by horns and woodwind in a slower tempo (un poco meno mosso): center This is developed at length, being joined in counterpoint with a variant of the second theme. The music finally dies away and silence ensues, bringing this opening section to a close in B minor. The second terrace of Ante-Purgatory is inhabited by the late repentant.
The third movement is a passacaglia based on the piano's opening eight-bar bass line, which is derived from the first theme of the Pantoum. The cello joins next, followed by the violin. While the melody is passed between the three instruments, the movement builds singlemindedly to a powerful climax, then dies away.
Some hours later, his castle catches fire. A crowd gathers to watch the flames and see the horse carrying "an unbonneted and disordered rider" who clearly has no control over the animal. The animal leaps into the flames with its rider, thereby killing the last of the Metzengerstein clan. Immediately, the fire dies away.
In bar 69, a new louder melody is added in the right hand against the fugue theme in the pedals. Gradually, the piece dies away to two parts and ppp (pianississimo, "very, very quietly") as the left and right hands play the fugue theme a bar apart from each other, in canon. The whole piece lasts about five minutes.
Abruptly the chorus and the king erupt with a dramatic cry as the children die. The knight's refusal to kill the king is portrayed by unaccompanied voices. The piece ends dramatically with the return of variations on the knight's theme at forte. At the last seven measures, only two instruments play and the sound dies away.
464-5; Sitsky, pp. 177-179. With such instruments the tone is loudest initially and then dies away rapidly. This property has an effect on the manner of composition for these instruments. Since a piano produces tones in an analogous manner, by the striking of the string with a felt-covered hammer, the adaptation of music written for such instruments to piano often requires very little, if any, alteration.
The story details the life of a horse in the western United States from his birth to his eventual decline. It takes place after the 1910s, during which the West dies away and automobiles are introduced. Smoky is born in the wild but is captured and trained by a cowboy named Clint. Clint is taken by Smoky's intelligence and spirit, and he uses him as his personal steed.
The four sections of the symphony proceed without pause. In the Introduction (tempo marking: Lento), the main theme appears in the basses answered by the trumpets and taken up in the first violins and woodwinds. The first movement begins with this theme in the violins and is taken up in the basses and gradually works up to a climax. As it dies away a hymn-like theme appears in the muted strings.
Often, it is first noticed some seconds after the direct noise of the passing aircraft has diminished. The sound then gets louder. Nevertheless, being highly directional, wake turbulence sound is easily perceived as originating a considerable distance behind the aircraft, its apparent source moving across the sky just as the aircraft did. It can persist for 30 seconds or more, continually changing timbre, sometimes with swishing and cracking notes, until it finally dies away.
The buds are small and sticky, and development is sympodial - the terminal bud dies away and growth continues from a lateral bud. The species is monoecious with male and female catkins found on the same tree. Some shoots are long and bear the male catkins at the tip, while others are short and bear female catkins. The immature male catkins are present during the winter, but the female catkins develop in the spring, soon after the leaves unfurl.
It is the only movement of any of Haydn's symphonies to be in the key of A major. The menuetto is "marvellously kinetic and very Austrian". The final movement has a long coda in which "finally everything dies away except for the first violin, which goes up to an enigmatic g-flat. There follows one of Haydn's magnificent silences, and then the music plunges into a last tutti and this elegant chamber symphony is at an end".
Türkenlouis red, highly fringed Olympia orange Papillon pink Cedric Morris salmon pink Pattys Plum plum Papaver orientale, the Oriental poppy, is a perennial flowering plantUSDA Profile native to the Caucasus, northeastern Turkey, and northern Iran. Oriental poppies grow a mound of leaves that are hairy and finely dissected in spring. They gather energy and bloom in mid- summer. After flowering the foliage dies away entirely, a property that allows their survival in the summer drought of Central Asia.
What follows is a coda where the theme slowly dies away. The "Minuetto al Roverso" is the reason this symphony is sometimes called "The Palindrome": the second part of the Minuet is the same as the first but backwards, and the Trio is also written in this way.Antony Hodgson, The Music of Joseph Haydn: The Symphonies, London: The Tantivy Press (1976): 74.Mark Evan Bonds, "Haydn's 'Cours complet de la composition' and the Sturm und Drang", in Haydn Studies, ed.
There are walloping climaxes, too, each of which dies away into the gloom. Note, too, the composer's wonderful spotlighting of the melancholy English horn, a lone figure after the din has evaporated." The third movement galop is the movement Shostakovich himself thought was most successful. Music critic Daniel Hathaway noted that "Snare drums ratcheted up the riot of brutal sound in the Scherzo and references to the William Tell Overture and laughing trombones added a hilarious burlesque quality to the finale.
The initial sound of the strike is immediately followed by the prolonged oshi, the reverberation that continues to sound after the bell is struck. This is higher in pitch and is a low rumble with a sorrowful air, rich in harmonics; it lasts for up to ten seconds. Finally comes the okuri or decay, the resonance that is heard as the vibration of the bell dies away, which can last up to a minute. There are also continuous harmonic overtones heard throughout the tolling of the bell.
Shaver was the captain of the West team and the game's leading rusher with 145 yards on 16 attempts. After the game, the Los Angeles Times wrote: "It remained for a spectacle listed on the program as 'American Football' to provide the Tenth Olympiad with its greatest thrill to date. Chances are the game will become an international pastime before the memory of this night game dies away." American football has not been included in any Olympic games since the 1932 games in Los Angeles.
This area starts from the northwest of Hissár country near the bank of river Chenab with an abrupt high ridge and this high bank of bar dies away a little distance east of the boundary of between the Chiniot and Jhang tehsils, opposite the village of Kot Mohla. The lands of the Kirana Bár to the east and south of the hills are of superb quality. After slight showers of rain, the whole land is carpeted with grass. Better rain crops are grown here than in the Sandal Bar.
Hawaiian lava is often runny, blocky, slow, and relatively easy to predict; the USGS tracks where it is most likely to run, and maintains a tourist site for viewing the lava. After the subaerial phase the volcano enters a series of postshield stages involving subsidence and erosion, becoming an atoll and eventually a seamount. Once the Pacific Plate moves it out of the tropics, the reef mostly dies away, and the extinct volcano becomes one of an estimated 10,000 barren seamounts worldwide. Every Emperor seamount is a dead volcano.
The vessel is a twinkling light > in a liquid blue swirl on the glowing screen before you. Other lights come > and go in brilliant constellations. These are the positions of all the many > planes, helicopters, Nato vessels and fishermen’s boats that flicker around > the migrants but never draw close. A thousand documents could not say as > much as this brief and sorrowfully beautiful film in which all the lights > fade, leaving only the one little spark which eventually dies away, emblem > of what is now known as the Left-to-Die Boat.
The sound made by a bell rung full-circle has two unique subtle features. Because the clapper rests against the bell immediately after striking it, the peak strike intensity dies away quickly as the clapper dissipates the vibration energy of the bell. This enables rapid successive strikes of multiple bells, such as in change ringing, without excessive overlap and consequent blurring of successive strikes. In addition, the movement of the bell imparts a doppler effect to the sound, as the strike occurs whilst the bell is still moving as it approaches top dead centre.
Resonant transfer works by making a coil ring with an oscillating current. This generates an oscillating magnetic field. Because the coil is highly resonant, any energy placed in the coil dies away relatively slowly over very many cycles; but if a second coil is brought near it, the coil can pick up most of the energy before it is lost, even if it is some distance away. The fields used are predominantly non-radiative, near fields (sometimes called evanescent waves), as all hardware is kept well within the 1/4 wavelength distance they radiate little energy from the transmitter to infinity.
G major scale played by plucking a violin When the violinist is directed to pluck a string (Ital. pizzicato), the sound produced dies away, or dampens, quickly: the dampening is more striking for a violin compared with the other members of the violin family because of its smaller dimensions, and the effect is greater if an open string is plucked. During a pizzicato note, the decaying higher harmonics diminish more quickly than the lower ones. The vibrato effect on a violin is achieved when muscles in the arm, hand and wrist act to cause the pitch of a note to oscillate.
Polar motion is observed routinely by very-long-baseline interferometry, lunar laser ranging and satellite laser ranging. The annual component is rather constant in amplitude, and its frequency varies by not more than 1 to 2%. The amplitude of the Chandler wobble, however, varies by a factor of three, and its frequency by up to 7%. Its maximum amplitude during the last 100 years never exceeded 230 mas. The Chandler wobble is usually considered a resonance phenomenon, a free nutation that is excited by a source and then dies away with a time constant τD of the order of 100 years.
The last to lock into place are the contrabasses which alight on a low A in bar 103. At this stage the whole ensemble is playing an A minor chord very very loudly, and this continues for five bars, then on the second beat of the last bar they suddenly stop. At that moment the bell is struck very quietly (pianissimo) so that the striking itself is not heard, but only the reverberations as it dies away. As the final bell toll reverberates, with all other instruments silent, the overtones of the bell become prominently audible – in particular, the fourth overtone (fifth partial), which is the note C-sharp, i.e.
One of Strudwick's works, "Thy Music, faintly falling, dies away, Thy dear eyes dream that Love will live for aye" has in recent times had two celebrated owners - writer and broadcaster Sir Tim Rice in the 1970s, and in 1987, P.C. Withers of Reading, a leading authority on Strudwick. It was originally bought from the artist by the shipowner William Imrie of 'Holmstead', Mossley Hill in Liverpool. The picture's title is from a couplet by G.F. Bodley (1827–1907), the eminent architect who was closely associated with the later Pre-Raphaelite movement. Another painting, "The Gentle Music of a Bygone Day", sold for £276,500 at a Christie's auction in 1993.
When the main theme returns for the first time, it has combined with the triplet pattern of the previous section. Later, a new pattern with straight (non-triplet) semiquavers is used as accompaniment, modulating to G minor and then an off- beat version asserts itself in quavers. This theme is based on the second theme, and therefore leads into the extension of the second theme again, this time in G major, using the end of the theme's tonic chord as an effective dominant chord transition into the main theme. The theme gradually dies away and leads to C major, resolving the piece's tension into tranquility.
The movement opens in D major in a slow tempo (Andante con moto quasi Allegretto. Tranquillo assai). A solo horn introduces the opening theme to the accompaniment of rocking chords on muted strings and arpeggiated triplets played by the harp. This theme is taken up by the woodwind and horns, and after twenty-one measures dies away against a shimmering haze of rising and falling arpeggios on the harp: center This whole section is then repeated in E (though the key signature is altered from D major to B. This tranquil episode represents perhaps the excommunicate, who inhabit the first terrace of Ante-Purgatory.
When correctly adjusted and set in motion, it exhibits a curious motion in which periods of purely rotational oscillation gradually alternate with periods of purely up and down oscillation. The energy stored in the device shifts slowly back and forth between the translational 'up and down' oscillation mode and the torsional 'clockwise and counterclockwise' oscillation mode, until the motion eventually dies away. Despite the name, in normal operation it does not swing back and forth as ordinary pendulums do. The mass usually has opposing pairs of radial 'arms' sticking out horizontally, threaded with small weights that can be screwed in or out to adjust the moment of inertia to 'tune' the torsional vibration period.
Alle-genee-genac-genac, Alle-genee-genac-genac, Hoorah-Hoorah-Pitt, That's Old Alleghenee, Whenever, wherever, Pitt men get together, To honor the School they revere, Their voices ring strong in the old college song, And boom out the old college cheer; 'Til raw throats rebelling prevent further yelling, And music in growls dies away; Yet vocal affliction to Pitt's no restriction, And some one is then sure to say: REFRAIN. Let's give, let's give, let's give the 'Varsity Clap, Pittsburgh's slogan in every land— Give Old Alleghenee by hand; One-two-three — — U. of P. Now with spirit and snap, Let's give the gattling, smashing rattling, Good old 'Varsity Clap: (The Hand Clap) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . That's the Varsity Clap.
If only one virtual pitch is perceived in a sound, it is generally the one with the highest salience. The output of Terhardt’s algorithm for pitch perception is a series of virtual pitches of differing salience, of which the most salient is the prediction for “the” pitch of the sound. The existence of several competing virtual pitches can explain the ambiguity of the pitch of many sounds. Bells with non-harmonic spectra are an obvious example (it is often possible to hear the main virtual pitch as the strike tone at the start of the sound, and the main spectral pitch as a hum tone which becomes directly audible as the sound dies away).
Normal operation in an SLR camera involves flipping the mirror up out of the light- path just before the shutter opens, and then returning it when the shutter closes (although very early SLR's required the shutter to be cocked for the mirror to return). This causes vibration of the camera, particularly when the mirror slaps into the top of the mirror box. This vibration quickly dies away so the most motion blur is actually seen with short shutter times that capture multiple 'swings' of the vibration (shutter speeds of 1/2 to 1/60 second are often affected by this). While longer exposures will capture all of the vibrations, the exposure will be dominated by light captured when the camera is vibration-free (assuming a steady mount).
This was not suspected until 1826, when Felix Savary in France, and later (1842) Joseph HenryJoseph Henry, "On induction from ordinary electricity; and on the oscillatory discharge", Proceedings of the American Philosophical Society, vol 2, pp.193–196, 17 June 1842 in the US noted that a steel needle placed close to the discharge does not always magnetise in the same direction. They both independently drew the conclusion that there was a transient oscillation dying with time.Blanchard, pp.415–416 Hermann von Helmholtz in 1847 published his important work on conservation of energyHermann von Helmholtz, Uber die Erhaltung der Kraft (On the Conservation of Force), G Reimer, Berlin, 1847 in part of which he used those principles to explain why the oscillation dies away, that it is the resistance of the circuit which dissipates the energy of the oscillation on each successive cycle.
The Warszawianka theme is then developed, leading into a brief return of Elgar's theme, before a quotation from Paderewski's Fantasie PolonaiseClassics on Line Recording of Paderewski's Fantasie Polonaise appears, signalled by the ring of a triangle. The magical section following quotes from Chopin's Nocturne in G minor, played by a solo violin, during which the Paderewski theme is heard, and is quietly interrupted by the Warszawianka. There is further development which leads to a triumphant return of the Chorale, which sounds like a conclusion to the work, but no: the Chorale dies away, there is a simple statement of the Polish National Anthem "Jeszcze Polska nie zginęła" ("Poland Is Not Yet Lost"), and it is this Anthem which brings the work to a brilliantly orchestrated conclusion. For the final bars, the instruments of the orchestra are joined by the organ.
The Shaafa’is and Hanbalis believe that the funeral prayer in absentia should be held for everyone who dies away from his hometown, even if the funeral prayer is offered for him in the place where he dies. The second view is that it is prescribed to offer the funeral prayer in absentia if the deceased had benefited the Muslims in some way, such as a scholar, a mujahid or a rich man from whose wealth the people benefited, and so on. The third view is that it is prescribed to offer the funeral prayer in absentia so long as the funeral prayer has not been offered for the deceased in the place where he died. If the funeral prayer has been offered for him, then it is not prescribed to offer the funeral prayer for him in absentia.
After American football was played at the 1932 Summer Olympics, the Los Angeles Times wrote: > It remained for a spectacle listed on the program as 'American Football' to > provide the Tenth Olympiad with its greatest thrill to date. Chances are the > game will become an international pastime before the memory of this night > game dies away. However, this prediction was wrong because this sport didn't became popular outside the US. The sport in some ways did accelerate in popularity after World War II, especially in countries with large numbers of U.S. military personnel, who often formed a substantial proportion of the players and spectators. After World War II a four-team tournament between NATO allies on the west coast of Italy was played. By 1998, the International Federation of American Football (IFAF), was formed to coordinate international amateur competition. At present, 45 associations from the Americas, Europe, Asia and Oceania are organized within the IFAF, which claims to represent 23 million amateur athletes.
Their astral bodies are then liberated.... They fly away, and entering a house make their way into the body of one of the occupants and feed on their entrails..... The arrival of the Berbalangs may be heard from afar, as they make a moaning noise which is loud from a distance but dies away into a feeble moan as they approach. When they are near you the sound of their wings may be heard and the flashing lights of their eyes can be seen like dancing fire- flies in the dark. Should you be the happy possessor of a cocoa-nut pearl you are safe, but otherwise the only way to beat them off is to jab at them with a kris, the blade of which has been rubbed with the juice of a lime. If you see the lights and hear the moaning in front of you, wheel fast and make a cut in the opposite direction.
Oxford University Press.Wagner, Tristan Prelude, openingWagner, Prelude to Tristan and Isolde, opening bars. Some of the most effective musical silences are very short, lasting barely a fraction of a second. In the spirited and energetic finale of his Symphony No. 2, Brahms uses silences at several points to powerfully disrupt the rhythmic momentum that has been building. (See also syncopation.) Brahms Symphony No. 2, finale, bars 135-142Brahms Symphony No. 2 finale, bars 135-142 During the 20th century, composers explored further the expressive potential of silence in their music.Lossef, N. and Doctor, J. (eds.) (2007) Silence, Music, Silent Music. London, Ashgate The contemplative concluding bars of Anton Webern’s Symphony (1928) and Stravinsky's Les Noces The Wedding, 1923) make telling and atmospheric use of pauses. Eric Walter White (1947, p.74) describes the ending of Les Noces as follows: "As the voices cease singing, pools of silence come flooding in between the measured strokes of the bell chord, and the music dies away in a miraculously fresh and radiant close."White, E. W. (1947) Stravinsky: a Critical Survey.
In strawberries the base is above the soil surface; in many bulb-forming species and plants with rhizomes, the stolons remain underground and form shoots that rise to the surface at the ends or from the nodes. The nodes of the stolons produce roots, often all around the node and hormones produced by the roots cause the stolon to initiate shoots with normal leaves. Typically after the formation of the new plant the stolon dies away in a year or two, while rhizomes persist normally for many years or for the life of the plant, adding more length each year to the ends with active growth. The horizontal growth of stolons results from the interplay of different hormones produced at the growing point and hormones from the main plant, with some studies showing that stolon and rhizome growth are affected by the amount of shady light the plant receives with increased production and branching from plants exposed to mixed shade and sun, while plants in all day sun or all shade produce fewer stolons.

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