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15 Sentences With "conjuring trick"

How to use conjuring trick in a sentence? Find typical usage patterns (collocations)/phrases/context for "conjuring trick" and check conjugation/comparative form for "conjuring trick". Mastering all the usages of "conjuring trick" from sentence examples published by news publications.

The conjuring trick is to act as if Mr Guaidó were running the country.
THIS YEAR marked a quarter of a century since Brazil beat hyperinflation with a conjuring trick.
It combines a carrot, a stick and a conjuring trick, all aimed at persuading Venezuela's army to flip.
It had evidently started as a conjuring trick; he loved magic, because it gave the illusion of breaking rules.
To engage in even the smallest acts of creation — molding a clay bowl in our hands or shaping an idea in our minds — is to perform a conjuring trick, to experience the mysterious and sublime power of bringing a new thing into existence.
Robert- Houdin described this as "a piece of artifice I would happily have incorporated in a conjuring trick".
His selection as Bishop of Durham was controversial due to allegations that he held heterodox beliefs, particularly regarding the virgin birth and the bodily resurrection. Between his selection and consecration, he said in an interview: "I wouldn't put it past God to arrange a virgin birth if he wanted. But I don't think he did." His widely quoted comment about the resurrection of Christ being "just a conjuring trick with bones", is a misrepresentation; his actual words as recorded on television say the reverse; the resurrection is not a conjuring trick with bones.
According to Carpenter no solid explanation could be given until the experiment is repeated, however, he suggested that the accordion feat that Home performed may have been a conjuring trick achieved with one hand. Carpenter concluded that Crookes should repeat the experiment in open daylight without the cage in the presence of other witnesses.William Benjamin Carpenter. (1871). Spiritualism and its Recent Converts.
The wrong person dies because of Iris's evening bag and the toast to her, the conjuring trick that saves her life. After the entertainment, George proposes a toast to Iris, when all sip champagne except her, being toasted. When the group leaves the table to dance, Iris drops her bag; a young waiter, retrieving it, misplaces it at the seat adjacent hers. When the group returns to the table, Iris sits one seat askew due to the misplaced bag.
Fulton Street in New York City The shell game (also known as thimblerig, three shells and a pea, the old army game) is portrayed as a gambling game, but in reality, when a wager for money is made, it is almost always a confidence trick used to perpetrate fraud. In confidence trick slang, this swindle is referred to as a short-con because it is quick and easy to pull off. The shell game is related to the cups and balls conjuring trick, which is performed purely for entertainment purposes without any purported gambling element.
The story here is told by a trained nurse – as has been done by other eminent mystery novelists. Nurse Leatheran holds her own with them all. This latest Christie opus is a smooth, highly original and completely absorbing tale". In The Observer 12 July 1936 issue, "Torquemada" (Edward Powys Mathers) wrote that "Agatha Christie tells a humorous, well-observed story amongst the ruins of Tell Yarimjah, and her latest method of murder, which got me guessing and guessing fruitlessly, has, as usual, more the simplicity of a miracle than the complication of a conjuring trick.
Natural resources are usually absent in production functions. When Robert Solow and Joseph Stiglitz attempted to develop a more realistic production function by including natural resources, they did it in a manner economist Nicholas Georgescu-Roegen criticized as a "conjuring trick": Solow and Stiglitz had failed to take into account the laws of thermodynamics, since their variant allowed man-made capital to be a complete substitute for natural resources. Neither Solow nor Stiglitz reacted to Georgescu-Roegen's criticism, despite an invitation to do so in the September 1997 issue of the journal Ecological Economics.
A frame from the rotoscoped version In 2014, the Cinémathèque française received a donation from the collector François Binétruy: a short fragment of chromolithographed animated film, rotoscoped from an unidentified 1896 Méliès film and showing Méliès himself performing a conjuring trick. Such fragments of animation had been manufactured from 1897 onward in Germany and France, for home use in toy projectors. In 2015, the Cinémathèque uncovered another fragmentary home-projector version of the same film, this time reproducing the original black-and-white live-action frames. In July 2015, the film scholar Jacques Malthête identified the film as Georges Méliès's Conjuring.
" Francis Wyndham offered a more critical appraisal of the phenomenon of Dietrich in concert. He wrote in 1964: "What she does is neither difficult nor diverting, but the fact that she does it at all fills the onlookers with wonder ... It takes two to make a conjuring trick: the illusionist's sleight of hand and the stooge's desire to be deceived. To these necessary elements (her own technical competence and her audience's sentimentality) Marlene Dietrich adds a third—the mysterious force of her belief in her own magic. Those who find themselves unable to share this belief tend to blame themselves rather than her.
43, 267 Soviet film critics hailed this approach, including the dramaturge and critic, Adrian Piotrovsky, writing for the Leningrad newspaper Krasnaia gazeta: > The hero is the sailors' battleship, the Odessa crowd, but characteristic > figures are snatched here and there from the crowd. For a moment, like a > conjuring trick, they attract all the sympathies of the audience: like the > sailor Vakulinchuk, like the young woman and child on the Odessa Steps, but > they emerge only to dissolve once more into the mass. This signifies: no > film stars but a film of real-life types.Quoted in Taylor, p.

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