75 Sentences With "cups and saucers" | Random Sentence Generator

Maybe the cups and saucers, also his, contributed to the pressure.

She packs about 20 cups and saucers and plenty of tea bags.

Left: Cups and saucers filled with children at the Mad Hatter's Tea Party attraction in Disneyland in 19973.

The result was Kaffeeform, a company producing espresso cups and saucers made from dried coffee grounds and biopolymer.

Inside, recounts its relieved elderly owner, her cups and saucers were flung around but the house stood firm.

Firemen hosed down the narrow cobbled street, washing away cups and saucers, women's clothing, and hundreds of cocktail forks.

Whether you're looking for cups and saucers or clotted cream fudge, here's everything you'll need to throw a memorable watch party.

Nor were cups and saucers his responsibility for the new United States Embassy in Mozambique, on 10 acres overlooking the Indian Ocean in Maputo.

The museum kicked off last month with a focus on pottery -- such as tea, or chai, cups and saucers, terracotta water filters, brooms and fans.

Quickly, we gathered up our cups and saucers and hurried to the bungalow, where other diners had already pushed into the five tiny (hardly ever used) indoor booths.

Some extra items include mugs, espresso cups and saucers, cream and sugar set, teaspoons and two very handsome French presses that look like they belong in an Aesop store.

By the early 18th century, fine porcelain from Meissen and rival factories provided the pots, jugs, cups and saucers that would turn Europe's own tea ceremony into a domestic cult.

Eventually, the final product—dainty cups and saucers for sipping espresso—are brought back to Mosaik, where customers package the cups into reused coffee bags and ship them out to customers.

Items on display - arranged on and around a colorful handcart - include clay tea cups and saucers, terracotta water filters, reed brooms, painted wooden objects and textiles, all made with local or recycled materials.

Nonfiction It used to happen every day at the London Zoo: Out came the dainty table and chairs, the china cups and saucers — afternoon tea, set out for the inhabitants of the ape enclosure to throw and smash.

On sale at Pottery Barn Kids is the sweetest Disney Princess-themed tea set, which includes a pastel-pink kettle and four cups and saucers hand-painted with pictures of four of the best singing heroines movies have to offer.

Mindy Johnson's unusually informative coffee-table book, "Ink & Paint: The Women of Walt Disney's Animation," features delightful photographs of the women at work and on their breaks, lounging on the lawn in the California sunshine, laughing and goofing around for the camera, sipping tea from cups and saucers.

Cribbing from this and historically recognized tea dances, a tradition that was briefly revived in America from the late 1880s into the pre-WWII era, Fesco hosted the first tea dance in Cherry Grove where local drag queens served tea from a big silver pot and trays with delicate cups and saucers.

It would have been right at any time of day, but for me, having it early in the morning, in a foreign country, with the hiss of the espresso machine, the light clatter of cups and saucers and so many snippets of lyrical Italian conversations ricocheting up and down the busy bar, it tasted like vacation.

There are twenty-four coffee cups and saucers of bone china from Doulton & Co., and twelve coffee cups and saucers of Limoges porcelain. The twenty-four Doulton coffee cups and saucers are lobed, as are their saucers, and have scroll handles. The cups and saucers have gilts rims and handles, and are decorated with Canadian wildflowers. The Limoges coffee cups have straight sides and ring handles, with circular saucers.

Worcester, together with F. C. Burnand and Edward Solomon's Pickwick."Pickwick by Burnand & Solomon and Cups and Saucers by George Grossmith", Retrospect Opera, 8 August 2016 The piece runs about 25 minutes. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers such as Cups and Saucers.

Twelve of the coffee cups and saucers were painted by Jane Bertram of Toronto, twelve by Juliet Howson of Toronto and twelve by Anna Lucy Kelley of Yarmouth, Nova Scotia.

Chandler, David. "Pickwick by Burnand & Solomon and Cups and Saucers by George Grossmith", Retrospect Opera, 2016, accessed 13 October 2017 Other stage pieces included adaptations for Augustin Daly in New York.

Betty Asher (May 6, 1914 – 1994) was an American art collector and dealer. An ardent supporter of Pop art and Contemporary art, her large collection of cups and saucers by artists was world-famous.

Alongside this extended range, the Railways cups and saucers continued to be produced in bulk. Clark continued to be innovative, founding a laboratory to test clay samples and a variety of other scientific tasks.

They were given details of the plates or cups and saucers they were to paint, and worked independently. The WAAC arranged to obtain the china blanks. According to the Secretary of the WAAC, E .J .

General Deelah once again proposes to Mrs. Worcester, who agrees, and they decide to "give up old china and live in Japan, and make cups and saucers as fast as we can" ("We'll Give Up Old China and Live in Japan").

You could see that frustration and anger in the audience. In Glasgow, there were these little old ladies on the streets selling all their household goods, their cups and saucers. It was unbelievable. It was clear that something was very, very wrong.

1878 programme cover Cups and Saucers is a one-act "satirical musical sketch" written and composed by George Grossmith. The piece pokes fun at the china collecting craze of the later Victorian era, which was part of the Aesthetic movement later satirised in Patience and The Colonel. The story of the sketch involves an engaged man and woman who each schemes to sell off the other's purportedly valuable china. Cups and Saucers premiered in 1876 as part of an evening of piano sketches by Grossmith and was adopted by the D'Oyly Carte Opera Company in 1878 as a curtain raiser to H.M.S. Pinafore and, later, other operas.

A Meissen set, with six flower decoration coffee cups and saucers, covers the side table. A coffee pot alongside is dated 1765, and was made by Priest of London. There is also a creamer of 1803 presented alongside. A sideboard in the Sheraton style dates from the late eighteenth century.

Lincoln made an addition order of coffee cups and saucers, water pitchers, and bowls. These 24 items were in the same style, and cost $173.50. The main set of china arrived in the United States via express shipment on February 13, 1865. The remaining 46 pieces arrived a few weeks later.

Puntman studied at the Academy of Fine Arts in Arnhem. After his graduation he started to work at the Ceramic Workshop 'Handicraft' in Haalderen. Since its foundation in 1947, this studio manufactured vases, bowls and cups and saucers, and later on also wall sculptures. Puntman made various reliefs, which were placed mostly in schools.

Original programme cover After All! is a one-act comic opera with a libretto by Frank Desprez and music by Alfred Cellier. It was first performed at the Savoy Theatre under the management of Richard D'Oyly Carte, along with H.M.S. Pinafore and another short piece, Cups and Saucers, from December 1878 to February 1880.

A bloodstained lead pipe lay on the floor. Pictures hanging from the staircase walls were askew and a metal banister rail was damaged. At the foot of the stairs, two cups and saucers lay in a pool of blood. Rivett's arm protruded from the canvas sack, which lay in a slowly expanding pool of blood.

In addition to their decorative function doilies have the practical role of protecting fine-wood furniture from the scratches caused by crockery or decorative objects such as nativity scenes, or from spilled tea when used on tea trays or with cups and saucers. When used to protect the backs and arms of chairs, they are serving as antimacassars.

Fannie was a prolific potter from 1920–1987 and earned a reputation as an outstanding potter during her lifetime. Her styles included black and red on yellow and black on yellow in the form of jars, cups and saucers. She also made miniatures and bird effigy bowls. Among her favorite designs were clouds, rain, feathers, stars and migrations motifs.

A microwave transmission tower, Purdown BT Tower, is located at Lockleaze and is known locally as the "Cups and Saucers". The distinctive tower, built in 1970, can be seen from many miles away. During World War II, an anti-aircraft gun emplacement, known locally as Purdown Purcy, was located on the down, the ruins of which remain today.

The Commercial Bank of Australia had agreed to finance the scheme on securities given by seven Woody Point citizens, but sometime after the first stump capping this was changed to a private guarantee by JH Cox. As well as funds, practical items such as cups and saucers were donated. Tenders were received by 24 September 1921. These ranged from £1000 to £1400.

Tea cup ballet is a 1935 photograph by Australian modernist photographer Olive Cotton. It is arguably Cotton's best known work. The photograph depicts six tea cups and saucers lit so to form shadows that suggest the form of ballet dancers. The photograph was exhibited in the London Salon of Photography in 1935, the first work of Cotton's to be shown outside Australia.

Information from the Divine-Art website, accessed 9 March 2008 No recordings of Grossmith's voice are known to exist, although wax cylinder recording technology was available during his lifetime.Shepherd, Marc. Author index, Gilbert and Sullivan Discography, accessed 20 November 2013 Cups and Saucers was recorded by Retrospect Opera in 2016, together with F. C. Burnand and Edward Solomon's Pickwick.Chandler, David.

Cups and Saucers was first produced in 1876 on tour as a vehicle for Grossmith and Florence Marryat, as part of Entre Nous, their series of piano sketches. It was then performed by the D'Oyly Carte Opera Company from August 1878 to February 1880 at the Opera Comique as a curtain raiser to H.M.S. Pinafore. It was also toured by that company in 1883 (with Iolanthe) and in 1884 and was revived in 1890 at the Globe Theatre (from 6 to 12 December for 6 performances, as the curtain raiser to Richard Temple's production of Gounod's The Mock Doctor).Walters, Michael and George Low. "Cups and Saucers Introduction", The Gilbert and Sullivan Archive, 2011, accessed 27 February 2017 The piece was recorded by Retrospect Opera in 2016, with Simon Butteriss as General Deelah and Gaynor Keeble as Mrs.

Together, Robertson and the Bancrofts are considered to have instigated a new form of drama known as 'drawing-room comedy' or 'cup and saucer drama', so-named because real cups and saucers were used as props. The Bancrofts gave Robertson an unprecedented amount of directorial control over his plays, which was a key step to institutionalising the power that directors wield in the theatre today.

A closed cupboard The term cupboard was originally used to describe an open- shelved side table for displaying dishware, more specifically plates, cups and saucers. These open cupboards typically had between one and three display tiers, and at the time, a drawer or multiple drawers fitted to them. The word cupboard gradually came to mean a closed piece of furniture.Andrews, John (2006) British Antique Furniture.

The ride opened in 1987, when park expansion was increasing every year. The demolition of an old toilet block left a space in the AquaLand area, and the Mack Rides' Teacups ride was installed. It seemed from the design on the ride, that the Merrie England theme was in mind from as early as the mid-eighties. The original theming of the ride entailed the traditional spinning cups and saucers.

One of the mainsails, also made of extremely thin ivory, displays the coat of arms of elector Johann Georg I and his wife Magdalene Sibylle.Dirk Syndram, Prunkstücke des Grünen Gewölbes zu Dresden, 5th ed. Leipzig: Seemann, 2006, , pp. 90-91 The "Golden Coffee Service" presents the cups and saucers and sugar bowls on an elaborate pyramidal etagère surmounted by the coffeepot, all in enameled gold, a cabinet piece unique in Europe.

"Dramatic Gossip", The Athenaeum: A Journal, 16 August 1884, p. 220 Burnand wrote several musical works around 1889 and 1890 with the composer Edward Solomon, including Pickwick, which was revived in 1894.Moss, Simon. Programme and description of 1894 production, Gilbert & Sullivan, a selling exhibition of memorabilia, Archive: Other items, accessed 9 July 2014 Pickwick was recorded by Retrospect Opera in 2016, together with George Grossmith's Cups and Saucers.

East Asian porcelain, first Chinese then Japanese export porcelain in the 17th century, was joined in the 18th century by the wares from Europe, in particular Vienna porcelain, which specialized in the Eastern market, and by the latter part of the century was sending as many as 120,000 pieces per year to the Ottoman Empire, many small cups and saucers for Turkish coffee.Battie, David, ed., Sotheby's Concise Encyclopedia of Porcelain, p. 96, 1990, Conran Octopus.

Burman was influenced by Western, Latin, Oriental and Arabic music, and incorporated elements from these in his own music. He also experimented with different musical sounds produced from methods such as rubbing sandpaper and knocking bamboo sticks together. He blew into beer bottles to produce the opening beats of "Mehbooba, Mehbooba". Similarly, he used cups and saucers to create the tinkling sound for the song "Chura Liya Hai" from the film Yaadon Ki Baaraat (1973).

One notable exception were dishwashers produced by the Maytag Corporation from the late sixties until the early nineties. These machines were designed for loading glassware, cups and saucers in the lower rack, while plates, silverware, and tall items were placed into the upper rack. This unique design allowed for a larger capacity and more flexibility in loading of dishes and pots and pans. Today, "dish drawer" models eliminate the inconvenience of the long reach that was necessary with older full-depth models.

Coper was born in Chemnitz, Germany, and fled to Britain in 1939. He was interned as an enemy alien, and held in Canada for two years; on return to Britain in 1942, he served as a conscientious objector in the Non-Combatant Corps. In 1946, with no previous experience in ceramics, he began working as an assistant in the studio of Lucie Rie. It is from this time you will find tea sets and cups and saucers made by both Rie and Coper.

Cups and saucers with insects, after 1775 The factory had been founded in 1728 by Giovanni Battista Antonibon, and taken over by his son Pasquale in 1751. For his production of porcelain he hired Sigusmund Fischer, who had worked at Meissen porcelain.Hallwyl Museum notes (In Swedish) He also sent Lorenzo Levantin, an employee, to work in the French Vincennes porcelain factory to learn their secrets.Favaro, 295 Porcelain production seems to have started in 1762, but was then paused until 1765 as Antonibon was ill.

It was also notable for not featuring an antagonist. In one sequence, Manorama is seen as an actress performing a scene for a film directed by S. V. Ranga Rao's character, using the concept of a film-within-a-film. Cinematography was handled by S. Maruti Rao, and Panju edited the film under the pseudonym "Panjabi", with R. Vittal as co-editor. Server Sundaram was publicised with a still of Nagesh holding many cups and saucers, but the film initially had no such scene.

Even very slightly formal events can be a cause for cups and saucers to be used instead of mugs. A typical semi-formal British tea ritual might run as follows (the host performing all actions unless noted): # The kettle is brought to a rolling boil (with fresh water to ensure good oxygenation which is essential for proper diffusion of the tea leaves). # Enough boiling water is swirled around the teapot to warm it and then poured out. # Add loose tea leaves (usually black tea) or tea bags, always added before the boiled water.

From an early age Pankhurst had an ambition to become a "painter and draughtsman in the service of the great movements for social betterment". She trained at Manchester School of Art (1900–02) and then the Royal College of Art in London (1904-6). As part of her work campaigning for the WSPU, for which she created designs for a range of banners, jewellery and graphic logos. Her motif of the 'angel of freedom', a trumpeting emblem had wider appeal across the campaign for women's suffrage, appearing on banners, political pamphlets, cups and saucers.

This piece consisted of a series of piano sketches, alternating with scenes and costumed recitations, including a two-person "satirical musical sketch", really a short comic opera, by Grossmith called Cups and Saucers. Chapter 5. Marryat and her husband divorced in 1879; later that year, she wed Colonel Lean, but they divorced only a year later, in 1880. At the age of 43, in 1881, Marryat returned to the stage, playing the role of Hephzibah Horton in a drama she wrote based on her novel Her World Against a Lie.

This included feldspar, giving it a degree of opacity unusual in a stoneware. The designs typically included relief elements, and edges of the main shape and the panels into which the body was divided were often highlighted with blue overglaze enamel. Most pieces were teapots or accompanying milk jugs, sugar bowls and slop bowls (but not cups and saucers), and the shapes often derived from those used in contemporary silversmithing.Wood, 14–15; Hughes, 221–222; "Blue lined 'Castleford-type' slop basin", Fitzwilliam Museum Group of Castleford-type teawares, c. 1805–1815.

During the following year, brickmaker James Silcock, a skilled Derbyshire potter, demonstrated pottery techniques to his employers, encouraging them to venture into pottery manufacture. Silcock later departed for Fieldsend's pottery at East Maitland and later still purchased a pottery near Newcastle. A wide variety of wares, extending from cups and saucers to spittoons, was produced in the Lithgow bottle kilns, although the pottery served a working- and middle-class market and produced only a few limited-edition pieces. Competition from imports gradually affected profitability, leading to the closure of the pottery in 1896, although brick and pipe production continued into the 1940s.

For the film's shoot, Krish hired a few telegraph machines, typewriters, and coffee cups and saucers manufactured during the timeline of the World War II. Some key action sequences were filmed in a few old, dilapidated buildings located near Georgia and Varun Tej performed his stunts without a body double. A few sequences were filmed at the Ananuri Bridge in Tbilisi, Georgia. 700 guns, four tanks, and a machine gun used in the war were allotted from the Georgia Military Institute military school. The Georgian Armed Forces trained the film's unit to use these weapons properly.

During World War II, the country started running out of cups and saucers, as they were no longer imported and had never been manufactured locally at a grand scale. Clark Jr. started experimenting with mass production and built a tunnel kiln after reading as much about it as he could. Initially, he did not know how to attach handles successfully, and the Crown Lynn Potteries brand had a reputation into the 1950s for handles that broke off. By 1948, more than half of the company's production was sold to Australia, but when the Minister of Finance, Walter Nash, changed the exchange rate by 25%, that overseas market was "lost overnight".

A few days later, Train Man received a package from the woman: an expensive set of cups and saucers made by Hermès, a French luxury goods company. Flabbergasted, the man turned to the 2channelers for advice; he was soon convinced that the tea set was too expensive to be a mere thank-you gift. Following the advice and suggestions of the other posters, Train Man eventually contacted the woman. The man who wrote admitted things about himself, such as the fact that his number of years without girlfriends equaled his age, that he was an Akihabara nerd and an otaku, and that he had never been on a date.

This piece consisted of a series of piano sketches, alternating with scenes and costumed recitations, including a two-person "satirical musical sketch", really a short comic opera, called Cups and Saucers, which they then toured. Grossmith also took a number of engagements, including recitals at private homes. In 1877, Lionel Brough introduced another popular Grossmith song, "The Muddle Puddle Junction Porter". By then, Grossmith had become friendly with many in the music and theatre establishments, including Arthur Sullivan and impresario Richard D'Oyly Carte; and Grossmith had the opportunity to perform in Gilbert and Sullivan's Trial by Jury and other Sullivan works at charity benefits.

Programme for Dora's Dream and The Sorcerer from 1877 In December 1877 Cellier joined the D'Oyly Carte company as musical director at the Opera Comique in London. There he conducted The Sorcerer (1877), H.M.S. Pinafore (1878, for which he wrote the overture, based on themes from the opera),Ainger, p. 157 Trial by Jury (1878), George Grossmith's Cups and Saucers (1878-79), and three of his own one-act works: Dora's Dream (1877-78 revival), The Spectre Knight (1878), and After All! (1878-79). Cellier was conducting the performance of Pinafore during which the partners of The Comedy Opera Company attempted to repossess the set, and he was noted for his attempts to calm the audience during the fracas.

Several alleged miracles have been attributed to Babajan. According to one observer, within a decade of Babajan taking residence "the [Char Bawdi] locality underwent a metamorphosis surpassing all expectations. What with the featural changes in the buildings all around, electrified tea-shops ringing with the clatter of cups and saucers, a concourse of peoples consisting of all ranks and creeds waiting for Babajan’s darshana, a street bard entertaining the crowd with his music, the beggars clamouring for alms, easy-going idlers standing indiscriminately hampering vehicular traffic and the whole atmosphere heavily laden with sweet burning incense perpetually kept burning near Babajan, presented a scene typically Eastern, leaving an indelible impression on one’s memory."Ghani, Meher Baba Journal, Vol.

The beauty of her cobalt pieces is known well among collectors of her work. Clem and Nixon Hall of New York, a designer-distributor organization, brought "their years of design and merchandising experience to the end that Hannell pieces fit market demands." A feature of the couple in The Gary Post- Tribune spoke of the Hannells' open to the public studio in which, "Vin would probably be watching over the two electric kilns, where the articles are fired," or would be checking "the infra-red, electric lamps, which provide a quick-drying method for the newly made cups and saucers." Her pieces are not perfect in form and often include bulges or indentations allowing for easy handling.

Iron-glazed stoneware cups and saucers from a set of six, 1960s; cups 105mm x 70mm, saucers 120mm x 20mm; Ian Sprague and Mungeribar marks. Two ash-glazed storage jars, one with lugs, mid-1970s; 15cm x 10cm (with lugs), 13cm x 11cm (without); both with Ian Sprague mark. On one view, Sprague never produced great quantities of work himself; he was a self- effacing craftsman, not inclined to promote or exhibit his work. Yet he fired about 1,500 domestic pots of his own each year The reasoning: when Greenaway joined, they doubled the firings to make three thousand pots a year. So Sprague's share was 1,500 a year and scores of them are now in public collections.

Cups and Saucers, the Gilbert and Sullivan Archive A popular misconception holds that the central character of Bunthorne, a "Fleshly Poet," was intended to satirise Oscar Wilde, but this identification is retrospective. According to some authorities, Bunthorne is inspired partly by the poets Algernon Charles Swinburne and Dante Gabriel Rossetti, who were considerably more famous than Wilde in early 1881 before Wilde published his first volume of poetry. Rossetti had been attacked for immorality by Robert Buchanan (under the pseudonym "Thomas Maitland") in an article called "The Fleshly School of Poetry", published in The Contemporary Review for October 1871, a decade before Patience.In the essay, Buchanan excoriates Rossetti and the Pre- Raphaelite school for elevating sensual, physical love to the level of the spiritual.

Informal settings generally have fewer utensils and dishes but use a layout based on more formal settings. Utensils are arranged in the order and according to the manner in which the diner will use them. In the West, forks, plate, butter knife, and napkin generally are placed to the left of the dinner plate, and knives, spoons, stemware and tumblers, cups, and saucers to the right. (By contrast, formal settings in Armenia place the fork to the right of the dinner plate and informal settings in Turkey place the fork to the right of the dinner plate if not accompanied by a knife) Sauceboats and serving dishes, when used, either are placed on the table or, more formally, may be kept on a side table.

Present-day machines feature a drop-down front panel door, allowing access to the interior, which usually contains two or sometimes three pull-out racks; racks can also be referred to as "baskets". In older U.S. models from the 1950s, the entire tub rolled out when the machine latch was opened, and loading as well as removing washable items was from the top, with the user reaching deep into the compartment for some items. Youngstown Kitchens, which manufactured entire kitchen cabinets and sinks, offered a tub-style dishwasher, which was coupled to a conventional kitchen sink as one unit. Most present-day machines allow for placement of dishes, silverware, tall items and cooking utensils in the lower rack, while glassware, cups and saucers are placed in the upper rack.

Sugar bowl and dinner plate which formed part of the "Lincoln buff" china service ordered in late 1864 In late 1864, Mrs. Lincoln ordered a new set of china for the White House. This time, the importer was China Hall, a company owned by James K. Kerr of Philadelphia. The design this time was extremely simple: A white plate, with a buff border edged in gilt lines. This 511-piece set consisted of dining plates, soup plates, dessert plates, ice cream plates, a wide variety of dishes (large and small fish platters, vegetable platters, side dish platters), tureens, sauce boats, pickle dishes, salad bowls, custard cups, fruit baskets (round and oval), fruit platters, sugar bowls, coffee cups and saucers, and other items. This 181-piece set cost $1,700, and was billed on January 30, 1865.

The cemetery area and surrounds features a low to medium density scatter of archaeological artefacts including glass fragments and some low densities of ceramics on the lower slopes between the east edge of the marked cemetery and the ephemeral creek/channel. Bottle glass includes fragments of clear, blue, purple, dark and light green materials. The small number of ceramic shards found at this site was limited to white unprinted wares of a fine nature, probably associated with small vessels such as cups and saucers rather than larger plates or bowls. The scatter of artefacts on the gentle slopes to the east between the marked cemetery area and the ephemeral channel suggest that either materials have been eroding down the slope into the channel or materials disposed of in the dam upstream for the cemetery are the actual source.

Although the handcrafted pots continued to attract attention, they could not compete in the commercial market. The last firing of the big beehive kiln took place in 1965, and after that smaller gas and later electric kilns were used until the pottery works closed in 1979. Yet the diversified production of the Dorchester Pottery Works and the fact that it was a family-run operation helped it to stay open longer than other commercial New England potteries such as Bennington, Dedham and Hampshire. Some of its products were: storage jars from 5 to 75 gallons, beanpots both for restaurant and home use, cheese jars, foot-warmers, plates, platters, pitchers, pots, planters, bowls, casseroles, cuspidors, vases, flower baskets, bird baths, Toby jugs, cookie jars, steins, mugs, demitasse cups and saucers as well as special-order custom designs.

Joseph describes the sketches as "a light- hearted sending up of various aspects of contemporary life and manners. ...he was the complete performer... as a pianist (he performed for the most part sitting at a piano)... as a raconteur... as a mimic, facial expression, timing—he had it all. A short, dapper figure, he turned his lack of inches to positive advantage, and audiences took to him everywhere." 1878 programme for Cups and Saucers and H.M.S. Pinafore Grossmith toured in the summer of 1871 with Mr and Mrs Howard Paul and occasionally afterwards. He and Mrs Paul would also appear together in The Sorcerer in 1877.Mrs Howard Paul left her husband (Howard Paul, 1830–1905) around 1877, as he was having an affair with the actress-dancer Letty Lind, by whom he fathered two illegitimate children.

Often if a condition of the stunt was "don't use your hands," Collyer would ignore the first use of hands and just warn the contestant. If the time limit was nearly up on a task, he would often give them a few moments extra, or tell them if they started before the clock ran out and succeeded in that attempt, he would count it. Sometimes if a contestant had come close enough (for example, if they had to stack cups and saucers without the pile falling over, and the contestant knocked the pile over while putting the last cup on top), he would give them the stunt if they did not have time to do it again. If there was a problem with a prop breaking or running out of a supply, such as balloons, Collyer would simply give the stunt to the couple, citing it as the show's fault.

There is little documentary evidence, but oral tradition claims that E.V. Haughwout contracted with Edward Lycett, the most famous china painter in the United States at the time, to decorate the china. Glassware was also reordered from Haughwout & Co. in 1866, and manufactured by the New England Glass Co. of Cambridge, Massachusetts. But this service did not last long, either. An inventory taken on February 28, 1867, showed that some of the original "solferino" and the Johnson replacement "solferino" survived, along with some of the crystal plates and cut glass. E. V. Haughwout estimated the value of the remaining pieces at $22,000. Reproduction "solferino" china, such as this set for sale at the Richard Nixon Presidential Library and Museum in 2012, began to be sold as early as 1876. The Grant administration ordered 275 replacements (which included 72 cups and saucers) for the Johnson "solferino" set in 1873.

Chocolate at a social function, 1768 painting As the chocolataire grew in popularity, the ceremony itself became more chocolate- themed—the menu cards, programs, decorations, and even the costumes of the waiters were of chocolate color; chocolate cups and saucers were sometimes sold with the chocolate that was served in them,The Penn publishing company, Eureka Entertainments: Containing a Wide Variety of New and Novel Entertainments Suitable to All Kinds of Public and Private Occasions, 1894 or given as a souvenir for those who purchased chocolate. The chocolataire saw use in every social gathering imaginable—one was even thrown as part of a fund raising function for a kindergarten in IndianaThe Kindergarten-primary Magazine, 1898.—and it was not uncommon, after all guests have been served, to hold an auction of remaining candy, loaves of cake, and boxes of chocolate left over from preparation of the dishes.Lillian M. Heath, Eighty Pleasant Evenings, p.