If you're one of those people who derives pleasure from being scared senseless, then this will certainly interest you.
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This killer derives pleasure from both the act of killing and the pain and suffering he causes others upon their discovery of his mayhem.
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Just as Winston Smith derives pleasure from crafting "delicate pieces of forgery," Americans in the 2020s should find gratification in identifying and stomping out fakeries.
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In fact, she looks positively reasonable compared to many of the town's denizens, including Roman Sionis (Ewan McGregor), a ruthless crime boss whose right-hand henchman, Victor Zsasz (Chris Messina), derives pleasure from peeling off victims' faces.
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'Busy Bee Pleasure' symbolizes the ever-busy bee which derives pleasure from its work, picking the best nectar from flowers and producing the best honey.
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This type of serial killer seeks thrills and derives pleasure from killing, seeing people as expendable means to this goal. Forensic psychologists have identified three subtypes of the hedonistic killer: "lust", "thrill", and "comfort".
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He derives pleasure from explosions, in particular. Despite his apparent lack of self-preservation instincts, he seems to be terrified of Miho, calling her "the real thing." He speaks both English and L33t. His real life equivalent is Edmund Balan, Fred Gallagher's associate.
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Taken to its extreme, an intolerably indefinite delay is 'rewarded' by punitive perpetual delay, manifested as unwavering coldness. The masochist derives pleasure from, as Deleuze puts it, the "Contract": the process by which he can control another individual and turn the individual into someone cold and callous. The sadist, in contrast, derives pleasure from the "Law": the unavoidable power that places one person below another. The sadist attempts to destroy the ego in an effort to unify the id and super-ego, in effect gratifying the most base desires the sadist can express while ignoring or completely suppressing the will of the ego, or of the conscience.
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Through a flashback, it transpires that the root cause of Shirotani's mysophobia is a childhood trauma of witnessing his father having sex: the self-loathing he experienced after becoming aroused by the sight of his father, combined with the shame of being caught masturbating to the incident, prompted him to associate physical contact and intimacy with feelings of disgust. As Kurose and Shirotani's relationship intensifies, Kurose notes that Shirotani is simultaneously repulsed and sexually aroused by his advances. Kurose reveals that he is a sadist who derives pleasure from triggering Shirotani's mysophobia, and has intuited that Shirotani is a masochist who derives pleasure from the very acts that disgust him. Shirotani rejects Kurose, and they do not speak for many months.
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The company's evil feline Human Resources director. Although he was originally just supposed to be around for a few strips, the fans named him and demanded more of him. He derives pleasure from seeing employees worry about their jobs, and particularly enjoys tormenting Wally. Merely mentioning the term "layoffs" causes him to purr with delight.
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Lourenço is a lonely pawn shop owner whose work made him insensitive to the suffering of those who desperately seek to sell him their personal possessions. Lourenço's insensitivity causes him to deal with the world as a collection of objects to be bought. He begins to play power games with his customers and derives pleasure from it. Lourenço narrates the movie, and throughout the plot, he reveals his growing lust for power.
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He derives pleasure from tormenting and belittling his subordinates - first the cadets he instructs at the academy, then Lassard's men whom he outranks. Although he is generally disliked by his colleagues because of his treatment of them, those same people end up rescuing him. Despite his role as antagonist, some scenes display Harris's genuine desire to see graduates become good cops. His initial dislike of Mahoney is based in part on his belief that he is disrupting the development of people, "who might make pretty good police officers".
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Diaper fetishism, nappy fetishism or diaperism, is a type of garment fetish or paraphilic infantilism. A person with a diaper fetish derives pleasure from the diaper and/or use of it. Being forced to wear diapers as a form of humiliation was sometimes a behavior encountered in sexual masochism according to the DSM-IV, but any reference to diaper fetishism has been removed in the DSM-5. As of September 2015, Huffington Post Arts & Culture published an interview on diaper fetishes that was widely regarded as informative within the community.
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During this second episode, Simone derives pleasure from inserting hard and soft-boiled eggs for her vaginal and anal stimulation; she also experiences considerable enjoyment from the viscosity of various liquids after the shells break. The pair undertake an orgy with other adolescents, which involves some broken glass and involuntary bloodletting, and ends with Marcelle's psychological breakdown. The narrator flees his own parents' home, taking a pistol from the office of his bedridden, senile, and violent father. They view Marcelle within a sanatorium, but fail to break her out.
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Julia Serano in Whipping Girl pointed out that transvestic fetishism, a disorder listed in the DSM-IV, only mentions cross dressing by men. Similarly, autogynephilia was a recognised disorder in the DSM-IV, but autoandrophilia was not. The Diagnostic and Statistical Manual of Mental Disorders was revised in 2013, and transvestic fetishism and gender identity disorder were removed; transvestic disorder and gender dysphoria were the product of the revisions. The other addition to DSM-V regarding gender is transvestic disorder, in which a heterosexual male feels dissociation from his assigned gender because he derives pleasure from dressing in women's apparel.
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Primary Inversion is set in a future where three star-faring civilizations vie for control of human-settled space. Fighter pilot Sauscony (Soz) Valdoria commands a squadron of four Jagernaut pilots, neurologically enhanced empaths who have been bio-engineered as weapons. Jagernauts have extensive biomech throughout their bodies, allowing for enhanced speed and reaction, and an embedded artificial intelligence (AI) in their spinal cords. They are pitted against the legions of the Trader empire, in particular the Aristo ruling class, a race that derives pleasure from the amplified pain and anguish of empaths—especially Jagernauts, as Soz knows from personal experience.
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Housewife Francine Fishpaw (Divine) watches her upper-middle-class family's life crumble in their suburban Baltimore home. Her husband Elmer (David Samson) is a polyester-clad lout who owns an adult movie theater, causing anti-pornography protesters to picket the Fishpaws' house. Francine's Christian beliefs are also offended by the behavior of her children--Lu-Lu (Mary Garlington), her spoiled, promiscuous daughter, and Dexter (Ken King), her delinquent, glue-sniffing son who secretly derives pleasure from stomping on women's feet. Francine's troubles are compounded by her cocaine-snorting mother La Rue (Joni Ruth White), a class-conscious snob who robs her daughter blind and constantly derides her obese appearance.
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China has devolved into a patchwork of competing military governates following the dissolution of the Qing Dynasty. As Marshal Cho, the son of a military governor, wanders around the area of Shitoucheng indiscriminately killing and robbing from civilians, a school-teacher named Ms Pak flees with her students, and along with other refugees are admitted into Pucheng, which belongs to another governor. Since the soldiers of Pucheng are away on a campaign, authority falls to Colonel Yeung, leader of the militia. A few days later, Cho, who derives pleasure from random killings, enters Pucheng alone and murders Pak, her cousin, and one of her students.
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Caster is a fiendish Servant who derives pleasure from first providing his victims a moment of relief before terrorizing them and then killing them. He expresses an obsessive interest in Saber because he has mistaken her for Jeanne d'Arc, his former comrade and the protagonist of Fate/Apocrypha, with whom Bluebeard has an infatuation. As his wish for the Grail was for her to be resurrected, Caster becomes convinced he has won the War and repeatedly tries to talk to Saber; when she subsequently tries correcting him, he believes that she has lost her memories by God's intervention, much to his rage. He has, by far, the best relationship with his master of any servant.
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J. C. Wiatt (Diane Keaton) is a driven Manhattan career woman (nicknamed the "Tiger Lady") typical of the 1980s whose fast-paced life leaves her with no time for romance or relaxation (or as the narrator in the beginning puts it she works "5 to 9"), though she derives pleasure from her frantic schedule and demanding job. She works as an advertising executive at a high profile advertising firm on Madison Avenue and lives with an investment banker, Steven Buchner (Harold Ramis), whose job and life are likewise hectic. Her life is thrown into turmoil when she inherits a toddler, Elizabeth (twins Kristina and Michelle Kennedy), from a deceased cousin whom she had not seen in over 30 years. J.C. tries to give Elizabeth up for adoption but finds that she has grown too attached to the child, forcing a reevaluation of her priorities.
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