"I picked out the Goetze cow tail that was in the bowl and Mitchell Goetze, who's the owner of the company, was on the search committee and he likes to say, 'I don't know what else you said the rest of the way or how you answered the questions but when you selected my product out of the bowl, you were my guy,'" Downs recalled.
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On their hands they wear a stick with a cow tail hanged. On their head, they wear a long pyramidal hut and their face is covered by a red clothing. This characters is usually scaring children.
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Shelter Island, known in Cantonese as Ngau Mei Chau () is an island located in the water body Port Shelter (Ngau Mei Hoi; literally Cow Tail Sea), in the Sai Kung District, the New Territories, Hong Kong S.A.R., China.
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They also used animal skin as clothing. They only used to cover the necessary parts of the body, like their midsection. They walked around barefoot. During special occasions, some of them wear a cow tail on their wrists for style.
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2011 testing shows that the knot might slip when only one loop is loaded. Cavers and canyoneers ought to fasten their cow-tail carabiner through both loops. Video with genuine et voilà! ending European cavers widely advocate the use of a figure eight twisted version of the Bowline on a bight.
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In the centuries after the Tang, Chinese people's ideas and impressions of the mo were mostly obtained from old textual accounts and illustrations in woodblock printed books, not from nature. The woodblock illustrations are variations on Bo Juyi' s elephant trunk–rhinoceros eyes–cow tail–tiger paws components mo, regularly with the elephant trunk but not consistently. Details were sometimes selectively combined, as when bear-like features were mixed with elephant trunk (Harper 2013: 208).
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The huldra is one of the members of the underworld you might encounter when wandering in the wilderness according to Norwegian folklore. She is stunningly beautiful, except for her cow tail, but might lure you into the underworld. Large areas of the municipality are forest and wilderness and there are many local tales of encounters with the mythical huldra among the inhabitants of Lardal. The area and the huldra are said to share the characteristics of wildness and mysteriousness.
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"Winslow, p. 7. In one amusing entry, dated May 25, 1773, Anna reveled in her "famous roll," an elaborate wig concocted out of "a red Cow Tail" and very coarse horsehair and blonde human hair, a wig that was a full inch longer than Anna's face.Winslow, p. 71. Her aunts did not approve of what they clearly saw as a foolish vanity: "I had my HEDDUS roll on, aunt Storer said it ought to be made less, Aunt Deming said it ought not to be made at all.
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"head wind") that according to traditional medical theory were caused by the feng (風, wind) "wind-ailments" (cf. Western miasma theory)—and he used a folding screen known as a píngfēng (屏風, "wind screen/wall") to prevent drafts. The poet commissioned an artist to paint a fabulous mo on his wind screen, which Bai enjoyed so much that he composed his famed Moping zan (貘屏贊, Mo folding- screen paean) in 823. The preface explains: > The mo has elephant trunk, rhinoceros eyes, cow tail, and tiger paws > [貘者象鼻犀目牛尾虎足].
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They would spend their time training until they were formally enlisted by the king. They would challenge each other to stick fights, which had to be accepted on pain of dishonor. In Shaka's day, warriors often wore elaborate plumes and cow tail regalia in battle, but by the Anglo-Zulu War of 1879, many warriors wore only a loin cloth and a minimal form of headdress. The later period Zulu soldier went into battle relatively simply dressed, painting his upper body and face with chalk and red ochre, despite the popular conception of elaborately panoplied warriors.
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Mo (貘) was the standard Chinese name for the giant panda from the 3rd century BCE to the 19th century CE, but in 1824, the French sinologist Jean-Pierre Abel-Rémusat mistakenly identified the mo as the recently discovered black- and-white Malayan tapir (Tapirus indicus), which never inhabited China in historical times. He based this misidentification on Chinese woodblock illustrations that depicted a mythological mo (貘) chimera with elephant trunk, rhinoceros eyes, cow tail, and tiger paws (also known as the Japanese baku 獏), which the famous Tang poet Bai/Bo Juyi first described in the 9th century. The consequences of Abel-Rémusat's error were extensive. His presumption that mo meant "Chinese tapir" was immediately adopted in Western zoology, and by the end of the 19th century it was accepted as modern scientific fact in China and Japan.
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A Minotaur that is having her home stay at a dairy farm alongside Merino, Ton, and Cott. She's a very tall and muscular woman, with a statuesque height of 2.31 meters, with bull horns, a long black and white ponytail, hoofed feet and a cow-tail and ears. As a "milk minotaur", Cathyl also possesses massive breasts (Q-cup) that need to be milked frequently and ends up insisting that Kimihito do it (as she was too embarrassed to ask Merino). However, despite the fact that milk minotaurs as a whole tend to be calm and reserved, Cathyl is unusually emotional, and due to her short temper her relationship with the ranch's owner was in trouble when she thought he was having affairs with other women (it turns out he was just talking about the ranch's livestock, and they make up after Cathyl realizes her mistake).
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Woodblock illustration of the mo (貘), 1609 Sancai Tuhui Woodblock illustration of the mo (貘), 1712 Wakan Sansai Zue Woodblock illustration of the mo (貘), 1725 Gujin Tushu Jicheng Woodblock illustration of the mo (貘), 1801 Erya Yintu (爾雅音圖) From the Han through the Tang dynasty (618–907), the giant panda name mo consistently referred to an exotic black and white bear-like animal found in southern China, with a pelt that repelled dampness, and legends about its solid bones, hard teeth, and metal eating. Giant panda pelts were luxury items and Emperor Taizong of Tang (r. 626-649) presented mo pelts as banquet gifts to a select group of officials (Harper 2013: 205). Then in the 9th century, the renowned Tang poet and government official Bai/Bo Juyi (772–846) popularized the name mo denoting a fantastic mythological chimera with elephant trunk–rhinoceros eyes–cow tail–tiger paws components, drawings of which were supposedly able to repel contagion and evil. Chinese mythology has a long chimeral tradition of composite or hybrid beasts with parts from different animals (Loewe 1978, Strassberg 2002: 43-45).
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