84 Sentences With "conventionalized" | Random Sentence Generator

2015 However, not everything about the form of ideophones directly relates to their meaning; as conventionalized words, they contain arbitrary, language-specific phonemes just like other parts of the vocabulary.

The Pauline letters, which are the earliest Christian writings, already show "a well-developed pattern of Christian devotion [...] already conventionalized and apparently uncontroversial." Some Christians began to worship Jesus as a Lord.

According to Fleming (2017), "the eccentric features of Damin developed in an emergent and unplanned manner in which conventionalized paralinguistic phonations became semanticized as they were linked up with a signed language employed by first- order male initiates".

Another area of increasing interest among construction grammarians is that of language acquisition which is mainly due to Michael Tomasello's work. Mats Andrén coined the term multimodal constructions to account for constructions that incorporate both (conventionalized) gesture and speech.

Compound affixes in Ocaina. Language 37, 570 –581. are actually familiar to most linguists, although the term “idiom” is rarely applied to them—instead, they are usually referred to as “lexicalized” or “conventionalized” forms.Aronoff, Mark and S. N. Sridhar (1984).

Soroca became a regional center featuring large squares, modernized streets, hospitals, grammar schools and conventionalized churches. In the Soviet period, the city became an important industrial center for northern Moldova.Tourist towns of Moldova Soroca was known for producing grapes, wheat, maize, and tobacco in 1919.

For the club's centenary celebrations in 2010, a special emblem was inscribed in a green-coloured wreath consisting of crossed conventionalized branches of the olive tree (similar to the flag of the United Nations) and text above and below the shield noting the centenary.

The wording of many marriage codes do not explicitly include or exclude same-sex marriage but contain conventionalized heterosexual wording such as affirming that the couple are to be "husband and wife". Such wording, if taken literally, would preclude same-sex marriage. However, the definition of marriage in such codes, and the itemized qualifications for who may marry, are in many cases gender- neutral, and some accounts describe the codes as a whole as gender-neutral. In many cases, the gendered wording dates to a time before same-sex marriage was an issue, suggesting they may simply be conventionalized phrases equivalent to "joined in marriage".

Many of the words are similar or identical to those of Adamorobe Sign Language and Nanabin Sign Language of Ghana, and appear to be based on the gestures common to the hearing population across West Africa. These involve conventionalized metaphors such as 'sweat' for "work" and 'sleep' for "next day".

His sea-walk can only be conceptualized, any placement in three-dimensional space would be absurd, e.g. the question “Did Jesus move with the waves?”. A cardinal theme of fantastic narrative is introduced: Vision provides the main epistemological criteria for the ontological question of the real and unreal. The disciples' “conventionalized reality is subverted”.

Speakers use an estimated 1,500 conventionalized gestures. These are used in story-telling and reciting history, but also in situations not conducive to speech; when children are born deaf, or people go deaf later in life, the members have a system of communication available that will allow them to communicate with the entire community.

Mḥmmd Awzal. ;Traditional orthography Traditional Shilha manuscript texts are written in a conventionalized orthography in Maghribi Arabic script.On the peculiarities of Maghribi script and orthography see van den Boogert (1989). This orthography has remained virtually unchanged since at least the end of the 16th century, and is still used today in circles of traditional Islamic scholars (ṭṭlba).

In Latvia, when Solomon's knot is used on textiles and metal work, it is associated with time, motion, and the powers of ancient pagan gods. In modern science, some versions of the conventionalized sign for an atom (electrons orbiting a nucleus) are variations of Solomon's knot. The logo of the Joomla software program is a Solomon's knot.

Gestures, their origins and distribution. London. Cape The page List of gestures discusses emblematic gestures made with one hand, two hands, hand and other body parts, and body and facial gestures. Symbolic gestures can occur either concurrently or independently of vocal speech. Symbolic gestures are iconic gestures that are widely recognized, fixed, and have conventionalized meanings.

Cognitive linguistics views linguistic structure as arising continuously out of usage. Speakers are forever discovering new ways to convey meanings by producing sounds, and in some cases, these novel strategies become conventionalized. Between the phonological structure and semantic structure, there is no causal relationship. Instead, each novel pairing of sound and meaning involves an imaginative leap.

Sara B. Hill (1882-1963) was an American bookplate designer, and a charter member of the American Society of Bookplate Designers and Collectors. Hill was born in Connecticut. She attended the New York School of Applied Design for Women, where she studied under Alphonse Mucha, developing an appreciation for "conventionalized form" and symbolic design. She also studied with Arthur Dow.

Hippocrates: a conventionalized image in a Roman "portrait" bust (19th-century engraving)The earliest methods of holding a reduced fracture involved using splints. These are rigid strips laid parallel to each other alongside the bone. The Ancient Egyptians used wooden splints made of bark wrapped in linen. They also used stiff bandages for support that were probably derived from embalming techniques.

Métraux (1940: 393-4) considered Aruku Kurenga to be one of the finest rongorongo tablets: :The skill displayed by the artist is masterly; all the signs are incised with a freedom, a keen appreciation of proportion, and a vigor that only an expert artist could accomplish. There is a good sense of movement and a harmonious combination of conventionalized and naturalistic elements.

Construction methods had been perfected and building types conventionalized. Early pre-modern temples were saved from monotony by elaborate structural details, the use of undulating karahafu gables and monumental size of the buildings. Representative examples for Momoyama (1568–1603) and Edo period (1603–1868) temple architecture are the Karamon at Hōgon-ji and the main hall of Kiyomizu- dera respectively.

Gestures are manual structures that are not as conventionalized as linguistics signs. Hearing non-signers use forms similar to classifiers when asked to communicate through gesture. There is a 70% overlap in how signers and non-signers use movement and location, but only a 25% overlap for handshapes. Non-signers use a greater amount of handshapes, but the signers' have more complex phonology.

Children will sometimes interpret proverbs in a literal sense, not yet knowing how to understand the conventionalized metaphor. Interpretation of proverbs is also affected by injuries and diseases of the brain, "A hallmark of schizophrenia is impaired proverb interpretation."Michael Kiang, et al, Cognitive, neurophysiological, and functional correlates of proverb interpretation abnormalities in schizophrenia. Journal of the International Neuropsychological Society (2007), 13, 653–663.

Between these extremes are additional types: verbs that can incorporate only a restricted set of nouns; verb and noun combinations that are highly idiomatic—these often denote conventionalized activities (e.g., English 'he information-gathered)—so that separating the noun, though interpretable, is perceived as inappropriate. The use of noun incorporation is governed by various discourse factors. It is often used as a way of backgrounding information.

In linguistics, a grammatical construction is any syntactic string of words ranging from sentences over phrasal structures to certain complex lexemes, such as phrasal verbs. Grammatical constructions form the primary unit of study in construction grammar theories. In construction grammar, cognitive grammar, and cognitive linguistics, a grammatical construction is a syntactic template that is paired with conventionalized semantic and pragmatic content. In these disciplines, constructions are given a more semiotic character .

Firstly, a rhythm can represent an idea (or signal); secondly it can repeat the accentual profile of a spoken utterance; or thirdly it can simply be subject to musical laws. Drum communication methods are not languages in their own right; they are based on actual natural languages. The sounds produced are conventionalized or idiomatic signals based on speech patterns. The messages are normally very stereotyped and context- dependent.

Although the discussion of phrasemes centres largely on multi- word expressions such as those illustrated above, phrasemes are known to exist on the morphological level as well. Morphological phrasemes are conventionalized combinations of morphemes such that at least one of their components is selectionally restricted.Mel’čuk, Igor A. (1964). Obobščenie ponjatija frazeologizma (morfologičeskie “frazeolo-gizmy”). In L.I. Rojzenzon (ed.), "Materialy konferencii “Aktual'nye voprosy sovremennogo jazykoznanija i lingvističeskoe nasledie E.D. Polivanova”", 89–90.

Labialization may be represented by ḍammah, e.g. tagʷərsa ‹tāgursā› () “ploughshare”. Prepositions, possessive complements and the like are mostly written as separate words. The medieval texts display many archaisms in phonology, morphology and lexicon. ;Traditional Tashelhiyt orthography The way in which Tashelhiyt has been written in the Arabic script during the past centuries is very consistent, to the extent that it is possible to talk about “a conventionalized orthography”.

135-136 While the Antwerp Mannerists often used standardised models in their works, Jan de Beer demonstrated that it was still possible to achieve a high level of individuality within these conventionalized forms. His work distinguishes itself through its refined colourism and emotional and psychological depth. Friedländer identified several characteristics of de Beer’s style such as Gothic architecture, draped curtains, billowing figures and robes that spread out to the ground or end in points.

There is no consensus on what International Sign is exactly. It may either refer to the way strangers sign with each other when they lack a common sign language, or it can refer to a conventionalized form used by a group of people with regular contact. The use of the term "International Sign" might also lead to the misconception that it is a standardized form of communication. Deaf people typically know only one sign language.

Critics have complained that drama in the Caroline era had become "conventionalized," with stronger debts to earlier plays than to actual life.Forsythe, p. 116. Shirley's Love Tricks (its title is suggestive of John Day's 1604 play Law Tricks) bears a range of resemblances with earlier works. Jenkin the Welsh character resembles Fluellen in Shakespeare's Henry V, and other stage Welshmen; his two conversations with the echo recall earlier echo scenes in several previous plays.

Currently, agricultural practices have been conventionalized to include large monocropped fields and use of synthetics: pesticides and fertilizers. Avoiding the conventional farming practices, wild farming adopts many practices from sustainable agricultural systems such as agroecology, permaculture, forest farming, and greywater systems. The four basic guiding principles of the wild farming movement are: > # Direct managers to develop long-term vision for future of landscape # > Basic recognition of ecosystem processes. # High value on biological > diversity.

The school is open to any young woman of good moral character upon payment of the required tuition fee. Pupils can enter the school at any time. Pupils who have not become practically familiar with drawing will be obliged to enter the elementary class. Pupils desiring to enter the advanced classes will be required to present specimens of their work—free-hand drawing—flowers from nature or conventionalized ornamental figures, scrolls, and so forth.

The repeated rhyme scheme within the octave strengthens the idea. The sestet, with either two or three different rhymes, uses its first tercet to reflect on the theme and the last to conclude. William Shakespeare utilized the sonnet in love poetry of his own, employing the sonnet structure conventionalized by English poets Wyatt and Surrey. This structure, known as the English or Shakespearean sonnet, consists of three quatrains and a concluding couplet.

Phonetic erosion (also called phonological attrition or phonological reduction), is another process that is often linked to grammaticalization. It implies that a linguistic expression loses phonetic substance when it has undergone grammaticalization. Heine writes that "once a lexeme is conventionalized as a grammatical marker, it tends to undergo erosion; that is, the phonological substance is likely to be reduced in some way and to become more dependent on surrounding phonetic material".Heine 1993, p.106.

Effective use of the hands, with or without the use of the voice, is a practice of great antiquity, which was developed and systematized by the Greeks and the Romans. Various gestures had conventionalized meanings which were commonly understood, either within certain class or professional groups, or broadly among dramatic and oratorical audiences. Gilbert Austin was a well-known author on chironomia. The article about him contains a summary of theories in chironomia.

These three styles we have seen (wayō, daibutsuyō and zen'yō) were often combined during the Muromachi period (1336–1573), giving birth to the so- called , exemplified by the main hall at Kakurin-ji. The combination of wayō and daibutsuyō in particular became so frequent that sometimes it is called by scholars . By the end of the Muromachi period (late 16th century), Japanese Buddhist architecture had reached its apogee. Construction methods had been perfected and building types conventionalized.

Moreover, they claim that such texts are conventionalized expressions of the experience of the author. Thus, the interpretation of such texts will reveal something about the social context in which they were formed, and, more significantly, will provide the reader with a means of sharing the experiences of the author. The reciprocity between text and context is part of what Heidegger called the hermeneutic circle. Among the key thinkers who elaborated this idea was the sociologist Max Weber.

Mysliweic, p. IX. In other words, they are idealized well studied forms of the ruling kind, and sometimes, hard to be discarded with his death. Therefore, the deceased king's idealized form may prevail during the beginning of his successor's reign till the artists found a new conventionalized form to represent the new king. Also, such borrowing of older forms of representations was also used during the Kushite and Saite periods as efforts for a renaissance of the arts.

The pointed arches come together slightly at their base, giving a mild horseshoe arch effect, and their internal edges are not cusped but lined with conventionalized "spearhead" projections, possibly representing lotus buds. Net, stone openwork screens, are introduced here; they already had been long used in temples.Blair, Sheila, and Bloom, Jonathan M., The Art and Architecture of Islam, 1250–1800, p. 151, 1995, Yale University Press Pelican History of Art, The height of the dome is .

Lachenal first exhibited his Art Nouveau stoneware at Paris salons in 1904. Period photographs show pieces with organic body forms, looping handles, and incised decoration similar to Edmond Lachenal's work from around 1900. Given the fact that father and son shared an atelier, the question of authorship is murky on several levels, notably those of direct influence and possible collaboration. Nonetheless, the son's stoneware is distinguished by its sophisticated use of conventionalized motifs and layering of high-temperature glazes.

Iconicity is often argued to play a large role in the production and perception of gesture. Proposed ways in which iconicity is achieved is through Hands that Act, Embody, Model, and Draw. In sign languages iconicity was often argued to be largely confined to sign formation (comparable to onomatopoeia). Some proponents believe that iconicity does not play an actual role in perception and production of signs once they have undergone phonological reduction and become part of the conventionalized vocabulary.

After the invasion of the Ryūkyū Kingdom by Japan's Satsuma Domain in 1609, the Japanese-style use of Chinese characters (kanji) was adopted. The Keichō Land Surveys of 1609-1611 probably conventionalized to some degree the choice of kanji for place names, and thus surnames based on them. In 1625 the Satsuma Domain instituted a . As a result, the kanji used to write kamei changed from characters that were common in Japan to new, unique character combinations.

Over the rear center door is an interesting cantilevered hood carried on boldly projecting carved consoles, plastered inside its arched head and adorned by curious crockets on its raking cornices. It has a carved conventionalized tulip as its finial. This recalls, in a more elaborate form, the plainer town pents used over many doorways in Philadelphia. Windows on both floors of the central block have nine over nine light sashes, but those on the second floor are reduced in height.

Another conventionalized stage speech is the exit speech, which may take the form of a poem followed by a single spoken line. This speech is usually delivered by a supporting character, and describes his or her present situation and state of mind. Finally, there is the recapitulation speech, in which a character will use prose to recount the story up to that point. These speeches came about as a result of the zhezixi tradition of performing only one part of a larger play.

John A. Hawkins's Performance-Grammar Correspondence Hypothesis (PGCH) states that the syntactic structures of grammars are conventionalized based on whether and how much the structures are preferred in performance. Performance preference is related to structure complexity and processing, or comprehension, efficiency. Specifically, a complex structure refers to a structure containing more linguistic elements or words at the end of the structure than at the beginning. It is this structural complexity that results in decreased processing efficiency since more structure requires additional processing.

Among the most popular of his pieces were watercolors of line art originals. During this time, his pieces often presented moody scenes of stylized Celts in dramatic landscapes, as opposed to his earlier compositions of fairly conventionalized high fantasy motifs. The character expressed in his human forms also became deeper and more expressive, evoking a strong sense of the artist's emotion. Morno used the company name Cosmic Frog Productions, and advertised it as early as 1975, for anyone looking for "fantasy and legendary illustration".

The final category of stage speech is conventionalized stage speeches (chengshi nianbai). These are rigid formulations that mark important transition points. When a character enters for the first time, an "entrance speech" (shangchang) or "self-introduction speech" (zi bao jiamen) is given, which includes a prelude poem, a set-the- scene poem, and a prose set-the-scene speech, in that order. The style and structure of each entrance speech is inherited from earlier Yuan Dynasty, Ming Dynasty, folk, and regional forms of Chinese opera.

By gender stereotypes we mean a representation, imagery, or classification of men, women, or gender relations, that presents a simplified, conventionalized, and selective picture of men's and women's lives. This representation is pretty often spread up also by the exposure to TV contents, which has been associated with more stereotypical sexual attitudes (i.e., the view that men are stereotypically sex-driven, the notion according to which women are sexual objects to be valued for their looks).Bogt & Rutger C. M. E. Engels & Sanne Bogers &Kloosterman.

Chatsworth is regarded as England's first Baroque house. Archer's Corinthian order shifts restlessly against the wall plane, varying on the entrance front from flat pilasters to attached columns, to a free-standing screen that marches across the recessed entrance bays. The wall plane is ashlar on the entrance front but with strictly conventionalized channeled rustication the full height of the garden front. On the side elevations, the channeled rustication appears only on the rusticated pilaster-like corner quoins of the lightly projecting five central bays.

Pragmatics just becomes the cognitive semantics of communication—the modern version of the old Ross-Lakoff performative hypothesis from the 1960s. The form and content are symbolically linked in the sense advocated by Langacker. Thus a construction is treated like a sign in which all structural aspects are integrated parts and not distributed over different modules as they are in the componential model. Consequentially, not only constructions that are lexically fixed, like many idioms, but also more abstract ones like argument structure schemata, are pairings of form and conventionalized meaning.

The conventionalized scrawny, French revolutionary sans-culottes Jacobin, was developed from about 1790 by British satirical artists James Gillray, Thomas Rowlandson and George Cruikshank. It was commonly contrasted with the stolid stocky conservative and well-meaning John Bull, dressed like an English country squire. C. L. R. James also used the term to refer to revolutionaries during the Haitian Revolution in his book The Black Jacobins. In England, the word was also popularized in George Canning's newspaper, The Anti-Jacobin, or Weekly Examiner, which criticized the English Radicals, of the 18th and 19th centuries.

Two types of linguistic relativity: Some examples from American Indian ethnography. Sociolinguistics. WilliamBright, ed, 114–167. As a result of discussions primarily with Ray Birdwhistell at the University of Pennsylvania, in his later work, Hymes renamed the "ethnography of speaking" the "ethnography of communication" to reflect the broadening of focus from instances of language production to the ways in which communication (including oral, written, broadcast, acts of receiving/listening) is conventionalized in a given community of users, and to include nonverbal as well as verbal behavior.Leeds-Hurwitz, W. (1984).

The bronze medal is in diameter. On the obverse is a female Grecian figure symbolic of defense, holding in her sinister hand an ancient war shield in reverse and her dexter hand brandishing a sword above her head, and standing upon a conventionalized oak branch with four leaves. Around the top is the lettering "AMERICAN DEFENSE". The reverse is the wording "FOR SERVICE DURING THE LIMITED EMERGENCY PROCLAIMED BY THE PRESIDENT ON SEPTEMBER 8, 1939 OR DURING THE UNLIMITED EMERGENCY PROCLAIMED BY THE PRESIDENT ON MAY 27, 1941" above a seven-leafed spray of laurel.

Also known as the O-Face, the term dates at least as far back as the early 1990s. Pornographic magazines used the word to describe the facial expressions of female live-action porn actresses during orgasm. In the same context, was used in some postings at 2Channel and its sister community for adult content, BBSPink, as well as in pornographic videos at adult e-commerce platforms in the early 2000s. In the midst of the 2000s, use of the term increased, and the drawing style became rather conventionalized and started spreading throughout the culture.

The development of printing brought about the abandonment of many abbreviations, while it suggested and introduced new ones a process also favoured by the growth of ecclesiastical legislation, the creation of new offices, etc. There was less medieval abbreviation in the text of books much used on public occasions, e.g. missals, antiphonaries, Bibles; in one way or another the needs of students seem to have been the chief cause of the majority of medieval abbreviations. The means of abbreviation were usually full points or dots (mostly in Roman antiquity), the semicolon (eventually conventionalized), lines (horizontal, perpendicular, oblong, wavy curves, and commas).

Midnight Robber was nominated for a Hugo Award and shortlisted for the Nebula Award, the Tiptree Award, and the Sunburst Award. Gary K. Wolfe praised Midnight Robber, characterizing it as "an inventive amalgam of rural folklore and advanced technology" and commending Hopkinson's distinctive narrative voice, which "reminds us that most of the world does not speak contemporary American middle-class vernacular, . . . raises questions about the highly conventionalized way that SF has always treated language, [and] mak[es] us question the hegemony of American culture in SF worlds.""Locus Looks at Books: Reviews by Gary K. Wolfe", Locus, February 2000, p. 61.

Although the gender of tubing and plumbing fittings is usually obvious, this may not be true of electrical connectors because of their more complex and varying constructions. Instead, connector gender is conventionalized and thus can be somewhat obscure to the uninitiated. For example, the female D-subminiature connector body projects outward from the mounting plane of the chassis, and this protrusion could be erroneously construed as male. Instead, the "maleness" of the D-subminiature connectors is defined by specific presence of male pins, rather than by the protrusion of the connector, which is also true for many other pin-based connectors like XLR.

Jian'an poetry shows significant developments away from the detailed catalogs of the fu and toward the yuefu form of poetry; at the same time, the Jian'an poets developed the yuefu into a different form with a different voice, a form which was a direct predecessor to the major form of shi poetry later embraced by the Tang Dynasty poets. In the major developments in terms of poetic voice, whereas Han poetry tended to use an anonymous voice which was either impersonal or in the mode of certain shallow and conventionalized characters, the Jian'an poetry tended to be more personal and immediately direct.

The song lyrics use a way of talking which differs slightly from casual Yaqui and resembles Yaqui elders' speech in some ways, for example syllable repetition (reduplication) such as the use of yeyewe rather than yewe ("play"), or substituting for another phoneme. Deer songs also contain important terms, such as seyewailo, which may be considered archaic. Fairly conventionalized, deer songs consist of two sections, comparable to stanzas, the first (u vat weeme) and the concluding (u tonua) parts: "the first part is sung many times and then the concluding part will fall down there."Evers and Molina (1987), p.31.

A report on September 6 to the Royal Anthropological Institute of Great Britain and Ireland began to use some of the concepts characteristic of Evans' later thought: "palace of Knossos" and "palace of Minos". Appletons' Cyclopædia of American Biography, 1900, notes that Evans took up Stillman's theme that the palace was the labyrinth of mythology in which the half-bovine son of King Minos lurked. In the report, the tablets are now called a "linear script" as opposed to the "hieroglyphic or conventionalized pictographic script". The linear script has characters that are "of a free, upright, European character" and "seem to have been for the most part syllabic".

As the American cinema became a highly commercialized industry in the 1920s and its content became more and more conventionalized, the opportunities for women producers and directors became fewer and fewer. By the time sound arrived in the US in 1927 and the years immediately after, women's roles behind the camera were largely limited to scriptwriters, costume designers, set decorators, make-up artists, and the like. And the industry's implementation of self-censorship in the form of the Hays Code in 1934 meant that topics such as birth control and abortion were taboo. Dorothy Arzner was the only woman director to survive in this unfriendly environment.

Descending the slope, he sees a gigantic white stone object that he soon perceives to be a "well-shaped monolith whose massive bulk had known the workmanship and perhaps the worship of living and thinking creatures."Lovecraft, "Dagon", p. 17. The monolith, situated next to a channel of water in the bottom of the chasm, is covered in unfamiliar hieroglyphs "consisting for the most part of conventionalized aquatic symbols such as fishes, eels, octopuses, crustaceans, mollusks, whales, and the like." There are also "crude sculptures" depicting: '' '' As the narrator looks at the monolith, a creature emerges from the water: Horrified, the mariner flees back to his stranded boat and vaguely recalls a "great storm".

Interspel-style reform, still in process of development and testing, has the following four levels for learning and use: # The alphabetic principle of sound-symbol correspondence, for beginner learners and for dictionary pronunciation keys. The correspondence is diaphonic, that is, broad and conventionalized so that dialect variations are subsumed, as in the spellings dog and banana, and it represents clear formal speech, not casual slurring. # Learners immediately move on to an unexpected feature of this reform, as they learn the irregular spellings of around thirty of the hundred most common words which make up about half of everyday text. This dramatically retains half of the appearance of present print, and assists learners to start reading the print around them.

Painting of the Madonna and Child by an anonymous Italian, first half of 19th century The earliest representation of the Madonna and Child may be the wall painting in the Catacomb of Priscilla, Rome, in which the seated Madonna suckles the Child, who turns his head to gaze at the spectator.Victor Lasareff, "Studies in the Iconography of the Virgin" The Art Bulletin 20.1 (March 1938, pp. 26–65 [pp. 27f]). The earliest consistent representations of Mother and Child were developed in the Eastern Empire, where despite an iconoclastic strain in culture that rejected physical representations as "idols", respect for venerated images was expressed in the repetition of a narrow range of highly conventionalized types, the repeated images familiar as icons (Greek "image").

Middle Mongol survived in a number of scripts, namely notably ʼPhags-pa (decrees during the Yuan dynasty), Arabic (dictionaries), Chinese, Mongolian script and a few western scripts.Rybatzki 2003: 58 Usually, the is considered to be its first surviving monument. It is a sports report written in Mongolian writing that was already fairly conventionalized then and most often dated at the verge of 1224 and 1225.e.g. Γarudi 2002: 7 However, Igor de Rachewiltz argues that it is unlikely that the stele was erected at the place where it was found in the year of the event it describes, suggesting that it is more likely to have been erected about a quarter of a century later, when Yisüngge had gained more substantial political power.

Newspapers, for their part, have preserved its cyclical nature and the mark of it is the publication of a series of articles always in the same part of a magazine with additional use of different ways of signaling its cyclical nature (e.g., permanent vignettes, titles of columns, established forms of typesetting, etc.). Prominent exterior features are an additional way for readers to identify the feuilleton as a particular genre, even when its structural features seem to be insufficient to defining it as such. The radio equivalent of a feuilleton is a fixed position of a slot in the time layout of the transmitted programme and the use of different kinds of conventionalized signals, like the author's own voice, the same title of a slot, etc.

In linguistics, phraseology is the study of set or fixed expressions, such as idioms, phrasal verbs, and other types of multi-word lexical units (often collectively referred to as phrasemes), in which the component parts of the expression take on a meaning more specific than or otherwise not predictable from the sum of their meanings when used independently. For example, ‘Dutch auction’ is composed of the words Dutch ‘of or pertaining to the Netherlands’ and auction ‘a public sale in which goods are sold to the highest bidder’, but its meaning is not ‘a sale in the Netherlands where goods are sold to the highest bidder’. Instead, the phrase has a conventionalized meaning referring to any auction where, instead of rising, the prices fall.

Even though the use of Nazi symbols was prohibited by the organizers, a flag with conventionalized swastika was raised by the Head of SS-Slavic Union Dmitriy Demushkin in Moscow. Banning the march in Moscow, mayor Yuriy Luzhkov said: "If we allow our state to be split on ethnic or interconfessional grounds, if we allow religious wars, then I am afraid this will be the end of Russia." A counter-protest in Moscow by left-wing demonstrators drew about 500 people carrying banners with slogans such as "Russian Anti-Fascist Front" and "I am Russian and therefore not a fascist." The Russian March was also opposed by the Moscow Bureau for Human Rights and Russian Jewish community headed by rabbi Berel Lazar.

Gestures are distinct from manual signs in that they do not belong to a complete language system. For example, pointing through the extension of a body part, especially the index finger to indicate interest in an object is a widely used gesture that is understood by many cultures On the other hand, manual signs are conventionalized—they are gestures that have become a lexical element in a language. A good example of manual signing is American Sign Language (ASL)–when individuals communicate via ASL, their signs have meanings that are equivalent to words (e.g., two people communicating using ASL both understand that forming a fist with your right hand and rotating this fist using clockwise motions on the chest carries the lexical meaning of the word "sorry").

In stark contrast with this gallery of conventionalized characters are three extremely lifelike heads, which we can undoubtedly identify as the three portraits identified by Vasari: the soldier who shoulders his musket at the left side of the composition; the man helping Christ to bear the cross in the middle; and the stubbly gray-haired man, wearing a broad-brimmed rustic hat, entering the scene from the far right. All three have extremely particularized features, leaving little room for doubt that they were drawn from life. Vasari singles out the likeness of Nunziata for particular praise, calling it ‘una testa vivissima’. But, even positing that Vasari was correct in identifying the three individuals as Poggini, Scheggia, and Nunziata, there is no sure way to match the three painters with their individual likenesses.

While numerous other aspects of the Tet Offensive and the complex strategies of the Vietnam War exist, Hanoi's ability to divide the strength of their opponents and maintain its grip on the population was a key part of its protracted war strategy. By 1972, the war was increasingly conventionalized, and population control became less critical as PAVN regulars took over most of the fighting. This final phase- victory by conventional forces was also part and parcel of the "people's war" approach. A 1968 review of American strategy under US Commander C. Abrams, by the MACV "Long Range Planning Group" testifies to the efficacy of the PAVN/NLF strategy:HQ MACV, Long Range Planning Task Group, Briefing for COMUSMACV, 20 November 1968, MH1, 20–21; see also Krepinevich (1986), pp. 253–256.

On the 1997 coin minted by National Bank of Ukraine, Cossack Mamay is dressed in a rich coat with fur and sits with his legs crossed, smoking a pipe and playing a kobza. Traditional elements of Cossack military life are around Mamay: a horse with rich harness, tied to a spear with a flag planted into the ground; a green oak tree with a sabre hanging from it; a pistol and a stone powder case; Turkish kalpak (high hat), and a bottle of okovyta (Ukrainian for aqua vitae). The coin edge has the inscriptions: (, Cossack Mamay) – at the left and (, Knight of Freedom and Honor) – at the right. On top, these inscriptions are separated with a small flag at the spear point and, underneath, a conventionalized guelder-rose spray.

The other Tice - the maker of sweet and thoroughly conventionalized nature pictures of such things as lily pads and oak trees, the perpetrator of soft-focus, diffused photographs of young women and cats cannot compete with Tice the documentary photographer, yet he persists. […] Besides presenting the two sides of Tice's work, the exhibition suggests that Tice himself is unaware of the division and thus remains unable to either adopt one style or achieve some sort of synthesis. Indeed, on examining the dates of his photographs, it is difficult to find much evidence of artistic development or maturation. Certainly his early photographs of the Pennsylvania Amish, while superficially at once documentary and pictorial, are less resolved than the later New Jersey views found in Tice's two best books, Paterson (1972) and Urban Landscapes (1975).

The mystic unrealistic air of the earlier Tori style came to be replaced by a soft supple pose and a near sensuous beauty more in the manner of the Maitreya with long narrow slit eyes and gentle effeminate features which in spite of their air of reverie have about them an intimate approachability. The aloofness of the earlier Asuka sculpture is softened into a more native form; and there is to be seen in them a compromise between the divine and the human ideal. Representative sculptures of this period are the beautiful Sho Kannon of Yakushiji temple, and the Yumatagae Kannon of Horyū- ji, both showing the fullness of rounded flesh within the conventionalized folds of the garments, reflecting in their artistry features of the Gupta art are transmitted to Japanese through Tang.

"Beginning in the pottery-phase of the Neolithic, clay tokens are widely attested as a system of counting and identifying specific amounts of specified livestock or commodities. The tokens, enclosed in clay envelopes after being impressed on their rounded surface, were gradually replaced by impressions on flat or plano-convex tablets, and these in turn by more or less conventionalized pictures of the tokens incised on the clay with a reed stylus. That final step completed the transition to full writing, and with it the consequent ability to record contemporary events for posterity" An ancient Mesopotamian poem gives the first known story of the invention of writing: Scholars make a reasonable distinction between prehistory and history of early writingShotwell, James Thomson. An Introduction to the History of History.

New Tales of the Cthulhu Mythos was edited by Ramsey Campbell and published by Arkham House in 1980 in an edition of 3,647 copies. In his introduction, Campbell noted that "[i]n recent years the Mythos at times has seemed in danger of becoming conventionalized," despite the fact that "Lovecraft's intention and achievement was precisely to avoid the predictability and resultant lack of terror which beset the conventional macabre fiction of his day." Therefore, Campbell wrote, "in this anthology I have tended to favor less familiar treatments or uses of the Mythos.... They contain few erudite occultists, decaying towns, or stylistic pastiches.... Indeed, one of our tales hints at the ultimate event of the Mythos without ever referring to the traditional names."Ramsey Campbell, "Introduction", New Tales of the Cthulhu Mythos.

There is a major emphasis on Nasca style pottery at Cahuachi. Recognized as a discrete style first by Adolf Bastian, Nasca style is a polychrome pottery and is generally noted as having a “south coast” provenance and is named Nasca for its focal regional distribution in the Nasca valley. There are two principal modalities in the decorative style of Nasca pottery: “Monumental” and “Proliferous” (coined terms by Rowe). Monumental refers to the types of Nasca pottery with so-called realistic designs, while Proliferous describes more “conventionalized motifs” with volutes, rays, and points. Gayton and Kroeber established three categorizable characteristics-shape, color, and design- and based on the relationships between these attributes came up with four chronological phases or “substyles” of Nasca pottery: A, the earliest; X, transitional; B, latest; and Y, miscellaneous or otherwise unable to be phased.

He is noted to have been a part of writers who would become the makers of a "new" poetry, which sought to "throw over the traditions of American Poetry", as James Weldon Johnson would describe it. These "new" poems appeared in such magazines as Poetry, Others, and later, The Liberator, and they marked a progression from "commonplace traditionalism to the most revolutionary naturalism, from the rhymed, carefully scanned line to free verse, from conventionalized Negro dialect to the brawny language of [Carl] Sandberg’s Chicago Poems." While "Tired" has been frequently anthologized, Johnson's earlier poems were made in more "conventional modes", including dialect poetry, as found in his first book, A Little Dreaming. The collection considered a wide range of topics, from a poem on Paul Laurence Dunbar, entitled "Dunbar", to medieval themes such as in "Lancelot’s Defiance".

Regard spelling as a standardized conventionalized representation of the language (not merely its sounds), set out as in formal speech with minimal slurring. 3\. Apply the alphabetic principle of systematic sound-symbol correspondence, including regularizing current spelling patterns for final vowels, as in pity, may, be, hi-fi, go, emu, spa, her, hair, for, saw, cow, boy, too. The primary vowels letters ‘a’, ‘e’, ‘i’, ‘o’, and ‘u’ are used to spell both 'long' and 'short' vowels, distinguishing long vowels as necessary by a diacritic (grave accent) as in national/nàtion, repetition/repèt, finish/fìnal, consolàtion/consòl, and consumtion/consùmer. The remaining vowel sounds are spelled as in car, perturb (ur = stressed, er = unstressed), hair, fort, taut, round, boil, boot, and, still unsolved, spelling for the vowel sound with no spelling of its own, as in book (perhaps as buuk).

With his ambition to "leave a footprint as an artist in Korean modern art history", he decided to become an artist of his own world by thinking inversely about the world and freely expressing himself and his ideas. According to the art critic Oh Sang-ghil, Lee was downgraded to a non- mainstream level in the Korean modern art world, since most artists and art critics "unwaveringly followed western art trends and believed that it was the only way to survive". Lee considered that those artists and critics were unaware of their own identity and began to experiment with trials and errors of imitation in order to understand the true nature of Korean modern art. He was often regarded as a "heretical and rebellious character" amongst the artists and critics in Korea; however, he continued his journey of pursuing his own art in a then-conventionalized world of Korean art.

This usage, which arose in the 19th century, is characterized thus by Höslinger: it is "a more patronizing, even dismissive one. In comparison with Romantic artists and Romantic music, Haydn and his output were seen as genial, but naive and superficial." With the rise of acclaim for Haydn's music during the 20th century, the patronizing sense of "Papa Haydn" caused scholars and critics to become leery of the term, seeing it as a distortion of the composer's work. For example, Haydn scholar Jens Peter Larsen wrote (1980): Because music education materials still tend to reflect 19th-century sources, the patronizing sense of "Papa Haydn" is well known to musicians, reflected in conventionalized, bewigged portraits of the composer, or in the lyrics of the rhyme below, commonly taught to children (it is sung to the first bars of the second movement of the Surprise Symphony): Papa Haydn's dead and gone but his memory lingers on.

Paret, 13 Naval painting became conventionalized in 17th century Dutch Golden Age painting, and from then on artists tended to specialize in it or not attempt it; apart from anything else "Marine artists have always dealt with a particularly demanding class of patron", as JMW Turner found when the "Sailor King" William IV of England rejected his version of The Battle of Trafalgar because of inaccuracy. Hendrick Vroom was the earliest real specialist, followed by the father and son team of Willem van de Velde, who emigrated to London in 1673, and effectively founded the English tradition of naval painting, "producing a stunning visual record of the Anglo-Dutch naval wars, which set the conventions of maritime battle painting for the next 150 years". Vroom had also worked for English patrons, designing a large set of tapestries of the defeat of the Spanish Armada which was destroyed when the Houses of Parliament burnt down in 1834.

In 1790, James Bruce's travelogue Travels to discover the source of the Nile dismissed Dürer's work as "wonderfully ill-executed in all its parts" and "the origin of all the monstrous forms under which that animal has been painted, ever since". Even so, Bruce's own illustration of the African white rhinoceros, which is noticeably different in appearance to the Indian rhinoceros, still shares conspicuous inaccuracies with Dürer's work. Semiotician Umberto Eco argues (fetching the idea from E.H. Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation, 1961) that Dürer's "scales and imbricated plates" became a necessary element of depicting the animal, even to those who might know better, because "they knew that only these conventionalized graphic signs could denote «rhinoceros» to the person interpreting the iconic sign." He also notes that the skin of a rhinoceros is rougher than it visually appears and that such plates and scales portray this non-visual information to a degree.

Robert Rosenblum's comment on Cabanel's painting is that "This Venus hovers somewhere between an ancient deity and a modern dream... and the ambiguity of her eyes, that seem to be closed but that a close look reveals that she is awake... A nude who could be asleep or awake is specially formidable for a male viewer".Stephen Kern, Eyes of Love: The Gaze in English and French Paintings and Novels 1840-1900 p.101, 1996, Reaktion Books, Art & Art Instruction, Such a highly conventionalized theme, with undertones of eroticism justified by its mythological context, was ripe for modernist deconstruction; in 1870 Arthur Rimbaud evoked the image of a portly Clara Venus ("famous Venus") with all-too-human blemishes (déficits) in a sardonic poem that introduced cellulite to high literature: La graisse sous la peau paraît en feuilles plates ("the fat under the skin appears in slabs"). The Birth of Venus, by William-Adolphe Bouguereau (1879), reimagines the composition of the Raphael and Poussin tradition, reflecting the subject's continuing popularity among the academic painters of the late 19th century.

Ellen Rosand remarks that by the mid-seventeenth-century Venetian public opera had developed a number of musical and dramatic conventions, several of which Giasone exhibits. For example: the three-act format, with the first act being the longest; dances conclude the first two acts; the Faustini lieto fine (happy ending) with concluding love duet; and an emotional climax with a lament. She notes that several aria and scene types had also been conventionalized by this point,Rosand, pp. 322-328. and she notes that Giasone provides a model for several of them. For example, Delfa’s short aria “È follia” is a part of a comic scene (III.12). The same could be said for Demo’s aria "Son gobbo, son Demo" (I.6). Two trumpet arias with military connotations – based on Monteverdi’s stile concitato – are found in II.11: Alinda’s “Quanti Soldati” and Besso and Alinda’s “Non piu guerra”.Rosand, p. 329 The same scene has a conventional gratuitous reference to music which has not importance to the plot: Alinda and Besso’s “Ma quento piu”Rosand, p. 353. and a love duet: Alinda and Besso’s “Non piu guerra” (a mixed genre, it is also a trumpet aria).