"We're the generation of crosshatching, when you think about it," she added.
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A light touch here; heavy crosshatching there — human anatomy in hints and details.
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After finishing the eyes, he frames the face's cheekbones and jaws, then begins crosshatching in the details.
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In his own comics, Mr. Panter embraces the loose, rough line, the smudges and the mistakes, the crosshatching.
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The painting is a diamond-shaped study in blue-and-green crosshatching complemented by patches of partially divergent brushwork.
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"I love crosshatching," said the painter Leelee Kimmel, walking around her Upper East Side studio on a recent morning.
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There are so many kinds of crosshatching to explore and I am exploring them while my hands still work.
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Especially the crosshatching: It's almost as if you can hear the scritch-scratch of his pen nib as you read.
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Subtle crosshatching and motifs of foliage, flowers and butterflies come to light when sunbeams pour in at just the right angles.
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Ms. Ferris's ferocious Expressionistic art, with its Crumb-like crosshatching, nails the grit-in-your-mouth feel of her home city.
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His approach tends to create a big web of crosshatching; he and Mr. McBride may bring out something special in each other.
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The red is almost impenetrable, crawling across the vastness of BlainSouthern's Berlin gallery walls, crosshatching and blending with the white cube that only just contains it.
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Mr. Le-Tan's drawings, usually rendered with meticulous crosshatching in ink and watercolor, frequently depict interiors populated by interesting objects, sometimes accompanied by static human figures.
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Using a retro style with a tight crosshatching technique, he created comics like "Nard n' Pat," about a conservative man who bickers with a hip cat.
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If the new campus activism has a central paradigm, it is intersectionality: a theory, originating in black feminism, that sees identity-based oppression operating in crosshatching ways.
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The two types of ivory can generally be told apart by their appearance — mammoth ivory is often darker on the outside — and by the pattern of crosshatching.
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Antonio Canova's half-size treatment of the legendary Greek pugilist Creugas shows this ultrarefined artist crosshatching and tinting plaster until it looks like gently roughened wood, and it's dazzling.
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Far more persuasive are her discussions of the artist's hand — the shakiness of Aline Kominsky-Crumb's line, the crosshatching of her husband, Robert, the rigorously controlled quality of Charles Burns's drawings.
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Paralleling the incursion of white, the painting's right section features green globules and stains that guide the viewer's eye back into the dense crosshatching, an example of the competing painterly energies that Boxer continually explores and exploits.
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And if, through crosshatching, Johns has distanced himself from Munch in order to tap into a secondary set of meanings, the absence of irony in this set of works delivers an emotional sucker punch that simply floors you.
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"The angry-child scratches have exploded into an allover web of messy Twombleyesque crosshatching; the individual lines gouge the built-up surfaces cruelly," Holland Cotter wrote in Art in America, reviewing her show at the Robert Miller Gallery in 1986.
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The connection feels less cosmic, however, and more material, with the etching's black lines linking up with the old-fashioned crosshatching in Conner's cut-up prints, and its deep shadows blending with the darkness encroaching on the car in Wenders' photo.
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Huckaby has paid most of his attention to the man's upper body and head, where intense crosshatching evokes light and shadow, and less attention to the legs and the wall behind him, where everything is sketched in with a few lines.
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On the side: French fries wafting Old Bay, cornbread gilded in honey butter, and mac and cheese made in the looser, freer custard style, with a crosshatching of sharp Cheddar, its milder cousin and Monterey Jack, reaching the diner in giddy stages of melt.
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Often referred to as "walking while trans," this pattern of abuse hinges on the assumption that anyone perceived as transgender must be engaging in, or loitering for the purpose of, sex work -- a result of the crosshatching stigmas that hang over sex workers and transgender identities.
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Nearby, the staggering "Perilous Night" (1982) combines wax arms, crosshatching, and wood grain, to name just a few of the motifs highlighted in the show, while half of the composition is taken up by a darkly oblique reference to Matthias Grünewald's Isenheim Altarpiece (c.1512–1516).
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When I recently walked with the director, Marco Ciatti, through its cavernous spaces, I saw one young woman in her white lab coat and jeans sitting on a stool with a fine paintbrush applying careful crosshatching — two-way strokes — to a "Last Supper" disciple's almost-finished pink robe.
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Hard to tell, and it doesn't help that at the upper left there are also light tracings of loops, as if he were trying to coax ink out of a ball point pen, and a patch of crosshatching that looks like a doodle I drew at a meeting, last week, when I was bored.
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Rendered in detailed pencil crosshatching, Siciliano's graphic novel I Know What I Am: The Life and Times of Artemisia Gentileschi, published by Fantagraphics, weaves together known facts of Gentileschi's life with the politics of art patronage, as well as religious turmoil and the whims of contemptible men, including her patrons, her father and his friends, and her own husband.
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The style of crosshatching indicates the type of material the section passes through.
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Seeman, 64 "Hopewell ware" is characterized by crosshatching, bands with cambered rims, and highly stylized bird motifs.
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The main design over the crosshatching is usually painted in black and occasionally in green. These include images of plants and animals, especially deer, rabbits, eagles, roosters and swans.Hopkins and Muller 98–99 The tighter the crosshatching is, the finer the piece. This type of pottery is used to make mugs for hot chocolate, platters, large bowls and some animal and human figures.
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Crosshatching that deviates too far from 45 degrees can either cause an unwanted accumulation of oil or be unable to hold on to the oil entirely.
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Petate or petalillo pottery is distinguished by having a light yellow background filled with crosshatching, which looks like a woven palm mat, called a petate. According to José Bernabé, barro petate began when two potters by the name of Magdaleno Goldívar and José Cervantes began to fill the background with a fine crosshatching. The Bernabé family started experimenting with this decorative style around 1840. The decorative style require very fine white clay in order to create a very smooth painting surface.
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The main techniques used in drawing are: line drawing, hatching, crosshatching, random hatching, scribbling, stippling, and blending. A computer aided designer who excels in technical drawing is referred to as a draftsman or draughtsman.
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In the chiaroscuro technique, multiple blocks were cut and inked with different colors so the resulting print resembles a pen-and-ink sketch. The paper served as the middle tone, and then highlights (chiara) were added with white gouache, and darkness (scuro) and shadow was created by adding crosshatching in pen or a dark wash with a brush. Woodcuts would consist of a key, or line block, which consisted of the contours and crosshatching and a varying number of tone blocks. The key block sometimes stood alone as a black and white print.
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Artists use a variety of methods to create gradation, depending upon the art medium, and the precise desired effect. Blending, shading, hatching and crosshatching are common methods. A fading effect can be created with pastels by using a torchon.
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In 1976, the grille saw a new and finer crosshatching pattern. Cornering lamps received new horizontal silver trim; taillamp Bezels also gained new chrome-like trim. Eight different color accent stripes were available. Vinyl tops were now integral padded Elk grain material.
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Fleetwood decorative trim was seen. New triangular rear quarter window, of much slimmer design than before, were seen. In 1976, the grille saw a new finer crosshatching pattern. Cornering lamps got new horizontal chrome trim while taillamps gained new chrome-like trim.
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These drawings are executed in a meticulous technique, using dots and minute crosshatching as an engraver would. The Walters Art Museum collection holds a volume of 16 bound-together parchment leaves depicting a Passion cycle in miniature drawings (the volume is known as w.722, fol. 6r).
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The use of certain patterns to symbolize glowing, glittering power are usually limited to crosshatching and dots. In much of Oceanic art, these patterns symbolize an extra power. They are commonly seen on deity figures, the genitalia and thighs of women giving birth, and mythical creatures.
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The main techniques used in drawing are line drawing, hatching, crosshatching, random hatching, scribbling, stippling, and blending. An artist who excels in drawing is referred to as a drafter, draftswoman, or draughtsman. Drawing can be used to create art used in cultural industries such as illustrations, comics and animation.
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Gerhard, who used to deliver art supplies to Sim, did backgrounds and colours for the stories Sim had been commissioned to do for Epic Magazine. Due to the success of the stories, Sim asked him to take over the duty of drawing backgrounds and laying down screentone for Cerebus starting with issue #66. For the first several issues together, Gerhard experimented with different techniques and textures, trying to find out what style would both mesh well with Sim's, and reproduce correctly when printed. He experimented with laying two layers of screentone on top of each other, crosshatching over stippled screentone, stippled screentone over crosshatching—adding and discarding different tricks until he had a repertoire that worked.
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Fine ink work can be found in various places, and is sometimes used to build crosshatching. Decoration is dense, with various elements painted brightly against a dark background. One writer has describe her style as "busy". Numerous pieces by Butler survive in the collection of the American Folk Art Museum.
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Red is commonly used as the background color, while the green and white are used for the decorative details. It is also an unglazed burnished ware. For unknown reasons, this style of pottery is very rare.Hopkins and Muller 101 Petatillo pieces are distinguished by tightly drawn lines or crosshatching in a red background.
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He married Wilhelmina Hund, and with her had several children, his son John succeeding him in his educational role. In 1776 the couple were serving as baptismal sponsors in the Middletown Valley of Frederick County, Maryland. He died intestate near Littletown. Deisert produced mostly baptismal records, distinguished by the careful crosshatching of their backgrounds.
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He emulated the style of Francesco Bartolozzi, with dense crosshatching. He gained many commissions to engrave copies of local works of art. This led to a work titled The Gallery of Bologna, with engravings by him, his brother and his pupils, of over a hundred of the paintings at the Pinacoteca.The Gentleman's Magazine (1842).
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Master ES and Martin Schongauer in engraving and Erhard Reuwich and Michael Wolgemut in woodcut were pioneers of both techniques, and Albrecht Dürer in particular perfected the technique of crosshatching in both media. Artists use the technique, varying the length, angle, closeness and other qualities of the lines, most commonly in drawing, linear painting and engraving.
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The main crafter of the barro betus on display is Candelario Medrano. There is one room dedicated to petatillo pottery, including some of the first pieces in this style ever made. Petatillo pieces are distinguished by tightly drawn lines or crosshatching in a red background. These lines are named after straw mats called petates, which they resemble.
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The presidential seal was in raised gold in the center, partially overlaying the red border. On pieces such as the service and dessert plates, fine gold crosshatching overlays the red. The Reagans were often criticized for the $209,508 cost. The china was not funded by taxpayers, and was paid for by a J.P. Knapp Foundation donation.
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The big engine used exclusively in the Eldorado since 1970, was now standard in all Cadillacs except the new, smaller Seville. Vinyl seating areas were of the same configuration since 1973; Cloth upholstery was available in more colors. In 1976, the grille saw a new finer crosshatching pattern. Cornering lamps received new horizontal silver trim, while taillamps bezels also gained chrome-like trim.
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Later pulps began to feature interior illustrations, depicting elements of the stories. The drawings were printed in black ink on the same cream-colored paper used for the text, and had to use specific techniques to avoid blotting on the coarse texture of the cheap pulp. Thus, fine lines and heavy detail were usually not an option. Shading was by crosshatching or pointillism, and even that had to be limited and coarse.
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After painting her husband in profile, Kokoschka asked Erica to position herself so that he could paint her frontally. Shortly after beginning the painting, Kokoschka set down his paintbrush and began using only his fingers. Kokoschka used his fingernails to scratch thin lines into the paint, which appear in outlines and areas of hatching and crosshatching, as well as throughout the background. Although painted in their library, the figures appear to be existing in a surreal, subliminal space.
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He makes excuse after excuse, finally disqualifying all the tigers until he must fight no tigers at all. The illustrations are notable for their use of gouache and brush strokes rather than the usual pen and ink. Others stories include "King Looie Katz", another warning against hierarchical society advocating self-reliance, and "The Glunk That Got Thunk" about the power of run-away imagination. Illustrations for "The Glunk That Got Thunk" make great use of wavy line crosshatching.
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He progressed from line drawings with crosshatching to grease pencil on textured paper, then to Benday Dots and finally to Craftint doutone paper. The Craftint paper, when brushed with chemical solutions, revealed either one or two layers of diagonal shading. Under Crane's brush, the technique yielded scenes of dramatic atmosphere, such as junglescapes fading into the misty distance. As he had done with Wash Tubbs, Crane traveled to various locations to research his plot lines and visuals.
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The Cartoon History is illustrated in a black-and-white cartoon style. Gonick occasionally uses crosshatching and other realistic drawing techniques, but he primarily draws with a lively brush-and-ink squiggle that resembles Bill Watterson's Calvin and Hobbes, Walt Kelly's Pogo, and René Goscinny and Albert Uderzo's Astérix. Occasionally, as in the sequences on India in the second book, he mimics Gilbert Shelton's style from The Fabulous Furry Freak Brothers. His tribute to Asterix is explicit.
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An area of shading next to another area which has lines going in another direction is often used to create contrast. Line work can be used to represent colors, typically by using the same type of hatch to represent particular tones. For example, red might be made up of lightly spaced lines, whereas green could be made of two layers of perpendicular dense lines, resulting in a realistic image. Crosshatching is the technique of using line to shade and create value.
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Before one can apply this technique to a drawing, there must be a basic understanding of the structure of crosshatching. To make the basic structure, start by drawing four boxes side-by-side and label them 1-4. Starting in box 1, repeatedly draw a parallel line that goes through to box 4. Next, starting in box 2, repeatedly draw a parallel line that goes in the opposite direction of the parallel lines in box 1, continuing through to box 4.
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Etching latte art. Etched patterns range from simple geometric shapes to complicated drawings, such as crosshatching, images of animals and flowers, and are generally performed with a coffee stirrer of some sort. Etched latte art typically has a shorter lifespan than free poured latte art as the foam dissolves into the latte more quickly. A crude but quick method with cappuccino is to pour chocolate powder through a metal cutout in which an image, typically a flower, has been incised.
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Yoshinori Natsume's art was commended for featuring "heavy inks, lots of crosshatching, and copious amounts of shading". Mania.com's Patricia Beard feels that the manga makes a "compelling read" by "laying out its premise and conditions by the mid-point of the first volume". Manga Life's Michael Aronson comments that the manga simply rearranges the "premise of every other pop manga series. We have an anachronistic protagonist (InuYasha) who’s rather impure at heart (Death Note) hunting spirits that no one else can see (Bleach)".
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The contrary styling pattern also occurs. Starting from the late 1930s, Cadillac would alternate its pattern from horizontal bars to various patterns of crosshatching as a simple way of making the car look new from year to year, for this make did not have a standard grille form. Sometimes there is a sort of fashion trend in grille bars. For example, in the early years after World War II, many American car makers generally switched to fewer and thicker grille bars.
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He was known for both figure and landscape paintings, and exemplified the elegant style which would become the standard for brush painting in China over the next 900 years. As with many artists in China, his profession was as an official where he studied the existing styles of Li Sixun and Wang Wei. However, he added to the number of techniques, including more sophisticated perspective, use of pointillism and crosshatching to build up vivid effect. Zhan Ziqian was a painter during the Sui dynasty.
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Khoury has been twice married and divorced to the Spanish musician Rodrigo de Zayas,Crosshatching in Global Culture: A Dictionary of Modern Arab Writers: An Updated English Version of R.B. Campbell's Contemporary Arab Writers, Volume 101, Part 2, page 661 who is a grandson of American diplomat Francis Burton Harrison and the son of Mexican artist Marius de Zayas. Khoury and Zayas have one child, a daughter, Mercedes Nara de Zayas y Khoury. Khoury's youthful affair with Syrian poet Nizar Kabbani inspired her 1961 novel Ayyām maʻah.
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Secondly, while breaking in newly installed piston rings, a minute amount of wear must occur between rings and cylinder wall in order to seat the rings properly, and ensure a gas-tight seal. If the cylinder walls are too smooth, this wear will not occur, with the rings "skating" over the polished surface. In order to correct the situation, a mechanic can take the engine apart, and deglaze the cylinders, usually using an abrasive. This creates a roughly 45 degree angle crosshatching of tiny grooves in the cylinder wall, and restores the engine's performance.
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Fire destroyed this complex at the end of the eighth century B.C. The pottery evidence suggests that the East Mound buildings were built and used after the Central Mound Manors. The columned halls at Baba Jan are analogous to contemporary buildings of Hasanlu (Ḥasanlū) IV, Godin Tepe II, and Nush-i Jan (Nūš-e Jān). Baba Jan III pottery, long known as Genre Luristan, was a handmade, turntable- finished buff ware with distinctive decoration in a thick red-brown matte paint. Typical motifs included ladders and pendant triangles with hatching or crosshatching.
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Pedro Ruiz Martínez and Odilia Pineda are husband and wife Mexican potters, who work in Capula, Michoacán. This town is noted for its ceramics distinguished by having its designs painted on with small dots in a technique called “punteaje.” The couple’s work is noted not only for its precise punteaje, but also the use of “petatillo”, the use of fine crosshatching used to fill in background space, normally associated with Jalisco pottery. The couple works in their own workshop in the town, along with their children, to whom they have taught the craft.
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The Lincoln MKS made its first appearance as a concept car at the 2006 North American International Auto Show in Detroit, Michigan. The MKS Concept provided a preliminary view of the design direction that Lincoln was taking for their new full-size flagship sedan of the same name. The MKS included Lincoln's signature waterfall grille with a crosshatching that was later used in the grille for the 2007-2009 Lincoln MKZ. The concept car's headlights featured adaptive lighting that pivoted the headlight projectors in concert with steering inputs.
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This lithograph is characterized by smooth, curvilinear forms whose volumes are rendered with the even gradients of tone typical of Rivera's style. Rivera achieved the varied tones within the print by shading and crosshatching with lithographic crayon. Rivera used tonal variations in the black and white Zapata to similar effect as he did color in the painted murals he used as its source material. In the lithograph, the lightest areas in Zapata's white clothing and the white body of the horse he leads are sharply delineated against the dark background and the mid tones of the clothing of Zapata's followers.
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Larry Dell Alexander (born May 30, 1953) is an American artist, Christian author and Catechist from Dermott, Arkansas in Chicot County.\- "Rural Community Alliance/Harrison, Arkansas" Alexander is best known for his creations of elaborate colorful, and black & white "pen and ink" drawings in his "crosshatching", or "hatching" technique, and his acrylic paintings. His works not only depict the African-American experience but also the experiences of people throughout American history itself. He also received notoriety and a personal presidential thanks for his personal rendition of a "Clinton Family Portrait" oil painting which he gave to U.S. President Bill Clinton in 1995.
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Encouraged by Patricia, he began using his art talent for the first time in fifteen years. His career as a professional artist can be traced back to this point as he developed his "pen and ink" style that he calls "crosshatching", and used it to create several lines of greeting cards under his, now defunct, "Alexander Greeting Cards Company" name. He coined the phrase "The Expressions Line" for his first line of greeting cards in 1991, but did not trademark the name. As a result, Hallmark Cards now has used the name on a line of their cards since 1997.
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Drawing is a means of making an image, illustration or graphic using any of a wide variety of tools and techniques available online and offline. It generally involves making marks on a surface by applying pressure from a tool, or moving a tool across a surface using dry media such as graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoals, pastels, and markers. Digital tools, including pens, stylus, Apple pencil that simulate the effects of these are also used. The main techniques used in drawing are: line drawing, hatching, crosshatching, random hatching, scribbling, stippling, and blending.
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This was the period in which intense competition with the new tabloid The Sun encouraged large helpings of nudity to be seen in British tabloids, and the strip reflected this. Bellamy's style was much more vivid than that of the original artist John Allard, and he was probably brought in to spice up the strip. Jim Edgar had been writing the strip since 1966 and shared the by-line credit with Bellamy. Bellamy applied all the graphic tricks in his arsenal from stippling and crosshatching to chiaroscuro inking to create a modern and eye-catching look for Garth unlike anything else appearing in newspapers at the time.
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The oil protected the fish from mold and bacteria, and provided a secure method of long-term storage for not only fish, but most other foodstuffs as well. Though some Tlingit can identify the preparer of smoked salmon by the knife patterns in it, this skill is dying out and specific cutting patterns are dispensed with in favor of the simplest slashing or crosshatching. During the summer harvesting season most people lived in their smokehouses, transporting the walls and floors from their winter houses to their summer locations, where the frame for the house stood. Besides living in smokehouses, other summer residences were little more than hovels built from blankets and bark set up near the smokehouse.
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"Send in the Clown", a "Pen & Ink" "Crosshatching drawing" by Alexander Born in the small rural town of Dermott, Arkansas to Robert and Janie Alexander, Larry is the fourth of ten children and the second of the union of his parents. His father was a truck driver, and his mother was a beautician. Alexander began drawing at about the age of four. He never received any formal art training during any level of his schooling while growing up, as none was available in his small rural hometown. After graduating from Dermott High School in May 1971, Alexander moved to Pine Bluff, Arkansas, where he studied Architectural Residential Design at Pines Vocational Technical School, now Southeast Arkansas College.
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ICv2's Steve Bennett commends the manga for "the art is rich with photorealistic details which help to give the fantasy a solid grounding in reality, and has strong, emotionally honest characters which should make this young adult fantasy appeal to both fans of epic fantasy and contemporary teen dramas." Coolstreak Comics' Leroy Douresseaux comments that he is reminded of the "1980s ecological sci-fi comic book, The Puma Blues" when reading the manga. He also commends on Igarashi's "earthy art, with its busy line work and crosshatching and unsophisticated figure drawing, grounds this series in reality, which makes the moments of enchantment all the more breathtaking." He also recommends the manga to those who liked Inio Asano's Solanin.
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The case which he makes is circumstantial, based largely on his analysis of membership rolls of the First Order of the Church. The influence of Polly Reed can be seen on Bates' work, especially in the precision and elegance of its calligraphy and drawing. Patterson points to certain stylistic points as hallmarks of hers as well, including the shape of the dove which often appears in her drawings and the crosshatching used to delineate the surfaces of tree trunks and tables. Several of Bates' most complex drawings are "sacred sheets", gatherings of symbolic language that draw much of their iconography, such as Masonic symbols and images from gravestones and needlework samplers, from the world beyond the borders of the Shaker community.
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A large portion of Elaine de Kooning's work was in portraiture. In addition to painting many self-portraits throughout the course of her life, her subjects were often fellow artists—usually men—including poets Frank O'Hara, John Ashbery, and Allen Ginsberg; writer Donald Barthelme; art critic Harold Rosenberg; Thomas B. Hess, managing editor of Artnews; choreographer Merce Cunningham; legendary art dealer Leo Castelli; innovative jazz musician Ornette Coleman; the famous Brazilian soccer star Pele; and painters Fairfield Porter, Alex Katz and her husband, Willem de Kooning. Although she worked in a gestural Abstract Expressionist mode, she never abandoned working with the figure ensuring the person's likeness. Elaine employed a wide range of virtuosic drawing and painting techniques: finely detailed pencil drawings and more free ink drawings, crosshatching, erasure, stumping, and improvisational graphic lines, thin paint and impasto, “thin, dripping washes of bold color…” with many media: pencil, ink, charcoal, gouache, collage, mixed media, oil on paper, canvas and masonite.
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J. Scott Campbell (left) is one of the artists who was influenced by Adams (right), seen here during an appearance at Campbell's booth at the 2017 New York Comic Con. Adams is one of the most popular and widely imitated artists in the American comics industry. His style is attributed as a direct influence on the artists who would found Image Comics, and the other popular artists of the 1990s associated with that era, such as Jim Lee and Rob Liefeld. Timothy Callahan of Comic Book Resources points to the use of dynamic action poses, idealized figures, costume designs featuring numerous accessories, a preference for copious crosshatching over brushwork in rendering, and the depiction of cybernetic limbs and other reflective surfaces seen in those artists' styles as being derived from Adams' work, in particular his run on Longshot. Callahan also points out that the detailed webbing for which Todd McFarlane became known during his run on Spider-Man had previously been used by Adams on the cover of Longshot #4.
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