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28 Sentences With "concealments"

How to use concealments in a sentence? Find typical usage patterns (collocations)/phrases/context for "concealments" and check conjugation/comparative form for "concealments". Mastering all the usages of "concealments" from sentence examples published by news publications.

To solve this, the detective must strip away a host of concealments, opening up drawers and prying off lids.
FIELDS They have two concealments in the laundry room: One behind the dryer and one hidden behind the fuse box.
"This was one of the most intricate concealments we've ever encountered," said Tony McMullin, a regional director at Britain's Border Force.
Craig Holman of CREW told the Daily Beast the government agency must be able to prove that Exemption 7 concealments are necessary.
Christie Crawford, who co-owns the business with her husband, told Quarz "things are always being watched":"We do streetlight concealments and camera enclosures," Crawford told Quartz.
It is becoming incredibly clear that Cohen has broken from the president, as he keeps signaling that he is willing to disclose whatever he knows of Trump's concealments.
But the documents obtained by Quartz show the DEA paid a company called Cowboy Streetlight Concealments LLC about $22,000 since June 2018, while ICE made payments of $28,000 over the same time period.
They matter because although there are stretches of the book that I enjoyed — there is a hint of A. S. Byatt's "Possession" as Wolf plays literary detective in the archives, puzzling over Symonds's codes and concealments — I don't trust it.
The American outpost in Bangkok is looking for a "narcotics investigator" to help the Drug Enforcement Administration (DEA) with very specialized skills, including a degree in electrical or electronics engineering, and at least five years' of designing, installing, and using "vehicle surveillance, disabling devices with internet or cellular monitoring, internet based surveillance camera concealments, and technical investigative equipment," according to a job listing posted recently.
2 c. 19),Charles II, 1660: An Act to prevent Fraudes and Concealments of His Majestyes Customes and Subsidyes. which established how the customs duties would be collected by the government, as well as for subsidies (tunnage and poundage) for royal expenses.
Two levels of God's Unity are both paradoxically true, based on the Kabbalistic doctrine of the Tzimtzum. In the "Lower Unity" all Creation is nullified to God. In the "Higher Unity", Creation is an acosmic illusion as only God truly exists. The apparent plurality in Creation is only an effect of the concealments of Divinity.
In 319 BC, before his death, Antipater chose that, instead of his own son, Cassander, General Polyperchon would be the next Macedonian ruler. Soon, Cassander began conspiring against Polyperchon. Thus, Cassander disposed that, at Munychia, Nicanor replaced Menyllus, with the order of controlling Attica. In Athens, Phocion was accused of helping such concealments of Cassander and, by deliberately delaying military action against Nicanor, made it possible for Nicanor to take the Piraeus, but he slighted such rumors.
Architecture, interior design, and urban planning can affect human behaviors and mental processes, causing psychological, biophysical, and cognitive changes in people, often without them noticing. Analyzing how people perceive public spaces with their senses makes it possible to analyze people's place-making practices. For example, visual elements of mystery and complexity may encourage exploration and feelings of pleasure, especially in familiar situations. On the other hand, visual concealments may increase people's fear of crime in public settings.
Narayanan, Yamini is an animal life defender whom argues that Jugaad is a key resource for progress in obstructionist environments like slow, inefficient, or corrupt bureaucracies and governance institutions, or when the activity is illegal. Depending on context, intention, and the informal political economy, jugaad can be legal, unauthorized, or even criminal. Yamini stresses that jugaad covers a broad set of complex practices, argumentation, and innovations, that have also been uses in concealments in the slaughter of cows throughout India.
The number of graduations between the Infinite and the finite, is likewise infinite, and arises from innumerable, progressively strong concealments of the Divine light. Nonetheless, the four worlds represent fundamental categories of Divine consciousness from each other, which delineates their four descriptions. Consequently, each world also psychologically represents a spiritual rung of ascent in human consciousness, as it approaches the Divine. Kabbalah distinguishes between two types of Divine light that emanate through the 10 Sephirot (Divine emanations) from the Infinite (Ein Sof), to create or affect reality.
With Gwystyl's assistance and store of magical smokes, fires, and concealments, the companions break in and free the prisoners. The plan goes awry, however; King Smoit and his men are finally able to regain control only by Rhun's intervention, which costs his life. Learning from Gwystyl of the activities in Annuvin, Gwydion turns from the quest for Dyrnwyn to planning for battle at Caer Dathyl. Gwystyl, Fflewddur, and Taran leave to gather support, respectively from the Fair Folk, the northern realms, and the Free Commots.
Relatedly, Olam — the Hebrew for "World/Realm" — is derived from the root עלם meaning "concealment". This etymology is complementary with the concept of Tzimtzum in that the subsequent spiritual realms and the ultimate physical universe conceal to different degrees the infinite spiritual lifeforce of creation. Their progressive diminutions of the Divine Ohr (Light) from realm to realm in creation are also referred to in the plural as secondary tzimtzumim (innumerable "condensations/veilings/constrictions" of the lifeforce). However, these subsequent concealments are found in earlier, Medieval Kabbalah.
The other light, called Mimalei Kol Olmin ("Filling All Worlds") is the Divine light of immanence, rooted in the Kav (first "Ray" of light) after the Tzimtzum in Lurianic Kabbalah. This is the light that descends immanently to every level of the Chain of Worlds, itself creating every spiritual and, ultimately, physical vessel of each World. It undergoes the innumerable concealments and contractions of the second Tzimtzumim. Hasidic thought sees the ultimate advantage of this lower light, because the ultimate purpose of Creation lies in this lowest realm.
A shorter advertisement is printed on a single quarto half-sheet, and is undated. Agas asserts that he has more than forty years experience in survey work, a perfect knowledge of customary tenures and titles of all kinds, and that he is a good penman and well acquainted with old records. He again emphasises the advantages to be gained by a landlord in employing an experienced surveyor, as a means of combating the "abuse in concealments, incroachments etc." that has arisen in recent years.British Library, Lansdowne MS 165, fol.
110 The name of the hero, Woodpecker Tapping, was taken from Thomas Moore's ballad, "The woodpecker tapping the hollow beech tree." The play ran for about 92 performances, until 3 March 1874, a good run for the time.Moss, Simon. "The Wedding March" at Gilbert & Sullivan: a selling exhibition of memorabilia, c20th.com, accessed 21 November 2009 On the play's success, Stedman notes: :Gilbert's adaptation is a model of how a French farce could be intelligently suited to the English stage.... It depended on split-second timing, on rapid intrusions and concealments, on frantically invented expedients and mistaken identities, and on the pursuit of a crucial object: a hat of Italian straw.
The vitality first shone to Adam Kadmon ("Primordial Man"), the realm of Divine Will), named metaphorically in relation to Man who is rooted in the initial Divine plan. From Adam Kadmon emerged sequentially the descending Four spiritual Realms: Atziluth ("Emanation" - the level of Divine Wisdom), Beriah ("Creation" - Divine Intellect), Yetzirah ("Formation" - Divine Emotions), Assiah ("Action" - Divine Realisation). In Medieval Kabbalah the problem of finite creation emerging from the Infinite was partially resolved by innumerable, successive tzimtzumim concealments/contractions/veilings of the Divine abundance down through the Worlds, successively reducing it to appropriate intensities. At each stage, the absorbed flow created realms, transmitting residue to lower levels.
Conduct by a fiduciary may be deemed constructive fraud when it is based on acts, omissions or concealments considered fraudulent and that gives one an advantage against the other because such conduct—though not actually fraudulent, dishonest or deceitful—demands redress for reasons of public policy. Breach of fiduciary duty may occur in insider trading, when an insider or a related party makes trades in a corporation's securities based on material non-public information obtained during the performance of the insider's duties at the corporation. Breach of fiduciary duty by a lawyer with regard to a client, if negligent, may be a form of legal malpractice; if intentional, it may be remedied in equity.Clark v Rowe, 428 Mass.
He is accused of starting the Digambara Jain tradition with what Svetambara call as "eight concealments", of rejecting Jain texts preserved by the Svetambara tradition, and misunderstanding the Jain ideology including those related to nuns and clothes. In contrast, according to Digambaras, they are the original followers of Mahavira and Svetambaras branched off later in the time of Bhadrabahu when their forecasted twelve-year famine triggered their migration from central India. One group of Jain monks headed west and north towards Rajasthan, while the second group headed south towards Karnataka. The former became Svetambaras and retained their "heretic" beliefs and practices such as wearing "white clothes" they adopted there, say the Digambaras.
H.L. Mencken wrote of this prudish state of affairs in 1917: > The action of the novels of the Howells school goes on within four walls of > painted canvas; they begin to shock once they describe an attack of asthma > or a steak burning below stairs; they never penetrate beneath the flow of > social concealments and urbanities to the passions that actually move men > and women to their acts, and the great forces that circumscribe and > condition personality. So obvious a piece of reporting as Upton Sinclair’s > The Jungle or Robert Herrick’s Together makes a sensation; the appearance of > a Jennie Gerhardt or a Hagar Revelly brings forth a growl of astonishment > and rage.H.L. Mencken, A Book of Prefaces (New York: Knopf, 1917) pp. > 275-276.
In this radical concept of the "Ari", at the beginning of Creation the Divine "withdrew" (a complete tzimtzum) from a "Chalal" ("Vacated space"), to allow Creation to take place. The interpretation of this forms a central concern of subsequent Kabbalah (see Tzimtzum), and the "withdrawal" of God is interpreted only as a concealment from the perspective of the Creation, and only to apply to His light, not His Essence, as that would imply heretical limitations to the Divine. In Lurianic Kabbalah, the Tzimtzum concealed the Ohr Ein Sof, which resolved the dichotomy between the Infinite Light and the possibility of creating finite Worlds. Without this radical leap of a concealment of the Ohr Ein Sof, even with the progressive, gradual concealments of the Chain of Worlds, the problem would not properly be overcome.
The continual flow of an immanent lower light ("Mimalei Kol Olmin"), the light that "fills all worlds" is the creating force in each descending world that itself continually brings into being from nothing, everything in that level of existence. It is this light that undergoes the concealments and contractions as it descends downward to create the next level, and adapts itself to the capacity of each created being on each level. A transcendent higher light ("Sovev Kol Olmin"), the light that "surrounds all worlds" would be the manifestation on a particular level of a higher light above the capacity of that realm to contain. This is ultimately rooted in the infinite light ("Ohr Ein Sof") that preceded Creation, the Tzimtzum and the Sephirot, rather than the source of the immanent light in the "Kav" (first emanation of creation after the Tzimtzum), in the teachings of Isaac Luria.
In 1670 he became Deputy lieutenant for Lincolnshire and in 1671 a Commissioner for concealments. In Parliament he was chairman of the committee of elections and privileges from 8 February 1673 to 30 December 1678. He was a Commissioner for recusants in 1675 and an assistant to the Sons of the Clergy in 1678. Meres was re-elected MP for Lincoln at the first general election of 1679 and was chairman of the committee of elections and privileges from 19 March to 27 May 1679. He was returned again at the second general election of 1679. He was a Lord of the Admiralty from 1679 to 1684 and a Commissioner for assessment for Essex, Leicestershire and London from 1679 to 1680. By 1680 he was a captain in the foot militia. He was returned in a contest as MP for Lincoln at the 1681 English general election and also became a Justice of the Peace for Holland in 1681.
The role of Callimaco was assumed by the play's director, Dan Southern. A small cart stage with canvas backdrop was used. The openness of staging, in natural sunlight and without the trappings and concealments of an indoor theatre, was typical of the performance style of Commedia dell'arte, in which the audience members are constantly made aware of the artifice of the production, and thereby become participants in the theatrical event As in the Riverside tradition of the Greenshow, the production of The Mandrake – whether indoors or outside in a park – relied on broad physicalization, improvisation, and comic lazzi, as well as interacting with the audience in the manner of Commedia dell'arte. The Mandrake, under Southern's direction, proved one of Riverside's most successful Commedia productions to date, and helped the company to realize its goal of bringing the work of Shakespeare, his contemporaries and Commedia dell'arte to as broad an audience as possible.

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