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4 Sentences With "contextual relationship"

How to use contextual relationship in a sentence? Find typical usage patterns (collocations)/phrases/context for "contextual relationship" and check conjugation/comparative form for "contextual relationship". Mastering all the usages of "contextual relationship" from sentence examples published by news publications.

She has made spectator involvement an integral part of the creative process. She explores contemporary trends in the construction of a narrative, and questions the very process of storytelling by stepping aside and offering every viewer the power to reshape and manipulate the original imagery or plot. The sliced layers offer interesting juxtapositions and can derive new meaning or create a new contextual relationship in the viewer's mind. Her methods are akin to contemporary VJ manipulations, musical remixing and recycling.
Neighbouring Victorian Georgian Revival style single storey identical houes are arranged in symmetrical pairs directly opposite Don Bank (at 1-7 Napier Street) forming a strong visual and contextual relationship with it. Along with the timber- fenced Victorian garden on the Napier Street frontage, Don Bank forms an oasis amongst high rise commercial buildings. Traffic along Napier Street is directed to the Pacific Highway to its east, a major road on North Sydney central business district. Napier Street is a one-way street parallel to the highway.
El-Awa has published work on Relevance theory and Qur'anic text, Al-Jama'a Al-Islamiyya and counter- terrorism policing in the UK and Egypt. She aims in her work to discuss the problem of textual relations in the Quran from a linguistic point of view and the way in which the verses of one chapter relate to each other and to the wider context of the total message of the Quran. El-Awa provides a detailed analysis in terms of coherence theory on chapters 33 and 75 and shows that these two chapters cohere and have a main contextual relationship.
He used cross- cutting editing method to show simultaneous action in different places. These early film directors discovered important aspects of motion picture language: that the screen image does not need to show a complete person from head to toe and that splicing together two shots creates in the viewer's mind a contextual relationship. These were the key discoveries that made all non-live or non live-on-videotape narrative motion pictures and television possible—that shots (in this case, whole scenes since each shot is a complete scene) can be photographed at widely different locations over a period of time (hours, days or even months) and combined into a narrative whole.Arthur Knight (1957). p. 25.

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