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34 Sentences With "contadina"

How to use contadina in a sentence? Find typical usage patterns (collocations)/phrases/context for "contadina" and check conjugation/comparative form for "contadina". Mastering all the usages of "contadina" from sentence examples published by news publications.

Trattoria Contadina: If you're wondering where to get great homestyle Italian food in North Beach, look no further than Trattoria Contadina.
Entree favorites included the veal saltimbocca and the chicken Contadina.
" Instead, everyone calls it FICO, an acronym for Fabbrica Italiana Contadina, or "Italian farming factory.
For 30 years it was called La Contadina — it became the Olive Jar in 2014 but retained the same ownership.
The neighborhood is replete with Italian restaurants, but Contadina has heart, and as we all know, you've gotta have heart.
The Contadina consisted of boneless chicken breast meat; sausage, peppers and onions, and was given a pleasant jolt with a splash of vinegar.
Beekeeping is also one of the subjects at the Scuola Contadina, an annual educational initiative that connects teachers with people who want to learn agricultural trades in Mondeggi.
One reason for this, Boldrini said, was that, although Italian grammar has feminine forms for some lower-prestige jobs — like "contadina," farmer, and "operaia," factory worker — jobs higher up the social ladder — lawyer, engineer, or minister — always appear as masculine.
According to Food & Wine, the Fabrica Italiana Contadina or the Italian Farming Factory's (FICO) Eataly World is set to open in Bologna, Italy on November 15, 2017, and there is a whole lot to look forward to with its opening.
Platypolia contadina is a species of cutworm or dart moth in the family Noctuidae. It is found in North America. The MONA or Hodges number for Platypolia contadina is 9977.
When works completed the complex should be used to house a "Museo della civiltà contadina" (Museum of the country-side civilization) with the aim of maintaining alive the local traditions which have in parts disappeared.
The province of Bologna acquired the site in 1970 to create the museum.Museo della civiltà contadina, official site. The "Salone delle Feste" of the piano nobile of the villa was frescoed in the 19th century.Comune of Bentivoglio.
The Museo-laboratorio della Civiltà Contadina (Museum-workshop of the Peasant Culture) is an ethno-anthropological museum of Matera, situated in the ancient Sassi district. The Museum has been created by Donato Cascione and it’s managed by the homonym cultural association.
In 1939 Rocca married Giuseppe Bisazza, and they had a son, Oreste. Widowed, in 1948 she remarried to Communist politician Umberto Terracini. Rocca died in a clinic in Rome, following a long illness, in 1999, at 81 years old.AA.VV. Territorio, costumi e civiltà contadina a Cartosio.
Centro di Cultura e Civiltà Contadina - Biblioteca Internazionale La Vigna is an institute of documentation specialised in studies concerning agriculture and wine. It is considered as the most important reference point for ampelographic research worldwide. It is situated in Vicenza in Contrà Porta Santa Croce n. 3 in Palazzo Brusarosco, then Galla.
The establisher Demetrio Zaccaria. “Centro di Cultura e Civiltà Contadina” - Biblioteca Internazionale “La Vigna” was established by Demetrio Zaccaria. He was an entrepreneur from Vicenza who began to get interested in the field after having read a book about oenology in New York City in 1951. It took twenty years to build an international library for researchers and connoisseurs.
The second floor renovated by Carlo Scarpa. “Centro di Cultura e Civiltà Contadina” and Biblioteca Internazionale “La Vigna” have their headquarters in Palazzo Brusarosco. The few information about the original building say that it was a house situated within the fifteenth- century Scaliger city walls. In the following centuries the house was time after time modified.
"Fioravanti, Vincenzo". Grove Music Online. Retrieved 25 June 2017 (subscription required for full access).Meloncelli, Raoul (1997). "Fioravanti, Vincenzo". Dizionario Biografico degli Italiani, Vol. 48. Treccani. Online version retrieved 25 June 2017 . The following year, he returned to Rome, sought advice from Donizetti, and completed his second opera, La contadina fortunata which had a successful premiere at the Teatro Valle in November 1820.
Adriano in Siria is an opera by Giovanni Battista Pergolesi setting Metastasio's libretto of the same name. It was the third of his four opere serie, premiered at Teatro San Bartolomeo in Naples on 25 October 1734.Details and libretto, librettidopera.it Pergolesi also provided a comic intermezzo La contadina astuta, later better known as Livietta e Tracollo, to a libretto by Tommaso Mariani.
La contadina astuta, or Livietta e Tracollo, is an opera buffa composed by Giovanni Battista Pergolesi to a libretto by Tommaso Mariani. It was originally composed as an intermezzo for Pergolesi's opera Adriano in Siria but subsequently became popular in its own right and was performed throughout Europe. It premiered along with Adriano in Siria on 25 October 1734 at the Teatro San Bartolomeo in Naples.
The inner part has three aisles with several statues. The popular dish originated in the municipality. It was conceived by and a favorite of the Marquis of Campolattaro in the 14th century. Campolattaro houses a Centro Culturale per lo Studio della Civiltà Contadina del Sannio (Cultural Center for the Study of the Rural Life in the Sannio area) offering a rich library specializing in local history texts.
In 1861, a farmer named Bernagozzi from Bologna manufactured a machine called a"scavezzatrice", a decorticator for hemp.Paolo Ranalli and Gianpietro Venturi: Hemp as a raw material for industrial applications, Euphytica, Euphytica 140: 1–6, 2004. A working hemp decorticator from 1890, manufactured in Germany, is preserved in a museum in Bologna.Picture of an 1890 GERMAN DECORTICATOR at Museo Della Civilta Contadina, San Marino Di Bentivoglio, Bologna, Italy.
Many people visit this town to eat its typical product (zampina). The last Saturday and Sunday of September there is a festival, called Sagra della Zampina, to promote the local product. In the town's castle there is also a museum, called "Museo della civilltà contadina" in which there are pictures, utensils, clothes concerning farmer's life in the 19th century. Next to the castle there also is a small church, called "Chiesa della Maddalena".
The most famous of these farces was "La calata degli dei" (The Fall of the Gods), written in 1949. He produced his first poetry collection in 1973 under the title "Calabria contadina" (The Calabria of the Farmers), which appeared in 1984 in a second edition. In that same year, he published Quattru chjacchjari e ddui arrisi (Some Chatting and Some Laughs). His last volume of poetry was A terra mia (My land) in 1998.
La contadina in corte is an opera buffa in two acts by Antonio Sacchini, first performed at the Teatro Valle in Rome during the Carnival in 1765. The libretto was by Niccolò Tassi. It was a popular opera at the time of its first performance: by the 1780s it had been staged over 20 times in such diverse cities as Rome and Warsaw. Sacchini's original setting is an intermezzo with 4 roles.
Del Monte Foods, Inc (trading as Del Monte Foods) is a North American food production and distribution company headquartered at 3003 Oak Road, Walnut Creek, California, USA."Company Fact Sheet." Archive Del Monte Foods is one of the country's largest producers, distributors and marketer of branded processed food for the U.S. retail market, generating approximately $1.8 billion of annual sales. Its portfolio of brands includes Del Monte, S&W;, Contadina, College Inn, Fruit Burst, Fruit Naturals, Orchard Select and SunFresh.
Giacomo Rust or Rusti (1741 in Rome, Italy – 1786 in Barcelona, Spain) was an Italian opera composer, probably of German ancestry. Not a great deal is known about Rust. Between 1763 and 1777, Rust was active in Venice, where his first opera, a dramma giocoso, La contadina in corte, to a libretto by Niccolò Tassi, was performed in 1763. During this period, Rust acquired great fame as opera composer, not only in Italy, buy also abroad, which gained him an invitation to be employed in the service of the archbishop of Salzburg.
In 1780, she made her debut at Teatro alla Scala in Milan, performing in three operas: Giovanni Valentini's Le nozze in contrasto, Giacomo Rust's Gli antiquari in Palmira and Giovanni Paisiello's La Frascatana, singing in mezzo-soprano register. She then sang at Teatro San Carlo in Naples, where she had the opportunity to meet Emperor Joseph II, who later invited her to perform in Vienna. When her voice changed to soprano, she accepted the Emperor's invitation. In 1785, she went to Vienna with her mother, and stayed there for a year. In Vienna, she made her debut singing Domenico Cimarosa’s Contadina di spirito.
One of the most notable of them – it has been revived and recorded in modern times – was the two-act intermezzo La contadina in corte (1765). In 1768, Sacchini moved to Venice, having accepted the temporary post of director of the Conservatorio dell'Ospedale dei Poveri Derelitti (the "Ospedaletto"), offered by his predecessor in the job Tommaso Traetta, who had been Sacchini's friend since their studies together in Naples and who was now leaving Venice to work at the court of Saint Petersburg.See Giuseppe Ellero, Maria Carla Paolucci, Jolanda Scarpa (ed.), Arte e musica all'Ospedaletto. Schede d'archivio sull'attività musicale degli Ospedali dei Derelitti e dei Mendicanti di Venezia (sec.
In the early seventies Zaccaria left Toscolano, on the Lake Garda, where he had lived since 1958, and moved permanently to Vicenza with his collection of books. In 1980 he bought Palazzo Brusarosco which is the base of the present library. The following year, when he was seventy, he donated the palace and his collection of almost 10.000 books to the “Comune di Vicenza”. He did this because he was worried about the future of his collection and also because he tried in vain to find another settlement. He became general secretary of “Centro di Cultura e Civiltà Contadina” and of the International Library “La Vigna”.
Giuseppe Farinelli (7 May 1769 – 12 December 1836) was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include I riti d'Efeso (1803, Venice), La contadina bizzarra (1810, Milan) and Ginevra degli Almieri (1812, Venice). More than 2/3 of his operas were produced between 1800-1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed.
In 1993, Del Monte's dried fruit division was sold to Yorkshire Food Group. In 1996, Del Monte sold its pudding division to Kraft. In 1996, Del Monte Mexico was sold to Hicks, Muse, Tate & Furst; the Central American and Caribbean operations were also sold.Texas Pacific Group acquired Del Monte in 1997. Del Monte acquired Contadina from Nestlé in 1997 and reacquired Del Monte Venezuela from Nabisco in 1998. Del Monte Foods again became a publicly traded company in 1999, and in 2002, it purchased several brands from US food giant Heinz in an all-stock transaction that left Heinz shareholders with 74.5% of Del Monte and original Del Monte shareholders with 25.5% of the company, and nearly tripled Del Monte Foods' size.
In his notarial deed, Demetrio Zaccaria wanted the denomination “Centro di Cultura e Civiltà Contadina” to be used before “Biblioteca Internazionale “La Vigna”. This aimed to promote the initiatives of researchers and enthusiasts which increase the value of the collection of the library. The specific cultural activities, whose projects have been even more elaborate and qualified, are planned and carried out thanks to the contribution of “Consiglio Scientifico”, in collaboration with hosted or external associations as “CRA”, “ Centro di Ricerca per la Viticoltura di Conegliano”, “ Istituto di Genetica e Sperimentazione Agraria “N. Strampelli”” of Lonigo, “ Fondazione Masi”, “AIS Veneto” (Associazione Italiana Sommeliers), local consortiums for the conservation of DOC wines, “FAI”, “Club Lions”, Rotarys from Vicenza, “Associazione Italiana Cultura del Tè”, “Confraternita della Vite e del Vino del Veneto Orientale e del Friuli-Venezia Giulia” and so on. This cultural centre has also started the initiative “Amici de La Vigna” in order to support its cultural and institutional activities.
Francesca was the eldest child in the family of gifted musicians. Her mother (Barbara Sidonia Margaretha Toeschi), a dancer, and her father (Innocenz Danzi), an Italian cellist, were the core of the elite elector Mannheim court performers in the late 1750s. Her brothers, Franz (Ignaz) and Johann Baptist, were cellist and violinist respectively and were successful composers. Karl Joseph (Carlo Giuseppe) Toeschi, a violinist, composer and conductor, was her maternal uncle. She made her first public appearance as a singer at the age of 16 and the following year was engaged by the Mannheim Opera. There seems to be some debate whether she first performed in Gassmann's L’amore artigiano in May 1772, or Sacchini's La Contadina in Corte, the role for which she earned the title of court musician (virtuosa da camera). She stayed with the Mannheim court opera for four years and was cast in the premier roles: Parthenia in Anton Schweitzer's Alceste (1775, Schlosstheater Schwetzingen), and Anna in Holzbauer's Günther von Schwarzburg (1777), a role composed specifically for her voice. At twenty-one she traveled to London to sing four opera series by J.C. Bach & Sacchini. In 1778, she married the oboe virtuoso and composer Ludwig August Lebrun (1752–1790) from Mannheim.

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