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"de nada" Definitions
  1. of nothing : you're welcome

46 Sentences With "de nada"

How to use de nada in a sentence? Find typical usage patterns (collocations)/phrases/context for "de nada" and check conjugation/comparative form for "de nada". Mastering all the usages of "de nada" from sentence examples published by news publications.

"De nada," I said to let her know she was welcome.
"Nos podemos concentrar y producir, y no nos perdemos de nada", asevera.
Ioan Grillo escribe en esta columna de opinión por qué no sirve de nada dejar de consumirlo.
As in previous interludes, you may encounter phone numbers in Un Pueblo de Nada; you should call them.
" De nada, we're just looking for the beginning of a common phrase, "hasta mañana," or "see you tomorrow.
"No me siento culpable de nada", dijo desde la terraza de su casa de dos pisos en la isla de Java.
De nada sirve que en Chile se pida perdón si los soldados siguen en la calle y no se cambia la constitución.
Soy ciudadana estadounidense, y si no podía liberarme por fin de mi pasado, entonces todos esos años de ansiedad no servirían de nada.
Si se le da dinero a la gente a cambio de nada, los vagos serán más vagos y el resto se irá a la quiebra.
Nestled on the sand on one of the many desolate beaches in Careyes is a charming, driftwood-style elevated beach shack called Casa de Nada.
Titled Un Pueblo de Nada, or "People of Nothing," it transports players to the offices of WEVP-TV in a strange, empty town on the night of a terrible storm.
El señor llevó su coche o carro a un taller para un arreglo menor: necesitaba cambiar los silenciadores del caño de escape o tubo de escape o exosto, una cosa de nada.
El señor llevó su coche o carro a un taller para un arreglo menor: necesitaba cambiar los silenciadores del caño de escape o tubo de escape o exosto, una cosa de nada.
In 2000, the singer of international hits like "Dueño de Nada" and "Pavo Real" was diagnosed with pulmonary fibrosis, a condition in which lung tissues scares and it becomes increasingly difficult to breath.
I buy a lot of the vintage TV stuff that appears in Un Puebla De Nada [the interlude between Act IV and V] are based on old broadcast cameras and Sony Trimitron TVs and tube cameras and stuff like that.
Sin embargo, lo que sucedió dentro del Congreso también se convirtió en noticia: el médico pediatra Abel Albino, llamado a declarar como experto, dijo que "el preservativo no las protege [a las personas] de nada porque el virus del SIDA atraviesa la porcelana".
Muchas gracias de nada is the sixth album by Les Luthiers, recorded live in the Teatro Coliseo. It was released in October 1980.
"Gosto de Tudo (Já Não Gosto de Nada)" is a song by Portuguese singer Rita Laranjeira. It represented Portugal at the Junior Eurovision Song Contest 2018.
Rita Laranjeira (born 3 March 2005) is a Portuguese child singer. She represented Portugal at the Junior Eurovision Song Contest 2018 with the song "Gosto de Tudo (Já Não Gosto de Nada)".
Bitchcraft, Bracket, Cara de Nada, Carlos!, Corduroy, The Fastbacks, Four Point Star, Hazel, The Meices, Overwhelming Colorfast, The Red Aunts, The Supersuckers, Tina Age 13. Friday, January 28 to Sunday, January 30, 1994. The poster artwork was made by local tattoo artist Mike Davis.
With the start of the New Year, 2006 also became the start of a new era for Nonstop. Invited by the Portuguese song producer, Elvis Veiguinha, to participate in RTP’s Song Festival Contest 2006, Nonstop jumped back into studio to record Coisas de Nada, originally entitled Vem Dançar. RTP’s Song Festival Contest 2006 took place on 10 March – Liliana’s birthday – at Lisbon’s Centro de Congressos. After a tie with Vânia Oliveira’s song, Sei Quem Sou (Portugal), the jury decided that Coisas de Nada would represent Portugal at the Eurovision Song Contest 2006 semi-final in Athens, making Nonstop the official winners of 2006 national contest.
In February 2015, he played Lucas in the Antena 3 series Velvet. A year later he received the Goya award for Best New Director for the film A cambio de nada. In 2018 he switched to stage direction for Perfectos desconocidos, written by Paolo Genovese, which he helped adapt.
"Congiunzione astrale", the music video was recorded in San Francisco by Marco Salom, and recounts a story of Kim and Jason, two young people which will meet each other in "Astral conjunction". The Spanish version of the single "La metà di niente" ("La mitad de nada") was recorded in duet with Sergio Dalma.
Since Laforet's death on 28 February 2004, renewed critical attention has focused on her lesser known works (essentially everything published after Nada), yet undoubtedly the public will always think of Nada when Laforet's name is mentioned, as evidenced by the Spanish phrase, Después de Nada, nada, or After Nada, nothing.Ellen Smith, "Amongst Women, Amongst Greatness" , www.latinolife.co.uk.
Carola Baleztena (10 January, 1980, Madrid) is a Spanish actress. Her most notable role was playing Natalia, the protagonist of the youth soap opera Nada es para siempre (1999-2000).¿Qué fue de Carola Baleztena, la protagonista de 'Nada es para siempre' y 'Al salir de clase' in 20minutos.es She is the granddaughter of Navarrese folk customs expert Ignacio Baleztena Ascárate.
Like Auden and other prolific poets, Keys writes songs, light verse, limericks, pithy satiric squibs, erotica;, ideograms, haiku, epigrams, parodies, and enigmatic epiphanies and riddles. His prose wonderscripts and plays are dense, and often dark and absurd. His children's books verge on fables. From the early 70s to the mid-90s Keys' relationship with the artist and flamenco guitarist, Frank Rush Miller (Paco de Nada) was important.
Rucks Parker was a Salvadoran pop rock duo originally from San Salvador, which was formed in 1992. The duo was made up of Gerardo Parker as composer and vocalist, and Daniel Rucks, as writer and vocalist. Rucks Parker duo is recognized for songs like "Como Quisiera Que No Existieras", "Suena Como Mozart", "3/4 de Nada", "Mi Bestia Interior" and "Por Dónde Sale el Sol".
The album included his numbers, Carambón and Sin pretención de nada ("With No Pretense at All"). The diminutive violinist was invited to take part in world-renowned cellist Yo-Yo Ma's dedication to Ástor Piazzolla, Soul of the Tango, in 1997. Following the album's recording, Agri joined the famous cellist on his promotional tour for the album. Agri's health, however, forced him to return to Buenos Aires.
O vinil do aflito Escurinho on gauchazh.clicrbs.com.br In 2009, Escurinho needed to amputate part of one leg due to health problems, such as kidney and diabetes. To assist in the process, Internacional decided to donate proceeds of the box office movie "Nothing will tear us apart," which chronicles the 100 years of living in Colorado, celebrated in 2009 Bilheteria de Nada Vai nos Separar doada para Escurinho on www.internacional.com.br.
Portugal was represented by Nonstop in the Eurovision Song Contest 2006 with the song "Coisas de nada" (Meaningless things), written and composed by José Manuel Afonso & Elvis Veiguinha. Nonstop were formed as a result of the TV show 'POPSTARS'. The group consisted of Andrea, Katia, Fatima, Liliana and Rita. Together they released their first album and had huge success with their first single Ao Limite Eu Vou and their second single Basta Um Sorriso.
On 16 April 2013, his eleventh studio album was released under the title Filippo Neviani and went on to peak at number two in the music charts. All the tracks on the album were played by Nek. The album followed on from the hit single "Congiunzione Astrale", on 22 March 2013. The following single "La metà di niente" was also re-recorded in Spanish as "La Mitad de Nada" in a duet with Sergio Dalma.
"Coisas de nada (Gonna Make You Dance)" ("Meaningless things (Gonna Make You Dance)") was the Portuguese entry in the Eurovision Song Contest 2006, performed in Portuguese and English by Nonstop. The song is an up-tempo number, with the girls singing that their presence and love will brighten the days of their lovers. The lovers don't need to say or do anything to achieve this result. Indeed, if the lovers were to speak, that would "ruin the night".
Jani Dueñas is the daughter of , sister of lawyer David Dueñas, and cousin of . She has appeared on radio, on the programs ' and Dueñas de nada on the Internet radio station Molecula.cl. She is also a panelist for the Vía X television program Campo minado, and serves as the announcer for ' on Chilevisión. In addition to her media work, she performs stand-up comedy shows, such as Hardcore, which co-starred in with , , and Paloma Salas.
The first representative to participate for the nation at the 2006 contest was Pedro Madeira with the song "Deixa-me sentir", which finished in second-last place out of fifteen participating entries, achieving a score of twenty-two points. Portugal withdrew from competing in , and returned in . Their worst result till date has been achieved by Rita Laranjeira with her song "Gosto de Tudo (Já Não Gosto De Nada)" in the Junior Eurovsion Song Contest 2018 where she placed 18th.
In 2002, another change on the lineup: Flávio and Heraldo, keeping away from the musical intentions of the rest of the band, left the band, being replaced by Sérgio Serra and Bacalhau. Soon, they released their sixth album, Os Invisíveis, with the track Domingo eu vou pra praia being a success. In March 2009, Sérgio Serra left the band due to inner discussions. Ultraje a Rigor is now working on a new album entitled Música Esquisita a Troco de Nada.
Despite an offer to continue with Lona Records, they decided they wanted to do their own production and distribution of their next album. They created a fictitious label, initially just to "have something to put on the cover", and that is how Terceiro Mundo Produções Fonográficas (Third World Phonographic Productions) was born, in 1999. It eventually became a genuine label and released albums by Sugar Kane and Noção de Nada, in addition to Dead Fish. They released Afasia (Aphasia) on their own label in 2001.
Later, they inserted this song on the country's radio stations, quickly becoming their first song recognized nationally. Consequently that same year they began the recording of what would be their first album, Bienvenidos a Mi Circo. This album would catapult them to success, releasing songs like "3/4 de nada", "Telarañas en la Mente", "Mermelada de Tristeza", "Me Llega Más Tu Mamá" y "Mi Bestia Interior". The song "Yo creo en El Salvador" is considered patriotic for the content of its lyrics, and gained radio rotation after January 2001 earthquakes.
It was called "Una pequeña parte del mundo" (A small part of the world) and it contained 13 songs, 12 written by the band and a version of the song "Nada de nada" by Cecilia. This time, the album was produced by Cameron Jenkins, who also worked with The Rolling Stones, George Michael and Elvis Costello. Eva met him on the recording of an Enrique Bunbury's album, on which she collaborated. Cameron loved her extraordinary voice since the first time he heard it and he proposed the band to work with him.
A chance encounter with actor and director Daniel Guzman in the streets of Malaga led to Herrán auditioning for the role of Dario in the film A cambio de nada, which he won a Goya award for in 2016. In 2017, he was cast as Río in the Antena 3 series La casa de papel, which was later picked up by Netflix. In 2018, he starred as Christian Varela in the Netflix original series Elite (TV series). Herrán also acted in an advertisement for the Indian music streaming platform Gaana.
The talks, with Costa Rican President Óscar Arias serving as mediator, proved unsuccessful, as both sides remained far apart according to regional leaders. The participants only agreed to meet again sometime in the future, as Zelaya left Costa Rica to gather more international support. Meanwhile, Micheletti announced that he accepted the resignation of his Foreign Minister Enrique Ortez, who, in a TV interview, had called US President Barack Obama "[un] negrito que no sabe nada de nada" ("a little black man who knows nothing about nothing"). The US Embassy in Honduras strongly condemned the comments, which Micheletti described as "a scandalous epithet".
The origins of punk rock in Brazil date back to the late 1970s. As in most other countries, the influence of the Sex Pistols, The Clash and The Ramones sparked the movement. Nonetheless, São Paulo was heavily influenced by less-known bands such as Speedtwins from Netherlands, as well as by earlier protopunk artists such as The MC5, Iggy & The Stooges and The New York Dolls. Punk was initially adopted and fostered by musician Douglas Viscaino, who brought together young people against the Brazilian military regime and matching revolutionary ideas in the politically oriented band Restos de Nada which started playing in 1978.
In 1982, the first Brazilian heavy metal LP was released by the band Stress from the city of Belém from northern Brazil. The punk scene in São Paulo was emerging as well, the band Restos de Nada ("Remains of Nothing") were formed in 1978. The European and North American heavy metal and hardcore have been a great influence on all these bands, but the first thrash metal (or speed metal) album released officially in Brazil was a split album between two bands in 1984. The split album Ultimatum, with bands Dorsal Atlântica and Metalmorphose, came out around the same time as Kill 'Em All by Metallica, War and Pain by Voivod, and Sentence of Death by Destruction.
The origins of punk rock in Brazil go back to the late 1970s, as in most other countries mainly under the influence of the Sex Pistols, The Clash and The Ramones. However, particularly in São Paulo, more obscure names like Dutch band Speed Twins, as well as earlier protopunk artists such as MC5, The Stooges and The New York Dolls also had a big initial impact. Brazilian punk emerged in part from the ideals of the musician Douglas Viscaino, who, imbued with the pioneering ideas and unity of young people that fought against the Brazilian military regime, formed a band of protest called: Restos de Nada (Remnants of Nothing). Their musicians already had their punk ideals before 1978.
Punk rock and hardcore punk in Brazil originated in the late 1970s, influenced by bands such as Sex Pistols, The Clash, Stiff Little Fingers and The Ramones. The first known Brazilian punk rock band was Restos de Nada ("remains of nothing"), which appeared in mid-1978 and set the stage for the emergence of many other bands that formed the scene Brazilian punk scene. From 1980 to 1985 São Paulo became a notable hub, featuring bands like Cólera, Olho Seco, Garotos Podres, Lobotomia, Mercenárias (an all-female band) and Ratos de Porão. While in São Paulo the scene leaned toward raw punk and hardcore, Brasília's punk rock bands were closer to new wave; Aborto Elétrico, Legião Urbana, Capital Inicial and Plebe Rude were some well-known bands from the capital.
Originally from College Park, Maryland, Nada began his music career in DC-area hardcore bands including De Nada, Super Chinchilla Rescue Mission, Medic, and Bison. He started as a radio DJ while going to college at the University of Maryland for 88.1 WMUC which led to his interest in production and being a DJ. In the early 2000s, Nada met Jesse Tittsworth through a mutual friend and was invited to spin at his party, Crunk, in Washington D.C. He went on to host TaxLo in Baltimore. In 2007 Tittsworth introduced Nada to Matt Nordstrom with whom he formed the DJ and production duo Nadastrom which was the forefront of his career for a decade. Nada's sets and productions notably include electro, house, Baltimore club, moombahton, punk, hip-hop, and Latin and folkloric elements and influences.
"We Are the Winners" was the 2006 entry into the Eurovision Song Contest for Lithuania, sung by Lithuanian all-star group LT United. The song, thematically reminiscent of Queen's "We Are the Champions", is a cheery tongue-in-cheek celebration of their supposedly inevitable victory at the Eurovision Contest in the form of a football chant, with the chorus repeating "We are the winners of Eurovision / We are, we are! [...] So, you gotta vote, vote, vote for the winners!". We Are The Winners was one of the few Eurovision songs to get booed.America, Meet the Eurovision Song Contest As Lithuania had not qualified for the final at the 2005 contest, the song was first performed in the semi- final. In the grand final, it was performed 18th, following the Netherlands' Treble with Amambanda and preceding Portugal's Nonstop with Coisas de nada. At the close of voting, it had received 163 points, placing 5th in the 23-strong field and qualifying Lithuania for the final. In the final, the song was performed 14th, following Bosnia and Herzegovina's Hari Mata Hari with Lejla and preceding the United Kingdom's Daz Sampson with Teenage Life.

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