The dark-hued nails were shocking because they break royal protocol.
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As Don José, Mr. Davila showed off a burly, dark-hued tenor.
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The soprano Summer Hassan brought an ample, dark-hued voice to Agathe.
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Inside, the building offers sumptuous interiors featuring dark-hued woods, onyx and custom bronze hardware.
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She teamed the nearly-naked number with a sleek center-parted hairstyle and a dark-hued mani.
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The dark-hued Federalists ruled from 1831 to 1852 but were eventually defeated by the sky-blue Unitarians.
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Singing with dark-hued sound and affecting vulnerability, Ms. Netrebko captured the music's clash of longing and instability.
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His sex, at the center of the canvas, is unnaturally dark-hued, especially compared to his ghastly pale body.
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Throughout her career, Ms. Zadek was praised by critics for her dark-hued voice, dramatic intensity and fine musicality.
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Yet in less than five minutes, the piece lives up to its title, with fantastical episodes, sometimes dark-hued and ominous.
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The dark-hued Bartok concert was sandwiched between two sunny Dvorak pieces, concluding with an energetic performance of the nature-inspired Symphony No. 8.
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An improviser of rumbling intensity and generous restraint, Satoko Fujii sometimes plays the piano in dense, clustered runs or heavily packed, dark-hued harmonies.
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In a dark-hued Zo facility that opened there last spring, Seu Jorge's cover of "Life on Mars?" tinkled through speakers on a recent morning.
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And as Riccardo, a Puritan colonel who had been promised Elvira's hand, the virile baritone Alexey Markov sang with dark-hued richness, yet came across as bland.
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Her rich, dark-hued voice soared in an impassioned "Mi chiamano Mimì"; her shimmering pianissimos sounded gorgeous as she bid farewell to Marcello at the end of Act III.
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Slick rivulets of oily dark-hued paint drips across a spinning record as light reflects off the vinyl surface, creating the illusion of a psychedelic black-and-white pattern.
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It's not just the dark-hued steel, a new addition to his palette; even the oak, travertine and concrete, though similar to what Kahn employed elsewhere, seem more elegantly finished.
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The group, led by the bassist and composer Michael Formanek, was playing "Echoes," a dark-hued tune in a swinging mid-tempo, defined by cagey dialogue between woodwinds and brass.
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In the mid-1800s, the influence of pale, late neo-Classicism and Empire style gave way to dark-hued Victorian embellishment, which was later followed by a period of Edwardian restraint.
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But for fans of dark-hued crime stories and prestige television, the episode is most notable because it's the first television credit for acclaimed fiction writer and True Detective creator Nic Pizzolatto.
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A frequent face in the Slope Lounge audience is Darcy James Argue, a bandleader whose Secret Society — a large ensemble with a dark-hued, rock-inflected sound — is now renowned in the jazz world.
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Classical Music The soprano Anna Netrebko gives a blazing performance in the title role of Puccini's "Manon Lescaut," alongside the fired-up tenor Marcelo Álvarez as Des Grieux, in a dark-hued production from Richard Eyre and conducted by Marco Armiliato.
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When they were younger, they rejected all that — the heavy dark-hued pieces, often identical to everyone's on the block; the freighted associations — but now they recognize the era's place in the history of Modernism and in their own psyches.
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Courtesy Dolce & Gabbana Each dark-hued, ankle-length abaya in the collection is made with georgette and charmeuse fabrics, mixed with lace and floral detailing, which faintly resemble motifs from its spring/summer 2016 runway collection and fit Dolce & Gabbana's classic romantic aesthetic.
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In Rothko's case, the significantly dark-hued paintings, such as "Untitled (Dark Gray on Maroon)" from 1963, "Untitled (Plum and Brown)" from 1964, and "Untitled" from 1969, all of which are currently on view at Pace, appear to give evidence of Freud's conjecture.
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The scenes at the B&B in "Past Perfect" are wonderfully creepy, relying heavily on dark-hued montages of an unhappy husband and wife, still reeling from a recent infidelity as they doggedly fill their new home with mannequins posed as homicide victims.
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The louring, dark-hued splendour of the Cave of Wonders constitutes one of various high points of Bob Crowley's designs, just as Gregg Barnes's costumes indulge baubles and bangles and the kind of sartorial make-over for its leading man that one more traditionally associates in musicals with women.
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At the onetime St. James Theater, now called The Other Palace (the first one being Buckingham, just nearby), the director-choreographer Drew McOnie's approach is to transform the dark-hued Broadway original from the 2000 season into a dance-heavy show that feels as if each number has been shot out of a cannon.
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Derek Winnert noted a "dark-hued, intense, intelligent and stylised 1957 British noir...imaginatively and cleverly made by Losey, who pushes both its artistic symbolism and its heart-felt anti-capital punishment message to the limit".
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In the same manner as in the fjords further north, dark-hued mountains rise steeply from the shore on both sides. However, there are no glaciers reaching down to the waterline.GoogleEarth Map of Greenland section showing Nanuuseq Fjord.
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This disc, one of only a few projects that Herbie Hancock has produced for other artists,Record Release "Flows" from Blue Note is imbued with a dark-hued melancholy that really comes to the fore on a pair of elegant, shape-shifting ballads—"Benny's Tune", featuring Hancock on piano, and "Over There".
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Some of his colleagues, including Saint-Saëns, Gounod and Franck, produced elegies and patriotic odes. Fauré did not, but according to his biographer Jessica Duchen, his music acquired "a new sombreness, a dark-hued sense of tragedy ... evident mainly in his songs of this period including L'Absent, Seule! and La Chanson du pêcheur."Duchen, p.
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The cantata opens with a sinfonia in G minor, which illustrates falling rain and snow in descending phrases. In da capo form, it is reminiscent both of a chaconne and a concerto. The four violas and continuo, with bassoon and cello parts specified, create an unusual sound, termed "magically dark-hued sonority" by Gardiner.
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A karyological study of Accipitridae (Aves: Falconiformes), with karyotypic descriptions of 16 species new to cytology. Genetica, 65(1), 89-107. The booted eagle subfamily all have feathers covering their legs and are distributed in every continent that contains accipitrids. The genus Aquila has been traditionally defined as largish, dark-hued and long-winged eagles of open country.
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Die Quäker was the title under which Chamfort's 1764 comedy La jeune indienne was published in German. It was a popular stage piece in Vienna during the late 1760s and early 1770s. It is possible, therefore, that the "dark-hued" reading of the symphony was, in fact, an insouciant characterisation of the earnest Quaker figure from Chamfort.Sisman, 331-336.
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"sacrificed" the bull with an adamantine axe. But when he was about to burn the entrails, the birds, as commanded by Jupiter (Zeus), snatched them away, and were rewarded with a home among the stars. In his Metamorphoses, Ovid describes Aegaeon (the Iliad's Briareus) as a "dark-hued" sea god "whose strong arms can overpower huge whales".Ovid, Metamorphoses 2.8-10.
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The New Heathman Hotel was completed in 1927. It was a 10-story concrete structure faced with brick. The decorative details were designed in the Jacobean Revival style by the Portland architectural firm of DeYoung and Roald. The second story and upper-floor windows were trimmed in stone, and the lobby's dark-hued paneling extended to the mezzanine, where light flooded through tall, arched windows.
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The nostrils, eyes, and ears are situated on the top of its head, so the rest of the body can be concealed underwater for surprise attacks. Camouflage also helps it prey on food. The snout is longer and narrower than that of the American alligator, but broader on average than that of the Orinoco crocodile. American crocodiles are also paler and more grayish than the relatively dark- hued American alligator.
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However it is more likely that the crater was formed by an impact against a surface that was still partly molten. This has left the crater with a sharp-edged, circular rim and a flat, dark-hued interior floor. Indeed, the albedo of the interior floor matches that of the lunar mare to the west. The southeast part of the floor is fractured with a series of narrow rilles.
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Women have sung it also, including Dinah Shore, Valaida Snow and Eva Taylor, who recorded the first female vocal version for Okeh in 1928, followed closely by Bessie Brown for Brunswick. While its topic hearkens back to the milieu of minstrel-type material, the music is uncharacteristically rich, dark hued, expressive and atypical of the Jazz Age, looking forward to the more muted and reflective sound of depression-era songwriting.
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Oblique view from Apollo 12 Flamsteed is a small lunar impact crater located on the Oceanus Procellarum, which is named after British astronomer John Flamsteed. It lies almost due east of the dark-hued Grimaldi, and north- northwest of the flooded Letronne bay on the south edge of the mare. Flamsteed P (ring of hills), from Lunar Orbiter 4 Oblique view of Flamsteed P, facing southwest. From Lunar Orbiter 3.
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During the 1920s, Jadlowker sang increasingly on the concert platform and, in 1929, he was chosen to be chief cantor at the Riga synagogue. Jadlowker subsequently became a voice teacher at the Riga Conservatory before emigrating to Palestine with his wife in 1938. He taught in Jerusalem and Tel Aviv, dying in the latter city at the age of 75. Jadlowker possessed a dark-hued, lyric-dramatic tenor voice of extraordinary flexibility.
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Rock formations are mainly volcanic andesite and rhyolite, with fallen boulders and sharp-edged protrusions peppering slope bases. The light- to dark-hued clay and sandy soils, derived from the rocks and decomposed vegetation, are generally fertile and porous. Only a few interior valleys and coastal strips are flat enough for soil accumulations of consequence, however. Although scores of mostly mild seismic shocks were recorded in 1986, volcanic eruptions ceased thousands of years ago.
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Closeup of the Rimae Hevelius at low sun angle, in the northeast portion of the crater floor. From Lunar Orbiter 3 Hevelius is a low-rimmed lunar impact crater that lies at the western edge of the Oceanus Procellarum, named after the astronomer Johannes Hevelius. The smaller but prominent crater Cavalerius is joined to the northern rim by low ridges. Due south of Hevelius is the crater Lohrmann and the dark-hued Grimaldi.
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The northern half of the rim has outward bulges to the northeast, north, and northwest. The interior floor is rough in places, with several small and tiny craters along the floor and the eastern rim. To the northwest of this formation is the unusual Gerard Q Inner (eastern floor covered in dark-hued basaltic lava) within the larger Gerard Q Outer, and a system of rilles named the Rimae Gerard. These extend for a distance of about 100 kilometers.
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Karrer is a lunar impact crater that is located in the southern hemisphere on the far side of the Moon. It lies to the northeast of the crater Minkowski, and south of Leavitt. The most notable feature of this crater is the dark-hued floor, created when the interior was resurfaced by lava flows that had a lower albedo than the surrounding terrain. The outer rim is nearly circular, but broken in the northeast by a smaller overlapping crater.
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They show that he possessed a big, vibrant, dark-hued voice of outstanding quality. His breath control was exemplary and he could execute florid music by Rossini or Donizetti with flair and agility due to the thorough technical grounding that he had acquired from Persichini. His Verdi singing also impresses but, oddly enough, he did not record anything from his Wagnerian repertoire, with the exception of one Wagner selection 27 Oct. 1908 for Fonotipia XPh3565 Lohengrin (opera): Vendetta avrò (w.
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Sprawski, p. 107; Bos, p. 73; Boffa and Leone, p. 386; Aelian, Varia Historia (Historical Miscellany) 5.3 [= Aristotle fr. 678 Rose]. Compare Euphorion fr. 169 Lightfoot; Parthenius fr. 34 Lightfoot. Ovid, in his Metamorphoses, describes Aegaeon as a "dark-hued" sea god "whose strong arms can overpower huge whales",Ovid, Metamorphoses 2.8-10. while according to Arrian apparently, the Aegean Sea was said to have been named after Aegaeon.Sprawski, p. 107; Fowler 2013, p. 68; Fowler 1988, p. 100 n.
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The abandonment in 1996 reflects the difficulties of exploiting the resource in this harsh environment, although the current production licence (held by Canada Southern Petroleum Ltd) expires in 2010 and could be extended. After abandonment, final clean-up occurred in 1999. Cameron Island is a desolate spot: a dark-hued landscape of low hills. Oil exploration and traffic on land were concentrated in the winter months, when "winter roads" of compacted snow across the tundra were used by heavy vehicles.
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As with all the other titles that have become attached to Haydn's symphonies, this did not originate with the composer himself. It was long believed that the nickname "La passione" or The Passion derived from the nature of the music itself: the slow opening movement of the sinfonia da chiesa, its minor key modality and its association with the Sturm und Drang period of Haydn's symphonic output. Drawing from this traditional reading, H.C. Robbins Landon has described it as "dark-hued, sombre – even tragic."Landon, Haydn Chronicle, vol.
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Only months after releasing their self-titled album, The Darcys released their interpretation of Steely Dan’s 1977 release Aja. As Marskell mentions, the choice to cover the entire album "existed solely to redirect conversation" surrounding the band's self-titled release. The release gained much criticism for recreating an album that "cannot be duplicated or reinterpreted", while also receiving praise for being ‘compelling’ and bringing out the ‘dark-hued’ nature of the lyrical content. On November 11, 2012, the band presented ‘An Interpretation Of Steely Dan's Aja’ live at Toronto's historic Lee's Palace.
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Tsiolkovskiy is one of the most prominent features on the far side of the Moon. It possesses high, terraced inner walls and a well- formed central peak, which rises over 3200 m above the floor of the crater. The floor is unusual for a crater on the far side, as it is covered by the dark-hued mare that is characteristic of the maria found on the near side. The distribution of the mare material is not symmetrical across the floor, but is instead more heavily concentrated to the east and south.
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Oblique Apollo 15 image with Moulton above center and Chamberlin below center, facing south Chamberlin is a lunar impact crater that is located on the far side of the Moon, just past the southeastern limb. It lies to the southeast of the crater Jeans, and Moulton is attached to the southeastern rim of Chamberlin. This crater is located in a part of the lunar surface that has undergone resurfacing of crater interiors, producing dark-hued crater floors. The outer rim of this formation is somewhat irregular in shape, with outward bulges to the east and southeast.
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According to Time magazine, the two composers drew very different interpretations from the piece, with Schuller's work consisting of a "snatch of serial music in which the orchestra beeped, squeaked and rasped like a rusty hinge while the muted brasses burped out shreds of sound" while Diamond drew on "more somber tones: muted, dark-hued movements of the strings, with the picture's more jagged lines delineated by scampering woodwinds and brasses." Larson wrote in New York Magazine (1987) that the image was then "embedded in childhood prehistory", commenting that it "always seemed to be taped to kids' bedroom walls, next to Rousseau's The Sleeping Gypsy".
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William James Glackens (March 13, 1870 – May 22, 1938) was an American realist painter and one of the founders of the Ashcan School of American art. He is also known for his work in helping Albert C. Barnes to acquire the European paintings that form the nucleus of the famed Barnes Foundation in Philadelphia.Colin B. Bailey, "The Origins of the Barnes Collection" in The World of William Glackens: The C. Richard Hilker Art Lectures (New York: Sansum Foundation, 2011), pp. 41-75. His dark-hued, vibrantly painted street scenes and depictions of daily life in pre-WW I New York and Paris first established his reputation as a major artist.
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Media response to Creeper was generally positive. Tom Connick of DIY magazine described the EP as "perfectly executed punk rock", praising vocalist Will Gould's "impassioned accounts of love and loss" in his lyrics and the "soaring vocal harmonies and three-chord melodies" present on many of the songs, which he compared to the style of bands like Alkaline Trio and AFI. Rock Sound writer Chris Hidden described Creeper as a "highly accomplished debut EP", describing the band's style as "a dark, slightly gothic twist on peppy punk rock" and also comparing them to Alkaline Trio. Katie Clare of Louder Than War remarked that the EP contained "five flawless tracks of dark hued pop punk".
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Hadzi has specifically referred to the former land bridge called Bridge of the Gods near Cascade Locks, and has also said the piece represents "man's power over nature and the taming of the wilderness". Originally, he intended to cast a bronze sculpture, but changed his mind after viewing natural geological formations along the Columbia River Gorge. The General Services Administration refers to the sculpture as a "monumental stone arch", while The Oregonian describes River Legend as a "street-level, dark- hued arch, made edgy by blond spiky protrusions around one segment". Plaque for the sculpture Despite being publicly financed, the sculpture was initially hidden from general public view because the Edith Green – Wendell Wyatt Federal Building's original architect believed the arch competed with the building's design.
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After Love Never Dies opened on 9 March 2010 in London, it received mostly negative critical reviews. Perhaps the most positive review was Paul Taylor's in The Independent giving the show five stars, and writing, "What is in no doubt is the technical excellence of Jack O'Brien's seamlessly fluent, sumptuous (and sometimes subtle) production, or the splendour of the orchestra which pours forth Lloyd Webber's dark-hued, yearning melodies as if its life depended on them. Special praise should go to the lyrical lavishness of Bob Crowley and Jon Driscoll's designs, with their gilt interiors where the vegetation-imitating contours and giant peacock- plumage of Art Nouveau run rampant, and their ghostly external locations where a brilliantly deployed combination of flowing projection (timed to perfection with emotional/ rhythmic shifts in the music) and solidly presented stage- effects create a dizzying Coney Island of the mind".Taylor, Paul.
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AllMusic Guide gave the album three stars out of five, and commented: Texas is a good name for this band, whose sound is open, brooding and just a bit on the twangy side; if you can imagine a sound somewhere between the dour, minimalist bluesiness of Cowboy Junkies and the yearning, gospel-tinged bombast of early U2, you'll have a good idea what to expect. Singer Sharleen Spiteri has the perfect voice for this kind of thing: it's low-pitched and dark-hued, and is shown off to best effect when she's belting out big, cathartic numbers like the title track and "Why Believe in You." Ally McErlaine is a brilliant slide guitarist who can move from grungy, greasy rock to desolate acoustic Delta blues without missing a beat. It's true that the group still needs to digest its influences a bit -- "Dream Hotel," in particular, sounds like a U2 reject—but most of the time, Texas does a good job of mapping out its own territory.
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