And that's why Republicans cower, at least most of them.
|
|
Most of us would cower at the sight of a thief trying to rob us.
|
|
They loom and cower, at one moment inviting us in, at the next shutting us out.
|
|
Instead they cower at the threat of retaliation from gun owners and the National Rifle Association.
|
|
Will House Democrats cower at the dated, preconceived, speculative notion that impeachment -- or even an impeachment inquiry -- might hurt them politically by a few polling points?
|
|
In her new exhibition at White Cube Bermondsey, the artist presents works that loom and cower, at one moment inviting us in, at the next shutting us out.
|
|
We could laugh and cower at the mystery surrounding the changed appearance of a musical icon, the family secrets that affected his career, and outlandish beliefs unknown to the public.
|
|
That's usually what you do when you're signed to a label like Blackest Ever Black, you indulge your most gnarled and grim tendencies and let others cower at the results.
|
|
It is a grief of a man who seems to believe that if just the right piece of footage is found, if just the right sequence of images is exposed, Trump voters will cower at the sheer, bright, dazzling light of its truth, and be forced to admit they were wrong.
|
|
But to turn a blind eye to that, as the game's authorities seem likely to do, is to help yet again usher in a game with one rule for the rich and another for the poor; a game of governing bodies that cower at the trembling fist of the great and the good; a game of teams who decide which rules suit them, and when, and of authorities who act at the behest of their most powerful subjects and fans that contort themselves to praise actions that might otherwise draw scorn.
|
|
He is angered when Agamemnon spitefully takes her from him, and decides that he will not aid Agamemnon in the siege. The Trojan and Greek armies meet outside the walls of Troy; during a parley, Paris offers to duel Menelaus personally for Helen's hand in exchange for the city being spared. Agamemnon, intending to take the city regardless of the outcome, accepts. Menelaus wounds Paris, causing him to cower at the foot of Hector.
|
|
Samberg then yells, "Keyboard solo, J.J. Abrams!" as the camera turns toward J. J. Abrams (director of Star Trek and creator of Lost) playing the keyboard with one hand. They continue to sing as more film clips are displayed. At the end, it shows Samberg and Ferrell walking away from a building that bursts into flames in a large explosion. However, unlike in most films, they cower at the sight of the explosion instead of calmly walking away.
|
|
Jaufre encounters another man, who tells him to go no further: a dangerous leper is in the neighborhood, who has killed a knight and kidnapped the maiden (daughter of a Norman count) being escorted. Jaufre is offended by the informant for presuming he would cower at such news. Just then, an underling leper is seen carrying away an infant from his mother, and Jaufre goes off to rescue the child, following the leper into his master's house. Inside, Jaufre interrupts the master leper on the verge of raping the maiden.
|
|