VICE: Could you describe the scene at CBGB back in 1975?
|
|
Multiple participants in the event took to Twitter to describe the scene.
|
|
And describe the scene because it was on their new campus, correct?
|
|
The word "yellow" was the only way to describe the scene before me.
|
|
If they did, I got them to describe the scene as they remembered it.
|
|
The article also misidentified who avoided using the word "synagogue" to describe the scene of the crime.
|
|
The account went on to describe the scene as "disrespectful and dangerous" in a follow-up tweet.
|
|
Alan's daughter-in-law Dolly — who is married to Brennan — took to Facebook to describe the scene at the memorial.
|
|
Thicke's daughter-in-law Dolly – who is married to Brennan, took to Facebook to describe the scene at the memorial.
|
|
When he shows you the shooting locations, he doesn't just describe the scene shot there, he recites all the dialogue.
|
|
English speakers focus on the action and typically describe the scene as "a woman is walking" or "a man is cycling".
|
|
However, in the description of the VR experience on its website, the creators instead describe the scene as one of readiness.
|
|
Concertgoers describe the scene The documents also include many witness statements from people attending the concert, headlined by country star Jason Aldean.
|
|
He began again, in a shaking voice, to describe the scene that unfolded as flames consumed the back seat of a car.
|
|
He came upon a taxi driver who, if not likely to be a crucial witness, still could have helped describe the scene.
|
|
According to witnesses, who would later describe the scene to Sobe, he seemed to be trying to speak, trying to breathe, lurching in pain.
|
|
Great journalism can also help you imagine what's going on in another place, kinda help take you there, describe the setting, describe the scene and so on.
|
|
A surprisingly large number of people out there are so certain they'd smang the exiled Whovillian, they've taken it upon themselves to describe the scene in poetic detail.
|
|
" The next day, when asked why he used the word "horrific" to describe the scene, Allen told reporters, "There's not words you can place to say something like that.
|
|
He went on to describe the scene in which Beatrice Dalle, who plays a dog breeder living in the Jura Mountains, is pulled by huskies through a snowy forest on a sled.
|
|
While traditional audio reports can rely on journalists outlining the facts of the news, "The Daily" asks reporters to describe the scene in which the news occurred, incorporating scene-setting audio and letting sources speak uninterrupted.
|
|
The shocking nature of the situation was apparently too much to put into words for the guy who called 911, who simply said "I don't know" and "I can't explain it" when trying to describe the scene.
|
|
An analysis published this week in The New England Journal of Medicine confirmed suspicions and revealed that the "fake pot," which prompted bystanders to describe the scene in Bedford-Stuyvesant as "zombielike," was 85 times more potent than marijuana.
|
|
Israel's Ashkenazi chief rabbi took pains to avoid the word "synagogue" to describe the scene of the crime — because it is not Orthodox, but Conservative, one of the liberal branches of Judaism that, despite their numerous adherents in the United States, are rejected by the religious authorities who determine the Jewish state's definitions of Jewishness.
|
|
Subsequently, the police charged these three with destroying evidence. A few days later, a witness came forward to describe the scene. At the time of the crash, he was on his way to the railway station.
|
|
20 That they themselves considered their friendship to be of such a kind is shown by the stories of the morning after the Battle of Issus. Diodorus,Diodorus 17.37.5 ArrianArrian 2.12.31 and CurtiusCurtius 3.12.17 all describe the scene when Alexander and Hephaestion went together to visit the captured Persian royal family.
|
|
This second test subject was then asked to describe the scene to a third, and so forth and so on. Each person’s reproduction was recorded. This process was repeated with different illustrations with very different settings and contents. Allport and Postman used three terms to describe the movement of rumor.
|
|
He goes on to describe the scene at the Lenin Barracks (formerly the Lepanto Barracks) where militiamen were given "what was comically called 'instruction'" in preparation for fighting at the front. "There were still women serving in the militias, though not very many. In the early battles they had fought side by side with the men as a matter of course." (Barcelona, 1936.
|
|
Tess travels to Canada with Heather, and decides they should visit the empty house of Heather's mother, which proves very uncomfortable for Heather. Nevertheless, she begins to describe the scene with tears to Tess. During the subsequent short visit to the adoption agency, Heather recognises the culprit by means of a gesture. It is the owner of the agency, Alvin.
|
|
The song's lyrics describe the scene of a slave auction, ending with hopeful speculation about what will happen when Zumbi arrives. The refrain "Angola, Congo, Benguela, Monjolo, Cabinda, Mina, Quiloa, Rebolla" evokes the African origins of the slaves up for sale in the song. The song has also been recorded by Caetano Veloso on the album Nights of the North.
|
|
Police search property in SW Virginia in 40-year-old Md. Lyon sisters disappearance case WJLA. September 16, 2014. The home was that of Welch's parents, and he had lived in the basement. Although the evidence was too degraded to trace any DNA, one room of the basement had significant evidence of blood; one of the detectives used the word "slaughtered" to describe the scene.
|
|
Gansi, the name itself is a reference to the American rock group Guns N' Roses and, is an ironic way in remembering Zagreb in the early 90s around the immortal club "Jabuka". The time before and after the Croatian military operation "Oluja". The plot revolves around a girl named Jasna, who Edo uses to describe the scene at the time. Jasna was more or less a gold digger.
|
|
The lyrics to the song, difficult to hear since the vocals were mixed very low, describe subjective dissociation, as if from intravenous drug injection: The song features a sudden divergence near the two minute fifteen second mark into what has been called a psychedelic jam of sorts, with Mick Jagger's vocals electronically distorted and the guitar chords stretched: "Feel so hypnotized, can't describe the scene. Feel so mesmerized, all that inside me".
|
|
Scenes in his cartoons were often set in the offices of commissars or the showrooms of "Belchfire" dealers with enormous cars in the background. His series Is Party Line, Comrade! also skewered various Soviet bureaucrats, who usually were drawn wearing a five-pointed star medal labeled "Hero". The "gags" for Grin and Bear It were written by Arthur Erenberg; he would describe the scene and write the joke and then Lichty would draw the cartoon.
|
|
Fans sounded "Klaxons!" and cheered loudly between songs while brandishing glowsticks. This gave credit to the "New Rave" label, coined by Angular Records' founder Joe Daniel; later used by NME magazine to describe the scene. Also in August, the Klaxons performed an acoustic set in Ibiza Weekend for UK's BBC Radio 1 at Ibiza Rocks festival with Zane Lowe. The first single from their debut album, "Golden Skans", was released on 22 January 2007.
|
|
The program began in January 1949 as a local show, Look Ma, I'm Acting, on WNBT-TV in New York City. It was the first TV program for which Bill Cullen was host. For each scene performed by actors, a viewer was called and asked to describe the scene in a single word, with a prize given for a correct answer. On February 20, 1949, the NBC network began to carry the show, with the new title Act It Out.
|
|
But I looked up and all I could see was a sea of rich > people—mostly older, mostly white—standing and booing lustily, like some > kind of genteel lynch mob. I don't mean to use such inflammatory language to > describe the scene, but that's really how it seemed from where I was down on > the court. Like these people were gonna come looking for me after the match. > ... There was no mistaking that all of this was meant for me.
|
|
Bo Diddley died on June 2, 2008, of heart failure at his home in Archer, Florida at the age of 79. Garry Mitchell, his grandson and one of more than thirty-five family members at the musician's home when he died at 1:45 am. EDT, said his death was not unexpected. "There was a gospel song that was sung (at his bedside) and (when it was done) he said 'wow' with a thumbs up," Mitchell told Reuters, when asked to describe the scene at the deathbed.
|
|
In the 1947 study, Psychology of Rumor, Gordon Allport and Leo Postman concluded that, "as rumor travels it [...] grows shorter, more concise, more easily grasped and told." This conclusion was based on a test of message diffusion between persons, which found that about 70% of details in a message were lost in the first 5-6 mouth-to-mouth transmissions. In the experiment, a test subject was shown an illustration and given time to look it over. They were then asked to describe the scene from memory to a second test subject.
|
|
She falls asleep on a park bench, telling her nephew to wake her when the Gloryday arrives. With a few minutes left, the crowd joins in "Prayer" for forgiveness, and the Priest has a change of heart. He runs around screaming that it was a joke and that everyone should go home. Now Deanna, the CPA, the Reporter and Aunt Monica describe the scene: The sky goes black, a harsh wind picks up, lightning flashes, mist hangs in the air, the earth trembles, and a tornado hits the lake.
|
|
Bronwyn Barnes of Entertainment Weekly commented that Beyoncé was "the center of attention in the video" partly due to a neon tiger-print mink coat from Versace that she wore. Melissa Locker of Time magazine wrote that the singer managed to channel her inner rollergirl. Vanity Fairs Michelle Collins compared the video with the film Boogie Nights (1997) and went on to describe the scene where the singer dances on a car as a "Cinemax After Dark". In 2014, Michael Cragg writing for The Guardian ranked the video in the ten best of Beyoncé's career.
|
|
Clarke's first play that she sold was written for a church. Her best known book was Prince of Egypt, which won the Westminster prize for the best religious book the year it was published and was also one of the sources for the film The Ten Commandments (1956 film). Clarke was not a fan of the movie and used the term 'flimflammery' to describe the scene in which Moses parted the Red Sea. Wilson is also well known for her biographies about women such as Dorothea Dix and Elizabeth Blackwell as well as Dolley Madison and Martha Washington.
|
|
It occurs as part of a dream vision in which the makar is describing the army of goddesses he has witnessed alighting upon the earth: I would (attempt to) describe (the scene), but who could satisfactorily frame in verse the way in which all the fields were radiantly adorned by those white lilies (the landing army) that shone upwards into the sky? Not you, Homer, sublime as you were in writing, for all your faultlessly ornate diction; nor you, Cicero, whose sweet lips were so consistently lucid in rhetoric: your aureate tongues both (the Greek and the Roman) were not adequate to describe that vision in full.
|
|
Situational aspects describe the scene, and may be created and used by the GM, or by players using the create advantage action with a relevant skill. Stunts are exceptional abilities that grant the character a specific mechanical benefit; these may be drawn from a pre-defined list of stunts included in the rules, or created following guidelines provided by the authors. Aspects, on the other hand, are always defined by the player. For example, a player may choose to give their character an aspect of "Brawny" (or "Muscle Man" or "Wiry Strength"); during play, the player may invoke those aspects to gain a temporary bonus in a relevant situation.
|
|
They describe the scene before them in gory detail, each taking turn to muse and exclaim over the various details that they observe. As they progress through the battlefield, they arrive to the battle between the middle Pandava Bhima and the Kaurava Duryodhana A picture of Duryodhana The soldiers then proceed to describe the fight between Bhima and Duryodhana. The audience is seeing the battle entirely through the description of the three soldiers; ultimately, Bhima falls from Duryodhana's incessant blows. Duryodhana, refusing to kill Bhima while he is on the ground, instead has his thighs crushed by Bhima from false play and violation of rules.
|
|
London Regionalism is a Canadian art movement that developed in the late 1950s and 1960s in London, Ontario, Canada. Artists in the movement include Greg Curnoe, Tony Urquhart, Murray Favro, Ron Martin and Jack Chambers. The movement was composed of a group of artists who acknowledged their home as the centre and subject of creative activity; who acknowledged yet refused to situate themselves in the art world of the metropolitan centre; who refused to participate in ‘movements’. In fact, the term "regionalism" was adopted by the community in a spirit of defiance after a Toronto critic used it in a derisive way to describe the scene.
|
|
Orpheus was among the few groups to remain active into the 1970s, and has since conducted reunions in the 1980s and, again, in the 2000s. In the aftermath of the Bosstown Sound, reviews remain mixed, but critics have begun to describe the scene in a better light. In 1988, Rolling Stone magazine, while reevaluating the Sound, conceded it was perhaps "easier to put down Ultimate Spinach and the other Boston groups than it had been to like them". Music critic Steve Nelson notes that after "the hype died down, Boston in fact turned out to be a great incubator of musical talent, producing acts like J. Geils, Aerosmith, and The Cars".
|
|
Credited as "Vito and the Hands", Paulekas recorded a single, "Where It's At," which featured some of the Mothers of Invention, with producer Kim Fowley in 1966. He has been credited with first using the terms "freak" and "freak-out" to describe the scene, and with Franzoni and other members of the troupe contributed to the first album by Zappa and the Mothers, Freak Out!. He appeared in several documentaries of the period, including Mondo Hollywood (1967) and You Are What You Eat (1968).United Mutations: Vito Paulekas After Richard Nixon's election as US President in 1968, he moved to Haiti and later Jamaica, before returning to settle in Cotati, California.
|
|
After the riots were over and the fires were put out, residents saw unsafe dwellings and empty lots among surviving buildings, leading one author to describe the scene as "some streets that looked like Brooklyn Heights, and others that looked like Dresden in 1945": The business vacancy rate on Broadway reached 43% in the wake of the riots. The 1977 blackout and resulting riots left Bushwick without a commercial retail hub. Middle-class residents who could afford to leave did so, in some cases abandoning their homes. New immigrants continued to move to the area, many from Hispanic America, but renovation and new construction was outpaced by the demolition of unsafe buildings, forcing overcrowded conditions at first.
|
|
He has returned to Japan and now attempts to warn the authorities of the approaching warships, but is instead arrested for consorting with foreigners. A minor samurai, Kayama Yezaemon, is appointed Prefect of Police at Uraga to drive the Americans away - news which leaves his wife Tamate grief-stricken, since Kayama will certainly fail and both will then have to commit seppuku. As he leaves, she expresses her feelings in dance as two Observers describe the scene and sing her thoughts and words ("There Is No Other Way"). As a Fisherman, a Thief, and other locals relate the sight of the "Four Black Dragons" roaring through the sea, an extravagant Oriental caricature of the USS Powhatan pulls into harbor.
|
|
In 1911, the Bermondsey Council opposed a suggestion by the London County Council that George's Yard, in Bermondsey, should be renamed "Twist's Court", to reflect the site of the demise of the Dickens' character Bill Sikes. Nine years later, G. W. Mitchell, a clerk with the Bermondsey Council found a plan dated 5 April 1855, in the London County Council archives, which showed 'Bill Sykes' house' marked on Jacob's Island. This was at a time when the London County Council was proposing that Jacob's Island should be 'demolished'. The following year, it was noted that "so accurately" did Dickens' "describe the scene that the house that he chose for Bill Sikes's end was easily located" in 1855, and "became a Dickens' landmark", leading it to be marked on the Council's plan.
|
|
The action of The Foxtrot is broken up into several distinct sections, each one allocated an appropriate intertitle. While many of these captions simply describe the scene taking place — "At the pub", "After the funeral", and so on — there are also instances where Adrian uses the intertitles to explicitly reference the tone and undercurrent of particular sequences. During the opening scene, Arthur is asked by a canvasser about his attitude towards the permissive society, at which point a caption appears on screen that reads "Gwen hasn't told Arthur about Tom"; that night, as Arthur and Gwen are talking in bed, a caption introduces the scene as "A tender moment"; towards the end of the play, during one of Tom's many visits to the house, a title announces this as "The Tom, Gwen and Arthur Show". The play constantly blurs the boundary between what is seen on television and how it relates to, and even shapes, "real life".
|
|