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17 Sentences With "decorating scheme"

How to use decorating scheme in a sentence? Find typical usage patterns (collocations)/phrases/context for "decorating scheme" and check conjugation/comparative form for "decorating scheme". Mastering all the usages of "decorating scheme" from sentence examples published by news publications.

Unlike most hosts, though, Gohar and Sosa often involve guests in their decorating scheme.
The pieces all together form a kind of showroom suggesting a decorating scheme that is both wildly intuitive and carefully precise.
In the early 1970s his decorating scheme at his apartment on East 10th Street in Manhattan included the grill from a 1937 Ford truck.
The museum has rearranged its galleries many times over since 1935, when it opened to the public, and much of Frick's original decorating scheme has been lost to time.
They all share the same decorating scheme: cheap gold furniture that, to some, might convey a dream of luxury, and light filtered through heavy red curtains drawn lazily against the desert sun.
Wooden Christmas Advent Calendar, $24.99, available on AmazonThis wooden table advent calendar is simple enough to fit in with any decorating scheme and can be filled with 24 small surprises to delight kids and adults alike.  
More than 343 exhibits range from everyday artifacts (a spare key never given to its intended recipient, a mirror that didn't go with an ex's decorating scheme) to signifiers of deeply troubled unions (a pair of silicone breast implants a woman got at her boyfriend's urging).
One fan wrote: "People saying Kylie Jenner named her baby Stormi because of the butterfly effect and how 'a butterfly flapping its wings can cause a storm' are giving a lot of credit to the girl who gives her lipsticks names like 'Okurrr'" It's possible that Jenner and Webster's love of butterflies actually has nothing to do with their baby's name — maybe they just think butterflies make a cute decorating scheme for their baby's nursery?
A layer of concrete atop the T-beams formed the roof. The main exhibition hall (or "Great Hall") had of exhibition space, and was high. Eighteen meeting rooms surrounded it on the south and west sides. The main decorating scheme of the convention center featured colors of neutral brown and grey, with contrasts in pastel.
New taxicab stands were built at each end of Public Auditorium, and small gardens placed at each end of each taxi stand. The overall decorating scheme featured colors of muted beige, blue, gray, green, and rose. The reception pavilion received a $1.8 million ($ in dollars) overhaul. Its exterior metal façade was removed and replaced with beige limestone.
The novel depicts Thorn's new estate as fairly run-down, with a debauched decorating scheme inappropriate for Lady Rainsford's eyes. He hires India to completely renovate the home. From their very first scene together, the characters indulge in significant verbal sparring. Once India travels to the estate, their relationship develops over a series of hilarious letters.
Walls were added between the piers in 1934, and the Palm Court was internally partitioned in 1947. In 1950, arches were constructed between the piers of the north wall and the pilasters of the south wall in an attempt to connect the walls visually. In 1957, the Palm Court was radically renovated. Its Victorian ironwork was removed and a Neoclassical style decorating scheme implemented.
Window louvers automatically opened and closed with sun. The reception pavilion's interior decorating scheme featured colors of bronze and tan. A multi-landing stone staircase with bronze handrails provided access to the convention center's Great Hall. According to The Plain Dealer, the Cleveland Convention Center was the largest municipally- owned convention center in the world, and the Great Hall was the largest single exhibition space in the nation.
Instead of office space, however, the western two-thirds of this space was partitioned to create storage areas. The remaining bedroom became known as the Rose Bedroom or Pink Bedroom, after the color of its decorating scheme. It was reserved as a guest bedroom, and was most frequently used by the president's private secretaries—all of whom were male, and many of them sons of presidents. By 1865, the western storage space had been converted into a clerk's office.
A pair of settees flanks a leafed tabletop with an impressive high-gloss finish. Hatches and portlights flood the area with natural light and ventilation. The forward berth, which can be closed off for privacy with a solid teak door, continues the decorating scheme ... It might be hard to believe that everything you’re seeing from the interior vantage point is part of a module that was completely assembled outside the hull. A few years ago, Luhrs began modularizing the cabins on its fishing boats.
In the original Brooklyn Museum installation, there were two box-beds on the exterior wall of the north room. When the house was moved to its present location in 2006, it was decided that if the house did have a bed box it more logically was on an interior wall next to the hearth. None of the original Dutch colonial furniture owned by the Schencks is known to have survived. The curators have assembled the interior- decorating scheme utilizing objects from the collection to typify an interior of a prosperous family of Dutch descent living in colonial English Flatlands.
In 1949, Pahlmann designed the Momentum line of furniture, which featured large, semi-pneumatic wheels that allowed even the heaviest pieces to be easily moved and rearranged. The 1952 Hastings Square line of furniture utilized small rubber casters to achieve mobility, but also provided sleek forms, clean lines, and warm tones to an increasingly discerning audience. From 1971 to 1976, William Pahlmann Associates worked on designing interiors for three new buildings at Texas A&M; University in College Station, Texas: a Theater Arts Center, a 12-story Conference tower, and the Memorial Student Center. After renovations to the Memorial Student Center were complete, many students objected to the new decorating scheme, finding the furnishings “too extravagant and inappropriate for the purpose of a student center.” A 1975 questionnaire issued by the campus newspaper found that ninety-two percent of respondents disliked the new furnishings, finding the space “stiff, formal, and unfriendly.” It was to be the firm’s final project.

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