The vetting team often put these denigrations at the top of the documents.
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He gamely stuck to his insistence that dissension does not undermine the alliance, even as Mr. Trump's denigrations continued.
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If these denigrations of the intelligence of Waters existed in isolation, one might well be able to write them off as fluke or coincidence, but they do not exist in isolation.
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" Tarek William Saab, a government ombudsman investigating the Barlovento case, said the victims were innocent men and women subjected to "the most unfortunate cases of cruelty and inhuman denigrations of torture.
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The marchers in 2017 wore pink "pussy hats" to protest Trump's comments about grabbing women "by the pussy," but many also carried signs calling out his denigrations of immigrants or Muslims.
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Approximately an hour after the shooting began, President Donald Trump — who has made vitriolic denigrations of the press, including specific reporters, a key political tactic since before taking office — tweeted his condolences in general terms.
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"I don't agree with everything he has said and done," says Thiel about Trump, which is a trick that he and others use to make an exception for a string of really appalling insults and denigrations of a range of people from Mexicans to the handicapped to Muslims to women of all shapes and sizes.
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Wu followed up by putting Jiangling under siege in spring 568, but was not able to capture it and subsequently forced to withdraw. Meanwhile, Chen Xu was receiving greater formal titles and authorities. Chen Bomao, angry over the situation, was making repeated denigrations of Chen Xu, who then resolved to take the throne himself. In winter 568, Chen Xu had an edict issued in Grand Empress Dowager Zhang's name, falsely accusing Emperor Fei of having been part of the plots of Liu and Hua.
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The work was controversial, advocating socialism in the colonies and fiercely criticizing Christian and Islamic proselytization of the Javanese people. Junghuhn instead wrote of his preference for a form of Pandeism (pantheistic deism), contending that God was in everything, but could only be determined through reason. The work was banned in Austria and parts of Germany for its "denigrations and vilifications of Christianity", but was a strong seller in the Netherlands where it was first published pseudonymously. It was also popular in colonial Indonesia, despite opposition from the Dutch Christian Church there.
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One published edition agrees with this statement, suggesting that Alkan's metronomic indications do not need to be taken too literally, and most analyses agree, one proposing that there is a printing error and it should be played half as fast (112 quarter notes per minute). The piece's historical accuracy has also been questioned, given that it was composed in 1844, a period in railway history when trains seldom travelled faster than 19 mph (30 km/h). Despite these denigrations, its joyful melody has been celebrated as a forerunner to Arthur Honegger's famous orchestral work, Pacific 231, which also represents a locomotive.
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Kalighat painting; "Woman Striking Shaam With Broom" (1875) Domestic violence against men deals with domestic violence experienced by men in a domestic setting, such as in marriage or cohabitation. As with domestic violence against women, violence against men may constitute a crime, but laws vary between jurisdictions. Men who report domestic violence can face social stigma regarding their perceived lack of machismo and other denigrations of their masculinity. Additionally, intimate partner violence (IPV) against men is generally less recognized by society than IPV against women, which can act as a further block to men reporting their situation.
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In a scholarly review Neil Caplan N. Caplan, Review, The Historical Journal 44(4), 2001, p. 1083-97 is very critical: "Sternhell insists on viewing the history of Zionism as an unhappy one determined by wrong-headed 'conscious ideological choices' made by the labour-Zionist elites, and decidedly not 'due to any objective conditions' or to circumstances beyond the movement's control." He does think the book offers some "refreshing comparative perspectives", but spots "a number of problematic tendencies on the author's part". He mentions "overstatements", "sweeping generalizations", "oversimplification", "inappropriate comparisons", "simplistic dichotomies" and "the use of popular buzz-words [...] as value- laden denigrations rather than as neutral descriptive labels".
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It begins with a preface in which Keating defends the honour of Ireland against the denigrations of writers such as Giraldus Cambrensis,Bernadette Cunningham, "Geoffrey Keating’s Foras Feasa ar Éirinn", History Ireland Vol. 9 issue 1, Spring 2001, retrieved 17 September 2015 followed by a narrative history in two parts: part one, from the creation of the world to the arrival of Christianity in the 5th century, and part two, from the 5th century to the coming of the Normans in the 12th century.Library: Foras Feasa ar Éirinn , Royal Irish Academy, retrieved 17 September 2015 It depicts Ireland as an autonomous, unitary kingdom of great antiquity. The early part of the work is largely mythical, depicting the history of Ireland as a succession of invasions and settlements, and derives primarily from medieval writings such as the Lebor Gabála Érenn, the Dindsenchas, royal genealogies and stories of heroic kings.
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