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"commonplace book" Definitions
  1. (especially in the past) a book into which you copy parts of other books, poems, etc. and add your own comments

136 Sentences With "commonplace book"

How to use commonplace book in a sentence? Find typical usage patterns (collocations)/phrases/context for "commonplace book" and check conjugation/comparative form for "commonplace book". Mastering all the usages of "commonplace book" from sentence examples published by news publications.

M. Forster, Commonplace Book Do not weep; do not wax indignant. Understand.
This isn't scripture, but rather a compendium of cuttings and jottings, an idiosyncratic commonplace book.
Jefferson had read extensively among enlightenment thinkers, as demonstrated by the recent edition of his Legal Commonplace Book.
It is a "blog" in the proper sense — a "web log," part commonplace book and part ledger of a life.
TXT: A Commonplace Book was issued by the University of Michigan Press in its series, "Poets on Poetry," edited by David Lehman.
Steinke partakes in the current trend of cross-genre memoir—stories that are heavily decorated with quotations, part autobiography and part commonplace book.
"Ninety-nine Stories of God" is a slight book, provocatively so; the pieces vary in quality, and can seem like pressed keepsakes from a commonplace book.
The aforementioned Eversion began as part of TIGSource's Commonplace Book Competition, a Lovecraft themed game jam patterned after the book which Lovecraft kept short snippets of ideas in.
A commonplace book, as Pauline Kael once said about a dialogue-heavy movie, is like a bag of popcorn: Not every kernel has to pop for it to be enjoyable.
Two long walls are lined with pages containing literary passages pertaining to the social and material life of cloth, offering the visitor an opportunity to make her own commonplace book.
The Books of The Times review on Thursday, about "Sweet Theft: A Poet's Commonplace Book" by J. D. McClatchy, misspelled the surname of the writer whose words inspired the first part of the title of the book.
But the act of compiling a commonplace book is similar to the method Hamilton employed in curating the exhibition, and approaching the display with this knowledge allows us to embrace the conceptual premise that ties it all together.
A phrasing of a structure of feeling that I didn't really know I had, something so beautifully or hauntingly stated that I used to copy the words longhand in a commonplace book when I was in high school and college.
Assheton also left a History of France and commonplace book in manuscript.
Anne Southwell (1574 – 1636) [née Harris], later called Anne, Lady Southwell, was a poet. Her commonplace book includes a variety of works including political poems, sonnets, occasional verse, and letters to friends.A. Southwell and H. Sibthorpe, The Southwell–Sibthorpe commonplace book: Folger MS.V.b.198, ed.
It was during the later productive involvement with the Tarbolton Bacherlors Club that he started the first commonplace book.
Glasgow : The Scottish Daily Express. # Ewing, James Cameron & Cook, Davidson (Editors). (1938). Robert Burns's Commonplace Book 1783 - 1785. Glasgow : Gowans & Gray.
' In his Commonplace Book Brown noted: "Today I buried John Hulley, the Gymnasiarch. He was at one time apparently a very popular man in Liverpool, but there were not more than a dozen people at his funeral. It is a heartless world!"Hugh Stowell Brown, ed W S Caine, Extracts from His Commonplace Book, in Hugh Stowell Brown, A Memorial Volume, p 160.
It was originally known as the Infirmaries Cup and later renamed as the Law Cup. Sir Alfred was the owner of the poet Robert Burns's First Commonplace Book 1783-1785 manuscript volume that he had inherited from William Law of Honresfield, Lancashire, his uncle. The poet's second commonplace book, the Edinburgh Journal is held by the Robert Burns Birthplace Museum in Alloway, South Ayrshire.
Francis Meres (1565/1566 – 29 January 1647) was an English churchman and author. His 1598 commonplace book includes the first critical account of poems and plays by Shakespeare.
First page of the commonplace book of Phebe Folger Coleman, Houghton Library Phebe Folger Coleman (November 10, 1771 - February 5, 1857) was a diarist, poet, and watercolorist from Nantucket, Massachusetts.
Robert Burns's Commonplace Book 1783-1785 is the first of three commonplace books that were produced by the poet. The contents cover drafts of songs and poems, observations, ideas, epitaphs, etc.
Both of the couple were ardent royalists and religious conformists. Her commonplace book and works survive to this day, compiled into a manuscript by her husband after her death in 1641.
For women, who were excluded from formal higher education, the commonplace book could be a repository of intellectual references. The gentlewoman Elizabeth Lyttelton kept one from the 1670s to 1713 and a typical example was published by Mrs Anna Jameson in 1855, including headings such as Ethical Fragments; Theological; Literature and Art. Commonplace books were used by scientists and other thinkers in the same way that a database might now be used: Carl Linnaeus, for instance, used commonplacing techniques to invent and arrange the nomenclature of his Systema Naturae (which is the basis for the system used by scientists today). The commonplace book was often a lifelong habit: for example the English-Australian artist Georgina McCrae kept a commonplace book from 1828-1865.
This song is unsigned in Adams's commonplace book; and, according to A. H. Bullen in the Dictionary of National Biography, "judging from the signed verses it is far better than anything he could have written".
Jefferson's Literary Commonplace Book, The Papers of Thomas Jefferson. Editor. Second Series, Princeton University Press, 1989. Thomas Jefferson's Library: A Catalog With the Entries in His Own Order. Edited with James Gilreath, Library of Congress, 1989.
Priscilla Bunbury's Virginal Book is a musical commonplace book compiled in the late 1630s by two young women from an affluent Cheshire family. It is important more for its fingering indications than for the quality of the music it contains.
This presumably refers to a now lost fourth Commonplace Book, probably started in 1784 at Mossgiel and used to note farming matters as well as drafts of original poems and songs, including notes on songs intended for James Johnson after 1788. Isabella Burns had a jotting-book used to record simple transactions by William Burness also had records by Robert. Isabella was in the habit of cutting out sections of the jotter for souvenir hunters who visited her at her Belleisle home. This may or may not have been distinct from the lost fourth Commonplace Book.
In her commonplace book, Poems, Rose excerpted poetry written by Samuel Johnson, Horace, Henry Mackenzie, and others, editing and revising their poetry to suit her own sense of poetics. And on her personal copy of Mary Robinson’s A Letter to the Women of England, on the Injustice of Mental Subordination, Rose made significant additions to the ‘List of British Female Literary Characters’. She abridged David Hume's The History of England in its entirety, including Tobias Smollet's Continuation. And in her final commonplace book she transcribed at length a sequence of James Beattie's attack on Hume's scepticism.
He was the author of Inquisitio in fidem Christianorum hujus Sæculi, Dublin, 1665, and Summa Theologiæ Christianæ, Dublin, 1681. His commonplace book on various subjects, together with an abstract of Sir Kenelm Digby's Treatise of Bodies, is in manuscript in Trinity College Library, Dublin.
Lord Derby left in manuscript A Discourse Concerning the Government of the Isle of Man (later printed in the Stanley Papers and in Francis Peck's Desiderata Curiosa, vol. ii.) and several volumes of historical collections, observations and devotions (Stanley Papers) and a commonplace book.
Humphrey Wanley claimed that Cranmer's Commonplace Book was acquired by Henry Compton, and only later was added to the larger collection of the Old Royal Library.Ayris and Selwyn, p. 313; Google Books. Other items were literature, the Canterbury TalesLate Medieval English Scribes and William Forrest.
John Bartlett, who ran the University Book Store in Cambridge, Massachusetts, was frequently asked for information on quotations and he began a commonplace book of them for reference. John Bartlett is generally supposed to have drawn the quotations in his book from his own extensive reading and prodigious memory and a commonplace book he kept. But he acknowledged in the 1855 preface that "this Collection ... has been considerably enlarged by additions from an English work on a similar plan." That work, Hancher found, was named in some reviews of the time as the Handbook of Familiar Quotations from English Authors written by Isabella Rushton Preston (London, 1853).
Profile sketch portrait of John Knight, from commonplace book of his daughter Isabella. Edward Lear Collection, British Museum Burke's Genealogical and Heraldic History of the Landed Gentry, 15th Edition, ed. Pirie-Gordon, H., London, 1937, p.1306, pedigree of Rouse-Boughton-Knight of Downton Castle, 1st quarter.
Rawdon House in Hoddesdon. The commonplace book containing Moulsworth's Memorandum belonged to Marmaduke Rawdon (1610–1669), a member of the Rawdon family. Moulsworth is known to have written only one work—the Memorandum (1632)—but Steggle has argued that another poem should be attributed to her.
Holowka teamed up with Pulver again for Verge, providing the game's music. Verge is a short side scrolling platformer focused on life and death. It was created for and won The Independent Gaming Source's Commonplace Book Competition. An extended version of the game is currently in development.
Perlman wonders if there's anything in Black's commonplace book that might help them reverse the situation, but Brears and Joshi are skeptical. As Shub-Niggurath glides slowly towards the place where they're standing, Perlman rips the book in half and scatters its pages into the water.
A collector named Philip Hofer purchased Coleman's commonplace book in the 20th century and donated it to the Houghton Library at Harvard University.Norling, Lisa. Captain Ahab Had a Wife: New England Women & the Whalefishery, 1720-1870. Chapel Hill: The University of North Carolina Press, 2000: 303.
Online reference and he and Arethusa went to live there. While she was at Orwell Park Arethusa wrote some memoirs which still exist today."Arethusa, Lady Harland's Commonplace Book". Online reference John Vernon died in 1818 and as he was unmarried he left Wherstead Park to his sister Arethusa.
77 The book has been described as "an enyclopedia", "a commonplace book", "a mine of quotations", "a medical manual", "a self-help book", "one of the messiest books ever written",Sanders, Julie. "The Anatomy of Melancholy", In Our Time, BBC. Retrieved 6 October 2020. Event occurs at 1:24–1:40.
J. H. Chandler, 1985 # Abstracts of feet of fines relating to Wiltshire, 1377–1509, ed. J. L. Kirby, 1986 # The Edington cartulary, ed. Janet H. Stevenson, 1987 # The commonplace book of Sir Edward Bayntun of Bromham, ed. Jane Freeman, 1988 # The diaries of Jeffery Whitaker, schoolmaster of Bratton, 1739–1741, ed.
Annabel Patterson, "No Meer Amatorious Novel?" in John Milton, ed. Annabel Patterson (London: Longman, 1992), pp. 87–101. However, Milton's commonplace book reveals that he had been thinking about divorce beforehand, a fact that qualifies the biographical explanation.James H. Hanford, "The Chronology of Milton's Private Studies," PMLA 36 (1921): 251–315.
Elements of Rhetoric is still cited, for thought about presumption, burden of proof, and testimony. In 1864 Jane Whately, his daughter, published Miscellaneous Remains from his commonplace book and in 1866 his Life and Correspondence in two volumes. The Anecdotal Memoirs of Archbishop Whately, by William John Fitzpatrick, was published in 1864.
Aubrey's papers also included "Architectonica Sacra"; and "Erin Is God" (notes on ecclesiastical antiquities). His "Adversaria Physica" was a scientific commonplace book, which by 1692 amounted to a folio "an inch thick". It is lost, although extracts have survived in the form of copies. He wrote two plays, both comedies intended for Thomas Shadwell.
The second narrative is the "commonplace book" of the current chief Psychiatrist of the hospital, Dr Grene. The hospital now faces imminent demolition. He must decide who of his patients are to be transferred, and who must be released into the community. He is particularly concerned about Roseanne, and begins tentatively to attempt to discover her history.
The plot-germ of the story is found in Lovecraft's commonplace book, in an early entry (#23) reading, "The man who would not sleep--dares not sleep--takes drugs to keep himself awake. Finally falls asleep--& something happens."H. P. Lovecraft, Miscellaneous Writings. As in many of Lovecraft's writings, the terror and the world are unknowable.
Phrases such as "Nature's God", which Jefferson used in the Declaration of Independence, are typical of Deism, although they were also used at the time by non-Deist thinkers, such as Francis Hutcheson. In addition, it was part of Roman thinking about natural law, and Jefferson was influenced by reading Cicero on this topic. Jefferson's Literary Commonplace Book, trans.
This book has been published in Spanish- and Korean-language editions. In 1976 Dworkin published, along with N.J. Block, an anthology critical of IQ research titled The IQ Controversy: Critical Readings. He has published an e-book, Philosophy: A Commonplace Book, which is a collection of aphorisms, jokes, witty comments on philosophy, and other interesting quotations.
Elizabeth Rogers' Virginal Book is a musical commonplace book compiled in the mid-seventeenth century by a person or persons so far unidentified. Of all the so-called English "virginal books" this is the only one to mention the name of the instrument (the virginal) in the title, the others being so-called at a far later date.
Pietro Crinito (22 May 1474 – 5 July 1507), known as Crinitus, or Pietro Del Riccio Baldi (derived from Riccio, 'curly', translated into Latin as crinitus), was a Florentine humanist scholar and poet who was a disciple of Poliziano. Collatio Litterae Florentinae, 15th-century manuscript. Bayerische Staatsbibliothek, München. He is best known for his 1504 commonplace book, De honesta disciplina.
The title page from a Philadelphia, 1787 edition, one of the many, of Milcah Martha Moore's Miscellanies. This copy is inscribed by Mary Clarkson. Milcah Martha Moore (1740-1829) was an 18th-century American Quaker poet, the creator of a manuscript commonplace book featuring the work of women writers of her circle and compiler of a printed book of prose and poetry.
Wright is one the three dominant female contributors to Moore's commonplace book, along with Griffitts and Fergusson. Contrary to the then-usual practice, Wright did not write under a pseudonym; in Moore's book her poems are attributed either to 'S. Wright' or to 'S.W.' It is uncertain how many poems Wright produced in total, but it is likely that many are now lost.
The student was supposed to compile his notes of his reading of the law into a "commonplace book", which he would try to memorize.Moline (2003), 782. Although those were the ideals, in reality the clerks were often overworked and rarely were able to study the law individually as expected. They were often employed to tedious tasks, such as making handwritten copies of documents.
"I asked a thief to steal me a peach…", "I heard an Angel singing…", A Cradle Song (Blake, 1794) and Christian Forbearance (the draft of "A Poison Tree") The Notebook of William Blake (also known as the Rossetti Manuscript from its association with its former owner Dante Gabriel Rossetti) was used by William Blake as a commonplace book from (or 1793) to 1818.
Recent scholarship has shown how women of the period used commonplace books as a method of creating a private, informal historical record of their own era. Some 60 of Griffitts' poems are included in her second cousin Milcah Martha Moore's commonplace book, a compilation of poetry and prose that was first published in 1997 under the title Milcah Martha Moore's Book. Under the pen name 'Fidelia' (derived from the Latin fidelitas meaning 'faithfulness' or 'loyalty'), Griffitts is one of the three dominant contributors to Moore's commonplace book, along with Susanna Wright and Elizabeth Graeme Fergusson, whose salon at Graeme Park was one of the literary centers of Philadelphia. Apparently, Griffitts used this pseudonym only when sending out clean copies of her poems; she signed her letters with her real name, and her own rough drafts often carry her initials.
Wright's papers, including correspondence and original manuscripts and fragments, are found in various archival collections at the Harvard University Library and the Houghton Library at Harvard College.Wright, Mary Tappan, 1851–1916. Correspondence and compositions: Guide to papers at the Houghton Library, Harvard College Library An early commonplace book from 1870–77, containing mostly poetry, is in the Stone-Wright family papers at the Massachusetts Historical Society.
A zibaldone is an Italian vernacular commonplace book. The word means "a heap of things" or "miscellany" in Italian. The earliest such books were kept by Venetian merchants in the fourteenth century, taking the form of a small or medium-format paper codex. The word may also refer specifically to the best- known such book: the Zibaldone di pensieri by Giacomo Leopardi, often called simply The Zibaldone.
Wilcox compares the > Memorandum to the Devotions of John Donne (1624), published two years after > the Memorandum was written. There is only one known copy of the Memorandum, > which is included in a commonplace book at the Beinecke Rare Book & > Manuscript Library that belonged to Marmaduke Rawdon (1610–1669). The > Memorandum was apparently unknown until the 1990s, and published for the > first time shortly thereafter.
Journal of a Sad Hermaphrodite is a book written – and, some would say, compiled – by the English writer Michael de Larrabeiti and published in the United Kingdom by Aidan Ellis in 1992 (). It is currently out of print, but was due to be republished in quarter 4 2006/quarter 1 2007 by Tallis House. Supposedly reproduced from a manuscript constructed by Cooper, a teacher of English Literature in a secondary school in a small Oxfordshire town, the Journal includes clippings from Cooper's commonplace book, clippings from the diary of one of Cooper's students (who is not named) and excerpts of poetry and other well-known texts. The Journal is perhaps influenced by Cyril Connolly's The Unquiet Grave in this respect, although it modifies Connolly's use of the "commonplace book" technique – itself perhaps borrowed by Connolly from George Gissing's The Private Papers of Henry Ryecroft – to produce a more traditional narrative.
Aulus Gellius (c. 125after 180 AD) was a Roman author and grammarian, who was probably born and certainly brought up in Rome. He was educated in Athens, after which he returned to Rome. He is famous for his Attic Nights, a commonplace book, or compilation of notes on grammar, philosophy, history, antiquarianism, and other subjects, preserving fragments of the works of many authors who might otherwise be unknown today.
Oliver, pp. 248–49 From the mid-1970s she established a pattern of monthly literary tea parties in Oakshott Avenue at which, according to Neville, "she was known to expel guests if they were shrill, dramatic, or wrote tragic novels." As her own productivity dwindled and finally ceased altogether, she kept a commonplace book in which she was recording her thoughts and opinions on literature as late as 1988.Oliver, pp.
He died at Königsberg. Stobäus, known as Stobaeus Grudentinus Borussus for his birth place, wrote music for liturgical use, as well as songs and compositions for lute. Much of his manuscript music was lost in World War II; what remains is largely held at the Staatsbibliothek zu Berlin. Stobäus's Commonplace Book, containing songs, instrumental music and drawings of instruments, is preserved at the British Library (Sloane MS 1021).
An example of a commonplace book from the mid 17th century Women of the period used commonplace books as a method of creating a private, informal historical record of their own era, collecting in them aphorisms, quotations, advice, poems, letters, reminiscences, recipes, and other materials of personal significance. Many of these women either found difficulty getting their work published or did not want to make their work public, so they circulated their writings in manuscript, forming what has been termed a "third sphere" of discourse, neither fully public nor fully private. Moore's own commonplace book, which she called "Martha Moore's Book", focused on poetry written by women in her circle and included over 125 poems (some of them quite long) by more than a dozen writers. The exact number of contributors is uncertain because some of the women are represented under pseudonyms or initials, not all of which have been securely connected to known individuals.
This venture accordingly came to an end, and Burns went home to Lochlea farm. During this time he met and befriended Captain Richard Brown who encouraged him to become a poet. He continued to write poems and songs and began a commonplace book in 1783, while his father fought a legal dispute with his landlord. The case went to the Court of Session, and Burnes was upheld in January 1784, a fortnight before he died.
Hart-Davis was described by The Times as "the king of editors". He edited volumes of the letters of the playwright Oscar Wilde, the writer and caricaturist Max Beerbohm, and the writer George Moore, as well as the diaries of the poet Siegfried Sassoon and the autobiography of Arthur Ransome. A Beggar in Purple, his commonplace book, was published in 1983. Praise from the Past, a collection of tributes to writers, was published in 1996.
In the 15th century, commonplace books, popular in England, emerged as a way to compile information that included recipes, quotations, letters, poems and more. Each commonplace book was unique to its creator's particular interests. Friendship albums became popular in the 16th century. These albums were used much like modern day yearbooks, where friends or patrons would enter their names, titles and short texts or illustrations at the request of the album's owner.
Later acquisitions by the British Museum included Davy's "Collection of Epigrams", British Library, Add MS 19245; "Cat. of Library", Add MS 19247; "Commonplace Book", Add MS 19246; a letter from Davy to Joseph Hunter, Add MS 24867, folio 372; Add MS 32570, folios 204–5 (to John Mitford in 1851), and Add MS 32483–32484, "Rubbings of Brasses" by Davy. An index to "Suffolk Monumental Inscriptions" in the Davy collection (1866) forms Add MS 29761.
English professor Alf Seegert has used it as a case study in how interactive fiction can "generate presence", commending Ingold's integration of puzzles into the narrative. Dead Cities (2007) was Ingold's contribution to the "H. P. Lovecraft Commonplace Book Project", a collection of interactive fiction based on Lovecraft's unpublished notes that was assembled for an exhibition at the Maison d'Ailleurs in Yverdon-les-Bains (Switzerland). It won Best in Show among the three English-language entries.
Following the publication by Father Orry, and later by Jean-Baptiste du Halde in his Description de l'Empire de la Chine (1735), d'Entrecolles' account was used verbatim with attribution in Diderot's Encyclopédie (1751–72).Finlay, p.18 Josiah Wedgwood, the famous English porcelain manufacturer, is known to have copied extracts of d'Entrecolles' work in his Commonplace Book. D'Entrecolles' work was also reproduced, without attribution, in Malachy Postlethwayt's widely influential Universal Dictionary of Trade and Commerce (1757–74).
Miscellanea Historica Hibernica, also known as MS G1, is a manuscript miscellany, a miniature vellum commonplace book. Compiled by Pilip Ballach Ó Duibhgeannáin during the years 1579 to 1584, it is described on the front endpaper as Miscellanea Historica Hibernica in a later hand. Ó Duibhgeannáin was a resident of Cloonybrien, County Roscommon. The Miscellanea contains an Irish rendering of an extract from a Latin tract found in Roger Bacon's 13th century version of Secretum Secretorum on physiognomy.
In 2003, Eleanor R. Long-Wilgus wrote Naomi Wise, Creation, Re-Creation and Continuity in an American Ballad Tradition. Her book dissects folk music in general and the "Omie Wise" ballad in particular. Within the book she included a long narrative poem entitled "A true account of Nayomy Wise" written by a young girl, Mary Woody, born in 1801 in North Carolina. The handwritten poem was found in a commonplace book that had been donated by Mrs.
Even after their marriage they found it hard to spend time together as Head spent most weekends from 1903 to 1907 in Cambridge experimenting with Rivers. To cope with the long periods of separation, they started writing a joint diary and commonplace book. Each had a volume and they would exchange them from time to time so that they could comment on each other's experiences, thoughts and reading. The one failing of their marriage was that it remained childless.
His sole contribution as an author seems to be a paper in the Philosophical Transactions (1697), xix. 390, on a case of dropsy in the breast. He had given some attention to botany before 1687, the date of a commonplace book, but his help is first acknowledged by John Ray in 1688 in the second volume of the Historia Plantarum. He was intimate with the botanists of his time: Ray, Leonard Plukenet, James Petiver, and Hans Sloane.
He died in 1978. His papers and daily notebooks, the latter filling hundreds of legal pads, are housed in the Harry Ransom Humanities Research Center at The University of Texas, Austin. J.L. Craft and Ronald E. Hustwit Sr. co-edited and published two additional volumes of his papers and selections of his commonplace book. His notebooks recording his discussions with Wittgenstein, published with the title, Wittgenstein Conversations, 1949-51, have become a primary source for Wittgenstein studies.
Moline, Brian J.,Early American Legal Education, 42 Washburn Law Journal 775 (2003); page 781 The student was supposed to compile his notes of his reading of the law into a "commonplace book", which he would endeavor to memorize.Id. at 782. Although those were the ideals, in reality the clerks were often overworked and rarely were able to study the law individually as expected. They were often employed to tedious tasks, such as making handwritten copies of documents.
The last Muggletonian, Philip Noakes of Matfield, Kent, died on 26 February 1979; the sect's records, which he had kept, were then transferred to the British Library.Lamont, William Last witnesses; the Muggletonian history, 1652–1979. Ashgate Publishing Co, 2006, Other gifts have joined the archive, most notably from Eileen Muggleton of the commonplace book of John Dimock Aspland (1816–1877). The published works of the Muggletonians are still available from Gage Postal Books of Westcliffe-on-Sea, Essex.
His lifelong passion for Icelandic legend culminated in his verse translation of The Elder Edda (1969). Among his later themes was the "religionless Christianity" he learned partly from Dietrich Bonhoeffer, the dedicatee of his poem "Friday's Child." A Certain World: A Commonplace Book (1970) was a kind of self-portrait made up of favourite quotations with commentary, arranged in alphabetical order by subject. His last prose book was a selection of essays and reviews, Forewords and Afterwords (1973).
Known for his memory for quotations and trivia, "Ask John Bartlett" became a byword in the community when someone was stumped. He began keeping a commonplace book of quotations to answer queries and in 1855 privately printed the first edition of his Familiar Quotations. That edition of 258 pages contained entries from 169 authors. One-third of the book was quotations from the Bible and from the works of William Shakespeare, most of the balance being lines from the great English poets.
A commonplace book from the mid-17th century Commonplace books (or commonplaces) are a way to compile knowledge, usually by writing information into books. They have been kept from antiquity, and were kept particularly during the Renaissance and in the nineteenth century. Such books are essentially scrapbooks filled with items of every kind: recipes, quotes, letters, poems, tables of weights and measures, proverbs, prayers, legal formulas. Commonplaces are used by readers, writers, students, and scholars as an aid for remembering useful concepts or facts.
The Glenriddell Manuscripts are treated as a third Commonplace Book and a fourth also existed, known as the 'Farming Memorandum Book'. It contained notes of farming but also drafts of poems and at least one song with notes on Scottish sings similar to those in Riddell's Robert Burns's Interleaved Scots Musical Museum volumes. Small parts were published by James Currie and the biographer Kinsley was aware if it, however its whereabouts are unknown and it may have been lost or destroyed whilst in the hands of Currie.
The calligraphy is difficult due to many cross outs and obscuring of letters due to an unsharpened quill and smudging. Folio 132 recto: the copyist has copied the lyrics but left the music incomplete The contents were entered over a period time suggesting a commonplace book. Cutts discerns that scribe must have had access to other manuscripts circulating among court and theatrical musicians based on the variety of composer names associated with both spheres. Most of the marginalia was added by its former owner Edward F. Rimbault.
In 1602 he became rector of Wing, Rutland, where he also ran a school. Both his son, Francis, and his grandson, Edward, received their B.A. and M.A. from Cambridge and became rectors. Meres is especially well known for his Palladis Tamia, Wits Treasury (1598), a commonplace book that is important as a source on the Elizabethan poets, and more particularly as the first critical account of the poems and early plays of William Shakespeare. Its list of Shakespeare's plays is an important source for establishing their chronology.
The "airs" are solo songs. According to Anthony à Wood, the college at Oxford University were very impressed with his book. Even more importantly, Gamble assembled a commonplace book known as Drexel 4257 or by the inscription on the first page, "John Gamble his booke amen 1659" (in the Drexel Collection of the New York Public Library for the Performing Arts). It has 240 completely scored songs, mostly airs, representing the works of Henry Lawes, William Lawes, John Wilson, and John Gamble himself (28 songs), among others.
He was also a skilled poet whose work appears in the New Oxford Book of Seventeenth-Century Verse. Pastorius' most important book was his manuscript "Bee Hive," which is now in the University of Pennsylvania's rare book room. It is his commonplace book, which contains poetry, his thoughts on religion and politics, and lists of books he consulted along with excerpts from those books. Also of interest is his Geographical Description of Pennsylvania, first published under the title, Umständige geographische Beschreibung der allerletzt erfundenen Provintz Pennsylvania (1700).
The Glenriddell Manuscripts are treated as a third Commonplace Book and a fourth also existed, known as the 'Farming Memorandum Book'. It contained notes of farming but also drafts of poems and at least one song with notes on Scottish sings similar to those in Riddell's Robert Burns's Interleaved Scots Musical Museum volumes. Small parts were published by James Currie and the biographer Kinsley was aware if it, however its whereabouts are unknown and it may have been lost or destroyed whilst in the hands of Currie.
In The Bad Beginning, it was mentioned that there were at least seven other members of Count Olaf's troupe that attended Count Olaf's dinner party. While the Baudelaires didn't get a good look at them, they can tell that they are frightening like the rest of the troupe members. Chapter 10 of Lemony Snicket: The Unauthorized Autobiography mentioned the tallying of 17 total members of Count Olaf's acting troupe in Lemony's commonplace book that was sent to Valorous Farms Dairy. These unseen associates were mentioned here.
Walter of Coventry (fl. 1290), English monk and chronicler, who was apparently connected with a religious house in the province of York, is known to us only through the historical compilation which bears his name, the Memoriale fratris Walteri de Coventria. The word Memoriale is usually taken to mean "commonplace book." Some critics interpret it in the sense of "a souvenir," and argue that Walter was not the author but merely the donor of the book; but the weight of authority is against this view.
Robert Burns's Commonplace Book 1783-1785 Reproduced in Facsimile from the Poet's Manuscript in the Possession of Sir Alfred Joseph Law, M.P. was published by Gowans and Gray Limited of Glasgow in MCMXXXVIII (1938). Transcript, introduction and notes were contributed by James Cameron Ewing and Davidson Cook. The folio was issued in a print run of 425 copies with a frontispiece engraving of Robert Burns after Alexander Nasmyth by William Walker and Samuel Cousins. The portrait is unusual as it has the incorrect date of death, given as MDCCCXCVII rather than MDCCCXVI.
Burns's Second Commonplace Book contains thoughts and ideas as rough drafts of the poet's poems and songs over the period 9 April 1787 to 1790. He was living in Edinburgh when the book was started and at Ellisland Farm when the last entry was made. The volume is sometimes known as the Edinburgh Journal and after the poet's death passed into the hands of James Currie and was used in his 1800 publication of Burns's works. It is now held by the Robert Burns Birthplace Museum at Alloway.
Drexel 4041 is a 17th-century British music manuscript commonplace book. As described by musicologist John P. Cutts, Drexel 4041 "is a treasure-house of early seventeenth-century song and dramatic lyric worthy of the attention of any student of seventeenth-century literature and drama." It is also a major source for the work of English composer William Lawes. Belonging to the New York Public Library, it forms part of the Drexel Collection, housed in the Music Division of the New York Public Library for the Performing Arts.
Burns prepared an abridged version of his First Commonplace Book of 1783-1785 for the second volume of the Glenriddell Manuscripts. He was still working on the second volume in late 1793. The folio has 42 pages and about 1250 lines of manuscript, whilst the quarto abridgement covers pages 31 to 42, twelve pages with 232 lines of manuscript. Only two pieces of poetry are included, being 22 lines beginning Of all the numerous ills that hurt our peace and 20 lines of experimental blank verse beginning All devil as I am, a damned wretch.
Apart from the lost Handboc or Encheiridio, which seems to have been a commonplace book kept by the king, the earliest work to be translated was the Dialogues of Gregory the Great, a book greatly popular in the Middle Ages. The translation was undertaken at Alfred's command by Wærferth, Bishop of Worcester, with the king merely furnishing a preface. Remarkably, Alfred – undoubtedly with the advice and aid of his court scholars – translated four works himself: Gregory the Great's Pastoral Care, Boethius's Consolation of Philosophy, St. Augustine's Soliloquies and the first fifty psalms of the Psalter.; .
Large volumes of books changed hands during the Thirty Years War and eventually found their way across Europe where new libraries sprang up to house these redistributed treasures. In addition to stores of knowledge being shuffled around as spoils of war, the printing press created economies of scale that allowed for the exchange of books to become more commonplace. Book fairs were the most merchants most common choice of sale and catalogs were their most common choice of organization. The collectors of this period helped shape the 'form' of libraries.
Unlike much of Byrd's sacred music, the Great Service was not printed in Byrd's lifetime, and its survival is mainly owed to incomplete sets of church choir part-books, as well as three contemporary organ parts. By collating several manuscripts, scholars have assembled a virtually complete text, though the first Contravtenor Decani part from the Venite is still lacking. The Great Service must have been composed before 1606, the last date entered in one of the earliest sources, the so-called Baldwin Commonplace Book (GB Lbl Roy. App. 24 d 2).
Drexel 4175, also known by an inscription on its cover, "Ann Twice, Her Book" or by the inscription on its first leaf, "Songs unto the violl and lute," is a music manuscript commonplace book. It is a noted source of songs from English Renaissance theatre, considered to be "indispensable to the rounding-out of our picture of seventeenth-century English song." Belonging to the New York Public Library, it forms part of the Music Division's Drexel Collection, located at the New York Public Library for the Performing Arts. Following traditional library practice, its name is derived from its call number.
Ignorant critic comment on W.R. Burns prepared an abridged version of his First Commonplace Book of 1783-1785 for the second volume of the Glenriddell Manuscripts. He was still working on the second volume in late 1793. As stated, the folio has 42 pages and about 1250 lines of manuscript whilst the quarto abridgement covers pages 31 to 42, twelve pages with 232 lines of manuscript. Only two pieces of poetry are included, being 22 lines beginning Of all the numerous ills that hurt our peace and 20 lines of experimental blank verse beginning All devil as I am, a damned wretch.
Reawakens the pre-Victorian genre of the book of days with a celebration of rural life and rites through the cycle of the year. Heather Tanner’s twenty-five entries, set out as a commonplace book, are accompanied by Robin Tanner’s woodcuts. Like A Country Alphabet, to which it is in some ways a companion volume, A Country Books of Days was originally published as a hand-printed limited edition in 1986, thus owing much not only to the style of William Morris but also to the early craft of book production exemplified by William Blake. Two further books were published posthumously.
His only known work, the Attic Nights (), takes its name from having been begun during the long nights of a winter which he spent in Attica. He afterwards continued it in Rome. It is compiled out of an Adversaria, or commonplace book, in which he had jotted down everything of unusual interest that he heard in conversation or read in books, and it comprises notes on grammar, geometry, philosophy, history and many other subjects. One story is the fable of Androcles, which is often included in compilations of Aesop's fables, but was not originally from that source.
Three keys on a keyring with a promotional message A keychain (also key fob or keyring) is a small ring or chain of metal to which several keys can be attached. The length of a keychain allows an item to be used more easily than if connected directly to a keyring. Some keychains allow one or both ends the ability to rotate, keeping the keychain from becoming twisted, while the item is being used. Keybearer in a commonplace book from 1605, one of the A keychain can also be a connecting link between a keyring and the belt of an individual.
As both of them are blindfolded for the trial as well, it was not known which one brought the Baudelaires to where the blindfolded trial is. During the trial, Frank and Ernest submitted a commonplace book as evidence. When Count Olaf starts the fire at the Hotel Denouement, Frank and Ernest were last seen on the first floor as the Woman With Hair But No Beard directs them to the elevator where the Baudelaires, Count Olaf, and Justice Strauss are. When Violet asks for them to call the fire department, Frank and Ernest ask "which one" as the elevator closes on them.
During his tenure, Bowyer created the first systematic arrangement of the records. At a cost later estimated at some £1000, Bowyer produced a six-volume overview of all the documents under his management, including "digests of the parliament, patent, charter, close, and foreign rolls, from the reigns of King John to Edward IV (now in the College of Arms), as well as a list of escheats, a medieval roll of arms and a heraldic commonplace book." Bowyer sat as Member of Parliament for Westminster in Elizabeth's second Parliament (1563) and was named Justice of the Peace for Surrey in 1564.
The text of the play was lost until the 19th century, when a manuscript was found in a commonplace book dating from around 1470–80 at Brome Manor, Suffolk, England. The manuscript itself has been dated at 1454 at the earliest.Early English Drama: an anthology edited by John C. Coldewey, Routledge, 1993, This manuscript is now housed at Yale University's Beinecke Rare Book and Manuscript Library.Google docs While Joseph Quincy Adams reckoned the Brome Abraham “must be dated as early as the fourteenth century,”Chief Pre-Shakespearean Dramas edited by Joseph Quincy Adams, Houghton Mifflin Company, 1924.
Precursors to the commonplace book were the records kept by Roman and Greek philosophers of their thoughts and daily meditations, often including quotations from other thinkers. The practice of keeping a journal such as this was particularly recommended by Stoics such as Seneca and Marcus Aurelius, whose own work Meditations (2nd century AD) was originally a private record of thoughts and quotations. The Pillow Book of Sei Shonagon, a courtier in tenth and eleventh century Japan is likewise a private book of anecdote and poetry, daily thoughts and lists. However, none of these includes the wider range of sources usually associated with commonplace books.
Both Ralph Waldo Emerson and Henry David Thoreau were taught to keep commonplace books at Harvard University (their commonplace books survive in published form). However, it was also a domestic and private practice which was particularly attractive to authors. Some, such as Samuel Taylor Coleridge, Mark Twain and Virginia Woolf kept messy reading notes that were intermixed with other quite various material; others, such as Thomas Hardy, followed a more formal reading-notes method that mirrored the original Renaissance practice more closely. The older, "clearinghouse" function of the commonplace book, to condense and centralize useful and even "model" ideas and expressions, became less popular over time.
Like many of Lovecraft's stories, "Celephaïs" was inspired by a dream, recorded in his commonplace book as "Dream of flying over city."Cited in Joshi & Schultz, "Celephais", An H. P. Lovecraft Encyclopedia, p. 36. The story resembles a tale by Lord Dunsany, "The Coronation of Mr. Thomas Shap" in The Book of Wonder, in which the title character becomes more and more engrossed in his imaginary kingdom of Larkar until he begins to neglect business and routine tasks of daily living, and ultimately is placed in a madhouse. The imagery of the horses drifting off the cliff may derive from Ambrose Bierce's "A Horseman in the Sky" (1891).
Frelinghuysen's rectitude might have been intended to correct for Clay's reputation for moral laxity, but his opposition to Indian removal may have put off those southern voters who had suffered from their raids (William Lloyd Garrison praised his speech opposing removal in the rather windily-named poem "To the Honorable Theodore Freylinghusen, on reading his eloquent speech in defence of Indian Rights""The American Commonplace Book of Poetry" (1832), Rev. George B. Cheever, ed., pg. 201). Frelinghuysen was also unpopular with Catholics as groups of which he was a member, such as the Protestant American Bible Society promulgated the idea that Catholics should convert to Protestantism.
Keeping such a book was usually the pastime of the aristocracy with their ample leisure time, education and refinement. Another definition is : "..on its most basic level a blank book into which passages were transcribed from books and other thoughts, remarks, anecdotes, and occurrences recorded. They existed primarily to record their owner's reading, acting as a filing system not only for the contents of the books that they had read, but also, commonly, for comments on their reading experience". According to John Logan Lockhart, Gilbert Burns stated that the Commonplace book had originally been acquired with the intention of recording farming memorandums within its pages.
Wright was part of an informal but influential group of mid-Atlantic women and men writers; the female members included the poet and pundit Hannah Griffitts (who considered her a mentor) and Milcah Martha Moore, the writers Elizabeth Graeme Fergusson and Anna Young Smith, and the historian and diarist Deborah Norris Logan. She wrote poetry throughout her life, and many of her known poems were produced in later years. Some 30 of her poems are included in Moore's commonplace book, a compilation of poetry and prose that was published in 1997 under the title Milcah Martha Moore's Book. One of the poems is written to Mary Norris Dickinson.
He pillaged this Byzantine encyclopaedia, as he ransacked other encyclopaedic works and dictionaries for his own works. A commonplace book, now kept in the Bodleian Library in Oxford, does not reflect the immense learning of this somewhat ill- fated scholar. Yet, Junius also carried out research away from his books, as is demonstrated by his mushroom-treatise, the glow-worm story and his enquiries from chariot drivers concerning the technical terms of their trade, for the benefit of his hugely successful Nomenclator. His learning was acknowledged by his contemporaries: his correspondence, of which 426 letters survive, show that he enjoyed unlocking the vast resources of his erudition.
Founded in 1954, Centaur Press was a full-time independent publishing company until it was sold to another small publisher, in 1998. The output from Centaur Press ranged from small stories illustrated by his first wife Joan Stanton, to the substantial hardback series Centaur Classics, which included such titles as Leland's five-volume Itinerary in England and Wales, Tyndale's translation of the Pentateuch, and Burns' Commonplace Book. The company expanded into humane education, under the imprint, Kinship Library, releasing titles on topics such as vegetarianism, animal rights, and related philosophy. The firm also published works of fiction (So Say Banana Bird), classical literature and philosophy (The Myths of Plato) and poetry.
The only manuscript of Christian Doctrine was found during 1823 in London's Old State Paper Office (at the Middle Treasury Gallery in Whitehall).Complete Poetry and Essential Prose Intro to Christian Doctrine The work was one of many in a bundle of state papers written by John Milton while he served as Secretary of Foreign Tongues under Oliver Cromwell. The manuscript was provided with a prefatory epistle that explains the background and history to the formation of the work. If it is genuine, the manuscript is the same work referred to in Milton's Commonplace Book and in an account by Edward Phillips, Milton's nephew, of a theological "tractate".
The Mulliner Book (British Library Add MS 30513) is a historically important musical commonplace book compiled, probably between about 1545 and 1570, by Thomas Mulliner, about whom practically nothing is known, except that he figures in 1563 as modulator organorum (organist) of Corpus Christi College, Oxford. He is believed to have previously resided in London, where John Heywood inscribed the title page of the manuscript Sum liber thomas mullineri / iohanne heywoode teste. ('I am Thomas Mulliner's book, with John Heywood as witness.') A later annotation on the same page states that: T. Mulliner was Master of St Pauls school, but this has so far proved unsupportable.
Handsome Nell was the first song written by Robert Burns, often treated as a poem, that was first published in the last volume of James Johnson's Scots Musical Museum in 1803 (No.551) with an untitled tune. Burns recorded in holograph on page three of his first Commonplace Book that he wrote the song or Rhyme at the age of only fifteen whilst living at Mount Oliphant Farm, it is regarded as his earliest production, inspired by a farm servant aged fourteen, named either Nelly Kilpatrick or Nelly Blair. Some confusion exists as he also gave his age as 16 in his autobiographical letter to Dr. Moore; the autumn of 1774 is generally accepted.
For twenty years, beginning in 1985, he published a quarterly magazine called Ballast Quarterly Review (the title is an acronym for Books Art Language Logic Ambiguity Science and Teaching), self-described as a "periodical commonplace book." Over the years, he has written numerous articles for Leonardo and various books and journals. He is the author of Camoupedia, a book and blog on camouflage. The camouflage researcher Isla Forsyth describes this work as an "extensive study into modern military camouflage..by the British and US military throughout the First and Second World Wars, exploring the contribution of art and science, and the ways in which, via modern and contemporary art, camouflage has been appropriated by contemporary culture".
He read both ancient and modern works of theology, philosophy, history, politics, literature, and science in preparation for a prospective poetical career. Milton's intellectual development can be charted via entries in his commonplace book (like a scrapbook), now in the British Library. As a result of such intensive study, Milton is considered to be among the most learned of all English poets. In addition to his years of private study, Milton had command of Latin, Greek, Hebrew, French, Spanish, and Italian from his school and undergraduate days; he also added Old English to his linguistic repertoire in the 1650s while researching his History of Britain, and probably acquired proficiency in Dutch soon after.
Wiliems is best known for producing a Latin-Welsh dictionary in manuscript form (National Library of Wales, Peniarth 228), apparently between 4 May 1604 and 2 October 1607. He worked towards this by keeping a kind of commonplace book (Peniarth MS 188), which he systematised by essentially taking the Dictionarium Linguae Latinae et Anglicanae (1587) by Thomas Thomas, the first printer of Cambridge University, and adding Welsh to it. This was completed in 1607 and entitled Thesaurus Linguæ Latinæ et Cambrobritannicæ or Trysawr yr iaith Laidin ar Gymraec, ne'r Geiriadur coheddocaf a'r wiriathaf o wir aleitiaith Vrytanæc, sef heniaith a chyphredin iaith yn y Brydain, ar Latin yn cyfateb pob gair. Wedy dechreu i scriuenu 4.
Another identified source is the 9th Edition of the Encyclopædia Britannica, whose description of "Irem, the City of Pillars" he copied into his commonplace book: "which yet, after the annihilation of its tenants, remains entire, so Arabs say, invisible to ordinary eyes, but occasionally, and at rare intervals, revealed to some heaven-favoured traveller." Critic William Fulwiler argues that Edgar Rice Burroughs' At the Earth's Core was one of Lovecraft's primary inspirations for "The Nameless City", citing "the reptile race, the tunnel to the interior of the earth, and the 'hidden world of eternal day'" as elements common to both tales.William Fulwiler, "E.R.B. and H.P.L.", Black Forbidden Things, Robert M. Price, ed.
The same testing proved that his mother and one of the four Grand Duchesses were carriers. Russians identify the grand duchess who carried the gene as Anastasia, but American scientists identified the young woman as Maria. Like her younger sister Anastasia, Maria visited wounded soldiers at a private hospital on the grounds of the palace at Tsarskoye Selo during World War I. The two teenagers, who were too young to become nurses like their mother and elder sisters, played games of checkers and billiards with the soldiers and attempted to uplift their spirits. A wounded soldier named Dmitri signed Maria's commonplace book and addressed her by one of her nicknames: "the famous Mandrifolie".
Pamphile's best-known work was the Historical Commentaries, a collection of historical anecdotes comprising thirty-three books. The estimation in which it was held in antiquity is shown by the extensive references to it in the works of the Roman historian Aulus Gellius and the Greek biographer Diogenes Laërtius, who appear to have availed themselves of it to a considerable extent. Photios gives a general idea of the nature of its contents. The work was not arranged according to subjects or according to any settled plan, but it was more like a commonplace book, in which each piece of information was set down as it fell under the notice of the writer, who stated that she believed this variety would give greater pleasure to the reader.
He kept a commonplace book (now held in the Royal Naval Museum library in Portsmouth); it has revealed and preserved the thoughts of many of the sailors aboard the Victory. His son Midshipman Rivers, who claimed to be "the man who shot the man who fatally wounded Lord Nelson", was a model of heroism in the Battle of Trafalgar. The seventeen-year-old midshipman nearly lost his foot when it was struck by a grenade; it was attached to him only "by a Piece of Skin abought 4 inch above the ankle". Rivers asked first for his shoes, then told the gunner's mate to look after the guns, and told Captain Hardy that he was going down to the cockpit.
He credited the invention to Dr James Anderson of Edinburgh.The Canals of Southwest England Charles Hadfield Page 104 The idea of a boat lift for canals can be traced back to a design based on balanced water-filled caissons in Erasmus Darwin's Commonplace Book (page 58-59) dated 1777–1778 In 1796 an experimental balance lock was designed by James Fussell and constructed at Mells on the Dorset and Somerset Canal, though this project was never completed. A similar design was used for lifts on the tub boat section of the Grand Western Canal entered into operation in 1835 becoming the first non experimental boat lifts in Britain.The Canals of Southwest England Charles Hadfield Page 109 and pre-dating the Anderton Boat Lift by 40 years.
Byrd's setting is on a massive scale, requiring five-part Decani and Cantoris groupings in antiphony, block homophony and five, six and eight-part counterpoint with verse (solo) sections for added variety. This service setting, which includes an organ part, must have been sung by the Chapel Royal Choir on major liturgical occasions in the early seventeenth century, though its limited circulation suggests that many other cathedral choirs must have found it beyond them. Nevertheless, the source material shows that it was sung in York Minster as well as Durham, Worcester and Cambridge, in the early seventeenth century. The Great Service was in existence by 1606 (the last copying date entered in the so-called Baldwin Commonplace Book) and may date back as far as the 1590s.
100 BC) the names of Gilgamesh and Humbaba appear as two of the antediluvian giants, rendered (in consonantal form) as glgmš and ḩwbbyš. This same text was later used in the Middle East by the Manichaean sects, and the Arabic form Gilgamish/Jiljamish survives as the name of a demon according to the Egyptian cleric Al-Suyuti ( 1500). The story of Gilgamesh's birth is not recorded in any extant Sumerian or Akkadian text, but a version of it is described in De Natura Animalium (On the Nature of Animals) 12.21, a commonplace book which was written in Greek sometime around 200 AD by the Hellenized Roman orator Aelian. According to Aelian's story, an oracle told King Seuechoros of the Babylonians that his grandson Gilgamos would overthrow him.
Bergland , Renée L. Maria Mitchell and the Sexing of Science: An Astronomer Among the American Romantics. Boston: Beacon Press, 2008: 15. Her niece Lydia Folger Fowler was the second woman to earn a medical degree in the United States. In 1797, Phebe Folger began a commonplace book she called Un Recueil and which included "Painting, Penmanship, Algebra" as well as prose and poetry, including literature she translated from French.Bergland , Renée L. Maria Mitchell and the Sexing of Science: An Astronomer Among the American Romantics. Boston: Beacon Press, 2008: 15–16. She married Samuel Coleman, a sailor and Quaker, in 1798.Norling, Lisa. Captain Ahab Had a Wife: New England Women & the Whalefishery, 1720-1870. Chapel Hill: The University of North Carolina Press, 2000: 113.
Reynolds made extracts in his commonplace book from Theophrastus, Plutarch, Seneca, Marcus Antonius, Ovid, William Shakespeare, John Milton, Alexander Pope, John Dryden, Joseph Addison, Richard Steele, Aphra Behn, and passages on art theory by Leonardo da Vinci, Charles Alphonse Du Fresnoy, and André Félibien.Martin Postle, ‘Reynolds, Sir Joshua (1723–1792)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Oct 2009. Retrieved 24 September 2010. The work that came to have the most influential impact on Reynolds was Jonathan Richardson's An Essay on the Theory of Painting (1715). Reynolds' annotated copy was lost for nearly two hundred years until it appeared in a Cambridge bookshop, inscribed with the signature ‘J. Reynolds Pictor’, and is now in the collection of the Royal Academy of Arts, London.
Engraving of Hipparchia and Crates from the Touchstone of the Wedding Ring by Jacob Cats. Depicted in 17th- century clothing, Crates tries to dissuade Hipparchia from her affections for him by pointing to his head to show how ugly he is The story of Hipparchia's pursuit of Crates, despite the disapproval of her parents and the initial reluctance of Crates, was a popular tale from the 16th century onwards. It featured in Lodovico Guicciardini's commonplace book Hore di ricreatione published in 1568,Hugh Gerald Arthur Roberts, Dogs' tales: representations of ancient Cynicism in French Renaissance texts, page 85. Rodopi and it was one of the stories told by the Dutch poet Jacob Cats in his Touchstone of the Wedding Ring (Proefsteen van de Trou-ringh) published in 1637.
Critical judgment has tended to emphasise the very qualities that Jonson himself lauds in his prefaces, in Timber, and in his scattered prefaces and dedications: the realism and propriety of his language, the bite of his satire, and the care with which he plotted his comedies. For some critics, the temptation to contrast Jonson (representing art or craft) with Shakespeare (representing nature, or untutored genius) has seemed natural; Jonson himself may be said to have initiated this interpretation in the second folio, and Samuel Butler drew the same comparison in his commonplace book later in the century. At the Restoration, this sensed difference became a kind of critical dogma. Charles de Saint-Évremond placed Jonson's comedies above all else in English drama, and Charles Gildon called Jonson the father of English comedy.
Wilson became acknowledged as the leading authority on T. E. Lawrence,Michael Korda, "Hero: The Life and Legend of Lawrence of Arabia", J R Books 2011, pp 694–695 and was the author of Lawrence of Arabia: The Authorised Biography of T. E. Lawrence (1989). Wilson's first published work on Lawrence was an edition in 1971 of Lawrence's commonplace book, Minorities; Good Poems by Small Poets and Small Poems by Good Poets; of which his well-researched introduction gives readers an understanding of how the poems reflected Lawrence's life and thoughts. In 1975, as a result of the success of Minorities, A. W. Lawrence appointed Wilson to be the authorised biographer of T. E. Lawrence. Wilson spent years of research, accumulating considerably more information about Lawrence than had been published before.
In his preface, Valerius intimates that his work is intended as a commonplace book of historical anecdotes for use in the schools of rhetoric, where the pupils were trained in the art of embellishing speeches by references to history. According to the manuscripts, its title is Factorum ac dictorum memorabilium libri IX (shorter title Facta et dicta memorabilia), "Nine Books of Memorable Deeds and Sayings." The stories are loosely and irregularly arranged, each book being divided into sections, and each section bearing as its title the topic, most commonly some virtue or vice, or some merit or demerit, which the stories in the section are intended to illustrate. Most of the tales are from Roman history, but each section has an appendix consisting of extracts from the annals of other peoples, principally the Greeks.
Robert and Lovecraft discuss how Poe and Dunsany influenced Lovecraft's early work, and Lovecraft admits that reading about Robert's strange experiences in his commonplace book has inspired him further. Robert's liking for Lovecraft evaporates when he expresses both his homophobia and antisemitism, and he soon comes to realize that the unwitting Lovecraft's father, Winfield Scott Lovecraft, and maternal grandfather, Whipple Van Buren Phillips, were both members of Stella Sapiente. Believing that Lovecraft has been ordained by the occult group to be their 'Redeemer', Robert panics and returns to his lodgings. He writes a letter to Tom Malone in which he warns him about everything he has discovered on his travels, unaware that the steeple window of St. John's Church appears to be getting nearer and nearer his own.
Another entry in Lovecraft's commonplace book also seems to provide a plot germ for the story: "Horrible secret in crypt of ancient castle—discovered by dweller." Steven J. Mariconda points to Sabine Baring-Gould's Curious Myths of the Middle Ages (1862–68) as a source for Lovecraft's story. The description of the cavern under the priory has many similarities to Baring-Gould's account of St. Patrick's Purgatory, a legendary Irish holy site, and the story of the priory's rats sweeping across the landscape may have been inspired by the book's retelling of the legend of Bishop Hatto, who was devoured by rats after he set fire to starving peasants during a famine (a story referenced in the legend of the Mouse Tower of Bingen).Steven J. Mariconda, "Baring-Gould and the Ghouls", The Horror of It All, Robert M. Price, ed.
It also describes, in adulatory tones, a meeting Caesar had with Queen Anne before her death in 1714. Rumbold remarks: '[d]espite its mixture of memoir, journal and commonplace book, it is in fact generated by a coherent vision of a group of friends formed in the golden age of Queen Anne, and the values which they embody for her'; and later that '[a]lthough ostensibly a prose narrative, Mary Caesar's book is in many respects closer to the panegyrical poetry of the Renaissance'. Pickard suggests that the text represents Caesar's attempt to shape history through literary means: '[a]lthough Caesar's journal provides many instances of its author's involvement in political affairs, it is through her narration of those affairs that she can shape them most fully'. Pickard notes, however, that the text was likely not circulated widely during Caesar's lifetime, given the conspiratorial and underground character of Jacobitism.
A Traherne manuscript of "Centuries," the Dobell Folio (also called the "Commonplace Book"), "The Church's Year Book," and the "Early Notebook" (also called Philip Traherne's Notebook) is held at the Bodleian Library, Oxford, the Burney Manuscript (also known as "Poems of Felicity") at the British Library, London, and "Select Meditations" in the Osborn Collection, Beinecke Library, New Haven. A manuscript discovered in 1996 in the Folger Library in Washington, DC, by Julia Smith and Laetitia Yeandle was later identified as an unfinished 1,800-line epic poem by Traherne entitled "The Ceremonial Law." In 1997 Jeremy Maule, a Fellow of Trinity College, Cambridge, discovered more works by Traherne among 4,000 manuscripts in the Library of Lambeth Palace, the London residence of the Archbishop of Canterbury. The Lambeth manuscripts, mostly prose, encompass four complete works and a fragment of a fifth: Inducements to Retiredness, A Sober View of Dr Twisse, Seeds of Eternity, The Kingdom of God and the fragmentary Love.
Dr Bardsley published in 1800 ‘Critical Remarks on the Tragedy of Pizarro, with Observations on the subject of the Drama;’ and in 1807 a volume of ‘Medical Reports of Cases and Experiments, with Observations chiefly derived from Hospital practice; also an Enquiry into the Origin of Canine Madness.’ To the ‘Memoirs’ of the Literary and Philosophical Society of Manchester, of which he was a vice-president, he contributed in 1798 a paper on ‘Party Prejudice,’ and in 1803 one on ‘The Use and Abuse of Popular Sports and Exercises.’ Manuscript copies of lectures given by Bardsley and taken down by his students survive within the Manchester Medical Manuscripts Collection held by special collections at the University of Manchester Library with the references MMM/7/12 and MMM/23/1/20. The collection also includes a commonplace book (MMM/3/1) created by Bardsley between 1796 and 1848 in which he comments a number of medical, political, economic, and social issues of the times.
And we are left in sorrow to lament This heavy loss with fear what will ensue; But He which us this great affliction sent In deepest woes, His mercy did renew: Our Sun no sooner set, and doleful night Seemed to threaten some disaster strange, A glorious Star with splendor shining bright Expelled those fears: our grief, to mirth, did change. One of Anne Ley's poems, "Upon the necessity and benefite of learning ... to W.B. a young scholler," was presumably written for one of her students, advising him on the importance of keeping a commonplace book. Stevenson and Davidson comment that this poem "sheds some interesting light on how one of the ‘commonplace books’ which survive in quantity from the seventeenth century was supposed to be used by its compiler." Upon the necessity and benefite of learning written in the beginning of a Common place booke belonging to W.B. a young scholler As from each fragrant sweet the honey Bee Extracts that moisture is of so much use; Like careful labour I commend to thee; Which if performed much profit will produce.
This led to a long and sometimes ill-tempered correspondence in the journals between Warton, Ritson, and their respective supporters. Ritson kept up the attack in successive books through the rest of his life, culminating in the viciously personal "Dissertation on Romance and Minstrelsy" in 1802. By the time the dust had settled from this controversy everyone was aware that the History could not be implicitly trusted, but it continued to be loved by a new generation whose taste for the older English poetry Warton's book, along with Percy's Reliques, had formed. The influence of those two books on the growth of the Romantic spirit can be illustrated by Robert Southey, who wrote that they had confirmed in him a love of Middle English that had been formed by his discovery of Chaucer; and by Walter Scott's description of the History as "an immense commonplace book…from the perusal of which we rise, our fancy delighted with beautiful imagery and with the happy analysis of ancient tale and song".

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