How to use commonalties in a sentence? Find typical usage patterns (collocations)/phrases/context for "commonalties" and check conjugation/comparative form for "commonalties". Mastering all the usages of "commonalties" from sentence examples published by news publications.
The answer she arrived at was to fight the impulse to seek out commonalties with those we encounter and instead "embrace your differences" by talking about contrasting life experiences.
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In spite of the commonalties, SIT strongly differs from TRIZ in several important respects, having to do mainly with its practical application.
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Other publications followed her lead, and such issues today are common. In the mid-1980s, she helped make Beverly Hills and Cannes sister cities, recognizing their entertainment and commercial commonalties. For that accomplishment, she was feted at the 1985 Cannes Film Festival. In 1988, Tichi published her memoir, Hollywood Legends: The golden years of the Hollywood Reporter.
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Monteil & Vincent 1976 S and Se Commonalties between sulfur and selenium are abundantly obvious. For example, selenium is found in metal sulfide ores, where it partially replaces sulfur; both elements are photoconductors—their electrical conductivities increase by up to six orders of magnitude when exposed to light.Moss 1952 I and Xe. The chemistry of iodine in its oxidation states of +1, +3, +5, and +7 is analogous to that of xenon in an immediately higher oxidation state.
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An imaginary companion can be considered the product of creativity whereas the communication between the imaginary friend and the child is the process. In regards to birth order there is also research on children who do not have any siblings at all. The research in this area further investigates the notion that children create imaginary companions due to the absence of peer relationships. A study that examined the differences in self-talk frequency as a function of age, only-child, and imaginary childhood companion status provides a lot of insight to the commonalties of children with imaginary companions.
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Although persons and groups form coalitions for many and varied reasons, the most common purpose is to combat a common threat or to take advantage of a certain opportunity, resulting in the often temporary nature of coalitions. The common threat or existence of opportunity is what gives rise to the coalition and allows it to exist as all parties involved see the benefit in working together. Such collaborative processes allow the actors of the coalition to advance forward towards their overall goal or accomplish the task that the coalition was formed around. The behavior and dynamics of a coalitions in international relations are created by commonalties and differences within the groups joining together.
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Kitka has participated in many collaborations, ranging from a reconstruction of the medieval Carmina Burana pageant for CalPerformances, (Thomas Binkley, director), to work with Hollywood composers on major motion picture soundtracks including Braveheart, Jacob's Ladder, and The Queen of the Damned. Other collaborations of note include creating the role of the Greek Chorus/Trojan Slave Women in the American Conservatory Theater’s performance runs of Hecuba (Carey Perloff, Director) for which Kitka received a Drama Critic’s Circle Award nomination; the creation of Women in Black, a multi- disciplinary work inspired by the international Women in Black Against War Movement (Thais Mazur, choreographer; Katrina Wreede composer) for which Kitka received an Izzie award nomination for "best musical contribution to a dance program"; and Songs from Mama's Table, a celebration of the commonalties and contrasts between Balkan, Slavic and African American women's singing traditions with Grammy nominees Linda Tillery and the Cultural Heritage Choir. A frequent guest on national radio shows, Kitka has recently been featured on NPR programs such as PRI’s The World (Jan. 3, 2008), A Prairie Home Companion (Jan.
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