112 Sentences With "day tripper" | Random Sentence Generator

Do that many Sremmurd fans catch the veiled "Day Tripper" reference?

"I&aposd rather be a day-tripper than a homesteader," he said.

A study in the British city of Cambridge found that the average coach day-tripper spends just £3.

The volcano on White Island, a popular tourist day-tripper destination, erupted on Monday, spewing ash and steam over the island.

"This is a very fast-food version of tourism," said the painter Antonio Palombo, 60, who keeps a studio on a back lane and rarely sees a day-tripper.

Klett and Wolfe photographed the many disused houseboats up on blocks, casualties of dwindling day-tripper tourism, and the forgotten possessions from old campsites being revealed like layers in time.

Sun Bum Premium Day Tripper, $18.85, at AmazonYou can buy sunscreen once you're on board your cruise or at port, but you might pay out your nose depending on the situation.

Playlist: "Cue" / "Music Plans" / "Expected Way" / "Opened My Eyes" / "The Madmen" / "You've Got To Help Yourself" / "Neue Tanz" / "Day Tripper" (Beatles Cover) Spotify | Apple Music In 1984, Hosono released Video Game Music.

Jazz-style solo breaks, referencing everything from Richard Wagner's opera The Valkyrie to The Beatles' "Day Tripper," reveal the method to their madness: Roxy is ever-evolving pastiche, sincere on one beat and camp on the next.

MidWest Home for Pets Day Tripper Backpack, $50 to $70 — available 2020Leave it to MidWest, a company known for its durable, functional pet crates, to engineer a pet backpack that is lightweight, sturdy, and comfortable for both you and your pet.

"Song Sung Blue" Neil Diamond, "One" by Three Dog Night, "Da Doo Ron Ron" by the Crystals, "Wedding Bell Blues" by Laura Nyro, "Maybe" by The Chantels, "Maybe Baby" by Buddy Holly, "Day Tripper" by the Beatles, "Blue Moon" by Rodgers and Hart, "Only You" by the Platters, and "Ain't No Sunshine" by Bill Withers are all part of the medley.

Gin Sin 6\. Let's Spend The Night Together 7\. I'm A Guitar 8\. Day Tripper 9\.

This provides the means of transport for a significant proportion of day-tripper tourists arriving in the territory.

"Day Tripper" had been conceived as the A-side of the Beatles' next single but the band came to favour "We Can Work It Out", which was predominately written by McCartney and recorded later in the Rubber Soul sessions. Lennon continued to argue for "Day Tripper". To promote the upcoming release, the Beatles filmed mimed performances of the two songs on 1–2 November for inclusion in the Granada TV special The Music of Lennon & McCartney. At the start of "Day Tripper", the band were accompanied by a group of go-go dancers.

Whale watching, when in season, captivates many a Sydney day-tripper. The spot is also a notable location for DX radio communication due to its southern and eastern vistas.

In June 1966, "Day Tripper" was included on Yesterday and Today, an album configured by Capitol for the North American market. In November that year, a new stereo mix was created for the EMI compilation A Collection of Beatles Oldies. "Day Tripper" later appeared on the band's 1962–1966 compilation, released in 1973. CD versions of that album used the November 1966 remix, as did the Past Masters, Volume Two compilation, released in 1988.

In the United States, "Day Tripper" peaked at number five on the Billboard Hot 100 chart and "We Can Work It Out" held the top position. "Day Tripper" is a rock song based around an electric guitar riff and drawing on the influence of American soul music. The Beatles included it in their concert set-list until their retirement from live performances in late August 1966. The single was the first example of a double A-side in Britain.

Described by Kruth as "red-hot", Hendrix's version was recorded for BBC Radio in 1967 and subsequently issued on his 1998 album BBC Sessions. Lennon was indifferent about Redding's version; in his 1968 Rolling Stone review, Lennon said he especially liked José Feliciano's recording of the song. "Day Tripper" was the lead track on the Irish band Beethoven's 1989 Him Goolie Goolie Man, Dem EP. Steven Wells of the NME named the record "Single of the Week", writing that "The centrestone of this jewel of a record is the kidnapping, tarring and feathering, mugging, shagging and destruction of 'Day Tripper'." Pauline Oliveros's tape-delay collage piece "Rock Symphony", which she debuted at the San Francisco Tape Music Center in December 1965, used samples of "Day Tripper" and "Norwegian Wood", along with recent recordings by the Animals, the Bobby Fuller Four and Tammi Terrell.

It was Setanta's first release, and contained five tracks, including a cover of "Day Tripper" by the Beatles. The EP was the NME's "Single of the Week" in their 3 June 1989 edition. In his review, NME writer Steven Wells called it a "jewel of a record" and wrote that writing that "the centre-stone....is the kidnapping, tarring and feathering, mugging, shagging and destruction of "Day Tripper"." Melody Maker journalist David Stubbs gave a less favourable review, describing Donnelly's vocals as "a wail of 'WHOOOAAAS', like brickies on a roller coaster".

Works outings and church or chapel excursions were extremely popular until the 1970s. While all of the foregoing still exist, the modern day-tripper experience is usually by motor car as a result of the growth of car ownership. Also, airlines such as Palmair promote day trips.

The song has been covered by many bands. Guns N' Roses recorded it on their 1993 album "The Spaghetti Incident?". This version features the signature guitar riff from the Beatles' "Day Tripper" as a gag at the end. The song is on the Britny Fox album Boys in Heat.

In a discussion about which of the two songs should be the A-side of the new single, Lennon had argued for "Day Tripper", differing with the majority view that "We Can Work It Out" was a more commercial song. On 15 November, EMI announced that the A-side would be "We Can Work It Out", only for Lennon to publicly contradict this two days later. As a result, the single was marketed as the first-ever "double A-side". Lennon's championing of "Day Tripper", for which he was the principal writer, was based on his belief that the Beatles' rock sound should be favoured over the softer style of "We Can Work It Out".

In medieval times a destination, for such a days would be religious (to a nearby shrine) or commercial for example to a seasonal fair). Later, in England, visits to stately homes by those who regarded themselves middle class became frequent and it was the tradition to reward the butler or housekeeper with a tip (gratuity) for providing access to their employer's home. As such homes were meant for show it is unlikely that the owning family would object, provided they were not in residence at the time. The arrival of the railway excursion, often using Day Tripper tickets, in the mid 19th century saw the blossoming of a distinctive day-tripper industry.

A "day tripper" one-day pass can be purchased for $3.50 while boarding the bus (TARC3 is currently not participating but will be phased in at a later time). Express fares are $2.75, or $1 with a bus pass currently. Children under 6 with a fare-paying rider pay no fare, limited to 3.

Like many of the group's other songs, "I Like to Rock" is sung by Myles Goodwyn, accompanied by blues rock electric guitar and hard rock sounds. The final verse of the song includes the main guitar riffs to the Beatles' "Day Tripper" and the Rolling Stones' "(I Can't Get No) Satisfaction" played simultaneously, in homage to these bands.

Divididos demolió River, y presentó su primer tema nuevo en un lustro Covers not committed to CDs include I Want You (She's So Heavy) and Day Tripper by The Beatles. In their shows, Divididos has played songs such as "Rock and Roll" and "Moby Dick" (Led Zeppelin), and "Little Wing" (Jimi Hendrix). The band also covers some Sumo songs, usually in medley format.

The wharf on the southern side of the island, with the bay behind filled with day-tripper boats. The island's trust organises an active programme of pest eradication and is slowly replanting sections of the island with native trees. Rats and mice were eradicated in 1996 and rabbits in 2004. The conservation programme has reintroduced native species like the North Island saddleback (tieke).

It features two medleys of then-current songs including, "Midnight Hour", "You Are My Sunshine" and "Day Tripper". In August 2003 Wyllie compered a reunion stage show, Uptight, with the line-up of fellow 1960s artists and regular performers: Jim Keays (The Masters Apprentices), Marcie Jones, Ronnie Charles (The Groop, Bobby Bright (Bobbie and Laurie), and the Strangers at Melbourne's Palais Theatre.

The record was produced by Roger Savage. It contains two side-long medleys of then-current songs including, "Midnight Hour", "You Are My Sunshine" and "Day Tripper". Wyllie had a No. 17 hit on Go-Sets National Top 40 in July 1969, with his cover of Ray Stevens' song, "Funny Man". His National No. 1 hit, "The Star", followed in November.

The Music of Lennon & McCartney was not aired again until 30 December 1985. It was shown on Channel 4 as part of an evening of programmes recognising 30 years of Granada Television. Due to this broadcast, the programme began circulating among bootleg collectors for the first time. The "Day Tripper" segment was included in the Beatles 1+ CD and DVD set, released in November 2015.

The Beatles performed at the Liverpool Empire during their UK tour in support of Rubber Soul. The shows there marked the group's final concerts in their hometown. Rubber Soul was issued on EMI's Parlophone label on 3 December 1965. The "Day Tripper" / "We Can Work It Out" single was also released that day and was the first example of a double A-side single in Britain.

Trippers also travelled in their thousands by paddlesteamer or steamship to the many piers around Victorian era seaside resorts. The General Slocum excursion was an example. Cycling became a very popular day-tripper activity, especially amongst urban and suburban workers from the mid-1880s onwards. Coach and charabanc outings followed as the internal combustion engine became reliable enough to get the paying customers out and back again.

"Dunphy, Dw. "New Jersey, Diners, And YouA Day Tripper look into two memorable spots to grab a quick bite.", ChathamPatch, March 30, 2012. Accessed October 28, 2013. "The [Roadside Diner] in Wall has been an area institution since the 1940s, at the intersection of Rt. 33 and 34 on the Collingwood Circle and was used as a location for the cover of the Bon Jovi album Crossroad.

"Day Tripper" is a song by the English rock band the Beatles that was released as a double A-side single with "We Can Work It Out" in December 1965. Written primarily by John Lennon, it was credited to the Lennon–McCartney partnership. Both songs were recorded during the sessions for the band's Rubber Soul album. The single topped charts in Britain, Ireland, the Netherlands and Norway.

The Beatles montage was about three seconds in duration and contained one or two notes of each of the songs. They were "Hey Jude", "Got to Get You into My Life", "Day Tripper", "Come Together", "Do You Want to Know a Secret", and "Ticket to Ride". The station announced that the contest winner was from Tappan, New York. The prize was a Rock-Ola jukebox stocked with Beatles 45s.

The Beatles completed "Wait" for the album, having taped the song's rhythm track during the sessions for Help! in June 1965. The instrumental "12-Bar Original", a twelve-bar blues in the style of Booker T. & the M.G.'s, was recorded but remained unreleased until 1996. "Day Tripper" and "We Can Work It Out" were also recorded during the Rubber Soul sessions, but issued separately on a non-album single.

A railway once serviced Fenit and freight trains travelled over the viaduct to transfer freight between ship and train. In 1887 the railway line was built, but by the 1970s the service ceased. Fenit railway station opened on 5 July 1887, closed for passenger traffic on 31 December 1934 though it was still used for ad hoc day-tripper excursions from Tralee and closed for goods traffic until 2 June 1978.

Day Tripper is a multi-modal ticket allowing unlimited travel in the Strathclyde area, by rail, bus, underground and ferry for 1 adult and up to 2 children or 2 adults and up to 4 children. The ticket is heavily subsidised by the Passenger Transport Executive and addresses social needs (e.g., to let low- income families without access to a car to take a trip to the beach).

The record was awarded "Single of the Week" by Steven Wells in the NME, who wrote that "The centre-stone of this jewel of a record is the kidnapping, tarring and feathering, mugging, shagging and destruction of "Day Tripper." Setanta founder Keith Cullen later said that while he admired the band, by then "it was all about drinking really. Donnelly and Ricky were always drunk. It was a laugh basically.

The band bought the live footage because it seemed to be the best one available to date regardless of the previous TV releases. Twelve cameras were used. The DVD does not have the performances of the cover songs "Back in the USSR" and "Day Tripper Medley" that were part of the live show and TV broadcast. A bonus CD of the Dead Again album has five audio tracks from this show.

McCartney and Lennon on a Dutch television show in June 1964 Melody Maker announced the TV special, along with the imminent release of "Day Tripper" / "We Can Work It Out" and Rubber Soul, and the dates for the band's 1965 UK tour, on the front page of its 4 December issue. The special aired on the Granada network in the north of England between 9.40 and 10.35 pm on 16 December, and then received a nationwide broadcast on ITV on 17 December. It was the only television appearance the Beatles made in conjunction with the release of their new music, as promotional films for "Day Tripper" and "We Can Work It Out" were used to promote the single on Top of the Pops and other TV shows. The Music of Lennon & McCartney inspired the band's decision to make these clips, which served as forerunners to music videos becoming the standard means of promoting pop singles.

He considers it to be "Musically uninspired by The Beatles' standards" and ruined by the engineering error in the third verse. Alex Petridis of The Guardian finds the song inferior to "We Can Work It Out", writing: "Its addictive riff aside, there is something unappealingly snooty about Day Tripper: the sound of an acid initiate sneering at someone insufficiently hip to have turned on, tuned in and dropped out." "Day Tripper" / "We Can Work It Out" was one of the "Treasure Island" singles listed in Greil Marcus's 1979 book Stranded. It was also included in Marsh's 1989 book The 1001 Greatest Singles Ever Made, ranked at number 382, and in Paul Williams' 1993 book Rock and Roll: The 100 Best Singles of All Time. The NME ranked it at number 25 in the magazine's list of "The Top 100 Singles of All Time" in 1976, and Mojo ranked it 62nd in a similar list compiled in 1997.

"We Can Work It Out" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It was first issued as a double A-side single with "Day Tripper" in December 1965. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides. The song was recorded during the sessions for the band's Rubber Soul album.

"Day Tripper" was not actually recorded live. While the band had recorded a live cover of the song, they did not like the way it had turned out. It was rerecorded in the studio with the live crowd from the original track added in. "Can't Hold On" was from the Budokan concert in 1978 and has since been included on the Budokan II and Cheap Trick at Budokan: The Complete Concert albums.

Wallacia sits beside the Nepean River and landmarks include the Weir, Wallacia Bridge, Little Bondi and Wallacia Hotel - mock Tudor design by the Fowler family. It was the first place in Australia to introduce a fish ladder next to a weir. Wallacia’s tourism is centred on the day-tripper trade with the Wallacia Hotel and the Wallacia Golf Course, the chief attractions. Blaxland Crossing Reserve is a prominent parkland with picnic tables and barbecue areas.

I'd recorded A Hard Day's Night, Day Tripper and And I Love Her before, but I didn't really get them. But my producer Charles Stepney told me to think about doing a Beatles covers album. I didn't think that they had enough songs to do an entire album but he gave me a copy of the White Album and told me to listen. I did, but couldn't see how I could do anything with it.

Deface the Music is the fifth studio album by the band Utopia. The concept of the album was to pay homage to The Beatles and create songs which sounded very similar to the Fab Four's tunes throughout the various stages of their career. Their song "Take It Home", replete with guitar riff, is their homage to "Day Tripper". The first track, "I Just Want to Touch You", was written by Todd Rundgren for the Roadie soundtrack.

Lennon and McCartney's contributions included delivering the scripted links between other artists' performances of their songs. George Harrison and Ringo Starr joined their bandmates to film mimed performances of both sides of the Beatles' forthcoming single, "Day Tripper" and "We Can Work It Out". The set design featured scaffolding around the walls, and steps and ladders. The harmonium played by Lennon during "We Can Work It Out" was the same instrument seen in Granada's popular soap opera Coronation Street.

Mason & Hamlin pump organ or harmonium. Lennon played a Mannborg harmonium on the recording. The Beatles recorded "We Can Work It Out" at EMI Studios (later Abbey Road Studios) in London on 20 October 1965, during the sessions for their Rubber Soul album. Along with Lennon's "Day Tripper", the song was earmarked for the non-album single that would accompany the release of the new LP. The band taped a satisfactory basic track in just two takes.

The Wall were reduced to a duo of Beith and Griffiths, who soldiered on for one last effort, the Day Tripper EP in late 1982, before the group split up for good. Beith had a short spell with And Also the Trees before joining UK Subs in 1984, and running his own RFB record label. He later worked as a motorcycle mechanic. A collection of the band's independent releases was issued in 1998 on Captain Oi!.

Until 1970 there was no universally recognised year-end best-sellers list. However, in 2011 the Official Charts Company released a list of the best-selling single of each year in chart history from 1952 to date. According to the list, "Tears" by Ken Dodd is officially recorded as the biggest-selling single of 1965. "Tears" (3), "The Carnival Is Over" (6) and "Day Tripper"/"We Can Work It Out" (7) all ranked in the top 10 best-selling singles of the decade.

Day-tripper trade at Margate remained substantial, but the loss of holiday revenue meant that the town began to struggle to maintain its infrastructure. This, in turn, started to affect its attractiveness as a day destination. However, the investment by Bembom Brothers indicates that this was not regarded as an appreciable threat to Dreamland at the beginning of the Eighties. More immediately serious was the opening of much larger amusement parks closer to London, on expansive sites and with ample vehicle parking.

The namesake of the wilderness Mount of the Holy Cross offers a challenging hike with a huge payoff. Its neighbor Notch Mountain grants the backpacker or day tripper with a clear view of the "Cross" that has drawn many a pilgrim to this site. Visiting this backcountry will check all the boxes for those looking for a wilderness retreat from the hustle of daily living. The Holy Cross Wilderness has a history of many hikers, often those who are unprepared, becoming endangered.

Upper Ferntree Gully was a farming area in its early days and formed the end of the electric train line from Melbourne. Holiday makers and day trippers would then make their way by various means of transport to holiday and day tripper locations in "the hills". Many Melburnians up to (at least) the 1930s also holidayed in cottages in Upper Ferntree Gully. Coonara House in Willow Road is the oldest building in Upper Ferntree Gully, ahead of The Royal Hotel.

She operated on routes between Port Alberni, Bamfield and Ucluelet, all near or on Barkley Sound. In 1951 Union Steamship sold Lady Rose to Harbour Navigation Company. Later owned by Lady Rose Marine Services, she remained a vital cargo link to Bamfield until the beginning of the 21st century, although her primary cargo has always been passengers, as she was built as a day- tripper for Union Steamship. In 2012 she was moored in Tofino at Jamie’s Whaling Station where she awaited restoration.

Lennon and McCartney overdubbed lead vocals, with McCartney the more prominent singer in the verses' first and third lines, and Harrison added a harmony vocal over the choruses and the instrumental bridge. Starr overdubbed the tambourine. Music journalist Rob Chapman views the guitar interplay on "Day Tripper" as an example of the Beatles' "baroque sonata" approach to musical arrangements. Harrison played the bridge's rising scale using a guitar volume-pedal effect, and overdubbed a second lead guitar part over the same section.

Limited Edition bonus acoustic CD. All songs recorded live in Rome at Palazzo dello Sport, 27 October 1989. ;Notes : "Would I Lie To You" abridged version that fades out at 3:35. Originally part of a medley that segued into a cover of The Beatles hit "Day Tripper". : "The Miracle of Love" is incorrectly credited as recorded in Paris, September 1989, though it was actually recorded in Sydney, Australia on 14 February 1987 and was featured (in full) on their Eurythmics Live video.

Two further singles were lifted from this album, "This Is My City" / "Somewhere In Sydney" and "Blue Jeans" / "Mumbo Jumbo", both in 1976. These peaked at #32 and #12 respectively on Australian charts. "Million Dollar Riff" contains musical quotes and lyrical allusions to other hit songs. It includes the guitar riffs from Skyhooks' own #1 hit "Horror Movie", plus the worldwide hits "Satisfaction", "Smoke on the Water", "Sunshine of Your Love", "Day Tripper", "Gloria", and Chuck Berry's "Johnny B. Goode".

The band released an EP, Him Goolie Goolie Man, Dem, in early June 1989, produced by Jon Langford of the Mekons and the Three Johns. It was Setanta's first release, and contained five tracks, including a cover of "Day Tripper" by the Beatles. A few weeks after release, on 18 June 1989, Donnelly drowned while swimming in Hyde Park's Serpentine Pond, aged 27. Dineen had been out with him that day, and they had planned to meet at a pub later in the evening.

She agreed, and six months later the group signed a contract with A&M; Records. Unlike the previous incarnation, Brasil '66 was an instant success – making a significant impact on the charts with its first single, a version of the Brazilian song "Mas Que Nada". Much of the song's appeal was due to Hall's distinctive, multi-tracked vocals and Herb Alpert's expertise as producer. A series of popular interpretations followed, including their take on The Beatles' "The Fool on the Hill" and "Day Tripper".

Hot on the heels of Replenish, in summer 1995, came a non-album, four- track single release entitled "Weird". It was a very non-commercial track and Reef had said the release was aimed at the fans. "Sunrise Shakers", one of the B-sides to "Weird", was later featured in snowboarding film Day Tripper, by independent film maker Christian Stevenson. Stevenson, known for his films about extreme and free sports, was later to direct a promotional video for Reef, for their "Sweety" single in 1999.

"Day Tripper" was ranked the 30th best Beatles song by Ultimate Classic Rock in 2014 and by the music staff of Time Out London in 2017. By November 2012, the single had sold 1.39 million copies in the UK, making it the group's fifth million-seller in that country. As of December 2018, the double A-side was the 54th best-selling single of all time in the UK – one of six Beatles entries in the top sales rankings published by the Official Charts Company.

Highly Prized Possession is the ninth studio album by Anne Murray, released in November 1974. In the U.S., the album peaked at number 8 on the country album charts and number 70 on the pop albums chart; in Canada, the album reached number 26. Murray's cover of the Beatles' "Day Tripper" was released as a single (following her chart success the year before on another Beatles cover "You Won't See Me"), and it reached # 59 on the Hot 100, but failed to hit the U.S. Country chart.

The record was the Beatles' ninth consecutive chart-topping single in the UK and the band's fastest-selling single there since "Can't Buy Me Love", their previous McCartney-led A-side. At the following year's Ivor Novello Awards, "We Can Work It Out" was acknowledged as the best-selling single of 1965, ahead of "Help!" By November 2012, it had sold 1.39 million copies in the UK, making it the group's fifth million-seller in that country. As of December 2018, the double A-side was the 54th best-selling single of all time in the UK – one of six Beatles songs included on the top sales rankings published by the Official Charts Company. In the United States, where the single was issued by Capitol Records on 6 December (as Capitol 5555), both songs entered the Billboard Hot 100 on the week ending 18 December. On 8 January 1966, "We Can Work It Out" hit number 1 on the chart, while "Day Tripper" entered the top ten at number 10. "We Can Work It Out" spent three non-consecutive weeks at number 1, while "Day Tripper" peaked at number 5.

The bass line for the song, performed by legendary Motown bassist James Jamerson, and the opening guitar riff were based upon that of "Day Tripper" by the Beatles. The song was featured in the Stephen King miniseries The Stand (1994) and the feature film Roll Bounce (2005). In 2010, "Boogie Fever" was briefly used in a scene in Despicable Me, and in 2012 it was used in its theme park attraction adaptation, Despicable Me: Minion Mayhem. The song has also appeared in TV ads for Intel Pentium II, Old Navy and Little Caesars Pizza.

The Music of Lennon & McCartney is a 1965 British television special honouring the Lennon–McCartney songwriting partnership of John Lennon and Paul McCartney of the English rock band the Beatles. It was produced by Granada Television and aired on that network on 16 December 1965 before receiving a national broadcast the following evening. The programme mainly consisted of other artists miming to their recordings of Lennon–McCartney songs, interspersed with scripted commentary from Lennon and McCartney. In addition, the Beatles performed both sides of their current single, "Day Tripper" and "We Can Work It Out".

For the first time for one of their singles, the Beatles filmed promotional clips for "We Can Work It Out" and "Day Tripper". Subsequently, known as the "Intertel Promos", these clips were intended as a way to save the band having to appear in person on popular British television shows such as Ready Steady Go! and Top of the Pops, and also ensured that the Beatles reached their large international audience. Filming took place at Twickenham Film Studios in south-west London on 23 November 1965, with Joe McGrath as director.

"Ticket to Ride" features in a scene in the film Help! The Beatles are seen attempting to ski and avoiding a team of assassins from a cult whose quest is to murder Starr. The scene was filmed at Obertauern in the Austrian Alps in March 1965. On 23 November 1965, the Beatles filmed promotional clips for "Ticket to Ride" and four other songs, including both sides of their upcoming single at the time, "Day Tripper" / "We Can Work It Out", at Twickenham Film Studios in south-west London.

In October 2012 they began canning and distributing their two flagship beers, Day Tripper American Pale Ale and Midnight Rider American Black Ale, to liquor stores throughout the Minneapolis-St. Paul area. In July 2013, a $250,000 expansion was announced with the aim of doubling the brewery's capacity to 6,400bbl per year. In August 2013, Indeed reported it was on track to brew over 6,000bbl by the end of 2013 and that its beers were now available in over 300 bars, restaurants and liquor stores throughout the Twin Cities metro area.

Rubber Soul is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom, on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American version of the album, issued by Capitol Records, contained ten of the fourteen songs and two tracks withheld from the band's Help! album. Rubber Soul met with a highly favourable critical response and topped sales charts in Britain and the United States for several weeks.

The first serious crowd disturbance occurred at Cleveland's Municipal Stadium, where the Beatles performed to nearly 30,000 on 14 August. As they started to play "Day Tripper", over 2,000 fans broke through the security barriers separating the audience from the area housing the elevated stage, causing the Beatles to stop the performance and shelter backstage. Thirty minutes passed before security was restored and the show resumed. Commentators likened the episode to the race riots that had taken place in the east of Cleveland shortly beforehand, and substantial damage was done to the stadium.

The Beatles taped the rhythm track of "If I Needed Someone" at EMI Studios in London, in a single take, on 16 October 1965. The recording took place just before midnight at the end of a session dedicated to their next single, "Day Tripper". Harrison played his new, 1965 Rickenbacker 360/12 on the song. According to musicologist Walter Everett, the sound of Harrison's chiming guitar, combined with that of Lennon's Fender Stratocaster rhythm part, produced "the Beatles' brightest guitar sound yet", and so served as "a fitting tribute to the Byrds".

Anne Murray included a cover of "I'm Happy Just to Dance with You" on her 1980 album Somebody's Waiting. Murray had had some success in previous years covering other Beatles songs such as "You Won't See Me" and "Day Tripper." Unlike the Beatles' original, Murray's version of "I'm Happy Just to Dance with You" is an adult- contemporary ballad. Murray's version of the song was released as a single in mid-1980, reaching No. 64 on the Billboard Hot 100, No. 23 on the Billboard country chart, and No. 13 Adult Contemporary.

Its success popularised the format and, in giving equal treatment to two songs, allowed recording artists to show their versatility. The band's use of promotional films to market the single anticipated the modern music video. In the UK, "Day Tripper" / "We Can Work It Out" was the seventh highest selling single of the 1960s. As of December 2018, it was the 54th best-selling single of all time in the UK – one of six Beatles singles included in the top sales rankings published by the Official Charts Company.

The Beatles included "Day Tripper" in the set list for their December 1965 UK tour. They continued to perform it live throughout 1966. When they played it as Cleveland's Municipal Stadium on 14 August, the song triggered a crowd invasion that some commentators likened to the race riots that had recently taken place in the east of Cleveland. Over 2,000 fans broke through the security barriers separating the audience from the open area housing the elevated stage, causing the Beatles to stop the performance and shelter backstage for half an hour until order was restored.

Dave Marsh described "Day Tripper" as the most authentic approximation of a genuine soul recording the Beatles had yet made. Tim Riley deems it "Lennon's guitar heaven", with a mid-song "rave-up to end all rave-ups" and a "brilliant yet coolly irreverent" riff. He also admires Starr's drumming, particularly over the coda, saying that it serves as one of "Ringo's finest moments" on record. Less impressed, Ian MacDonald says the track suggests that wit in the form of musical jokes had become the band's "new gimmick".

In 2010, Rolling Stone ranked "Day Tripper" 39th in its list of "The 100 Greatest Beatles Songs". In Mojos list, published in 2006, the track appeared at number 74, a ranking that Keith Cameron bemoaned as too low in his commentary for the magazine. He said it was the most riff-oriented of all the Beatles' songs and praised the group's performance, highlighting Lennon and McCartney's "finest tag vocal melodrama", Starr's effective drum rolls, and Harrison's ascending sequence over the middle eight for "lur[ing] us to the verge of hysteria".

The Beatles famously gave their last full public concert at Candlestick Park on August 29, 1966. Songs performed at the show were "Rock and Roll Music", "She's a Woman", "If I Needed Someone", "Day Tripper", "Baby's in Black", "I Feel Fine", "Yesterday", "I Wanna Be Your Man", "Nowhere Man", "Paperback Writer", and "Long Tall Sally". An "official" bootleg recording of the 33-minute setlist was made by the Beatles' press officer, Tony Barrow, at the request of the band. As his cassette could only record 30 minutes per side, it ran out with a minute of the closing song, "Long Tall Sally", remaining.

The Beatles' 1965 tour of the United Kingdom was a concert tour that took place between 3 and 12 December 1965, comprising 18 shows at nine venues across England, Scotland and Wales. It coincided with the release of the Beatles' studio album Rubber Soul and their double A-side single "Day Tripper" / "We Can Work It Out", and was the final UK tour undertaken by the band. Weary of Beatlemania, the group conceded to do the tour but refused to also perform a season of Christmas concerts as they had done over the 1963–64 and 1964–65 holiday seasons.

The steamboat Elise Early experiments with steam were started in 1780s on the Rhone River in France, and were perfected with Fulton's boat on the Seine in 1803. The British had the early lead with steam, from James Watt, William Symington, and Henry Bell, and thus it became logical that the technology transfer would migrate across the English Channel. The Rob Roy did such a task in 1816, while the Aaron Maltby left London and sailed up the Seine to Paris in 1822. A charter was issued for a tourist day tripper steamboat company in Paris.

Dear John appeared on video in 1998, three cassettes with both series and the Christmas special, under Playback Entertainment. Acorn Media UK released both series of Dear John on DVD in the UK in 2010. The first episode is shorter than the one originally broadcast on BBC1 as contractual edits have been made, namely the removal of Beatles music during and at the end of the episode. The subtitles still show "Day Tripper" being played as John enters the community hall and acknowledges some men dressed in Fab Four suits, but the music playing is actually muzak.

During their peak (around the time of the Moseley Shoals release) OCS also regularly performed on stage with Noel and Liam Gallagher of Oasis, with whom they were on tour at the time. One particular performance of note with the Gallaghers was a rendition of The Beatles' "Day Tripper", which was included as a live B-side to "The Circle". The song was also included on the B-side compilation album, B-sides, Seasides and Freerides. Noel Gallagher previewed an advance copy of the song during an interview on BBC Radio 1 with DJ Jo Whiley.

Several tracks, including "I Want to Hold Your Hand", "Day Tripper", "We Can Work It Out" and "Paperback Writer", were remixed in stereo for the album, since the majority of the Beatles' singles had only been mixed for mono release previously. The stereo mixing was overseen by George Martin, the Beatles' producer, with none of the band members present. The mixing sessions took place between 31 October and 10 November 1966 at EMI Studios (later Abbey Road Studios) in London. Martin was surprised at how time-consuming the remixing of "She Loves You" and "I Want to Hold Your Hand" proved to be.

He worked there from 1950 through 1963, as well as in Long Island's Lido Beach and Long Beach, a strip which was known for its private beach clubs and hotels. He brought his fiery dance rhythms into the Malibu Beach Club, Colony Beach Club, The Coral Reef, The Monaco, The Sands and The Shelbourne. These venues drew thousands of day-tripper/ members who arrived early to enjoy their cabanas, beaches, pools and tennis courts. Later in the evening, the patrons would dress up elegantly for dinner in the restaurants and take in star-studded shows in the nightclubs.

Other artists who have covered "If I Needed Someone" include James Taylor and the doom metal band Type O Negative. The latter included it with "Day Tripper" and "I Want You (She's So Heavy)" as part of a Beatles medley on their 1999 album World Coming Down. In 2005, Nellie McKay recorded the song in the lounge jazz style for the multi-artist compilation This Bird Has Flown: A 40th Anniversary Tribute to the Beatles' Rubber Soul. The English folk duo Show of Hands have also covered the song, incorporating Eastern instruments such as the tabla.

The ballad arrangement, metronome-like percussion and heavy use of the ARP Odyssey synthesizer was an early attempt to fuse traditional rock with the new musical technology.. The Japanese band Yellow Magic Orchestra pioneered synthpop with their self-titled album (1978) and Solid State Survivor (1979),J. Ankeny, Yellow Magic Orchestra - biography, allmusic, Retrieved 16-2-2014 with the latter including several early computerized rock songs, such as a mechanized cover version of The Beatles' "Day Tripper" (1965). Also in 1978, the first incarnation of The Human League released their début single "Being Boiled" and Devo moved towards a more electronic sound.

Since 2005, Tanaami has been presenting new works that fall in the realm of fine art. In these works, he continues to manifest images from his personal memories and from his dream world -- personified goldfish, deformed characters, rays of light, helical pine trees, fantastical architecture, young girls -- through the various mediums of painting, sculpture, film and furniture. Tanaami has worked as a professor at Kyoto University of Art and Design since 1991, where he has helped bring up young new artists such as Tabaimo. Recent exhibits include "Day Tripper" at Art & Public in Geneva (2007), "SPIRAL" at Galerie Gebr.

The compilation and its predecessor were both originally conceived in early 1966, when EMI Australia requested stereo tapes from their UK branch for tracks not already in the Australian vaults. This meant the album contains the original 1965 stereo mixes of "Day Tripper" and "We Can Work It Out" rather than the new stereo mixes created for the late-1966 compilation album A Collection of Beatles Oldies. The compilation was the only album release worldwide of the original stereo mix of "She's a Woman" until The Beatles Box in 1980 and the Past Masters collection in 1988..

Throughout the summer, soul music had been one of the dominant sounds heard on American radio, particularly singles by acts signed to the Motown and Stax record labels. Author Jon Savage writes that in the British pop scene of late 1965, American soul music was "everywhere", and the Beatles readily embraced the genre in both "Day Tripper" and the Rubber Soul track "Drive My Car". According to MacDonald, Lennon possibly came up with the riff in an effort to improve on the Rolling Stones' 1965 hit single "(I Can't Get No) Satisfaction", which similarly showed the influence of Stax soul.

Rob Chapman cites the Oliveros composition as an example of mid-1960s avant-garde composers being quick to incorporate the latest pop sounds into their work, thereby expanding the scope of their medium. Eric Clapton included the riff from "Day Tripper" in the song "What'd I Say" on the 1966 album Blues Breakers with Eric Clapton. That same year, Buffalo Springfield included the riff in "Baby Don't Scold Me", a track available on the original pressing of the band's debut album, Buffalo Springfield. Yes used it in the introduction to their 1969 cover of the Beatles' "Every Little Thing".

"Let's Hang On!" by The Four Seasons featuring Frankie Valli, and "My Ship Is Comin' In" by The Walker Brothers were the singles from 1965 to reach their peak in 1966. Twenty-eight artists scored multiple entries in the top 10 in 1966. Dave Dee, Dozy, Beaky, Mick & Tich, Four Tops, Ike & Tina Turner, Nancy Sinatra, Small Faces and The Spencer Davis Group were among the many artists who achieved their first UK charting top 10 single in 1966. The 1965 Christmas number-one, "Day Tripper"/"We Can Work It Out" by The Beatles, remained at number one for the first three weeks of 1966.

By now Viola has realised that she loves Johnnie Wrighton, but her mother already has other plans for her. Viola is to get a job in Berkshire as a receptionist for a distant uncle of hers who is a GP there. That way, Clementine Kemble assures her, she will meet many eligible young men to choose from. Only by means of a "ruse"—she tells her little sister that she got pregnant from a day tripper to the island—can she eventually convince her mother, who for an awful moment loses her poise and fears that it actually might be true, that they are now on the same footing.

Author Kenneth Womack writes of their absence, as of the Beatles' non-participation: "Clearly, A Collection of Beatles Oldies was the sole priority of EMI at this juncture." Two other EMI engineers, Peter Bown and Graham Kirkby, remixed "Day Tripper" and "We Can Work It Out" that day. They then worked on "This Boy", the B-side of "I Want to Hold Your Hand", but this was due to a miscommunication with EMI's office in Manchester Square, where the song had been confused with "Bad Boy". The error was discovered later, by which point there was no time to remix "Bad Boy" and the original mix was used for the compilation.

Main guitar riff The main compositional feature of "Day Tripper" is its two-bar, single-chord guitar riff. The riff opens and closes the song, and forms the basis of the verses. In addition, the pattern is transposed to the IV chord during the verses and to the V chord for the bridge. In musicologist Alan Pollack's description: > [The] riff has both the overall shape of an non-symmetrical rising arch > whose descent does not completely balance out its ascent, yet it makes an > impression of upward bound saw-tooth angularity; note particularly the way > it drops a full octave in the space of a single eighth note whenever it > repeats.

Recorded throughout 2004 into 2005, using the same team that created Vertical Man (1998) and Ringo Rama (2003), Starr produced the set with longtime musical partner Mark Hudson and performed it with their studio team. The title track has a Beatles-like "Day Tripper" guitar riff with a coda similar to "The Word" and mentions the Beatles songs "The Long and Winding Road", "Tomorrow Never Knows" and "What Goes On". As ever, a Starr album would be lacking if it did not include some celebrity guests and Choose Love does not deviate from the formula; it features Billy Preston and Chrissie Hynde as its most notable guests.

It reached no.51 on the Billboard Hot 100 in 1961, although it did not make the national R&B; chart. It was later covered by several British acts including the Spencer Davis Group, Manfred Mann, Dr. Feelgood, Steve Marriott, Adam Faith, and also by Carlos Santana, and was performed by the Beatles in concerts during 1961 and 1962. The song's guitar riff inspired the introduction to the Beatles' 1964 hit single "I Feel Fine",Scott Freiman, "10 Things You Didn't Know About the Beatles' Music: The Intro to 'I Feel Fine' Was Borrowed from Bobby Parker's 'Watch Your Step'", Rolling Stone. Retrieved 3 November 2013 and, according to John Lennon, also provided the basis for "Day Tripper".

Thirteen of the fifteen other songs had been issued as singles, all of which had topped the national chart compiled by Record Retailer magazine (subsequently adopted as the UK Singles Chart). "Love Me Do" and "Please Please Me", the Beatles' first two hit singles, were not included. The compilation provided the debut UK album release for the following singles tracks: "From Me to You", "She Loves You", "I Want to Hold Your Hand", "I Feel Fine", "Day Tripper", "We Can Work It Out" and "Paperback Writer". The two songs that had not been issued as UK singles (apart from "Bad Boy"), "Yesterday" and "Michelle", had each been number 1 hits in other European countries overseen by EMI.

Harmonically it outlines a bluesy I9 chord (with the flat > seventh!). Rhythmically, it places hard syncopations on the eighth note > preceding both the first and third beat of the second measure, while its > final three eighth notes provide momentum that effectively leads into the > repeat. Musicologist Walter Everett highlights the riff as an example of the Beatles drawing inspiration from other artists and improving on the source material. He sees the "Day Tripper" riff as a combination of the ostinatos heard on Motown recordings such as the Temptations' "My Girl", Barrett Strong's "Money (That's What I Want)" and Marvin Gaye's "I'll Be Doggone", while also incorporating a rockabilly element that recalls Roy Orbison's "Oh, Pretty Woman".

Tom Guernsey has recollected that there were up to 500 in the store and 300 outside. Shaver, who did not have insurance to cover the damage costs, went on to comment in Billboard that he previously let well-known stars such as Johnny Rivers, Johnny Tillotson, Peter and Gordon, and Ramsey Lewis perform at his store, but "...they never created anything like this." By February 1966, "What a Girl Can’t Do" displaced the Beatles’ "We Can Work It Out" b/w "Day Tripper" from the top slot on Arlington's WEAM charts. However, Monument records did not promote "What a Girl Can’t Do" beyond the Washington, DC area, so the song failed to catch on nationally, although anticipations were high.

On 15 November, EMI announced that the A-side would be "We Can Work It Out", only for Lennon to publicly contradict this two days later. As a compromise, the single was marketed as a double A-side, the first of its kind in the UK. Lennon's championing of "Day Tripper" was based on his belief that the Beatles' rock sound should be favoured over the softer style of "We Can Work It Out". Further to the Granada filming, the Beatles decided to promote the single solely through pre-recorded film clips for the first time. On 23 November, they filmed three black-and-white promotional clips for each of the songs at Twickenham Film Studios in south-west London.

As a result, interest in the Spanish compilation waned among collectors. Although none of the twelve tracks on Por Siempre Beatles had appeared on an official British studio album by the Beatles, "Day Tripper" and "We Can Work It Out" were included on the 1966 UK compilation A Collection of Beatles Oldies, while "The Fool on the Hill", "Strawberry Fields Forever", "Your Mother Should Know", "Penny Lane", "Baby, You're a Rich Man" and "Blue Jay Way" all appeared on the American Magical Mystery Tour LP. The latter, while widely available as an import in Britain since 1967, received an official release there through Parlophone in 1976. "I Call Your Name" and "Yes It Is" had been issued on American albums during the 1960s – The Beatles' Second Album and Beatles VI, respectively.

The opening track, "Re-Make/Re-Model", has been labelled a postmodernist pastiche, featuring solos by each member of the band echoing various touchstones of Western music, including The Beatles' "Day Tripper", Duane Eddy's version of "Peter Gunn", and Wagner's "Ride of the Valkyries"; the esoteric "CPL 593H" was supposedly the license number of a car spotted by Bryan Ferry that was driven by a beautiful woman. Brian Eno produced some self-styled "lunacy" when Ferry asked him for a sound "like the moon" for the track "Ladytron". "If There Is Something" was covered by David Bowie's Tin Machine, and was later featured quite extensively, almost as a central figure, in the British film Flashbacks of a Fool. Several of the album's songs were thematically linked to movies.

The clips were designed to be sent to various television music and variety shows around the world, to air on those programmes in lieu of personal studio appearances. Directed by Joe McGrath and later known collectively as the "Intertel Promos", the filming also included mimed performances of "I Feel Fine", "Ticket to Ride" and "Help!" for inclusion in Top of the Pops round-up of the biggest hits of 1965. Ringo Starr (right) sawing though the studio scenery in one of the promo clips for the song As with the other clips, the promos for "Day Tripper" showed the Beatles making minimal effort to appear as though they were performing the song. In the first clip, the band members are dressed in black and perform on a stage in front of shiny pillars.

The Beatles were also known for their close style of vocal harmonies – all Beatles members sang both lead and backing vocals at some point, especially John Lennon and Paul McCartney, who frequently supported each other with harmonies, often with fellow Beatle George Harrison joining in. Ringo Starr, while not as prominent in the role of backing singer as his three bandmates due to his distinctive voice, can be heard singing backing vocals in such tracks as "The Continuing Story of Bungalow Bill" and "Carry That Weight". Examples of three-part harmonies by Lennon, McCartney and Harrison include "Nowhere Man", "Because", "Day Tripper", and "This Boy". The members of Crosby, Stills, Nash & Young and Bee Gees all each wrote songs and sang back- up or lead vocals and played various instruments on their albums and various collaborations with each other.

While Martin recalled it as having been "a very joyful time", Smith said the sessions revealed the first signs of artistic conflict between Lennon and McCartney, and friction within the band as more effort was spent on perfecting each song. This also manifested in a struggle over which song should be the A-side of their next single, with Lennon insisting on "Day Tripper" (of which he was the primary writer) and publicly contradicting EMI's announcement about the upcoming release. In addition, a rift was growing between McCartney and his bandmates as he continued to abstain from trying the hallucinogenic drug LSD. The revelations provided by the drug had drawn Lennon and Harrison closer, and were then shared by Starr when, during the band's stay in Los Angeles that August, he had agreed to try LSD for the first time.

As throughout the song, only major chords are used in this portion: F7 for four bars, and one bar each of A7, G7, C7 and B7. The bridge remains on the B chord for its entirety and takes the form of a "rave-up". The section begins with repetitions of the main riff and ends with a blues-inflected guitar solo accompanied by wordless harmony singing. A 12-note rising guitar scale sounds on the second beat of each bar, starting with a mid-range B note and climbing over an octave to F. In Everett's view, the intensity of the bridge – the bass pedal, rising scale, guitar solos, cymbal playing, and increased attack on the vocalised "aah"s – conveys the realisation that the singer is being used by the female day- tripper and "express a gradually-arising, yet sudden sensation of, enlightenment".

British comedian and singer Ken Dodd (pictured in 2007) achieved the biggest- selling single of 1965 with his number-one hit "Tears". The song spent seventeen weeks in the UK top 10 - five of those at the top spot - and went on to rank as the 3rd best-selling single of the 1960s. Dodd had a second top 10 this year, "The River (Le Colline Sono In Fiore)", which peaked at number three. Beatlemania continued to pick up pace this year as The Beatles secured four UK top 10 singles. "Ticket to Ride", "Help!" and "Day Tripper"/"We Can Work It Out" all matched 1964's "I Feel Fine" in topping the chart. 1965 also proved to be a very successful year for The Rolling Stones, with the band achieving three consecutive UK number-one singles: "The Last Time", "(I Can't Get No) Satisfaction" and "Get Off of My Cloud".

At the latter concert, Jimmy Fallon joined Paul on stage to sing "I Saw Her Standing There" after "Mull of Kintyre". The second Washington, D.C. concert from August 10, held at the Verizon Center, saw a slightly modified set-list, wherein "Letting Go" was replaced with "Jet", and in the encore, they were played as one continuous act, "Hi, Hi, Hi" was replaced by "I Saw Her Standing There." On October 8, for the first Desert Trip show, Paul made numerous set changes. First, "Save Us" was swapped with "Jet", "Temporary Secretary" was replaced by "Day Tripper", "Here, There, and Everywhere" was not played, "You Won't See Me" was swapped with "I've Just Seen A Face", "A Day in the Life", "Give Peace A Chance", and for the first time ever live, "Why Don't We Do It In The Road?" were played with Neil Young for the latter three.

Neither of these songs received stereo mixes at the time they were recorded, although other songs that were similarly not mixed into stereo during The Beatles' recording lifetime were not excluded from the set: the stereo mixes of "Strawberry Fields Forever," "Penny Lane," and "Baby, You're a Rich Man" all made in 1971, the stereo mix of "Yes It Is" that was given a very limited UK release in 1986 on a mail order cassette promotion that Apple and The Beatles did not authorize and was commercially released in 1988 on Past Masters; and the 2000 edit of "Day Tripper" from 1. "Only a Northern Song" was first mixed into stereo and 5.1 surround for the Yellow Submarine Songtrack album in 1999 and a differently-edited stereo mix of "You Know My Name (Look Up the Number)" appeared on Anthology 2 in 1996. "You Know My Name (Look Up the Number)" is the only track left in The Beatles' catalogue of which the original edit has never received a stereo mix despite the multi- tracks being available.

Compiled by producer George Martin and the (then) three surviving members of the band, 1 includes the 27 Beatles songs that went to number one in the United Kingdom on the Record Retailer Top 50 chart or in the United States on the Billboard Hot 100 chart. However, despite the song "For You Blue" charting at number 1 on Billboard, along with the A-side "The Long and Winding Road", Capitol Records treated "For You Blue" as strictly a B-side and did not promote it as an A-side. Meanwhile, "Day Tripper" was included on 1, since it charted at number 1 in the UK as a double A side with "We Can Work It Out", while in the US, only "We Can Work It Out" was number 1. Two notable singles written by John Lennon and released in both the UK and US were omitted as they did not top either the Record Retailer chart or the Billboard Hot 100: "Please Please Me" and "Strawberry Fields Forever".

Airplay and point-of-sale requests soon proved "We Can Work It Out" to be the more popular of the two sides. The single was released on EMI's Parlophone label in Britain (as Parlophone R 5389) on 3 December 1965, the same day as Rubber Soul. The two releases coincided with speculation in the UK press that the Beatles' superiority in the pop world since 1963 might be coming to an end, given the customary two or three years that most acts could expect to remain at the peak of their popularity. "Day Tripper" / "We Can Work It Out" entered the UK Singles Chart (at the time, the Record Retailer chart) on 15 December, at number 2, before holding the top position for five consecutive weeks. The single also failed to top the national chart published by Melody Maker in its first week – marking the first occasion since December 1963 that a new Beatles single had not immediately entered at number 1. Although the single was an immediate number 1 on the NMEs chart, the Daily Mirror and Daily Express newspapers both published articles highlighting the apparent decline.

The title track sequence, filmed in black-and-white, is arguably one of the prime archetypes of the modern performance-style music video, employing rhythmic cross-cutting, contrasting long shots and close-ups, and unusual shots and camera angles, such as the shot 50 seconds into the song, in which George Harrison's left hand and the neck of his guitar are seen in sharp focus in the foreground while the completely out-of-focus figure of John Lennon sings in the background. In 1965, the Beatles began making promotional clips (then known as "filmed inserts") for distribution and broadcast in different countries—primarily the USA—so they could promote their record releases without having to make in-person appearances. Their first batch of promo films shot in late 1965 (including their then-current single, "Day Tripper"/"We Can Work It Out"), were fairly straightforward mimed-in-studio performance pieces (albeit sometimes in silly sets) and meant to blend in fairly seamlessly with television shows like Top of the Pops and Hullabaloo. By the time the Beatles stopped touring in late 1966, their promotional films, like their recordings, had become highly sophisticated.