Its collections also include about 4500 photographic plates and 35,000 diapositives taken by Prof. Henri Gaussen documenting the flora of the French Pyrenees. The Arboretum de Jouéou is also administered as part of this garden.
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The collection here presented is a representative selection of the items and clothes used in rural everyday life. Besides, Reduta Palace also houses a collection of some 50,000 photographs and some 5,000 diapositives. The library of the museum has some 12,000 scholarly journals and specialized magazines.
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Gruber has been involved with the subject of photography since 1970. During his time at the F+F Schule für Gestaltung, he worked not only as a filmmaker but also as a press photographer for Keystone Press. In 1977, Gruber examined new photographic techniques to fuse diapositives with instant images. He called this method diatypie.
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A View-Master Model E of the 1950s Some stereoscopes are designed for viewing transparent photographs on film or glass, known as transparencies or diapositives and commonly called slides. Some of the earliest stereoscope views, issued in the 1850s, were on glass. In the early 20th century, 45x107 mm and 6x13 cm glass slides were common formats for amateur stereo photography, especially in Europe. In later years, several film-based formats were in use.
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Dye destruction or dye bleach is a photographic printing process, in which dyes embedded in the paper are bleached (destroyed) in processing. Because the dyes are fully formed in the paper prior to processing, they may be formulated with few constraints, compared to the complex dye couplers that must react in chromogenic processing. This method has allowed the use of richly colored, highly stable dyes. It is a reversal process, meaning that it is used in printing transparencies (diapositives).
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Multi-image is the now largely obsolete practice and business of using 35mm slides (diapositives) projected by single or multiple slide projectors onto one or more screens in synchronization with an audio voice-over or music track. Multi-image productions are also known as multi-image slide presentations, slide shows and diaporamas and are a specific form of multimedia or audio-visual production. Soft-edge masking and overlap for projected panoramas. One of the hallmarks of multi-image was the use of the wide screen panorama.
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A single slide, showing a color transparency in a plastic frame Slide projector, showing the lens and a typical double slide carrier In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives . Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film. A slide is a specially mounted individual transparency intended for projection onto a screen using a slide projector.
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It is incorrect to call an image a negative solely because it is on a transparent material. Transparent prints can be made by printing a negative onto special positive film, as is done to make traditional motion picture film prints for use in theaters. Some films used in cameras are designed to be developed by reversal processing, which produces the final positive, instead of a negative, on the original film. Positives on film or glass are known as transparencies or diapositives, and if mounted in small frames designed for use in a slide projector or magnifying viewer they are commonly called slides.
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He started with presentations after publishing his first book in 1954, and did so for decades: He showed his diapositives, explained the motives and their history and even imitated the depicted birds. Hälsingland's nature played a special role in Hilding Mickelsson's work. Industrialization and urbanization changed rural Sweden in the second half of the 20th century; with the development of intensive agriculture, farms grew bigger and artificial fertilizers began to have an increasing impact on the environment. In the 1950s and 60s, when climate activism was not common at all, Hilding Mickelsson began raising concerns about environmental issues publicly, for example in local newspapers about local factories polluting the water.
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The Michele Valori archive, which has been declared as an item of great historical interest (“a precious resource for the history of architecture and urbanism in Italy”), was acquired for MAXXI’s collections in 2006 by the Ministry of Cultural Heritage and Activities. It documents the architect’s professional activity between the years of 1949 and 1979 and is testament to his involvement in debates surrounding architecture and town planning in Italy. Available to scholars and the general public, the archive is made up of more than 2,700 designs for over 100 projects, kept in files and tubes that are methodically sorted and subdivided, and supporting diagrams such as surveys and maps. It also includes more than 5,000 photographic items such as negatives, photographic plates and diapositives (photographic slides and transparencies), amongst which are teaching materials, documentation of travel and construction sites and prints.
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Type FEB 1929 Loewe started producing televisions. Manfred von Ardenne focused on electronic circuits. On 14 December 1930, with the help of cathode ray tube, he first succeeded in fully electronic transmission of diapositives. Consequently, the first public broadcast of movies took place in 1931 and two years later, Loewe presented the first Type FEB ready for serial production. Loewe Optaport In 1963, Loewe designed the first fully transistorized and portable TV, the “Optaport”. The device had a screen diagonal of 9.8 inches and was equipped with an integrated ultra-short wave radio section. Art 1 In February 1981, Loewe presented the first stereo sound TV in Europe. Four years later they introduced the “Art 1”, a newly design- and technic-oriented generation of televisions. D2-MAC The D2MAC method for TV components allowed digital sound to be transmitted stereo or in various languages.
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