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82 Sentences With "cut to fit"

How to use cut to fit in a sentence? Find typical usage patterns (collocations)/phrases/context for "cut to fit" and check conjugation/comparative form for "cut to fit". Mastering all the usages of "cut to fit" from sentence examples published by news publications.

Most of the tapes also had to be cut to fit the length of each album.
It's installed in the stone counter's nook, cut to fit but not entirely secured to the wall.
And a synthetic sisal carpet, typically used on boats, was cut to fit the space and hide the concrete floor.
The sheets are edible, made from starches, sweeteners and stabilizers, and can be cut to fit and applied to iced cakes.
Soxsols offer both wool and terry-cloth liners that can be cut to fit shoes and then washed after every wearing.
Protect your windows and doors with permanent storm shutters or half-inch marine plywood pre-cut to fit them, per the American Red Cross.
There, he transformed his ball flight from a low draw to a high cut to fit America's aerial game and became a two-time All-American.
Made from 100% breathable, soft, smooth cotton, they are cut to fit well without bagging, bunching, or squeezing, and they keep you cozily warm without making you overheat.
Its relative smallness of scale — a scant 157 pages, cut to fit in the palm of the hand — is deceptive, itself the mark of a supremely confident writer.
Some of the mismatches become freestanding sculptures, others are cut to fit precisely into wooden crates that were once used for Carnation milk, Johnnie Walker Scotch, or other products.
The dictionary may define key as an "instrument specially cut to fit into a lock and move its bolt," but it also has an alternative meaning: item you always lose.
As I tried to cut into my potato, which I had already cut to fit the shape of the slicer, I could barely make a dent in the potato, let alone slice it.
Made with a patented material that features fibers derived from recycled plastic water bottles, this 24 by 29-inch or 24 x 59-inch mat can be easily cut to fit any cabinet configuration.
Here's what ya get for a quarter million dollars ... a flawless baguette made of 165 hand-picked diamonds -- each 16-carats and cut to fit a specific tooth -- set in a rose gold, baguette grill.
Knowing Fish to be committed to exactitude, in these carefully cut laser-printed sheets, she is concerned with where the tiles are cut to fit against the wall, and how to take that irregularity into account.
If the choice of "Raymond" seems a bit esoteric, in the following days the orchestra went on to record pieces it is more closely associated with — often cut to fit on 78s — including the Largo from Dvorak's "New World" Symphony.
Just as the BeagleBone Black's printed circuit board (PCB) is cut to fit snugly in an Altoids mint tin, PocketBeagle's PCB is cut to fit snugly in an Altoids Smalls mint tin. Recommended use cases for PocketBeagle include embedded devices where size and weight considerations are most critical, such as quadcopter drones and other miniaturized robotics, along with handheld gaming applications.
The novel served as a basis for Kazan's 1969 film The Arrangement. It had to be cut to fit into 129 minutes and use flashbacks heavily.
The album is packaged in a super-jewel case with a slipcase cut to fit. Unblessing the Purity is only available directly through mail-order via Peaceville Records or Snapper Music, and digitally.
Anne Marriott. London: British Museum Press. Sheets, or kollema, could be cut to fit the obligatory size or glued together to create a longer roll. The point where the kollema are joined with glue is called the kollesis.
The voice actors to the five main characters, Doraemon, Nobita, Shizuka, Gian, and Suneo, were chosen from a pool of 590 applicants. TV Asahi stated in 2005 that they chose voice actors who sounded similar to the voice actors of the predecessor, so that there would not be a significant change from the original cast to the new cast. All mini corners, partners, and next episodes previews in all episodes are cut to fit for the 30-minute block in international versions except in Hong Kong, which are cut to fit for the 15-minute block in its time-slot. Since May 1, 2009 the series airs in high definition.
D. L. Briggs of Cleveland was the architect. The sandstone came from the Cyrus Gatton Farm on Ohio Route 97, east of Bellville, and another quarry west of the village. Stones were cut to fit and the cornerstone laid in 1894. Native lumber was used for the rough structure.
In 1956, Hall became general manager for Channel Nine in Sydney, where he remained until 1966.Ken G. Hall at AustLit (subscription required) There he instigated the practice of showing feature films uncut; previously in Australia they had been cut to fit the television schedules.Neil McDonald, "Which Version?", Quadrant, March 2001, p. 71.
ICF walls are constructed one row at a time, usually starting at the corners and working toward the middle of the walls. End blocks are then cut to fit so as to waste the least material possible. As the wall rises, blocks are staggered to avoid long vertical seams that can weaken the polystyrene formwork.Panushev, p.
The cut stone for the front was supplied by Roberts and Sheff and quarried at Sand Hollow, near Weiser. The masonry work was completed by Hamilton and Reader Masonries of Weiser, Idaho. Each stone was transferred to the site and hand cut to fit. The degree in craftsmanship is displayed in the detail of the medieval styling, and intricate stained glass windows.
"I Can't Get Started," the first song on the album, was originally recorded on a 12-inch 78 rpm master and played for 4 minutes 45 seconds. For the Memorial Album it was cut to fit onto a 10-inch master by removing the long, bravura trumpet introduction and starting the performance at the initial statement of the song's melody.
Later, Channel 4 and Bravo rescreened the films through to the 1990s, later being re-shown on Talking Pictures TV from 2018. It was shown on US television as The Edgar Wallace Mystery Theatre, with episodes cut to fit hour-long commercial TV slots. In July 2012, Network DVD began to release the complete series on DVD, uncut and presented in its original aspect ratio.
The film was poorly received by critics, who called it lightweight and nonsensical in parts. Variety described the film as "rambling", having "neither plot nor point. Story begins uncertainly, proceeds aimlessly and ends abruptly". This review surmised that the runtime had to be cut to fit the requirements of a double-bill feature, but poor editing left some scenes "dangling in the middle, wholly unexplained".
The series was syndicated in the early 1980s, as "The B.J./Lobo Show". For syndication, Universal offered the show in two versions, one was the original 60 minute format and the other had episodes cut to fit a half-hour time slot from their original hour versions. What differentiated the half hour episodes from the hour long ones was the inclusion of a laugh track.
In 2016, the song was used in the US version of The Passion. It is sung by Jencarlos and appears of the official soundtrack album. It was sung in the story where Jesus (Jencarlos) prays in the Garden of Gethsemane. The tempo of the song was slowed, several lyrics were changed, and the third verse was entirely cut to fit the theme of the scene.
They also employed this mode of construction for freestanding walls. Their ashlar type construction in Machu Picchu uses the classic Inca architectural style of polished dry stone walls of regular shape. The Incas were masters of this technique, in which blocks of stone are cut to fit together tightly without mortar. Many junctions are so perfect that not even a knife fits between the stones.
The slabs are cut to fit the top of the kitchen or bathroom cabinet, by measuring, templating or digital templating. Countertop slabs are commonly sawn from rough blocks of stone by reciprocating gangsaws using steel shot as abrasive. More modern technology utilizes diamond wire saws which use less water and energy. Multi-wire saws with as many as 60 wires can slab a block in less than two hours.
Liquid killing agent is then added until the absorbent material is nearly saturated. A piece of stiff paper or cardboard cut to fit the inside of the jar tightly is then pressed in. A diagram of a killing jar, with potassium cyanide at the bottom covered by plaster of Paris The most common killing agents are ether, chloroform and ethyl acetate. Ethyl acetate has many advantages and is very widely used.
Modern glasses with a rectangular lens shape Corrective lenses can be produced in many different shapes from a circular lens called a lens blank. Lens blanks are cut to fit the shape of the frame that will hold them. Frame styles vary and fashion trends change over time, resulting in a multitude of lens shapes. For lower power lenses, there are few restrictions which allow for many trendy and fashionable shapes.
Both series have been released on DVD in the United Kingdom (Region 2) by Vision Video Ltd. The Thin Blue Line is available in Region 1 (North America), having been released by BBC Warner. Episodes in the first series were not in broadcast order on both Region 1 and 2 DVDs. The Series 2 episodes in the Region 1 DVD are cut to fit about 30-minute runtime.
At the ends of the rods, on either side, were so-called Kunstschlösser. These were cut to fit in such a way that one rod could be mortised into another. This was necessary so that the flatrods could not slide apart as a result of to-and-fro or up-and-down motion. There were two types of flatrod: flatrods with rollers and flatrods with oscillating cranks (Schwingen).
The practice of laying uncut full-sized bricks wherever possible gives brickwork its maximum possible strength. In the diagrams below, such uncut full-sized bricks are coloured as follows: ; ; Occasionally though a brick must be cut to fit a given space, or to be the right shape for fulfilling some particular purpose such as generating an offset—called a lap—at the beginning of a course.Charles F.Mitchell. Building Construction.
This style was popular at the beginning of the 20th century as the lens could be cut to fit any shape eye orbit inexpensively, without the cost of a customized frame. Wearing a monocle is generally not uncomfortable. If customised, monocles could be worn securely with little effort. However, periodic adjustment is common for monocle wearers to keep the monocle from popping, as can be seen in films featuring Erich von Stroheim.
In the direct method small pieces are set directly into a bonding substrate like cement. Using an indirect method the pieces would be placed face down against paper or other material with a temporary adhesive. After the design is completed face down the entire section would be set into the floor and then have the paper removed, revealing the mosaic floor. With intarsia pieces are cut to fit together like a puzzle.
The three stone bridges are set into a embankment which stretches from West Seventh Street to the Rock River, the span includes the three stone arch bridges. The yellowed limestone was cut to fit and is held together using no bond. Instead there are stone "keys" cut and notched into the rock which prevents the stones from slipping. The stone is of a plain ashlar masonry type and either cut or dimension stone.
Single-speed bicycle builders have converted many former multi- geared cycles into single or fixed speed through the removal of the derailleurs and associated hardware. The simplest conversion uses the existing freewheel/cassette and crankset, the chain being cut to fit the desired gear ratio. However this retains unnecessary weight and the chainline will most likely not be perfect. A more thorough conversion will involve replacing the freewheel with a single-speed one, and re-dishing the rear wheel.
It has coloured ceiling bosses depicting a wide array of subjects, including flowers, griffins, the beasts of the Apostles and a head of Christ. The fireplace, cut to fit and with jambs from a different piece, is from a château in Beauvais. The entrance screen is from a Devon church. Hearst's breakfast room, off the banqueting hall, reuses another piece of the St Botolph's ceiling, as well as a fireplace from the prior's lodgings at Bradenstoke.
In its most basic form, a mortise and tenon joint is both simple and strong. There are many variations of this type of joint, but the basic mortise and tenon has two components: #the mortise hole, and #the tenon tongue. The tenon, formed on the end of a member generally referred to as a rail, fits into a square or rectangular hole cut into the other, corresponding member. The tenon is cut to fit the mortise hole exactly.
The Peter Pan collar is a form of flat collar, one of the three basic collar types along with stand and roll collars. It is cut to fit around the neckline, following the curve, and to lie flat upon the torso. It can be made either as one part, with a front-fastening bodice, or in two parts to accommodate a back fastening while retaining the front opening. The collar is small and soft, with rounded corners.
Grip tape is a gritty material on the top of the board that provides traction so that shoes stay on the board. The tape comes in rolls that have a strong adhesive on the bottom. They are applied to the top of the board and then cut to fit the shape. Black sheet is the most common, however they can come in many colors or even can come in the form of a clear spray on adhesive.
For the Asardo 1500 AR-S Schlosser produced a compact curvaceous berlinetta body in fiberglass. The appearance of the front of the car has been compared to the Maserati 300S and the rear to some Ferraris. The car's gullwing doors were reminiscent of the Mercedes-Benz 300SL and in fact used Mercedes hinges and latches with a custom hold-up strut. The dashboard was from a Volkswagen Karmann Ghia as was the windshield, which was cut to fit.
She had to stick her fringe back in order to match the simple village girl she played here. In 1963, when she signed to play a role of a simple Muslim girl from Aligarh in Mere Mehboob, Sadhana undid her famous "Sadhana cut" to fit the bill. She had centre-parted her hair and wore it in a plait, which was immediately discarded by the director H.S. Rawail. He said that the audience wanted to see her signature "Sadhana cut" and demanded it.
Grafting is a process in which a new grape vine is produced by making a cut in the rootstock and then adding scionwood that is cut to fit inside the incision made in the rootstock. This involves removing the canopy and most of the trunk of an existing vine and replacing it with a cutting of a new vine that is sealed by a graft union. There are two main types of grafting in the relation to the propagation of a grapevine.
Eight plates of horn, probably softened and bent and suggested to be from cattle, were cut to fit the eight spaces created by the iron frame. No horn now survives, but mineralized traces on the iron strips preserve the grain pattern. The plates were fitted over the iron, thereby hiding it, and abutted at the centre of each strip. The joins were hidden by further pieces of horn that were cut to the width of the iron strips and placed on top.
Dawson argued that post-1952 decisions of the Supreme Court such as the two Aro decisions, continued to follow Mercoid and rejected the majority's interpretation of § 271(d). In Aro Mfg. Co. v. Convertible Top Replacement Co. (Aro I), (Aro I). the Court had considered whether Aro's supplying to GM car owners a piece of common fabric cut to fit the contours of a patented convertible top combination, where the owners wanted to replace a worn top, was contributory infringement.
Writing for Empire, Justin Bowyer gave the first film a three out of five rating. He praised the action and faithfulness to the original manga, but stated that those unfamiliar with the source material may find the large cast of characters and complex story confusing. Bowyer also suggested waiting for all three films to be released. A fan of the manga, Jamie S. Rich of DVD Talk felt too much had to be cut to fit three films, with the development of characters suffering as a result.
National markings such as the Balkenkreuz made camouflage less effective. Lozenge camouflage came in varying widths, sometimes in 4.5-foot-wide (1.4 m) bolts of fabric, and pieces were cut to fit between the leading and trailing edges of the wing. Fabric sections laid chordwise were lined up next to each other so that the pattern repeated itself regularly across the wing, except for the ailerons which were covered in fabric laid sparwise, perpendicular to the wing pattern. Some aircraft had the fabric applied diagonally.
A lehenga is a form of a long skirt that is pleated. It is usually embroidered or has a thick border at the bottom. A choli is a blouse shell garment, which is cut to fit the body and has short sleeves and a low neck. Different styles of ghagra cholis are worn by the women, ranging from a simple cotton lehenga choli as daily wear, a traditional ghagra with mirrors embellished usually worn during Navratri for the garba dance or a fully embroidered lehenga worn during marriage ceremonies by the bride.
They had large central rooms (unlike Egyptian pyramids) and the Hellenikon structure is rectangular rather than square, which means that the sides could not have met at a point. The stone used to build these structures was limestone quarried locally and was cut to fit, not into freestanding blocks like the Great Pyramid of Giza. The dating of these structures has been made from the pot shards excavated from the floor and on the grounds. The latest dates available from scientific dating have been estimated around the 5th and 4th centuries.
A translucent plastic face usually of thick sheet acrylic fiber or polycarbonate is cut to fit the open face of the letter can. A trim cap border is applied to its edges which gives the letter face a finished appearance and creates a fastening surface to attach it to the letter can. When illuminated at night, channel letters draw the eye of passers-by. The face can also be applied with black perforated vinyl, so the letters appear black in the daytime and white when lit at night.
Inverted microstrip has similar properties to suspended microstrip with the additional benefit that most of the field is contained in the air between the conductor and the groundplane. There is very little stray field above the substrate available to link to other components. Trapped inverted microstrip shields the line on three sides preventing some higher order modes that are possible with the more open structures. Placing the line in a shielded box completely avoids any stray coupling but the substrate must now be cut to fit the box.
Martine Brochard also did not have fond memories of filming, noting a scene where there is glass specifically cut to fit over her head and a camera with a chainsaw attached to it that got very closer to the actress. Both Brochard and Stefano Patrizi spoke negatively about working with the director, with Brochard noting he treated the French actors badly and Patrizi who had little recollection of the film other than vaguely recalling that Freda was a "harsh man, of a few words and not very affable" Riccardo Freda did uncredited work on the film as the editor.
The palayok should not be cleaned using household detergents, as the porous material would easily imbibe chemicals in the detergent that would later impart unwanted flavors in the food during cooking. It is instead cleaned by soaking in warm water and when the detritus has sufficiently softened, by scrubbing with salt. Filipino cuisine expert Maria Orosa is credited with turning the earthenware pot into an oven. Called the "Palayok Oven", the contraption consists of a palayok fitted with a piece of thin sheet metal cut to fit the bottom of the pot and a piece of aluminum foil placed below the lid.
View of the residential section of Machu Picchu Interior of an Inca building, featuring trapezoidal windows Funerary Stone in upper cemetery The central buildings use the classical Inca architectural style of polished dry-stone walls of regular shape. The Incas were masters of this technique, called ashlar, in which blocks of stone are cut to fit together tightly without mortar. The site itself may have been intentionally built on fault lines to afford better drainage and a ready supply of fractured stone. "Machu Picchu clearly shows us that the Incan civilization was an empire of fractured rocks".
When testing his first prototype, Franks stated: > "The suit had been cut to fit me perfectly, standing up. . . . In the > airplane I was sitting down, and when the pressure hit I thought it was > going to cut me in two. The idea became practical only when we realized that > great areas of the body could be left outside the fluid system." In 1941 fellow Canadian scientist, Dr. Sir Frederick Banting, co-discoverer of insulin, died in a plane crash near Musgrave Harbour, Canada while on his way to England to assist Franks in the testing of the suit.
Gaps in protection were apparent between the loops, and so a wire was threaded through the loops to pull the rings against the cheek pieces; this was an invention of the laboratory with no evidence of contemporary practice, but is reversible. The significant gaps in the helmet were filled in with polyester resin paste and fine copper gauze. The gauze was cut to fit the size of the holes and edged with tin solder. It was then held in place either by metal bolts put through the original rivet holes, or by the polyester resin paste.
Woman in traditional style of gagra choli worn in the Hindi belt. A choli (Hindi: चोली, ), (ravike in South India Telugu: రవికె, Kannada: ರವಿಕೆ) is a midriff-baring blouse commonly worn with the Indian sari costume (worn in India, Pakistan, Sri Lanka, Bangladesh, Nepal and other surrounding countries). It evolved from the ancient Stanapatta (also known as Kanchuki) and is cut to fit tightly to the body with its short sleeves and low neck. The choli is usually cropped, allowing exposure of the navel; the cropped design is particularly well-suited for wear in the hot summers of the Indian subcontinent.
Hodge, p. 185 Pont du Gard's stone blocks, some of which weigh up to six tons, were precisely cut to fit together without the need for mortar. The reason for the disparity in gradients along the aqueduct's route is that a uniform gradient would have meant that the Pont du Gard would have been infeasibly high, given the limitations of the technology of the time. By varying the gradient along the route, the aqueduct's engineers were able to lower the height of the bridge by to above the river – still exceptionally high by Roman standards, but within acceptable limits.
After the occupation of Czechoslovakia in 1938, the Germans took existing stocks of the vz.24 into service under the designation Gewehr 24(t) ('t' being the national origin designator tschechoslowakisch, the German word for "Czechoslovak"; such national origin designators were German practice for all foreign weapons taken into service). The G24(t) rifles manufactured after the German occupation were completed to a modified design to adhere to German standards. This included changes to the butt stock, with slots cut to fit German slings and the installation of the disc and hollow rod assembly that allowed soldiers to disassemble their bolts.
After mud was removed from the bottom and the rock foundation carefully sounded, the dam bases were torch-cut to fit the profile of the irregular bedrock on which they were to be set. Finally, the dams were filled with concrete. On the superstructure, pre-stressed twisted-strand cables invented by the designer were used to advantage on both the main strands and the suspenders, meaning the time-consuming and expensive field adjustments were unnecessary. These cables debuted in the U.S. in 1931 on Steinman and Robinson’s Waldo-Hancock Bridge near Bucksport, Maine, and their St. Johns Bridge in Portland, Oregon.
The same bolt holes used to attach the rubbish tin lids were also the connecting points for the stainless steel straps. The entire arrangement was a tour-de-force of resourcefulness and making do - in absolute opposition to the hyper- technological solutions being developed overseas to waterproof, seal and connect the much larger geodesic domes designed by the form's inventor R Buckminster Fuller. Grounds also glazed some of the triangular panels with clear perspex sheet. These sheets were cut to fit around the rubbish bin lids and along the length of each framing member were held in place by folded galvanised steel sections that screwed onto the sapling framing member.
The paintings were acquired in 1873 by the 3rd Earl Brownlow. They had been already cut to fit their previous setting. There was insufficient space at Belton for a fourth canvas of the set. This is now in the US. The final large reception room on the first floor is the Hondecoeter Room (16), so named because of the three huge oil paintings by Melchior d'Hondecoeter (1636–1695), depicting scenes of birds in courtyards, which are fitted into the neo-Carolean panelling. The panelling was introduced to the room by the 3rd Earl Brownlow in 1876, when it was furnished as the principal dining room of the mansion.
Soldier of the 2nd Battalion Yorkshire Regiment wearing Smock Windproof DPM and trousers, temperate pattern. The Smock, Windproof, DPM' (or, DPM Windproof Smock) was issued alongside the standard DPM Combat Jackets by the British Army. The Special Air Service Regiment was the first unit to adopt its own design of DPM Windproof Smock which it wore in preference to the 68 Pattern and later combat jackets. Aside from being made from a windproof material, it differed from the standard combat jackets in being cut to fit more loosely, allowing it to fit over other layers of clothing more easily, and in having an integral hood.
Conventional insulation does not depend on the evacuation of air for its thermal performance, and is therefore not susceptible to this form of deterioration. However, materials like polyurethane foam are susceptible to water absorption and performance degradation as well. In addition, VIP products cannot be cut to fit as with conventional insulation, as this would destroy the vacuum, and VIPs in non- standard sizes must be made to order, which also increases the cost. So far this high cost has generally kept VIPs out of traditional housing situations, However, their very low thermal conductivity makes them useful in situations where either strict insulation requirements or space constraints make traditional insulation impractical.
Recruiting fellow-prisoners to form a team of vaulters, each day they carry the horse out to the same spot, with a man hidden inside. The prisoners begin gymnastic exercises using the vaulting horse, while the concealed man digs down below it. At the end of the session, the digger places wooden boards, cut to fit the aperture, in the hole, and fills the space with sandbags and dry sand kept for the purpose – wet sand taken from below the surface would be darker and hence give away the tunneling activity. As the tunnel lengthens, two men are eventually hidden inside the horse while a larger group of men exercise, the two men continue to dig the tunnel.
When asked whether he should have played the role, Saget said that Radnor doing so "felt appropriate to me. It's not The Matrix where Ted CGI's into a narrator of his voice that was done as a sweet way to tell his story from almost his conscience from the future of his own life". Before the airing of the series finale, debates raged amongst fans concerning the fate of Ted and the Mother, fueled by scenes from "Vesuvius" and other previous episodes that seemed to point to a tragic ending. According to tweets from Alyson Hannigan, approximately 18 minutes of the original episode had to be cut to fit the broadcast time.
The Migration Period of early medieval art sees a concurrent form of metalwork influenced by the Goths' migration through the eastern Roman Empire into the west, accumulating techniques and materials from Byzantine and Mediterranean sources. However, instead of using traditional Byzantine enamel techniques, they often employed a chip-carving technique, where stones such as garnets are cut to fit into a wire frame. This has the appearance of cloisonné, but is more similar to the Ptolemaic Egyptian style. The appearance of cloisonné jewelry from Germanic workshops in the mid-5th century is a complete break with the culture’s traditions, signaling that they likely picked up the technique from the east, where the Byzantine Empire was gaining a foothold as the center of the Late Roman Empire.
Tack strip (US) (also known as gripper rod (UK), carpet gripper, Smoothedge (Can), tackless strip, gripper strip and gripper edge) is a thin piece of wood, between long and about wide, studded with hundreds of sharp nails or tacks used in the installation of carpet. They are nailed, tack side up, to the perimeter of the area being carpeted. After the underlay is installed, the carpet is cut to fit, stretched over the area and firmly anchored to the edges of floor via the tack strips. The strip has two functions: first, the tacks grip the carpet and permanently hold it in place and second, the carpet edge is jammed into the gap between the tack strip and the wall which gives it a finished look with little effort.
The earliest daguerreotype cameras required several minutes to half an hour to expose images on the plates. By 1840, exposure times were reduced to just a few seconds owing to improvements in the chemical preparation and development processes, and to advances in lens design. American daguerreotypists introduced manufactured plates in mass production, and plate sizes became internationally standardized: whole plate (6.5 x 8.5 inches), three-quarter plate (5.5 x 7 1/8 inches), half plate (4.5 x 5.5 inches), quarter plate (3.25 x 4.25 inches), sixth plate (2.75 x 3.25 inches), and ninth plate (2 x 2.5 inches). Plates were often cut to fit cases and jewelry with circular and oval shapes. Larger plates were produced, with sizes such as 9 x 13 inches (“double-whole” plate), or 13.5 x 16.5 inches (Southworth & Hawes’ plate).
Dry-stone walls of Machu Picchu Temple of the Sun, Peru Peru is a highly seismic land; for centuries the dry-stone construction proved to be more earthquake-resistant than using mortar. People of Inca civilization were masters of the polished 'dry-stone walls', called ashlar, where blocks of stone were cut to fit together tightly without any mortar. The Incas were among the best stonemasons the world has ever seen and many junctions in their masonry were so perfect that even blades of grass could not fit between the stones. The stones of the dry-stone walls built by the Incas could move slightly and resettle without the walls collapsing, a passive structural control technique employing both the principle of energy dissipation (coulomb damping) and that of suppressing resonant amplifications.
According to band leader Holopainen, he was very clear from the beginning that there should be "not a single living thing" in the picture, and believes that the picture holds a "sublime but desolate, 'all this is waiting for you, and only you' feeling". What would ultimately become the cover was originally designed as album's centrefold image, but once Holopainen and a few others had seen it, they decided that it should be the cover. The picture was thus cut to fit a CD, but the original version, without cutting and without the band name across it, was released as a teaser in September 2011 on the band's website. Except what is seen on the album, this version also features more parts of the roller coaster as well as several zeppelins floating in the air above the park.
However, many of these, such as Hamlet, ran two full hours or longer, and were either drastically cut to fit a ninety-minute time slot or shown in two installments a week apart. It was not until November 3, 1956, with CBS's first presentation of MGM's The Wizard of Oz (1939), that an uncut film lasting more than ninety minutes was telecast in one evening on a television network. Unfortunately, all films in this series were broadcast in black-and-white, despite the fact that several of them had been originally photographed and exhibited theatrically in color. Thus, such films as Stairway to Heaven (1946) and The Life and Death of Colonel Blimp (1943) would not be seen by American viewers in color until years later when they were released for rental and exhibition by local and independent television stations.
Grip tape, cut to length from a roll at retail is traditionally black in colour and is a rubber sheet with an abrasive surface on one side and a covered bonded side (like a sticker) on the other. Grip tape is installed by peeling the backing off the rubber strip and carefully placing the entire sheet onto the top of a skateboard deck. The operation requires skill and can be tricky to perform, as it can be difficult to prevent the capture of air bubbles between the adhesive side of the sheet and the top of the skateboard deck. Once the sheet is in position, the edges of the sheet are filed away using a hand file until the rubber is exposed so that the sheet can be cut to fit using a sharp blade to remove the excess.
719.) > A ready-cut house should not be confused with a sectional-portable house, > which can be taken down and moved by being unbolted. A ready-cut house is a > permanent house and the method of its construction is not different from any > other frame house where the lumber is framed (or cut to its proper length, > notched, etc.), by hand by carpenters. Unlike modular homes, which are built in sections at a factory, in a kit house every separate piece of lumber was shipped already numbered and cut to fit its particular place in the house, thus eliminating the need for measuring and cutting, and likewise the waste of time (especially in the days before power tools) and of materials. Thus, kit home manufacturers claimed to save the customer as much as 30 to 40 percent over traditional building methods.
The body was clothed in white shorts and a checkered blouse with a distinctive chain pattern, along with a pair of adult rubber thong sandals that had been cut to fit the child's feet and fastened with leather straps. The child's toes and fingernails had reportedly been painted a bright red color. Investigators also found an apparently bloodstained pocket knife near the body, but were unable to definitively determine whether this utensil held any relation to the crime scene. The forensic pathologist who performed the autopsy determined that the body was that of a white girl most likely between the ages of five and seven years old, 3 feet–6 inches to 4 feet–5 inches in height, and likely weighing 50 to 60 pounds (later examinations of the child's remains indicated she may have been as old as 9 or as young as 2 at the time of her death).
If so, it was not used after 1800, when the library was re- arranged. It may have been removed and transferred to St Edern's, Bodedern, along with some woodwork from the chapel after Street's renovations, with other sections of the chapel woodwork re-used in the east gallery – some of the carved patterns in the gallery are identical to those in Bodedern, and some of the gallery panels have been cut to fit their position, or are loose- fitting or upside down, suggestive of repositioning from a previous location. The interior of the library in 2010 Hardy's opinion was that, "if only it had an open timber roof instead of the plain ceiling, it would be one of the most picturesque College Libraries". Another author said (in 1914, after the provision of a library for undergraduates elsewhere in the quadrangle) that it was "one of the most charming of Oxford libraries, and one of the least frequented".
The ArmaLite brand was purchased in 1996 by Eagle Arms, a U.S. small arms manufacturer, who adopted the ArmaLite brand for their company. An updated model of the AR-180 was introduced in 2001 as the AR-180B, with a molded polymer lower receiver replacing the stamped steel original. The new lower receiver is combined with the buttstock, which is fixed on the AR-180B, instead of the side-folding butt on the original AR-18 and AR-180. Other AR-180B changes include the use of standard AR-15 trigger group and rear sight parts, a straight cocking handle replacing the earlier cranked style and the deletion of the original AR-18/180 spring-loaded dust cover for the cocking handle slot. The AR-15 magazine release is also used, in contrast to the original AR-18 which had a different magazine release and corresponding slot in the body of the magazine, meaning AR-15 magazines needed a new slot cut to fit properly in the AR-18. As a result, the AR-180B uses standard AR-15/M16 magazines. An AR-180B version with a Picatinny rail was planned for production. In 2007 the AR-180B was discontinued due to poor sales. There are aftermarket parts to improve the AR-180B.

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