This tidy soy sauce glass cruet is designed with an effective no-drip pouring spout built into the stopper: Soy Sauce Cruet, $40 ($36 for members), momastore.org.
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Pass the grated pecorino and Parmigiano, a cruet of oil, the pepper mill and crushed red pepper.
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Buy Now Copper Olive Oil Cruet, $100 Anyone who knows olive oil knows that there's the plain stuff for cooking and then there's the good stuff that you want to protect from sunlight and heat at all costs; this spouted cruet is for the second kind, and it looks sweet as hell on the counter.
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The next time I watch anything on the Food Network, I will be waiting with bated breath for them to pull out the TELEVISION CRUET and douse things liberally with oil.
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Entre Nosotros (Between Us) Variation I by Lionel Cruet is another dark space enlivened by projection, consisting of scattered beach sand, a stranded rowboat, and composite projections of inverted sunsets and crashing waves.
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Attended by handmaidens who were brightly colored spools of thread, Cleopatra was a filigreed creamer, her Antony a stoppered cruet — and it was somehow no less moving when they died at the end.
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Moser liked to use checkerboard patterns in his designs; a sugar box here is covered with hundreds of little black and white squares, while a bread basket and cruet stand are both formed from silver panels punched with square voids.
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A crystal cruet set, c.1930s/40sA modern French cruet set (right of picture) A cruet-stand (or cruet in British English) is a small stand of metal, ceramic, or glass which holds containers for condiments. Typically these include salt and pepper shakers, and often cruets or bottles of vinegar and olive oil. The stand and containers form a cruet set.
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The English word "cruet" originates with the Old French crue, "earthen pot". "Cruet". Online Etymology Dictionary. Douglas Harper. 2001. Retrieved 2009-01-01.
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Cruet bottle, 1780–1800, V&A; Museum no. 118-1907 A cruet (), also called a caster,"caster", The American Heritage Dictionary, 2nd College Edition. Houghton Mifflin. 1982. is a small flat-bottomed vessel with a narrow neck.
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Cruet is a commune in the Savoie department in the Auvergne-Rhône-Alpes region in south-eastern France.
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Lionel Cruet (born in San Juan, Puerto Rico) is a contemporary audiovisual and geopolitical artist best known for depicting the interactive nature of the environment using digital printing, performance, and installations. Cruet lives in both New York City and San Juan, Puerto Rico and frequently collaborates with other artists, as well as musicians, students, writers, and communities. In 2013, Cruet was the recipient of the Juan Downey Audiovisual Award at the 11th Annual Media Arts Biennale at the Chilean National Museum of Fine Arts in Santiago, Chile.
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Notre-Dame-du-Cruet is a commune in the Savoie department in the Auvergne- Rhône-Alpes region in south-eastern France.
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The church contains some older pieces of silver work, including a wine cruet from 1707 and a chalice with a paten and lid from 1739.
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A souvenir coach offers various handcrafter products and apparels which include beer mug, embossed leather jewelry product, cruet set, leather photo frame and various other accessories.
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Puerto Rican artist Lionel Cruet materializes the cloud in his immersive installation, ‘Espacio Intangible’ (Intangible Space), 2014. New York City Cruet received a Bachelor of Fine Arts from the Escuela de Artes Plásticas y Diseño de Puerto Rico in 2011 and a Masters of Fine Arts from the City College of New York in 2014. In 2017, Cruet participated in the exhibition Seen and Heard: An Active Commemoration of Women's Suffrage, on display from June 10 through August 27, 2017 at the Everson Museum of Art in Syracuse, NY. The exhibition explored the use of the arts as a catalyst for social change and featured the work of nine contemporary artists as well as several works from the Everson's permanent collection. Selected as an artist-in-residence for the exhibition, Cruet constructed two installations: At the End of Daybreak and A Speculative Atlas of the Caribbean.
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A small goblet inscribed with honorificabilitudinitatibus around it was found at Kirby Muxloe Castle in Leicestershire, England. A pewter cruet engraved with an abbreviated version of the word (honorificabiliut) next to the owner's name (Thomas Hunte) was unearthed in a well filled in 1476 during 1937 conservation works at Ashby de la Zouch Castle, also in Leicestershire. The cruet was cast around 1400 and is currently in Victoria and Albert Museum, London.Weinstein 2011, p.
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Altar cruets in San Pedro church (Ayerbe, Spain) An altar cruet or mass cruet is a small jug used in mass to carry the water or wine that are used in the consecration. The current cruets have replaced the old amphoras that, with the name of hama or amula, were used to receive and carry the chalices of the wine that the faithful offered at Mass. Often they were richly decorated metal jugs. Others were made of glass or clay.
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Cruets often have an integral lip or spout, and may also have a handle. Unlike a small carafe, a cruet has a stopper or lid. Cruets are normally made from glass, ceramic, or stainless steel.
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Sugar caster, silver, made by David André, 1709-1710, in Paris, France A sugar caster is a small container, with a perforated top, larger than a salt shaker but similar in form. The sugar caster was part of a set of vessels, and a rack to hold them used to contain spices and condiments on the dining table. The set would have a salt shaker, a pepper shaker, a vinegar cruet, an oil cruet, a sugar shaker, and a mayonnaise jar with spoon. The word is first attested to in 1676.
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In 2016, Cruet participated in the Artist in the Marketplace (AIM) Program at The Bronx Museum of the Arts which provides professional development opportunities and mentorships to emerging artists and audiovisual performers living in New York City. In his 2014 solo exhibition, Lionel Cruet: In Between, Real and Digital at the Bronx River Art Center in New York City, Cruet presented a digitally interactive show to incite pertinent discussions relating to geopolitics, nature, and technology. In 2013, Cruet's art was featured in various group exhibitions including "SuperReal: Alternative Realities in Photography and Video" at El Museo del Barrio in New York, "Colonial Comfort" at the Museo de Arte Contemporáneo de Puerto Rico, and "Sound Art Fair at Sala de las Artes" at the Universidad del Sagrado Corazón in Puerto Rico. Cruet's work has been published in Made in Mind Magazine, Designboom, and Catálogodiseño Magazine.
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In 1946 Brisbane and Wunderlich created a range of decorative crockery called Wembley Ware. The range was Brisbane's brainchild. The first product was the Cruet Set. To avoid paying a high sales tax the piece was fashioned into a salt and pepper shaker and a mustard dish.
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Cruet has served as a Teaching Assistant of 2D Design under Professor Joy Garnett at the City College of New York and as a Teaching Artist and Mentor at Casita Maria Center for Arts and Education, a contributing organization to the Center for Bronx Non-Profits (CBNP).
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They are also used for the serving of the wine and water in the Christian Mass, especially those of the Roman Catholic, Lutheran, and Anglican traditions. In Canada and the United Kingdom, a small cruet can also hold previously ground salt or pepper, according to Merriam-Webster sources.
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Arthur Crocodile has very dubious table manners, playing with the cruet set while waiting for his food and splashing ravioli sauce on his sister. He refuses to do anything about it until his sister invites her new best friend, Alberta, for dinner and Arthur sets out to impress her.
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Sacramental wine being poured from a cruet into a chalice Sacramental wine, Communion wine, or altar wine is wine obtained from grapes and intended for use in celebration of the Eucharist (also referred to as the Lord's Supper or Holy Communion, among other names). It is usually consumed after sacramental bread.
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An admirer described him as having "a touch of genius" but admitted that he was rough and harsh in manner. Charles Gavan Duffy described him as "dignified" but so unhealthy and ghastly in appearance that he resembled "an owl in daylight".Geoghegan p.167 Daniel O'Connell called him "the vinegar cruet".
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In 1901, Lockhart bought his next troupe of elephants, called "The Cruet", from the famous animal trainer, zoo director and animal dealer Carl Hagenbeck. The group was made up of Salt, Sauce (later changed to Saucy), Mustard and Pepper. Mustard and Pepper died, suffering from dropsy symptoms. New elephants, Vinegar and Baby, were acquired.
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McFarlane noted "[their] sound altered very little with the new addition". Watts remained the band's sole lead guitarist until his death on 1 July 2006 of a heart attack, following a show in Bendigo, Victoria to promote Off Ya Cruet!. Watts was 47 years old, leaving four children. Later that month a benefit gig was organised for Watts' families.
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A cruet designed to serve vinegar at the table. Cruets today typically serve a culinary function, holding liquid condiments such as olive oil and balsamic vinegar. They often have a filter built into them to act as a strainer, so that vinegar containing herbs and other solid ingredients will pour clear. Cruets also serve as decanters for lemon juice and other oils.
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She made boxes and cruet sets, but particularly cutlery. After WW1 she realised the likely demand for fine stainless steel table knives since the servants to polish the previously used silver knives no longer existed. She made knives and forks with steel elements forged in Sheffield to her design, to which she added her distinctive pique handlesl Cobb was a member of the Art Workers Guild.
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The company was established in 1953 and ceased trading by 1960. The Clayburn pottery produced hand painted decorative wares such as lamp bases, small bowls, jugs and cruet sets. These were complementary to the products of the Midwinter Pottery, and Clayburn was established by William Lunt, who was a director of Midwinter. This link was strengthened by the arrival of Roy Midwinter as another director of the company.
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Carlton Ware cruet set, Australian leaf design c.1950s. Carlton Ware concentrated on the decorative giftware end of the domestic pottery market throughout most of its career. Its earliest works included typical decal and hand-painted table-ware in a range of mostly floral patterns as well as items inspired by Wedgwood and other respected potters. During the early 1900s they became a supplier of "crested ware" for the tourist market.
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2 featured his biggest hit single to date, "Pasarela", performed by Dalmata. DJ Nelson, Gerardo Cruet and Arcangel, consider themselves as pioneers in the new "urban movement", a subgenre of reggaeton and hip-hop, as Arcangel baptized it, is a blend of hip-hop, reggaeton, dance-hall, electronica, and other futuristic sounds. "Chica Virtual", "Pa' Que la Pases Bien", "Te Estoy Buscando". "Sexy Movimiento", "Siguelo", "Dame un Poquito" by Wisin & Yandel.
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Glen & Stephen Thistlewood, Schiffer Publishing, 2008 as a part of the mould pattern. The basic items produced included bowls, plates, vases, jugs or pitchers and tumblers but many other more specialised items of tableware were made also. These included large centre piece items such as jardinières and float bowlsThe Art of Carnival Glass. Glen & Stephen Thistlewood, Schiffer Publishing, 2008, as well as smaller useful items such as butter dishes, celery vases and cruet sets.
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Salt and pepper shakers, along with a sugar dispenser Georgian silver pepper shaker, or pepperette, hallmarked London 1803 Salt and pepper shakers or salt and pepper pots, of which the first item is normally called a salt cellar in British English, are condiment dispensers used in Western culture that are designed to allow diners to distribute grains of edible salt and ground peppercorns. Salt and pepper shakers are sometimes held in a cruet-stand.
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He studied the effects at Clapham common on a large pond there. "I fetched out a cruet of oil and dropt a little of it on the water ... though not more than a teaspoon full, produced an instant calm over a space of several yards square." He later used the trick to "calm the waters" by carrying "a little oil in the hollow joint of my cane."W. Gratzer, Eurekas and Euphorias, pp.
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Gerardo Cruet (who created the recordings) spread the genre from the marginalized residential areas into other sectors of society, particularly private schools. By the mid-1990s, "underground" cassettes were being sold in music stores. The genre caught up to middle-class youth, and found its way into the media. By this time, Puerto Rico had several clubs dedicated to the underground scene; Club Rappers in Carolina and PlayMakers in Puerto Nuevo were the most notable.
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The basic kushikatsu in Kanto eastern Japan area including Tokyo is cooked with pork rib sliced in 3–4 cm (1.5 in) dice, thrust on skewer with sliced onion or leek alternately. Battered with fresh egg, flour and thin layer of panko crust, the skewer is deep fried in vegetable oil — cottonseed, soybean, canola or rapeseed oil. At the table, skewers are seasoned with thick brown sauce, sweeter than Worcestershire sauce, with mustard if they have it in the cruet stand.
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The Trust's earliest commissioned work (1987) was a cruet set by Malcolm Appleby. In 1991 a large donation from an anonymous benefactor allowed the Trust to commission a sizeable collection. By 1993 a sufficient amount of silverwork had been made and was presented to Prime Minister John Major, to be used for government and state occasions. During the summer Parliamentary recess the Trust started a series of exhibitions; the venue alternates yearly between the United Kingdom and a destination abroad.
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King Peter IV, called "o galheteiro" ("the cruet-stand") by Lisboners, in a c. 1860 photograph. King John VI had a monument to the Constitution built in 1821 on the spot the column stands today, which was rased two years later by the same king, after Infante Michael of Portugal (supported by Queen Carlota Joaquina) successfully led a counter-revolution to reinstate the absolute monarchy. A first monument to King Peter IV was erected in 1852, with Queen Mary II (King Peter's daughter) laying the cornerstone.
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By the turn of the twentieth century the church had little to show from its earlier history, or indeed of its former wealth, beyond the great size of the church. The church was relatively plainly decorated – see below – and had nothing by way of old fittings, plate or vestments. Amongst its liturgical plate were a chalice of 1788, an alms plate of 1839, a set of chalice, paten and flagon of 1841, and a silver mounted glass cruet of 1909.J.T. Evans, The Church Plate of Cardiganshire.
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Among the thousands of other items eventually raised were 19th-century cut-crystal sherry glasses, white porcelain plates, beer mugs, terracotta containers (once holding mineral water from Germany), glassware, cups, glass containers, multi-faceted cruet bottles, wine and champagne bottles, crates of goods (including axe handles and doorknobs) and tinctures of medicine. While recovery efforts were being conducted, lawsuits flew around among the salvors, the State of California, and numismatic experts. California took the legal position that it owned the rights to the wreck and everything located close to its shores.
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Also that year Knight was in a side- project, Dung, as "Standin Dung" on bass guitar and lead vocals; with Dean Muller (ex-Hoss) as "Kerry-Anne Dung" on drums; and Kieran Clancy as "Chairman Mao Tse Dung" on guitar and vocals. They released their debut album, Who Flung, on Shock Records, which was produced by Gravina. In 2006, Cosmic Psychos issued their first studio album for nine years, Off Ya Cruet, on Sydney's Timberyard Records with Gravina producing. In late 2005 Walsh had been replaced by Knight's bandmate from Dung, Muller (ex-Voodoo Lust).
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Salt and Sauce were owned and presented by some of the most famous show business people of their era. Their owners included Carl Hagenbeck, George William Lockhart, Herbet "Captain Joe" Taylor, John "Broncho Bill" Swallow, Dudley Zoo, Tom Fossett, Dennis Fossett, Harry Coady and Billy Butlin. Their presenters included Ivor Rosaire and Emily Paulo. Formerly members and believed to be the longest surviving members of George William Lockhart's "Cruet", they were featured in various books, newspapers and magazines in their day, and are the focus of a book, The Legend of Salt and Sauce.
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When he was not at school, George spent a lot of his time with the elephants Boney, Molly and Waddy and toured all over Europe with them. His father sold his original troupe of elephants in 1901 and bought four more from the animal dealer Carl Hagenbeck. This group would be known as "Lockhart's Cruet" and would become notorious for causing the death of George William Lockhart. According to George Claude Lockhart, they regularly stampeded and it was in one of these stampedes at Walthamstow station on 24 January 1904 that they killed their owner.
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Despite Salt suffering dropsy symptoms that had already killed two other members of "The Cruet" she went on to live for five decades. Her death was well documented in the Cambridge local press (source: The Legend of Salt and Sauce) when she accidentally got stuck in Vauxhall Lake in Sturry, Canterbury, Kent, whilst touring with Ringland's Circus in 1952. After seven hours and with the aid of a crane she was freed from the lake, but suffered from pneumonia and died after a week. According to the local press over a hundred wreaths were left for her at the circus.
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In some villages, the tambourine, the triangle and the traditional dorga (a small earthenware pitcher, like a cruet, having a spout with a slot, similar to whistle) were played instead. When the dorga was filled with water and blown into, it produced a pleasant warbling note. In recent years, some volunteers form a small band and accompany the singing hymns as Dun Ġorġ had made it clear that no formal band was to take part. The procession used to make a stop, usually at the village square (pjazza) where one of the boys would deliver a short sermon on the Nativity.
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In the newer Mass the celebrant says the prayer: "Lord, wash away my iniquity and cleanse me from my sin" (Psalm 50:2, Psalm 51:2 in the Hebrew). A bishop at high Mass wears the "precious" mitre (mitra pretiosa) while he is censed and then washes his hands. A larger silver basin and cruet are generally used for a bishop, though there is no official requirement for this. For the lavabo, the priest will use a simple linen towel, which is often considered to be one of the altar linens, though technically it is not.
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Dresser Cruet Set Christopher Dresser was a pivotal figure in the Aesthetic Movement and deeply involved in the Linthorpe Art Pottery, which stood less than a mile from Dorman Museum. The museum has a significant Dresser collection and a Heritage Lottery Fund project exists to draw attention to this. In 2014, the newly refurbished gallery dedicated to Christopher Dresser opened, showcasing 160 works produced directly from his designs, as well as those produced by others influenced by his work, and the collection continues to be extended. The extensive collection was purchased from a private collector with the financial support of Heritage Lottery Fund, Art Fund and Victoria and Albert Museum Purchase Grant Fund, bringing a significant collection into the public domain and safeguarding it for future generations.
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The monument consisted simply of a pedestal, which the Lisboners referred to as "o galheteiro" ("the cruet-stand") due to its ungraceful form. This primitive monument was demolished in 1864, after serving as the base for a temporary statue of Hymenaeus during the wedding ceremonies of King Peter V in 1858 and King Louis I in 1862. The current marble statue was erected on top of a 75-foot (~ 23 metres) column in 1870. The statue is of Peter IV, King of Portugal, who was also the first Emperor of Brazil, as Peter I. His bronze statue stands atop of a tall Corinthian order column, depicting him in a general's uniform and royal cloak, his head crowned in laurels, and holding the Constitutional Charter of 1826 in his right hand.
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The first one has since disappeared, and the one which remains is the second. At High Mass (or sung Mass), in the older rite, and in the more solemn forms available in the newer version, after the offertory, the celebrant incenses the altar and is then incensed himself at the Epistle side (south side of the altar), he remains there while his hands are washed by the acolytes, who ought to be waiting by the credence table. The first acolyte pours water from the cruet over his fingers into a little dish, the second then hands him the towel to dry the fingers. Meanwhile, in the 1962 rubrics he says the psalm verses: "I will wash my hands among the innocent...", to the end of the psalm (Psalm 25: 6-12 in the Vulgate, which is Psalm 26: 6-12 in the Hebrew).
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A sparse catalogue and less than ideal viewing conditions put the Committee, which had been able to inspect at their leisure, at a considerable advantage. The sale was controversial. William R. Morrison, an Africana dealer and collector, wrote ten highly critical reports in the Cape Times, and on the evening of the first day the Government allocation of public funds came under heavy attack in the House and had to be defended by Lionel Philips and Abraham Fischer. Overvaluations abounded: a brass flower-bowl sold for £8 5s, prompting Morrison to quip that brass is counted among the precious metals in Cape Town. Another brass bowl sold for £9 10s. Bargains included a Louis XVI ormolu box, with mother of pearl lid, and inlaid enamel, by Vervain, sold for 26 shillings. A Louis XV silver cruet, with cut glass bottles and castors sold for £30.
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At the back center is a dish of wheat, and at the sides are a vessel of olive oil and a cruet of wine. > O Lord Jesus Christ our God, Who didst bless the five loaves and didst > therewith feed the five thousand: Do Thou, the same Lord, bless these > loaves, wheat, wine and oil; and multiply them in this holy habitation, and > in all the world; and sanctify all the faithful who shall partake of them. > For it is Thou, O Christ our God, Who dost bless and sanctify all things; > and unto Thee we ascribe glory: with the Father Who hath no beginning, and > Thine all-holy, good, and life-creating Spirit, now and ever, and unto the > ages of ages. During the words "loaves, wheat, wine and oil" above, he points with the loaf he holds in his right hand to each item as he names it, making thereby the sign of the cross.
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" Another example of the works that Burges created for Lady Bute as a present for her husband, was a silver cruet set, in the form of two medieval retainers carrying tiny barrels of salt and pepper; the answer to the question of "what to give a man who (could) afford everything." His most notable metalworks were, however, created for himself, often with the proceeds of the winning of an architectural competition. Together, they display "a dazzling originality that surpasses any other silver designed earlier in the century". Examples include the Elephant Inkstand, which Crook considers "the very epitome of its creator's special genius", the pair of jewelled decanters paid for with the fees for the plans of the Crimea Memorial Church and for his series of lectures, Art Applied to Industry, and the Cat Cup, created by Barkentin in commemoration of the Law Courts competition, of which Crook writes: "Its technical virtuosity sets standards for the Arts and Crafts phase.
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The Pope sets a miter on the Empress' head 'with the points to the right and to the left'The only other women who had the right to wear a miter were the 'mitered abbesses', the superiors of certain very ancient monastic communities, although Gregory Dix in his book, The Shape of the Liturgy notes that these abbesses were originally ex officio deaconesses and that these miters were originally the caps worn by deaconesses as an insignia of their deaconal status. and crowns her with the words, "Solemnly blessed as empress by our unworthy ministry, receive the crown of imperial excellence...") The Laudes Imperiale are sung and then the Gospel is read by the Emperor. At the Offertory the Emperor offers bread, candles and gold and the Emperor offers the Pope the wine and the Empress the water for the chalice. (1312--The Emperor serves the Pope 'as a subdeacon offering him the chalice and water cruet.) Both the Emperor and the Empress communicate and in 1312 after Communion the Emperor kisses the Pope's cheek and the Empress kisses the Pope's hand.
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The other main characters were Arthur the caterpillar, as a gruff cockney; Mavis Cruet, a plump, clumsy fairy with an erratic, magic wand; and the principal antagonist, Evil Edna, a witch in the form of a walking, talking television set, who could zap people with her aerials. Other characters included Carwash, a snooty bespectacled cat who was based on Noël Coward with the catchphrase "My eyes are not first-class, you know"; The Moog, a supposed dog who is unable to think for himself; Twit, a small bird; The Beast, a former prince turned into a hairy shambling creature by Evil Edna; the Astrognats, a group of bugs who explore outer space by means of their toadstool rocket; the Bookworm; gnomes and a regiment of toy soldiers. Each of the original 26 episodes lasted approximately 5 minutes and were broadcast at 5:35pm on BBC1. This continued a tradition of short cartoons, such as The Magic Roundabout and The Wombles, being shown on weekdays between the end of the main children's programming for that afternoon and the BBC Early Evening news at 5:40pm.
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From the tomb of the Commander of Rio Torto, the village church was annexed to the Military Order of São Lourenço de Lillela (Rio Torto), two-thirds of the tithes belong to the military order, while the remaining third was held by Manuel de Sampaio. The parish priest received a stipend of 12$600 réis annually, in addition to 2$000 réis to support repairs on his residence, in addition to 20 alqueires of wheat; to the church factory, the Commander of Rio Torto paid 3$000 réis annually, for 3.5 almudes of olive oil, two alqueires for wheat for sacramental bread dand two almudes of wine for the cruet. In 1706, during the administration of donatorio Manuel de Sampaio e Melo of the House of Vila Flor (), the town included 100 homes, and the church was represented by the Rector of Rio Frio (in Chaves), who was a Commander in the Order of Christ, from the House of the Counts of São Lourenço. By 1758,the municipality pertained to the Comarca of Torre de Moncorvo, under the dontario Francisco José de Sampaio (the parish with 150 homes and 277 residents).
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He wrote: "Before descending into the bowels of the ship, we had passed from the deck into a long narrow apartment, not unlike a gigantic hearse with windows in the sides; having at the upper end a melancholy stove at which three or four chilly stewards were warming their hands; while on either side, extending down its whole dreary length, was a long, long table over which a rack, fixed to the low roof and stuck full of drinking-glasses and cruet-stands, hinted dismally at rolling seas and heavy weather." Describing the cabin, Dickens wrote: "..deducting the two berths, one above the other (the top one a most inaccessible shelf) than which nothing smaller for sleeping in was ever made except coffins, it was no bigger than one of those hackney cabriolets which have the door behind and soot their fares out, like sacks of coals, upon the pavement." While Britannia and her sisters had a favorable power-to-weight ratio, they were only able to match Great Western’s speed. Britannia took the eastbound record from Great Western in August 1840, but Great Western regained it in April 1842.
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