It was a rough construction of old boards nailed together with crosspieces.
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Skittles come shaped like mushrooms or as small thin posts with metal crosspieces.
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Fortunately the beams had been joined by notching the ends of the crosspieces.
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The solution was adding a pair of steel tension bars connected by short crosspieces.
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The crosspieces were circular and made of black stone, shot through with veins of grey.
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Alvin's new personnel sphere is placed on the curved crosspieces of the vehicle's titanium frame.
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The logs, laid horizontally across the iron frame, are lashed to the crosspieces with sturdy twine.
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The trellis top, which consists of two pairs of horizontal crosspieces, is added piece by piece.
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We screwed short crosspieces near the bottom of each leg, burying them in the gravel to resist tipping.
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It looks like your grandma's old rooftop TV antenna, with a single long axis and several shorter crosspieces.
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Pines generally produce straight trunks, which permit the elaboration of pieces of carpentry such as crosspieces or planks.
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The overburden at some points compressed twelve-inch overhead crosspieces, or caps, to two-inch thicknesses in a year.
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The two logs were small and straight, and were lashed together by means of tough roots and crosspieces of wood.
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Chiastolites were very important to Native American culture, with the four veins or crosspieces in the mineral signifying many different things.
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A National Science Foundation grant allowed for radiocarbon dating of three samples, one side rib and two of the umiak's bottom crosspieces.
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A plank supported by two legs, maybe braced with crosspieces, a bench is hard and narrow, typically backless, conducive to sitting upright.
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The superstructure, two rails smaller in diameter than the runners and spaced apart by pieces of bamboo, sits on top of the crosspieces. The runners, crosspieces, and rails are bound together with sennit cordage. The rails are wrapped in white kapa cloth and the rail frame is covered in lauhala matting. Oil from kukui (Aleurites moluccana) nuts coats either the course or the runners to provide lubrication.
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I cover bramble rows with a fine mesh net, placing stakes with T-shaped crosspieces every 6 feet to keep the mesh from getting entangled with the plants.
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Then during a lull in the sickening waves of withdrawal, he noticed a pack of book matches lying on one of the flat, iron crosspieces between the bars.
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The instrument, usually 2 to 2.5 m long, consists of an upright wooden pole topped with a conical brass ornament and having crescent shaped crosspieces, also of brass. Numerous bells are attached to the crosspieces and elsewhere on the instrument. Often two horsetail plumes of different colors are suspended from one of the crescents; occasionally they are red-tipped, symbolic of the battlefield. There is no standard configuration for the instrument, and of the many preserved in museums, hardly two are alike.
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The total cost for the bridge was $1000. In 1983, Peters took down the bridge for repairs. Crosspieces were replaced and the faded sign was repainted. Upon its completion, the bridge was re-dedicated with special guests Chip 'n' Dale and Mickey Mouse from Disneyland.
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The wood is hard and heavy, with noticeable differences between sapwood and heartwood. The heartwood turns a dark color with oxidation. The wood is very weatherproof. It is used in the construction of boats, docks, truck beds, beams, crosspieces, stairs, floors, as well as woodturning.
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Because the Mona Lisas poplar support expands and contracts with changes in humidity, the picture has experienced some warping. In response to warping and swelling experienced during its storage during World War II, and to prepare the picture for an exhibit to honour the anniversary of Leonardo's 500th birthday, the Mona Lisa was fitted in 1951 with a flexible oak frame with beech crosspieces. This flexible frame, which is used in addition to the decorative frame described below, exerts pressure on the panel to keep it from warping further. In 1970, the beech crosspieces were switched to maple after it was found that the beechwood had been infested with insects.
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Papa hōlua are composed of a pair of runners and a superstructure (platform). The runners are made from hard native woods, traditionally that of kauila (Alphitonia ponderosa or Colubrina oppositifolia), uhiuhi (Caesalpinia kavaiensis), or māmane (Sophora chrysophylla). The runners have up-curved fore edges, straight aft edges, and rounded lower edges. Crosspieces keep the runners apart.
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In 1977, a new insect infestation was discovered in the back of the panel as a result of crosspieces installed to keep the painting from warping. This was treated on the spot with carbon tetrachloride, and later with an ethylene oxide treatment. In 1985, the spot was again treated with carbon tetrachloride as a preventive measure.
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It is made entirely of Hinoki, or Japanese cypress bark. Hongu Taisha rooftop The bronze ornaments on the roof top are characteristic features of shrine architecture. The X-shaped crosspieces that pierce the sky are called Chigi and the log like beams that are laid horizontally along and perpendicular to the ridge line are called Katsuogi. They add a dramatic highlight to the roof line.
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Most of the action takes place in the centre of this ground, on a rectangular clay strip usually with short grass called the pitch. The pitch measures long. At each end of the pitch three upright wooden stakes, called the stumps, are hammered into the ground. Two wooden crosspieces, known as the bails, sit in grooves atop the stumps, linking each to its neighbour.
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Asafoetida Having been thus prepared, the meat is strung on lahndi poles (tall poles with crosspieces which stand outside most Afghan mud-houses and serve as winter larders). The best time to prepare lahndi is December, when the meat dries out within fifteen days if it is cold enough. It is commonly eaten in winter to keep a person warm and help him face the extreme weather.
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The Mendoza, Mendozer, Monkey Stick, Murrumbidgee River Rattler, Lagerphone or Zob Stick The Bushwackers Australian Song Book, new edition 1981, published by Anne O'Donovan Pty Ltd, : Lagerphone or Murrumbidgee River Rattler. An upright pole with two crosspieces upon which are screwed beer bottle tops. The noise is made by hitting the instrument on the floor, at the same time striking the middle section with a solid piece of wood. is a traditional English percussion instrument, used in folk music.
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There is a tearoom to the rear in the enclosed verandah space. The clock tower is reached by an access hatch and contains a full peal of bells as well as the clock. The front fence is designed to match the building, having pillars with moulded tops incorporating rosettes. The base of the fence is brick with a capping mould above, which is an iron railing of crosspieces with central circles similar to that of the entry balustrade.
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Two parallel oak shafts or "trams" bracket the draft animal in front and form the frame of the cart to the rear. Crosspieces hold the floorboards, and front, side and rear boards or rails made of willows or dimension lumber enclose the box. These wooden pieces are joined by mortices and tenons. Also of seasoned oak is the axle, lashed to the cart by strips of bison hide or "shaganappi" attached when wet, which shrink and tighten as they dry.
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Each return crease terminates at one end at the popping crease but the other end is considered to be unlimited in length and must be marked to a minimum of from the popping crease. Diagrams setting out the crease markings can be found in Appendix C. A wicket consists of three stumps, upright wooden poles that are hammered into the ground, topped with two wooden crosspieces, known as the bails. Law 8: The wickets. The wicket consists of three wooden stumps that are tall.
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By climbing 156 steps to the summit of the principal tower, one gains a panoramic view of the city and surrounding countryside. The building's general plan is that of a streamlined Latin cross, with slight gabled projections near the rear forming the crosspieces. Three entrances pierce the facade, while lancet windows of similar height are placed at varying locations in the towers, and two-story windows fill the side bays. Widest and tallest are the windows placed in the rear-side projections and above the entrances on the facade.
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The 1979 British comedy film Monty Python's Life of Brian ends with a comical sequence in which several of the cast, including Brian, are crucified by the Romans. The film ends with them all singing the song "Always Look on the Bright Side of Life". In this sequence, the characters are not nailed to the crosses, but tied at the wrists to the crossbar, and are standing on smaller crosspieces at foot level. In the 2010 film Legion, one of the diner patrons is found crucified upside down and covered with huge boils.
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The line's pilot stage, which would see it extending from Taganskaya through Lefortovo and into the eastern districts of Perovo, Novogireevo and Veshnyaki, was opened for the 1980 Moscow Olympics. The line bears all traits of the late 1970s architecture and engineering. No longer pressed for economy designs and aesthetics, the architects were given full freedom to use advanced materials. The engineers were able to introduce new designs, particularly for the Column stations of Marksistskaya and Aviamotornaya which were built without ventral crosspieces, allowing a huge economy in time by abandoning the use of tubings.
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Below the top of the pedestal and running around it is a moulded cornice on which are placed a further series of statues carved from the bluish stone from Kersanton. Three crosses rise from the pedestal, the central cross having two crosspieces/bars and the crosses on the left and right bearing the two thieves crucified alongside Jesus. Around these crosses and on the surface of the pedestal are further statues. In total, there are 182 statues carved from Kersanton stone which are placed in groups to form 28 tableaux depicting scenes from the life of Christ.
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The calvary stands in the parish church's cemetery and comprises a square pedestal, decorated with four bas-reliefs, from which rises a cross depicting the crucifixion. The cross has two crosspieces and at its base is a statue depicting Mary Magdalene kneeling in prayer on one side and Francis of Assisi showing his stigmata on the reverse side. On the higher crosspiece and just below the depiction of the crucifixion are two horsed cavaliers, one on each side. One of these is Saint Longinus who raises a finger to his eye to remind the observer that he was cured by Jesus of blindness.
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Below this, on the crosspieces, were statues of those present at the crucifixion. A feature of Breton calvaries is that most of the statues were carved as a pair (géminées in French) and effectively back to back. Doré's output was prodigious and he worked on nine monuments in Saint-Thégonnec, five in Logonna-Daoulas and four in the parish of Plougastel-Daoulas. He also received four commissions to work in Hanvec, three in Guiclan, Irvillac and Lampaul- Guimiliau and two commissions in Cléden-Cap-Sizun, Hôpital-Camfrout, Landerneau, La Martyre, Plabennec, Pleyben, Plogonnec, Saint-Nic, Saint- Servais and Saint-Urbain.
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It was attached to the strings through a "triangular opening cut in the skin" at the bottom of the bowl. Besides being woven through the skin- soundboard, the stick was supported underneath by "wooden crosspieces" that ran crosswise underneath the stick, to the edges of the bowl on either side. The strings were "wound around the top of the handle" and tied with thongs, the tassels visible in some surviving artwork. Nora E. Scott gave more details about the Egyptian lute's construction, saying that the lute had two bridges, the triangular bridge at the bottom, attached to the stick and protruding through the skin, and another on the neck.
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In 2004–05, a conservation and study team replaced the maple crosspieces with sycamore ones, and an additional metal crosspiece was added for scientific measurement of the panel's warp. The Mona Lisa has had many different decorative frames in its history, owing to changes in taste over the centuries. In 1909, the art collector Comtesse de Béhague gave the portrait its current frame, a Renaissance-era work consistent with the historical period of the Mona Lisa. The edges of the painting have been trimmed at least once in its history to fit the picture into various frames, but no part of the original paint layer has been trimmed.
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Three crosses reach up from the upper platform of the Calvary, that involving Jesus Christ's crucifixion and the crosses of the good and the bad robber. Jesus' cross has two crosspieces, on the first of which are back to back statues depicting the Virgin Mary with St Paul and his sword and John the Evangelist with St Peter and his key. On the second crosspiece are statues of two horsed cavaliers, St Longinus on the right of Jesus and St Stephaton, who reached up to Jesus with a sponge, on the left. These crosses and the statuary involved were created as part of Larhantec's restoration.
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On 19 June 1763, the image of Our Lady of Salambáo (formal title: "Our Lady of Immaculate Conception of Salambáo"), was the last saint whose cultus was introduced to Obando. Legend tells of three fishermen named Juan, Julián, and Diego dela Cruz caught the Virgin Mary's image in their salambáw, a fishing net supported with bamboo crosspieces and mounted on a raft. They were fishing at a place known as Hulingduong, Binwangan (now part of Malabon), and when they decided to bring the image to the neighbouring town of Navotas, their boat suddenly grew heavy and immobile. When they eventually decided to bring the image to Obando, their boat quickly lightened and became easy to paddle.
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Mechanical engineering is represented by Cardanval JSC (cardan shafts and crosspieces for cars and tractors), Yuzhmash JSC (forging and pressing machines, spare parts and equipment), Elektroapparat LLP (power switches and other products). As for light industry, enterprises include “Voskhod” (garments from woolen and semi-woolen fabrics: suits, coats, jackets, etc.), “Adal” (textile), “Elastic” (socks from high-quality yarn). Construction materials are produced by “Shymkentcement” and “Kurylys materialdary” JSC (bricks). “Shymkentmai” JSC and “Kainar” LLP (processing of cotton, sunflower, safflower, soybean, production of refined edible oil and other products), “Shymkentpivo” JSC (beer), “Visit” JSC (soft drinks), “Shymkentsut” JSC (dairy products) are also operating in the city. Industrial production increased by 15% compared to 2018.
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The tiles of the main > building are made of lead; all the other tiles are made of yellow clay. The > beams and pillars are huge, and are all carved and painted with images of > the Buddha. The rooms are really quite grand looking, and the long corridors > and complicated walkways, the soaring structures that rise and fall, all > give a considerable sense of size. In the place for doing official business > there is a gold window, with rectangular pillars to the left and right of > the crosspieces… I have heard that there are many wonderful places in the > inner palace, but it is very strictly out of bounds and I could not get to > see them.’ Moreover, French Archaeologist Bernard-Philippe Groslier who conducted excavations at Angkorian Palace enclosure in the 1950s and 60s provides another useful description: > ‘…in former days Angkor was a sea of roofs.
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The Fiat Cronos is the compact sedan of the Fiat range in the market in Latin America. Unveiled in February 2018, the Cronos was born as a three box sedan version of the Fiat Argo hatchback, from which it takes part of the front platform, the interior and the front doors; altogether about 30% of the components is derived from the Argo while the 70% is specific from the bonnet, front crosspieces, front and rear subframe, bumper, rear axle and skeleton of the body.Apuntes del lanzamiento del Fiat Cronos Fiat Cronos (rear) During the design phase, the car was indicated with the code Type X6S.Flagra - Fiat X6S (Argo Sedan) segue testes com menos camuflagem The Cronos was officially announced by the CEO of Fiat Chrysler Automobiles Sergio Marchionne in April 2016, in which he illustrated an investment plan for or FCA plant in Córdoba, Argentina of five hundred million dollars, for a production of one hundred thousand units at full capacity.
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