The two of those guys complementing each other will help us win.
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I don't see them competing — I see them complementing each other as fun, modern royals.
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Two different styles complementing each other, completing a circle — Swimming In Circles was the concept.
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We started out complementing each other—I'd make up for his weaknesses and he'd make up for mine.
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It's the beautiful way two people can fit together, challenging and complementing each other at the same time.
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Planners laid some bus lanes directly over metro lines, so the two forms of transport compete rather than complementing each other.
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" Kerisa's theory is simple: "Partnership, for me, is just that: two people coming together, complementing each other, and supporting each other.
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While some think these technologies to be at odds, they will likely not be competing and will in fact be cooperating and complementing each other.
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The mother of two took to Instagram to share the cute snap of her and her son, Benjamin Rein, complementing each other nicely on the holiday.
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In a fugue, a series of independent voices and instruments extrapolate on a common theme, simultaneously competing and complementing each other, but ultimately coming together to create an interwoven tapestry of sound.
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"We are complementing each other, we are not enemies here," Mazrouei told an industry conference in Abu Dhabi, addressing the relationship between the Organization of the Petroleum Exporting Countries and the U.S., a major oil consuming country.
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90 Bubbio argues that the resources for such a philosophical enterprise can be retrieved in the thoughts of Hegel and Heidegger, which he sees as complementing each other.
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This is not supplier convergence because they are not merging and forming a united line of products, but simply complementing each other with a business partnership (Slywotzky et al. 1999).
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It has evolved alongside Burke's Peerage, Baronetage & Knightage; the two works are regarded as complementing each other. Since the early 20th century the work also includes families that historically possessed landed property.
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It contains music for solo piano, solo violin, and violin-piano duet. In this work, Otero's compositions reflect once again his style in terms of melodic, harmonic and rhythmical language, while the pianism exposes the need for technical proficiency. Many of his compositions require alternating left- and right-hand notes and chords, similar to a paradiddle, creating patterns with two or more melodies complementing each other.
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16 Collyer Quay is linked to the 33-storey Chevron House by a four-storey glass galleria. According to the Urban Redevelopment Authority (URA), the two buildings are designed and planned in parallel, with each tower takes on different architectural expressions, while complementing each other to "strengthen the urban quality" of Raffles Place. The building is topped off by a two-storey navigating beacon. URA claims it recalls the maritime history of the Collyer Quay area.
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Wives, just as slaves in the last part of chapter 2, were two vulnerable groups which is indirectly employed as examples of proper submission for Christians. However, 'Christianity gave dignity to the status of both', and here Peter teaches 'the spiritual equality of man and wife as heirs together', just as Paul also teaches married couples to 'mutual submission' where 'the wife's submissiveness is to be matched by the husband's self-giving love' (), thus complementing each other.
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The Camphor Flame: Popular Hinduism and Society in India. Princeton University Press, , page 41 Devi is the supreme being in the Shakta tradition of Hinduism; in the Smarta tradition, she is one of the five primary forms of Brahman that is revered. In other Hindu traditions, Devi embodies the active energy and power of Deva, and they always appear together complementing each other. Examples of this are Parvati with Shiva in Shaivism, Saraswati with Brahma in Brahmanism and Lakshmi with Vishnu in Vaishnavism.
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Also very common in the antebellum Midwest was farming corn while raising hogs, complementing each other especially since it was difficult to get grain to market before the canals and railroads. After the "wheat frontier" had passed through an area, more diversified farms including dairy cattle generally took its place. Warmer regions saw plantings of cotton and herds of beef cattle. In the early colonial south, raising tobacco and cotton was common, especially through the use of slave labor until the Civil War.
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" Pitchfork's Ryan Dombal called it "the record's best psych-rock showing" and the song featured "a wicked drum exhibition" The song was described as "trippy" by MTV News. "Chemtrails" received high praise for "its woozy textures ... with Beck's distracted vocal and a busy drum track complementing each other perfectly." James Lawrenson, writing for ClickMusic, said the song was "like a more electrified Sea Change, ambient and slightly sombre, but beautiful nonetheless." The review described the song's "synth washes and sparse instrumentation" as creating "an airy, atmospheric feel.
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Vogel's Tonnetz resorts on a theory (Euler's Tonnetz) that is more than 100 years older than the presently dominating functional harmony. Vogel's Tonnetz and functional harmony are not in conflict with each other. On the contrary, they can be seen as complementing each other: While Vogel's theory focuses on local relations of tones and chords, functional harmony considers the global role of a chord in the context of the entire piece of music. However, the prevalence of functional harmony and the peculiarities of Vogel's notation hamper the general reception.
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Farms spread from the colonies westward along with the settlers. In cooler regions, wheat was often the crop of choice when lands were newly settled, leading to a "wheat frontier" that moved westward over the course of years. Also very common in the antebellum Midwest was farming corn while raising hogs, complementing each other especially since it was difficult to get grain to market before the canals and railroads. After the "wheat frontier" had passed through an area, more diversified farms including dairy and beef cattle generally took its place.
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Melanchthon's importance for the Reformation lay essentially in the fact that he systematized Luther's ideas, defended them in public, and made them the basis of a religious education. These two figures, by complementing each other, could be said to have harmoniously achieved the results of the Reformation. Melanchthon was impelled by Luther to work for the Reformation; his own inclinations would have kept him a student. Without Luther's influence Melanchthon would have been "a second Erasmus", although his heart was filled with a deep religious interest in the Reformation.
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"Maksimov's was an unbalanced, harsh prose, with settings and time modes ever changing, human life stories and the details thereof complementing each other, augmenting the narrative into all-embracing, epic proportions. [His strength lies] with the power of an original, natural-born stylist, which enables him to see through clearly into the lower strata of the Soviet society (which he knew painfully well from his own experience), as well as the highly-charged sense of moral responsibility of a patriot writer," according to the German Slavic studies scholar and literary historian Wolfgang Kasack.Казак В.: Лексикон русской литературы XX века. — С. 247.
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At the time of his death on September 7, 2018, Miller was "well into" the recording process of Circles. It was intended to be a companion album to Swimming (2018), with "two different styles complementing each other, completing a circle" and the concept being "swimming in circles". Jon Brion, who worked with Miller on the album, completed production "based on his time and conversations" with Miller. Swimming and Circles were planned to be the first two installments in a trilogy of albums, where the last piece would have been "a pure hip-hop record", as described by Brion.
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He became Wulfhere's right hand man, the two of them complementing each other and working harmoniously together. The giant Wulfhere is a bellicose and formidable fighter, quite deserving of his nickname. He is impetuous, easily roused, and on bad terms with most of the other Viking leaders - though not overtly cruel and capable at times of surprising compassion. Cormac Mac Art, though a formidable swordsman in his own right when in need, is a more subtle man: well-informed on the affairs of the numerous kingdoms, tribes, and factions inhabiting the turbulent British Islands and beyond.
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In the DVD commentary, Belvaux explained that the main idea behind Trilogy is that the main characters in a particular story can be seen as the secondary characters in others; the three films happen at the same time and share a series of common scenes and plot points, complementing each other, but each has its own perspective and style. The audience is left with the duty of piecing the films together, which Belvaux avoided, since editing the three films into one single narrative would have resulted in a very long film with no style of its own.
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This is contributed in part, by the royal and aristocratic status of Silat itself in Malay society, in contrast to the peasant martial arts. At the same time, a variety of local styles fell under the nationalisation drive for a common tradition of Bruneian Silat, bringing other styles of different indigenous groups that occupied the territories that were formerly part of Brunei, into isolation. This led to the abandonment of many details of the Silat practices in favor of a national homogeneity. In the end, two most widespread styles were established as national ones; Silat Cakak Asli and Silat Kuntau, which both be seen as complementing each other.
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The City of Ember was praised for its setting and main characters, Lina Mayfleet and Doon Harrow. Kirkus Reviews praised the characters, stating: "The likable protagonists are not only courageous but also believably flawed by human pride, their weaknesses often complementing each other in interesting ways." Sally Estes from Booklist commented how readers would be able to connect to Lina and Doon's courage amidst the conflicts. Robert Sutton from Horn Book Magazine compared the novel to Gathering Blue by Lois Lowry, noting how "the darkness of Ember is essentially literal" with the generator (the mechanical light operator) failing and running out of power, leading to frequent blackouts.
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Rosefeldt described the process of scripting as "very organic"; "I started to play with the texts and to edit, combine and rearrange them into new texts that could be spoken and performed...They are complementing each other in a playful way." He was attracted to the idea of alluding to "a collection of voices, a conversation...[rearranging] these multiple voices into new monologues: again, turning these texts onto themselves." The project "questions the role of the artist in society today", drawing on "the writings of Futurists, Dadaists, Fluxus artists, Situtationists and Dogme 95, and the musings of individual artists, architects, dancers and filmmakers." Rosefeldt deems it an "homage to the beauty of artists' manifestos − a manifesto of manifestos".
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Un couple épatant (; also known as Trilogy: Two) is a 2002 French-Belgian film written and directed by Lucas Belvaux. This is the first installment of a series Trilogy, which constitutes a comedy followed by One: On the run, a thriller and Three: After life, a melodrama. In Uk the distribution company altered the order of the trilogy placing the second film as the first one. Belvaux referred in the DVD commentary that main idea behind Trilogy is that the main characters in a particular story are the secondary characters of others, in such sense the three films happen at the same time and share a series of common scenes and plot points, complementing each other, but also have their own perspective and style.
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The new building gave Lange senior the opportunity to realize his idea – a clock with a pendulum of almost 10 meters – the longest in the world. Emil and Richard Lange were complementing each other. While Emil was interested in business, Richard Lange followed his father's path. He advanced his father's inventions and patents such as quarter repeater and chronograph. Some of his notable patents include an up/down power reserve indicator (patent No.9349), improved chronometer restraints, pocket watch with minutes counter, and addition of beryllium to improve the rate characteristic of balance spring Emil Lange was awarded the cross of the Knight of the French Legion of Honor for his services as a juror at the Paris world fair and the presentation of the “Jahrhunderttourbillon” (tourbillon of the century).
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The characteristics of Russian radio operations made it impossible to draw a sharp line between short-range and long-range operations. As in 1943, when these two phases of intelligence activity were complementing each other successfully, three factors should be mentioned that facilitated the German radio intelligence effort: #The Soviets (Russians) adherence to established procedures in sending routine messages and in carrying on conversations. #As on other fronts, the idiosyncrasies of Soviet radio operators who were less self-disciplined, intelligent, or well trained than the average, enabled Germany to identify and observe entire divisions. Among many others their deviations from rules of procedure included variations in sending speed especially in beginning and closing a transmission, arbitrary modifications of call signs to facilitate quick recognition by the called station, peculiarities in tuning the transmitter, and mistakes in transmitting unusual signals.
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Après la vie (After the Life; also known in UK as Trilogy: Three) is a 2002 Lucas Belvaux film with his own script. It is the final installment of a series Trilogy, which constitutes a melodrama preceded by Un couple épatant, a comedy andCavale, a thriller. Belvaux referred in the DVD commentary that main idea behind Trilogy is that the main characters in a particular story are the secondary characters of others, in such sense the three films happen at the same time and share a series of common scenes and plot points, complementing each other, but also have their own perspective and style. The audience is left with piecing the films together, which Belvaux avoided, since editing the three films into one single narrative would have resulted in a very long film with no style of its own.
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M Christina Ruckman, urn:sbl:6972, Svenskt biografiskt lexikon (art av Ingeborg Nordin Hennel), hämtad 2018-06-08. She was appreciated for her passionate way of acting and her deep and powerful voice and compared to Adelaide Ristori in her style, and was mostly played tragic roles, where "her male voice, the grand figure, deep emotion and the grotesque gestures could display themselves freely," and the critic Wikström noted her performances to illustrate "an almost terrible, natural truth." She played an appreciated Lady Macbeth and Lucrezia Borgia, and was also popular within breeches roles, in which she was described as very handsome. Sara Torsslow and the star actress Charlotta Eriksson was seen as complementing each other extraordinarily well onstage, and one of their mutual scenes was once commented by Magnus Jacob Crusenstolpe that "the illusion is so complete, that one imagined oneself in reality" with the characters onstage.
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During the early 1980s, Rense wrote several articles for the Herald-Examiner on Hollywood film legends Laurel and Hardy, particularly about a series of rediscovered short films featuring the comedy duo. In his 1990 biography of Laurel and Hardy, Wes D. Gehring pairs Rense's insights with those of New York Times reporter Mervyn Rothstein; the two journalists' findings, Gehring writes, combine to form "a Laurel and Hardy composite, complementing each other both in relationship to these specific rereleased short subjects and to their comic charisma in general". Rense's 1994 Los Angeles Times features on the first film dramatization of Superman – 1951's Superman and the Mole Men – included an interview with Phyllis Coates, who discussed the gender politics behind her portrayal of the character Lois Lane. While at the Valley News in the late 1970s, Rense interviewed one of Hollywood's pioneer studio owners, Allan Dwan.
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The 32 medallions distributed around the building are similar in size and shape, varying the decorative designs and the interior figures (quadrupeds, birds, bunches of grapes, fantastic animáis), a style inherited from the Visigoth period, in turn descended from Byzantine tradition. The medallions have decorative bands above them, again framed by rope moulding, inside which four figures are sculpted and arranged symmetrically; the upper two carrying loads on their heads and the lower two representing soldiers on horseback carrying swords. These figures seem to have some kind of symbolic social meaning; the warriors who defend and support the men of prayer (here offerers),or alternatively, the royal and ecclesiastic orders complementing each other. Santa María del Naranco shows other, equally beautiful and important sculptural elements; for the first time, a Greek cross appears sculpted as emblem of the Asturian monarchy, at the same time protecting the building from all evil, something which was to become habitual in the popular architecture of towns and villages.
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The medallions have decorative bands above them, again framed by rope moulding, inside which four figures are sculpted and arranged symmetrically; the upper two carrying loads on their heads and the lower two representing soldiers on horseback carrying swords. These figures seem to have some kind of symbolic social meaning; the warriors who defend and support the men of prayer, or alternatively, the royal and ecclesiastic orders complementing each other. Santa María del Naranco shows other, equally beautiful and important sculptural elements; for the first time, a Greek cross appears sculpted as emblem of the Asturian monarchy, at the same time protecting the building from all evil, something which was to become habitual in the popular architecture of towns and villages. Other sculptural elements, such as the capitals of Corinthian inspiration on the miradors' triple-arched Windows or the altar stone in the eastern mirador (originally from the neighbouring Church of San Miguel de Lillo), make this palace the most distinctive building in Pre-Romanesque, a singularity highlighted by being the only palace complex that has lasted until the present day with both Visigothic and Carolingian court structures.
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