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13 Sentences With "daily rushes"

How to use daily rushes in a sentence? Find typical usage patterns (collocations)/phrases/context for "daily rushes" and check conjugation/comparative form for "daily rushes". Mastering all the usages of "daily rushes" from sentence examples published by news publications.

He opened the studio in 1920 and used the cozy screening room to watch the daily rushes.
Daily rushes would often last up to four hours, and by the time The Fellowship of the Ring had been released, assembly cuts of the other two films (4½ hours each) were already prepared. In total, 1828 km (six million feet) of film was edited down to the 11 hours and 26 minutes (686 minutes) of extended running time.
Production was supervised by Paul Bern, and the anticipated 30-day shooting schedule began on August 29, 1929. The studio executives' response to the daily "rushes" was that the film was not working well and needed help. MGM borrowed Laurel and Hardy from Hal Roach, and after negotiations between Roach and Thalberg, Roach agreed to write and direct their scenes. The final film has eight scenes with the comedy duo.
The next shot, of a naval task force with air cover, is in full color.Evans 2000, p. 178. Complications set in during the filming of Task Force as consecutively, four separate crews were at work with the resultant task of merging all of the live action and archival footage. One of the near disasters involved a delivery truck that caught on fire with its load of cut and stock film along with daily rushes, personal baggage and makeup destroyed.
One of the problems with copy-editing is that it may slow the publication of the text. With the digital publishing era came an increased demand for a fast turnover of information. Additional details such as color printing, page size, and layout are determined by the allotted budget. Web-based publications, such as BuzzFeed and Slate, do not have enough room in their budgets to keep sufficient staff to edit their massive, daily rushes of content.
Berg, pp. 275-276 Soon after filming began, Goldwyn underwent two major surgeries that incapacitated him for a lengthy period of time, keeping him away from the studio and the daily rushes. Hawks took advantage of the situation and allowed Furthman to change completely the tone of Ferber's original story; cast slender Walter Brennan as Swan Bostrom, a man Ferber had described as "the strongest man in the North woods;" and arrange a shooting schedule and budget Goldwyn never would have approved.Berg, pp.
Principal photography commenced on July 28, 1942 at RKO's Gower Gulch studios in Hollywood. Tourneur recalled that he was nearly fired three days into shooting after executive producer Lew Ostrow saw the daily rushes, called Lewton and told him to fire the director. According to Tourneur, Lewton subsequently contacted Koener, who viewed the raw unedited footage of the film the following day and expressed satisfaction with Tourneur's performance. Simon frequently clashed with co-stars as well as Tourneur during the shoot and displayed a significant temper.
Phillips had to wear support bandages during filming but sometimes forgot, causing him to struggle with some action scenes. Daily rushes were viewed at the only cinema in the area, at Llanberis, which was taken over from 8.00 until noon every morning. The film was taken to Soho in London for developing and the rushes returned to Llanberis by 8.30 next morning. Although all three series had location scenes, the third was more studio based and location scenes were mostly taken from unused and reused stock shots from the first and second series.
In the United States, production assistants in union and non-union workplaces face various tasks on the movie set of a filmmaking project. Most union PAs are asked to complete tasks with a certain focus. Union PAs only are asked to do a few tasks that may be related to one another and they normally receive tasks concentrated on the actual making of the movie. For example, union production assistants may be asked to evaluate a movie's daily rushes for a film director or help the film editor decipher ways to alter a scene.
Filming proceeded smoothly, with Welles finishing on schedule and on budget, and the studio bosses praising the daily rushes. Nevertheless, after the end of production, the studio re-edited the film, re-shot scenes, and shot new exposition scenes to clarify the plot. Welles wrote a 58-page memo outlining suggestions and objections, stating that the film was no longer his version—it was the studio's, but as such, he was still prepared to help with it. In 1978, a longer preview version of the film was discovered and released.
Their presence is seen in the annual Asian crops grown behind the now locked allotment gates. Sad reminder how the once plot was a place for the community to feel safe and go to now under lock and key. The Little Harwood Clock Tower was unveiled in 1923 and the hourly chime can still be heard in memory of the local lads that fell during the two wars. Its gardens are maintained regularly by council gardeners and provide a quiet retreat from the ever-increasing heavy traffic that daily rushes on the busy Whalley Old Road.
Nanook of the North (1922) was a successful film, and Flaherty was in great demand afterwards. On a contract with Paramount to produce another film on the order of Nanook, he went to Samoa to film Moana (1926). He shot the film in Safune on the island of Savai'i where he lived with his wife and family for more than a year. The studio heads repeatedly asked for daily rushes but Flaherty had nothing to show because he had not filmed anything yet — his approach was to try to live with the community, becoming familiar with their way of life before writing a story about it to film.
Aldridge and Murray p. 190 Keith Boak, Euros Lyn, Joe Ahearne, Brian Grant and James Hawes directed the series. Davies' official role as head writer and executive producer, or "showrunner", consisted of laying a skeletal plot for the entire series, holding "tone meetings" to correctly identify the tone of an episode, often being described in one word—for example, the "tone word" for Moffat's "The Empty Child" was "romantic"—and overseeing all aspects of production. During early production the word "Torchwood", an anagram of "Doctor Who", was used as a title ruse for the series while filming its first few episodes and on the daily rushes to ensure they were not intercepted.

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