"If you don't face the sort of, the travesties that are constantly recurring in this culture," she said, "how are they ever going to change?"
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"If it be said that the President, by successive pardons of constantly recurring contempts in particular litigation, might deprive a court of power to enforce its orders in a recalcitrant neighborhood, it is enough to observe that such a course is so improbable as to furnish but little basis for argument," Taft wrote.
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Circuit breaker is a design pattern used in software development. It is used to detect failures and encapsulates the logic of preventing a failure from constantly recurring, during maintenance, temporary external system failure or unexpected system difficulties.
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Electronic Arts owns the brand. The games take place for the most part in a world called Britannia; the constantly recurring hero is the Avatar, first named so in Ultima IV. They are primarily within the scope of fantasy fiction but contain science fiction elements as well.
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The 'sonata' itself is based on the novel Dr. Faustus by Thomas Mann. De Vries is also greatly inspired by the novels of Latin-American authors, especially by the works the Argentine author Jorge Louis Borges. In his works Borges creates a large variety of mysterious repeats form a constantly recurring theme. We can see a similar trend in de Vries' compositional philosophy.
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New Way To Paint, München/Berlin 2008 In 2004/2005 van Eeden began to group his drawings together to form different sized series. This was inspired, amongst other things, by Robert Walser's „Spaziergang“ text which extended over a collection of drawings or constantly recurring characters. The first great series to emerge from this modus was the 150 piece series „K. M. Wiegand. Life and Work“, 2006.
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The Iron Dragon's Daughter is a 1993 science fantasy novel by American writer Michael Swanwick. The story follows Jane, a changeling girl who slaves at a dragon factory in the world of Faerie, building part-magical, part-cybernetic monsters that are used as jet fighters. The plot of her story takes the form of a spiral, with events and characters constantly recurring in new settings. The novel constantly subverts fantasy tropes and archetypes.
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266-308 (retrieved 26-09-2011) p.XII Most of the extant poems are zajals, the genre by which he earned his fameJosef W. Meri, Medieval Islamic Civilization: An Encyclopedia, Routledge, 2005, p.365 which are characterized by their colloquial language, as well as a typical rhyming scheme: aaab cccb dddb, where b rhymes with a constantly recurring refrain of one or two lines.Gorton, T.J., "The Metre of IbnQuzman: a "Classical"Approach", Journal of Arabic Literature, 6 (1975), pp.
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Plutarch speaks of him with Zeno, Cleanthes, and Chrysippus, as one of the principal Stoic philosophers,Plutarch, de Stoic. Repugnant. and Cicero mentions him as remarkable for acuteness.Cicero, de Officiis, iii. 12. He seems to have taken the lead during his lifetime in the disputes constantly recurring between his own school and the Academy, although he is said to have felt himself so unequal in argument to his contemporary Carneades in public debates, that he confined himself to writing; by which he was called "Pen-noise" ().
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With so many of his relatives travelling by sea, Julius's thoughts turned to their safety. He considered how lifeboats were launched, and developed an improved method for this, which he described in the 1852 publication, "On the constantly recurring loss of life through the inefficiency of ships' boats; and on the right application of mechanical principles to the subject". He explains how to best suspend, lower and clear lifeboats. The techniques were successfully demonstrated and he signed the rights of the invention to the "Shipwrecked Fishermen and Mariners' Society".
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Within the next 10 years, numerous books for children followed with different publishing houses. He also published books for adults, in which he deals with his childhood experiences of growing up with an abusive father and a God-fearing mother, constantly recurring topics being friendship, family relationships, and the quest for the meaning of life. Amongst his most famous figures is the Tigerente that appears in Oh, wie schön ist Panama and the stories around the little tiger and the little bear. By 1980, he had published over 100 books for children in nearly 30 languages.
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In 2000 Fasching opened his project Westwerk (a western investigation of the occidental culture) in the more than 800 years old Vienna St. Stephan’s Cathedral. The project consisted of his sculptures, paintings and other work. A constantly recurring, central element in Fasching’s work is the creation of his pieces of art amidst his visitors and audience. There were 7 periods between 1987 and 2006 when, under the title 12 Tage 12 Nächte/12 Days 12 Nights, Fasching lived and worked in various galleries around the world, where he could be observed at work and was always open to discussions.
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During the 15th century it had been controlled by Twipra Kingdom.. It was the warzone between Arakan Kingdom and Twipra Kingdom. During the British control, East India Company appointed Chief to collect taxes from people which is known as Chakma Circle, Mong Circle, Bomang Circle. The early history of the Chittagong Hill Tracts, a record of constantly recurring raids by the eastern hill tribes (Mizo or Lushai) and of the operations undertaken to repress them, of which narrative will be found in the article on the Lushai Hills. In the early 16th century the chakma people came from Arakan (Burma) due to repression and hostility by Rakhaine people.
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Bandleader and drummer "Nugget" was rapping in hip-hop clubs at 16, drumming in the hardcore band Pitbull Attack, and ice-skating professionally, until his constantly recurring injuries forced him off the ice. With some influence from his sister, "The Boss", and her musical tastes in ska, swing, rockabilly and anything from their parents' era, they set out to find others with the same passion. Six months later they had found enough people for a first rehearsal. This included "The Boss" meeting Gil Morgan, then working in a shop, who became the band's first guitarist and one of the principal songwriters, writing the songs "Masterplan" and the audience favourite "Delores (The Unstoppable)".
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It also encapsulates a fantasy tale of fairies and giants. On children's literature, Sinclair remarks in a preface, > "But above all we never forget those who good humouredly complied with the > constantly recurring petition of all young people in every generation, and > in every house, — 'Will you tell us a story?'" Sinclair's activities in Edinburgh included charitable works such as the establishment of cooking depots in old and new Edinburgh, and the maintenance of a mission station at the Water of Leith. She was instrumental in securing seats for crowded thoroughfares, and she set the example in Edinburgh of instituting drinking fountains, one of which bore her name and stood at the city's West End before it was removed as an obstruction to trams in 1926.
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In fact, he is also named Hillel of Forlì. Hearing there of Solomon Petit's appearance in Italy with anti-Maimonidean designs, he immediately addressed a letter to Maestro Gajo, vividly describing the disastrous consequences of the first condemnation of Maimonides' works at Montpellier, and imploring him not to join the movement against Maimonides. In order to convince his friend more fully of the absolute groundlessness of the attacks upon the master, Hillel volunteered, with a somewhat exuberant self- complacency, to explain satisfactorily those passages of the Moreh which gave offense. And in order to quiet once and forever the constantly recurring dissensions, Hillel formulated a somewhat fantastic plan, which reveals at the same time his love of justice and his sincere regret that the sorrows of his people were increased by these discords.
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The original typology is so complicated that most Hoabinhian sites are identified simply by the presence of sumatraliths (White & Gorman 1979). The chronology of Hoabinhian artifacts was assumed to be Holocene because of the extant fauna found in the assemblages and the absence of extinct fauna by Colani and others working before the availability of radiocarbon dating methods in the 1950s. Problems with Colani's typology were exposed by Matthews (1964) who analysed metric and technological attributes of unifacially flaked cobble artifacts from Hoabinhian levels at Sai Yok Rockshelter, Kanchanaburi Province, west-central Thailand. His aim was to determine if Hoabinhian artefact types described by Colani could be defined as clusters of constantly recurring attributes such as length, width, thickness, mass, length-width ratio and cortex amount and distribution.
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Adapting from the existing system, Bradley proposed that certain groups be designated "parent" groups, with an authorized overstrength, to provide cadres for newly activated (or "satellite") groups and assume responsibility for their organization and training. Fresh graduates of training schools would bring the satellite groups to authorized strength and, in a constantly recurring pattern, also restore the parent group to its overstrength. The plan was largely adopted by AFCC in February 1942 to direct operational training in the Second and Third Air Forces, where the bulk of new units were being activated, but by May the AFCC had been dissolved as an extraneous echelon of command and the OTU system was extended by Headquarters AAF to the First and Fourth Air Forces for training new fighter groups. In its first year the system proved difficult to implement to full effect.
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Laplace's own investigations embodied in it are so numerous and valuable that it is regrettable to have to add that many results are appropriated from other writers with scanty or no acknowledgement, and the conclusions — which have been described as the organised result of a century of patient toil — are frequently mentioned as if they were due to Laplace. Jean-Baptiste Biot, who assisted Laplace in revising it for the press, says that Laplace himself was frequently unable to recover the details in the chain of reasoning, and, if satisfied that the conclusions were correct, he was content to insert the constantly recurring formula, "Il est aisé à voir que ... " ("It is easy to see that ..."). The Mécanique céleste is not only the translation of Newton's Principia into the language of the differential calculus, but it completes parts of which Newton had been unable to fill in the details. The work was carried forward in a more finely tuned form in Félix Tisserand's Traité de mécanique céleste (1889–1896), but Laplace's treatise will always remain a standard authority.
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Glass is frequently used as an omen that something bad is about to occur: just before Christine drowns, John knocks a glass of water over, and Johnny breaks a pane of glass; as Laura faints in the restaurant she knocks glassware off the table, and when John almost falls to his death in the church, a plank of wood shatters a pane of glass; finally, shortly before confronting the mysterious red clad figure, John asks the sisters for a glass of water, a piece of symbolism that prefigured Christine's death. The plot of the film is preoccupied with misinterpretation and mistaken identity: when John sees Laura on the barge with the sisters, he fails to realise it is a premonition and believes Laura is in Venice with them. John himself is mistaken for a Peeping Tom when he follows Laura to the séance, and ultimately he mistakes the mysterious red-coated figure for a child. The concept of Doppelgänger and duplicates feature prominently in the film: reproductions are a constantly recurring motif ranging from reflections in the water, to photographs, to police sketches and the photographic slides of the church John is restoring.
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