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43 Sentences With "death obsessed"

How to use death obsessed in a sentence? Find typical usage patterns (collocations)/phrases/context for "death obsessed" and check conjugation/comparative form for "death obsessed". Mastering all the usages of "death obsessed" from sentence examples published by news publications.

Evi Numen, 33, of Philadelphia, could be considered a little death-obsessed.
There is more to this winding series than a death-obsessed puzzle box.
Hollywood Forever Cemetery has been barraged by death-obsessed customers apparently panicked by the COVID-19 pandemic.
It's raucous and death-obsessed and silly all at once, packed with chant-along vocals and spindly riffs.
Low-energy break dancers, death-obsessed stunt men, marathon runners who enjoyed nothing more than a long drag from a Marlboro.
It has a regional following in the Midwest and is known for sexually violent, death-obsessed lyrics and dehumanizing imagery depicting women.
This is a fun book, it's not a heavy, death-obsessed book, but it's something the book ultimately deals with, deep down.
Religion itself may be bullshit, but respecting the dead should be a given, especially in a subculture as death-obsessed as ours.
But lately death-obsessed modern hipsters have reclaimed the term as a badge of their everyday misanthropy and love of black sun hats.
That's as good a way as any to begin a discussion of Sausage Party, the libidinous, death-obsessed, R-rated cartoon featuring the voices of Seth Rogen and Kristen Wiig.
But it also provides a glimpse at the series's villain, with a version of the death-obsessed Thanos that looks like a cross between the live-action films and comic books.
But for much of "Return to Absence," the caroming digressiveness of Beckett's novels-as-monologues, as delightful as it is death-obsessed, is replaced by a slow series of stage pictures.
Situated in Brooklyn's Gowanus neighborhood, blocks away from a Whole Foods and the Morbid Anatomy Museum of death-obsessed hipsterdom, the cavernous storefront of social impact design studio Hyperakt stands out.
" We'll definitely need to keep an eye on Jack, who surely looks death-obsessed and worryingly pleaded the fifth to the question "What's the wildest thing you've done in the bedroom?
Christmas In The Heart functions as a wink to the audience, a little levity for Dylan between 2009's gruffly traditional Together Through Life and 2012's doleful, death-obsessed Tempest.
So it's no surprise that a mini-reunion of the romantic yet death-obsessed film's cast and crew has got Instagram all in a flutter — and feeling more than a little nostalgic.
Dark and death-obsessed as they are, so too do they possess an unmistakable jouissance — a kind of poetic YOLO expressed through wordplay — as well as a Dickinsonian compression and linguistic virtuosity.
Incredibly brave, or incredibly death-obsessed, ISIS gunmen ignored the F-16s in the skies and attacked the SWAT line from the very edge of Akha, sometimes even venturing into the mud clearing.
One half of the writer is the writer who is an ordinary human being — the nice cozy domestic self Atwood described elsewhere as living under threat from the romantic idea of a death-obsessed lady poet.
Here's a movie that mines laughter from fake suicide attempts as it depicts the budding relationship between a pale-faced, death-obsessed 20-year-old (Bud Cort's Harold) and a 79-year-old life-embracing pixie (Ruth Gordon's Maude).
So Mr. Ray has taken Fitzgerald's last work — in which his love and hate for the movie business remain unresolved, while jostling for space with a death-obsessed romance — and reimagined it as a sprightly but lamentably pedestrian showbiz melodrama.
Tony nominee Alex Brightman (School of Rock) steps into Michael Keaton's shoes as the title role of everyone's favorite Ghost with the Most, while Sophia Anne Caruso stars as as Lydia Deetz — the death-obsessed teen played by Winona Ryder on screen.
This freedom with the source material, which tells the story of a death-obsessed professor contending with an environmental disaster, is evident in the show's script, which Mr. Fish devised by homing in on one of Mr. Delillo's stylistic quirks: His use of lists.
And, to be fair, the pilot is, as the kids say, "a lot," giving the false impression that it's a sketch show, like "Drunk History," a hot take on the poet as a mouthy, death-obsessed feminist badass, scored to songs by Billie Eilish and Mitski.
Miles' only clues to solving the object of his crush are a collection of facts: Alaska's death-obsessed quips, her library of unread books so big it's more of a home, her passion for hard drinking and chain smoking, and the way she always needs him.
Afterwards, the two young girls posed for a photo backstage alongside Gellar and the show's stars, Alex Brightman, 32 (as the titular Ghost with the Most made famous by Michael Keaton in Tim Burton's 1988 cult classic) and Sophia Anne Caruso, 18 (who plays Lydia Deetz, the death-obsessed teen Winona Ryder originated on screen).
Advertise on Hyperallergic with Nectar Ads Argentinian poet Alejandra Pizarnik — dead most likely of a Seconal overdose in 1972, a suicide at age thirty-six — entices the reader to try to puzzle out her life through her poems and would be remiss not attempting to do so, given the death-obsessed, death-affirming themes throughout her career.
Joining the Ghost with the Most is Sophia Anne Caruso (as Lydia Deetz, the death-obsessed teen played by Winona Ryder on screen), Tony nominees Rob McClure and Kerry Butler (Adam and Barbara Maitland, or Alec Baldwin and Geena Davis, as movie fans remember), and Leslie Kritzer and Adam Dannheisser (playing Delia and Charles Deetz, the roles Catherine O'Hara and Jeffrey Jones made iconic).
In the Canadian television program Degrassi, character Eli Goldsworthy, a 'death obsessed' 16-year-old, drives a 1960s era vintage hearse, affectionately nicknamed Morty. Cleve Hall, of the Syfy television show Monster Man, drives a 1980 Superior, with added coach lights on each side, in the 1st season of the show. He now drives a 1963 Miller Meteor named "Lucy".
Raggett, Ned "Husk Review", Allmusic. Retrieved October 13, 2018"Liz Durrett - Husk", No Depression, April 30, 2005. Retrieved October 13, 2018 Pitchfork writer Ryan Dombal described it "Think Partridge Family but uglier, death-obsessed, and with a sunburnt, junkyard car in place of the fruity schoolbus".Dombal, Ryan (2005) "Liz Durrett Husk", Pitchfork, March 1, 2005. Retrieved October 13, 2018 The Mezzanine followed in January 2006, also produced by Chesnutt.
Neue Deutsche Todeskunst (engl. "New German Death Art") is a German death-obsessed Dark Wave style of music that blends Death rock, German Rock, Gothic Rock, and neo-classical music with German philosophical texts and a theatrical stage show. It is restricted to Germany where it emerged in the early 1990s from bands such as Das Ich, Lacrimosa, Relatives Menschsein and Goethes Erben. Many NDT artists are known for their use of Classical Latin.
Thomas Vinciguerra, "Why He Gets the Laughs," New York Times, March 18, 2007. Fussell is a death-obsessed dysfunctional divorced wealthy loner who engages in a relationship with his psychoanalyst's wife after his first wife leaves him.Mary Ward Menke, "The State of Romance," January Magazine, October 2004. His 2011 novel Three and a Half Virgins is also about a man whose wife leaves him: newly single Jimmy Hendricks is a lonely, middle-aged man revisiting his past by looking up his old girlfriends.
Hester likes to take her life to the extreme and experiment, but deep down she is actually pretty afraid and human, like when she and Chad find Ms. Bean's body in the Haunted House, thinking it was a wax figure. Unlike her twin brother, Boone, Hester is very open about her psychotic, death-obsessed personality, and is calm and comfortable when someone points it out. This allows Hester to slip past and fool everyone into thinking she is not the Red Devil.
The Denial of Death has been praised for its post-Freudian approach to psychoanalysis, and has been criticized for its reductive depictions of mental health and humanity. The book helped to inspire a revival of interest in the work of the Austrian psychoanalyst Otto Rank. The book has also had a wide cultural impact beyond the fields of psychology and philosophy. The book made an appearance in Woody Allen's film Annie Hall, when the death-obsessed character Alvy Singer buys it for his girlfriend Annie.
1973: bi-monthly) In 1976, a second "Soul Gem" appeared in a Captain Marvel story which established that there were six Soul Gems, each with different powers.Captain Marvel #45 (July 1976) One year later, two more "Soul Gems" were introduced in a Warlock crossover involving Spider-Man. The full set of six Gems appeared when the death-obsessed villain Thanos attempted to use them to extinguish every star in the universe.Avengers Annual #7 and Marvel Two-In- One Annual #2 (1977) In a 1988 storyline in Silver Surfer vol.
186 In Arabic, the verb tafar'ana meaning to act tyrannically literally translates as "acting Pharaohically".Michael "The Use of the Pharaonic Past in Modern Egyptian Nationalism", The Journal of the American Research Center in Egypt, vol. 35, 1998 p. 187 Wood wrote that even the surviving ruins of ancient Egypt consisting mostly of "tombs, palaces and temples, the relics of a death-obsessed, aristocratic, pagan society" seem to confirm the popular image of a "slave state" as the "more sophisticated models of Egyptian history, developed mainly by foreign scholars, remain ignored".
Shaded Pain is the fourth studio album by the American rock band Lifesavers Underground, released in 1987 on Frontline Records. A much different effort from their other releases before or since, Shaded Pain took a darker gothic rock direction from their previous pop punk sound, and features bleak, death- obsessed lyrics. Although misunderstood by many critics at the time, the album has attained a status of a cult classic. Later, the critics consider the album to be the band's finest effort and one of the best albums of the year it was released.
Petar Bogdan's greatest work, a history of Bulgaria, was written a century before the Istoriya Slavyanobolgarskaya of Paisius of Hilendar, but was published after his death. Obsessed by religious activities, this fighter died in 1674, when he was 72. A full copy of Petar Bogdan’s 200-page history book, titled De antiquitate Patrerni soli, et de rebus Bulgaricis, was found by the Bulgarian historian Liliya Ilieva at the library of Modena University in 2017.L. Ilieva. The First Tractate on Bulgarian History Found: Petar Bogdan, On the Antiquity of the Father’s Land and on the Bulgarian Things.
Around 2001, Whedon was hired as writer for Darren Aronofsky's and Frank Miller's Batman: Year One after The Wachowskis' script was rejected by Warner Bros. Whedon's script featured a new, "more of a 'Hannibal Lecter' type" villain, and portrayed Bruce Wayne as "a morbid, death-obsessed kid" whose grief was overcome by protecting a girl from being bullied in an alley similar to where his parents were murdered. However, like The Wachowskis' script, Whedon's script was also rejected, and both Aronofsky and Miller left the project, leading to its cancellation. A reboot of the Batman film series was later released in 2005 as Batman Begins and directed by Christopher Nolan.
Whedon also pitched a screenplay to adapt Batman for the same company as development started on what would eventually become Batman Begins. It was described as having included a new, "more of a 'Hannibal Lecter' type" villain, and portrayed Bruce Wayne as "a morbid, death-obsessed kid" whose grief was overcome by protecting a girl from being bullied in an alley similar to where his parents were murdered. In March 2017, Whedon was in negotiations to direct, write, and produce Batgirl set in the DC Extended Universe. He withdrew from the project in February 2018, saying he didn't have a story for the movie.
Raison at Shakespeare's Globe, 2013 From 2002–3, she appeared as Ben-Hur's love interest in a minimalist production of the eponymous play at the Battersea Arts Centre. Later in 2003, she was featured in Pains of Youth, again at the Battersea Arts Centre, playing the death obsessed bisexual Desiree; Lyn Gardner of The Guardian described her performance as making "Desiree's death wish seem tragic rather than merely silly." In 2010 she played the title role in Anne Boleyn, a new play by Howard Brenton, who had also been involved in scripts for BBC's Spooks in which Raison went on to appear in 5 series, which premiered at Shakespeare's Globe on 24 July 2010 to high critical acclaim. In the same Shakespeare's Globe season Raison also played Anne Boleyn in Henry VIII by William Shakespeare.
It is unusual for the songs to be given publicly in full, although each of the published sets is often performed separately and recorded regularly – in fact, they can be said to be among the most frequently performed English art songs.Hall, George, booklet notes to Deutsche Grammophon CD 445946-2 Six Songs from A Shropshire Lad is the more popular set, with "Is My Team Ploughing?" being the most famous song. Another, "Loveliest of Trees", is the basis for his 1912 orchestral rhapsody, also called A Shropshire Lad, which quotes two songs from the whole – "Loveliest of Trees" and "With Rue My Heart Is Laden". The parallel is regularly madeStone, Mark, booklet notes to Stone Records CD 5060192780024 between the often gloomy and death-obsessed subject matter of A Shropshire Lad, written in the shadow of the Second Boer War, and Butterworth's subsequent death during the Great War.
Produced by Chris Brigandi and engineered by Ojo Taylor, featuring dark post-punk guitars with raw, echoed chords, rich soundscapes, and introspective, death-obsessed lyrics, the album created a controversy when it was released: listeners expecting a more happy- sounding punk rock album were horrified by the dark output, resulting with enormous amounts of the album being returned to the record company. Shaded Pain instead recalls the same sort of hollow, threatening darkness. Michael Knott's vocals combine styles from possessed howling ato shrieking through driving songs such as “Die Baby Die” and moaning like a "prophet of doom" in the chilling “Bye Bye Colour.” There is no much absolution on Shaded Pain, just endless emptiness. Even the up-tempo “Our Time Has Come” is built around the grim chorus: “Our time has come to kiss the cleaver.” Despite this, the record still sounds like a burst of creative energy, Brian Doidge’s guitar screaming like a rabid swine and Knott’s haunting voice is the embodiment of regret and self-loathing.

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