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62 Sentences With "commodes"

How to use commodes in a sentence? Find typical usage patterns (collocations)/phrases/context for "commodes" and check conjugation/comparative form for "commodes". Mastering all the usages of "commodes" from sentence examples published by news publications.

Portable toilets are being swapped out for heated, composting commodes.
Ask me sometime about the fonts in the elevator or the hidden pipes in the bathroom commodes.
Those benefits include medications, equipment (such as hospital beds, wheelchairs, commodes and oxygen), home visits from nurses, chaplains and social workers, and other services for the patient and family members.
The sale's top lot, a pair of Louis XIV gilt-bronze mounted Boulle tortoiseshell, brass, mother-of-pearl and tin marquetry commodes, attributed to Nicolas Sageot, circa 1700, sold for €175,000 (~$197,000).
These engineers have found today's toilets are "flushing marvels, able to clear an average of two pounds of paste and paper per flush — more than just about anyone needs, and four times as much as old commodes, despite using less than half as much water," The Post's Todd C. Frankel reports.
The agency also argues that replacing old toilets (commodes manufactured before 1980 typically use five gallons of water for each flush) can help save money: Replacing older toilets with WaterSense fixtures could "save more than $110 per year in water costs, and $2,200 over the lifetime of the toilets," according to an EPA fact sheet.
The detritus of death is not beautiful: the wipes, the pill organizers and the medications, the Kleenex boxes, the disposable bed pads, the I.V. poles and the heat-therapy patches, the catheters and colostomy bags, the oxygen tanks and commodes, the bottles of Ensure liquid meal replacement, the bandages, the sterile gloves, the discarded packaging and used tissues in the wastebasket. Mrs.
Commodes in Italy changed really by region. Lombard commodes were often plain and bulky and were usually made in fruitwood, including ivory stringing. Yet Genoese and Venetian ones were slightly more Rococo, despite having considerable Neoclassical influences.
Lion commodes were often made of walnut or oak, pearl, jewels and ivory, which made fantastical and allegorical designs. They were often decorated with angels, animals, leaves, saints and flowers. They were called lion commodes specifically due to their lion-shaped feet at the bottom of the drawer.
Bombé commodes, with surfaces shaped in three dimensions, were a feature of the rococo style called "Louis Quinze". Rectilinear neoclassical, or "Louis Seize", commodes might have such deep drawers or doors that the feet were en toupie—in the tapering turned shape of a child's spinning top. Both rococo and neoclassical commodes might have cabinets flanking the main section, in which case such a piece was a commode à encoignures;Francis J. B. Watson, Louis XVI Furniture 1973, illustrates as commodes à encoignures the commode by Gilles Joubert and Roger Vandercruse La Croix, 1769 for Mme Victoire at Compiègne (fig. 23 (Frick Collection, New York); the commode by Joubert for Mme Adelaide at Versailles, 1769 (fig.
Patient transfer devices generally allow patients with impaired mobility to be moved by caregivers between beds, wheelchairs, commodes, toilets, chairs, stretchers, shower benches, automobiles, swimming pools, and other patient support systems (i.e., radiology, surgical, or examining tables). The most common devices are Patient lifts (for vertical transfer), Transfer benches, stretcher or convertible chairs (for lateral, supine transfer), sit-to-stand lifts (for moving patients from one seated position to another i.e., from wheelchairs to commodes), air bearing inflatable mattresses (for supine transfer i.e.
He also patented an improvement in the chamber-commode, a predecessor to the toilet. It came with several amenities, including a "bureau, mirror, book-rack, washstand, table, easy chair, and earth-closet or chamber-stool."Elkins, Thomas. Improvement in chamber-commodes.
Sources note by Dell 1992:196 notes 13-15. A few of the more magnificent pedigree-pieces are among the worlds mobiliary treasures. There are, for instance, two famous armoires, which fetched 12,075 at the Hamilton Palace sale; the marquetry commodes, enriched with bronze mounts, formerly in the Bibliothèque Mazarine; various cabinets and commodes and tables in the Louvre, the Musée de Cluny and the Mobilier National; the marriage coffers of the dauphin which were in the San Donato collection. There are several fine authenticated pieces in the Wallace Collection at Hertford House, together with others consummately imitated, probably in the Louis Seize period.
Jacques-Philippe Carel (working c1723 — c1760) was a Parisian cabinet-maker (ébéniste), who was admitted to the cabinetmakers' guild in 1723 and specialized in rococo case pieces of high quality veneered in end-grain (bois de bout) floral marquetry. Two almost identical commodes made c 1755 at the Frick Collection, New York, are part of an unusually large group of commodes of almost identical shape, variously veneered but bearing the same mounts, apparently commissioned from numerous cabinetmakers by a single marchand- mercier, who originated the design and retained a monopoly of the mounts.The group was identified by Theodore Dell, The Frick Collection. V. Furniture 1992:270-281.
Automatic technology has permeated public washrooms. Journalist Michael Sasso once termed it as, "Hygienic Company Brings Space Age to Bathroom." He wrote in reference of the Tampa International Airport. The first automatic urinal was implemented in 1987 and in 16 years, "the airport had 143 automatic urinals, 390 automatic-flush commodes and 276 automatic faucets".
Isla Mata la Gata is a mangrove island and tourist attraction, located off the southwest coast of Puerto Rico. Closest access from the island is by boat from the coastal village of La Parguera, in Lajas. Available facilities include dock, picnic tables, open air shelters, changing cabanas and commodes. Activities include sunbathing, swimming, snorkelling, picnicking, fishing.
"We lucked out," he remarked with a laugh when telling this story to People magazine. "We almost became 'The Commodes.'" The bandmembers attended Tuskegee University in Alabama. After winning the university's annual freshman talent contest, they played at fraternity parties as well as a weekend gig at the Black Forest Inn, one of a few clubs in Tuskegee that catered to college students.
The Salle Voltaire, furnished in the 18th century, recalls the romantic relationship between Voltaire and the daughter of Nicholas-Louis Le Tonnelier de Bretieul, owner of the chateau. The Salon de la Tour, on the lower level of the tower, the oldest part of the chateau, displays French Regency period commodes and portraits of the early owners of the chateau.
Martin Carlin, Fall-front desk, c. 1775 at Waddesdon ManorAlthough Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings in the neoclassical taste, some of them veneered with cut up panels of Chinese lacquer, which he would also have received from the hands of the marchands- merciers.
On several commodes and corner cabinets (encoignures) dating from the 1760s he employed varnished sheet metal panels imitating Japanese or Chinese lacquer.John Whitehead, The French Interior in the Eighteenth Century, 1993:192; Alexandre Pradère, French Furniture Makers, 1989:220f, figs.218-20. Macret married Jeanne Foulliėre. Though he retired from active practice in 1787, he was still alive in 1796.
Ince and Mayhew were also among the first London furniture-makers to exploit marquetry decoration when it became fashionable once again in the 1760s: in 1765 they provided for Croome Court a pair of uncompromisingly rectangular commodes with richly engraved neoclassical marquetry of satinwood and holly.The commodes have been returned to Croome Court; the original cost was £40.(Coleridge 1968:66 and pl 119; Colin Streeter, "Marquetry Furniture by a Brilliant London Master" The Metropolitan Museum of Art Bulletin New Series, 29.10, Part 1 [June 1971, pp. 418-429] p 428, fig 19.) Ince and Mayhew provided furniture for a number of Robert Adam's other patrons: Sir John Whitwell at Audley End (1767), the Duchess of Northumberland (from 1771)Streeter 1971:428 notes a reference in the Duchess's 1771-73 diary and a payment to Mayhew of £86 in February 1775.
The camp has a shower house for youth that can accommodate 350 campers and another for adults that can accommodate 100 campers each week. In 2013 the camp planned to add another shower house with commodes near the Molden Shooting Sports area. Other facilities include a handicraft lodge, trading post, and troop lodge. On June 17, 2013 the camp submitted a site plan for a 0.22 ac.
Occasional furniture refers to small pieces of furniture that can be put to varied uses as the occasion demands.Merriam-Webster on line dictionary Items such as small tables, nightstands, chests, commodes, and easily moved chairs are usually included in this category. The term occasional furniture is very generic. For example, occasional tables include end tables, lamp tables, sofa tables, coffee tables, and so forth.
Sicilian Rococo furniture tended to be highly unusual, and even though was based on the principles of French Rococo designs, usually included some traditional Sicilian elements. Commodes and console tables had cabriole legs, which were, however, plain, and usually had intricate scrollwork and arabesques. Sicilian tables were often painted, representing typical elements of Sicilian culture, society and life, such as festivals, fruits and Sicilian carts.Miller (2005) p.
In most modern houses, laundry, showers and commodes are the major water uses, with drinking, cooking and dish-washing consuming less than 20 liters per day. The Dymaxion house was intended to reduce water use by a greywater system, a packaging commode, and a "fogger" to replace showers. The fogger was based on efficient compressed-air and water degreasers, but with much smaller water particles to make it comfortable.
This mark, called the Estampille, used a heated iron to mark the piece with the initials of the master. It was usually placed on the back of the rear traverse of chairs, under the marble of commodes and secretaries, and under the surrounding ceinture of tables. marks are often missing, either forgotten by the craftsman, or defaced. Given the high value of signed pieces by famous craftsmen, Counterfeit Estampilles are not unknown.
Yad Sarah lends out wheelchairs, crutches, oxygen concentrators, apnea monitors, infant scales, hospital beds, shower chairs and commodes, high-tech and assistive devices, and many other home-care items. At any given time, 18,000 wheelchairs are in circulation. Equipment loans are free of charge; borrowers leave a refundable security deposit and can use the equipment for up to three months. Worn or damaged items are repaired and refurbished at four regional warehouses staffed by volunteers.
Commodes were made by ébénistes; the French word for "cabinet-maker" is derived from ebony, a black tropical hardwood notable as a foreign luxury. The beautiful wood was complemented with ormolu (gilt-bronze drawer pulls). The piece of furniture would be provided with a marble slab topThe slab might be veneered with a fine or rare marble, such as a breccia; its edges might be moulded. selected to match the marble of the chimneypiece.
Louvre: Claude Lorrain: Vue du Campo Vaccino His cabinet, distributed among eleven rooms of the hôtel, was also celebrated for the number and quality of the small bronze sculptures interspersed with porcelains on tables and commodes and chimneypieces. There were the reductions of famous antiquities that would be expected, the usual paired bronze Enlèvement groups after Giambologna and François Girardon, and sculptures by Michel Anguier.Thomas W. Gaehtgens, et al. L'art et les normes sociales au XVIIIe siècle 2001:149.
The dining room in 2013 The Dutch government seized the manor house and its household contents in 1945 and, since then, many new trees have been planted and the wooded parkland is being returned to its earlier glory. Huis Doorn opened its doors as a historic house museum in 1956. It is presented just as Wilhelm left it, with marquetry commodes, tapestries, paintings by German court painters, porcelains and silver. The collection also includes Wilhelm's collections of snuffboxes and watches that had belonged to Frederick the Great.
Once running water and flush toilets were plumbed into British houses, servants were sometimes given their own lavatory downstairs, separate from the family lavatory. The practice of emptying one's own chamber pot, known as slopping out, continued in British prisons until as recently as 2014 and was still in use in 85 cells in the Republic of Ireland in July 2017. With rare exceptions, chamber pots are no longer used. Modern related implements are bedpans and commodes, used in hospitals and the homes of invalids.
After the Southeastern U.S. drought of 2007, the airport (the eighth-largest water user in the state) made changes to reduce water usage. This included adjusting toilets (725 commodes and 338 urinals) and 601 sinks. (The two terminals alone use 917,000 gallons or about 3.5 million liters a day.) It also stopped using firetrucks to spray water over aircraft when the pilot made a last landing before retirement (a water salute). The city of Macon offered to sell water to the airport, through a proposed pipeline.
Mary has consistently been described by witnesses to have braided brown hair and a white dress and is a little shy. Performers have offered the most frequent descriptions of the ghost. Stories abound about flickering lights, tools emptied into commodes, doors swinging open and shutting loudly – events that even spooked Yul Brynner while rehearsing for The King & I in 1982. Countless times over the past 50 years, performers have noticed a little girl in what looks like a school uniform sitting in a side box on the mezzanine.
He also collected works of art, mostly from the 17th and 18th centuries, gilded bronze chandeliers, Louis XVI commodes, a globe of the heavens by Gastellier from 1694, and other objects which decorate the reading room today. In 1805, under Napoleon I, The Collège des Quatre-Nations became the Palace of the Institut de France, the headquarters of the French scholarly and scientific academies. Since that time the Library has received donations of numerous large collections, and since 1926 has also been the depository of publications relating to the history of the regions of France.
Founded in 1970 by then-nineteen-year-old Ira Gessel, the Committee's purpose was to "eliminate pay toilets in the U.S. through legislation and public pressure." Starting a national crusade to cast away coin-operated commodes, Gessel told newsmen, "You can have a fifty-dollar bill, but if you don't have a dime, that metal box is between you and relief." Membership in the organization cost only $0.25, and members received the Committee's newsletter, the Free Toilet Paper. Headquartered in Dayton, Ohio, USA, the group had as many as 1,500 members, in seven chapters.
George H.W. Bush is the only aircraft carrier in the U.S. Navy to combine the two technologies. This new VC/MSD driven waste management system has, however, not been without problems. Reports began surfacing immediately after delivery in May 2009 of issues with the ship's toilet system. As of November 2011, the entire system has gone down at least twice, rendering all 423 commodes in the ship's 130 heads inoperable, with many more incidents that have rendered either half of the ship, or sections of the ship, without operating sanitary facilities.
Latrines were generally simple commodes made by burying an old storage pot into the ground. They would have to be cleaned out periodically, but some had a small drain leading outside to a second sump pot. The latrines and bathing platforms were located in a room attached to the outer wall. Kitchen were open air situated in a courtyard as well as closed rooms, hearths oval, circular and rectangular in shape were also used in the house, keyhole ovens with central pillars were used for roasting meat or baking breads.
To satisfy the vast demand needed for Versailles and other French royal residences a new quarry was opened and subsequently named "Trou de Versailles" (hole of Versailles). Since the 18th century "Rouge de Rance" was also popular as a material for fireplaces and clocks, and as a top for furniture such as commodes, tables or Several Belgian red limestones, including "Rouge de Rance" were later marketed under the main name "Rouge Belge" (Belgian Red). These limestone varieties are commonly referred to as "red marble", although they are not real marbles but sedimentary rocks. Baptismal font in Rouge de Rance in Sts.
Sarah Barrell of The Independent describes Gallery suite 104 as the "brown" room, furnished with "biscuit brown furry throws, dotted with chocolate cushions, heavy brocade curtains". The Deluxe rooms, measuring 30 square feet, are typically furnished with rare Italian artwork, and the original commodes and mirrors from the 19th century. Duncan notes that several of these older rooms "mix Signora Melpignano’s singular style with antiques and pictures inherited from the Sloane Hotel" but states that the newer rooms are purely Italianate. The Superior Double rooms measure 27 square feet, each with a unique design and an abundance of world antiques.
French style secretaire writing tables were also popular in Italian furnishings, but were made uniquely Italian by adding pietra dura intricate designs on the marble slabs which covered the writing desks. Italian commodes and console tables were still relatively similar to before, yet they were more classical in style, and rather than having cabriole legs usually had elegantly decorated straight, demi-lune at most, legs.Miller (2005) p. 131 Armachairs made in Italy were based on the French Louis XVI-esque fauteuils, but were made unique by adding gilded gold and many precious and exotic decorations, such as stones and jewels etc.
This program provides health equipment to individuals dealing with illness or injury, enabling them to return home from the hospital sooner or live more independently. The program operates in British Columbia, Alberta, New Brunswick, Prince Edward Island, Nova Scotia, Newfoundland and Labrador, and the Yukon Territory. The types of assistive equipment that can be provided include: wheelchairs, walkers, bath seats and benches, commodes and toilet seats, crutches and canes, bed handles, and other durable medical equipment. The program is funded through financial donations as well as through the donation of used medical equipment, diverting it from the landfill, and it carried out with the support of volunteers and the health authorities.
André-Charles Boulle, commode Mazarine (Mazarine cabinet), 1708, made for the Grand Trianon In 1708, the prototypes for the commodes Mazarine, then called bureaux, were delivered to the Trianon by André-Charles Boulle. The first Duke of Antin, Louis Antoine de Pardaillan de Gondrin, director of the king's buildings, wrote to Louis XIV: "I was at the Trianon inspecting the second writing desk by Boulle; it is as beautiful as the other and suits the room perfectly."Commode Mazarine In 1717, Peter the Great of Russia, who was studying the palace and gardens of Versailles, resided at the Trianon; the Peterhof Palace was inspired by Versailles.
One of a pair of commodes by BVRB, c1750 (J. Paul Getty Museum) Royal château marks and inventory numbers painted on many of his surviving works, related to corresponding entries in the daybooks of the Garde-Meuble du Roi, attest to his role in supplying ébénisterie to the Crown over more than two decades, often through intermediaries such as Thomas- Joachim Hébert and Lazare Duvaux; he also provided furniture for the marchand- mercier Charles Darnault.Dell 1992:294. Bernard removed from his late father's workshops in the Grande Rue du Faubourg Saint-Antoine to the rue Saint-Nicolas by 1752; by 1765 he was living in rue Charenton.
125 Miranti homes were originally built in two areas of Paradise Palms, initially north of Desert Inn Road west of Eastern Avenue and later on Twain west of Algonquin. Four different floor plans were offered in several different elevations with hipped or gable rock roofs. Homes offered 2 to 4 bedrooms, garage or carport options, unique shadow and breeze block accents and fully landscape yards. Signature elements of home interiors were a central vacuum system, gingerbread style kitchen cabinets, and unique brightly colored bathrooms in blue, green, yellow, pink, purple, white or multiple color combinations of the previously mentioned colors on sinks, counters, tubs, tub surrounds and commodes.
The contents of the house were sold by auction under a marquee outside the house over a five-day period of 26 November – 1 December 1956. Described extensively, if a little quaintly, by the auctioneers John D Wood of London as "including interesting examples of 16th, 17th and 18th centuries, a fine set of George II chairs, Queen Anne and Chippendale mirrors, cabinets, chests, tables, buffets, sets of chairs, clocks, Jacobean needlework, French commodes, vitrines, tables and numerous other period piece... old paintings and a library of books."Sale Catalogue of Brympton d'Evercy R. B. Taylor and Sons. John D. Wood and Co. 1956.
From there, a person could enter the main building through ornate, brass doors, and be treated to balustrades, brocade sofas, indoor fountains, and white marble. Ottoman requests made to the French ambassador in the capital around 1722 for luxury goods include nécessaires, commodes, Gobelin carpets, and even thousands of wine bottles, which were likely intended for the newly completed Sa’dabad. After its completion, Ahmed III used Sa’dabad frequently: feasts, parties, and other festivities that the Tulip period was famous for took place there. The pavilion factored into the Ottoman-Safavid rivalry as well. A royal court poem composed under Ahmed III described Sa’dabad as being superior to Isfahan's chahar bagh.
There are designs for clock cases veneered with Boulle marquetry of tortoiseshell and brass; a single signed drawing for a piece of furniture, a bureau plat in the manner of André Charles Boulle in red chalk, survives, in the Cooper-Hewitt Museum, New York; it is illustrated in Dell 1992: fig. 2 p.209; on the basis of the drawing, the design of the famous pair of commodes delivered for the Grand Trianon by Boulle in 1708 and 1709 (illustrated at André Charles Boulle) has been tentatively connected to Oppenordt by M.P. Eidelberg, "Watteau, Lancret, and the fountains of Oppenort", Burlington Magazine 110 (August 1968:448, fig. 23), noted by Dell 1992: 236 note 2.
Rather than having his own internal system of identification or poinçon or mark on each piece, he depended on the records kept by the Bâtiments du Roi. These, did not identify new works with specific entry numbers as they were being produced nor did they keep a detailed daily journal of output. Had Boulle used the royal wardrobe, the Garde-Meuble de la Couronne to identify and record his output, things might have turned out differently.Dell 1992:194/ Of his many Royal commissions, only a pair of commodes delivered in 1708 and 1709 to the King at the Grand Trianon can be securely linked to any sort of documentation to confirm provenance.
Two shot were recovered, and one conical projectile was inside the barrel of the 7-inch Blakely rifle. A shell for a 32-pounder was recovered from the stern, forward of the propeller; that shot was attached to a wood sabot having been packed in a wood box for storage. Additional round shot were observed scattered forward of the boilers and in the vicinity of the aft pivot gun, one possibly having been fired from Kearsarge. In 2002, a diving expedition raised the ship's bell along with more than 300 other artifacts, including more cannons, structural samples, tableware, ornate commodes, and numerous other items that reveal much about life aboard the Confederate warship.
Named intarsiatore to the Habsburg granducal court, by 1780 Maggiolini in his turn was able to commission from Piermarini a new façade for the Church of Saints Gervasio and Protasio in his natal Parabiago, and from Albertolli its internal redecoration. Maggiolini's characteristic furniture consists of commodes and chests, coffers and writing-desks and tables, inlaid with a wide varietyEighty different woods is the conventionally quoted number. of European woods and exotic woods imported from abroad, used in their natural colors or tinted green, like blue or rose. Cartoons for execution in marquetry were provided by artists such as Levati and Appiani, and panels of pictorial marquetry were produced purely for displays as tours de force.
A commode occupied a prominent position in the room for which it was intended: it stood against the pier between the windows,Such a piece, when made particularly shallow, not to impede passage along the enfilade that connected rooms might be called a demi-commode (Francis J. B. Watson, Louis XVI Furniture 1973, fig.fig. 27). in which case it would often be surmounted by a mirror glass,"In a room with three windows, for instance, one could place between them a commode with drawers and one with drawers, while still preserving an essential symmetry." (Pierre Verlet, French Furniture and Interior Decoration of the 18th Century, 1967) p. 154) or a pair of identical commodes would flank the chimneypiece or occupy the center of each end wall.
The word "toilet" was by etymology a euphemism, but is no longer understood as such. As old euphemisms have become the standard term, they have been progressively replaced by newer ones, an example of the euphemism treadmill at work."The honest Jakes or Privy has graduated via Offices to the final horror of Toilet" – Vicar Bell, The choice of word relies not only on regional variation, but also on social situation and level of formality (register) or social class. American manufacturers show an uneasiness with the word and its class attributes: American Standard, the largest firm, sells them as "toilets", yet the higher priced products of the Kohler Company, often installed in more expensive housing, are sold as commodes or closets, words which also carry other meanings.
The main ornaments of Rococo are: asymmetrical shells, acanthus and other leaves, birds, bouquets of flowers, fruits, musical instruments, angels and Far Eastern elements (pagodas, dragons, monkeys, bizarre flowers and Chinese people). The style often integrated painting, molded stucco, and wood carving, and quadratura, or illusionist ceiling paintings, which were designed to give the impression that those entering the room were looking up at the sky, where cherubs and other figures were gazing down at them. Materials used included stucco, either painted or left white; combinations of different colored woods (usually oak, beech or walnut); lacquered wood in the Japanese style, ornament of gilded bronze, and marble tops of commodes or tables. The intent was to create an impression of surprise, awe and wonder on first view.
She had ordered many pieces of furniture from him in 1761, doubtless for the Château de Bellevue, and had already paid 17,400 livres on account. In the inventory after her death, there were sixteen commodes "à la Grecque" that must have come from Oeben, who was in the forefront of this first phase of neoclassical style; in the announcement advertising the sale of his stock after his death, it was explicitly stated that all was "in a new style""d'un goût nouveau" (Eriksen 1974:208). Not all of the furnishings for Mme de Pompadour had abandoned the rococo manner: at the Metropolitan Museum of Art, a mechanical table stamped by Oeben and his brother-in-law R.V.L.C.Metropolitan Museum's Oeben/R.V.L.C. table has pierced cabriole legs, for an unusual effect of lightness and grace.
Goodison's classicizing case furniture owes much of its inspiration to the neo-Palladian designs of William Kent;Geoffrey Beard, "William Kent and the cabinet-makers," The Burlington Magazine (December 1975) pp 367-71. outstanding documented examples are the pair of part-gilded mahogany commodes and library writing- tables Goodison made for Sir Thomas Robinson of Rokeby Hall, Yorkshire, now in the Royal Collection; they have boldly-scaled Greek key fret in their friezes and lion masks gripping brass rings heading scrolling consoles at their corners.Illustrated in Beard 1977, figures 14 and 15 (detail); numerous chests of drawers and library tables in this idiom were made by other London cabinet- makers, including the succeeding royal cabinetmaker, William Vile. Goodison's shop was established at the "Golden Spread Eagle" in Long Acre as early as 1727.
Thomas Day and his workshop produced various types of furniture and practical pieces, such as wardrobes, bureaus, coffins, commodes, and lounges, as well as created architectural woodwork for wealthy homes in the Milton region. All of Day's work was custom-made, since he altered the basic design of each piece he created to make unique crafts for each customer. It is difficult for modern researchers and scholars to attribute furniture pieces to Day, especially his earlier ones. It is likely that even some pieces attributed to him were in fact fabricated by his apprentices, based on levels of quality; in general, certain pieces are more easily attributed to Day, since he tended to utilize shipping crates with his name on them as materials for interior elements on his furniture.
Many commanders have live in the hotel, some having left their names for posterity through their facilities as Louis-Henri-de Brancas Forcalquier, Marshal of France, in office in 1750, which will develop the hotel on two levels: the ground floor and upstairs are identical and have the same type of housing. Brancas then occupies the ground floor, leaving his wife upstairs. A chapel was then present at the first floor, while rooms are moved to return the north west, to enjoy the morning light. A mezzanine floor is created above the corner room of to create a game room is during the occupation by the marshal that contemporary furniture from this period appear: commodes rococo style, with elements copper golden, toilet, caned seated and chairs in private parties, etc.
161 people were dead or missing according to Government data but total dead was more than 300 according to local news. 2657 households became homeless. 5 monasteries, 4 Dhammayons, 8 schools and 2,927 animals were destroyed. The total loss in the flood amounted to 1,522.95 million MMK, according to official data. UN agencies and international nongovernmental organizations such as WFP, UNICEF, BAJ and others donated 6,800 bags of rice, 18,390 viss of edible oil, 36,828 viss of gram and 3285 viss of salt worth US$ 261,620, 500 kilos of bleaching power, 440,000 tablets of water guard, 2,200 bottles of water guard, 2,200 sets of commodes, 2,2000 cakes of carbolic soap, 2,200 sets of water family kit, four 400-gallon-capacity fibre water tanks worth US$ 53,782, 287 viss of edible oil, 3,442 packets of instant noodle, 1,642 viss of salt, 821 tinned fish, biscuits, cakes of soap, aluminium pots, torch lights, dry cells, steel bowls and T-shirts worth MMK 3.46 million.
He retained premises in the fashionable rue Saint-Honoré near the church of Saint-Roch, across from the passage of the Académie de Musique. From 1765 to 1771 he provided furniture ordered by the Menus-Plaisirs:Georges Wildenstein, Rapports d'Experts Mille Sept Cent Douze à Mille Sept Cent Quartre-Vingt, :91f, reporting a procès-verbal of 1 July 1767, concerning a pair of commodes and a secretaire en suite Macret delivered to J.B. Gaillard de Beaumanoir in Paris, in which Macret's expert witness was Adrien Delorme. a commode of ca 1770 branded for the Garde-Meuble de la dauphine Marie- Antoinette, is now at Versailles.Inv. V 4132, gift of Florence Gould, 1965 (illustrated in Objets d'art: mélanges en l'honneur de Daniel Alcouffe, 2004:273, fig. 1). Macret also worked on occasion for the fashionable marchand-mercier Lazare Duvaux, for in the inventory compiled on Duvaux's death in 1758, Macret appears among the creditors: he was owed the considerable sum of 1169 livres.
Miller (2005) p. 80 rather than the French ones which were more oblong. As in the Baroque style, furniture for the wealthy was usually gilded with silver, gold or bronze. Middle-class families and Lombard workshops left furniture unpainted, and was often made with fruitwoods or walnut.Miller (2005) p. 80 Armchairs and couches had several cartouches and cabriole legs as in French designs, but usually looked more like joined-together seats in the English fashion.Miller (2005) p. 80 Italian settees tended to be low, and were usually placed in the borders of ballrooms and entrance halls for decoration or for seating at parties and balls.Miller (2005) p. 81 Console and side tables, however, remained very similar to the Baroque ones, often very rich in decoration, with caryatids and putti, and carvings gilded in gold and bronze. However, one major difference was that tables were given specific roles and were uniquely labelled. Trespoli served as commodes in bedrooms, to hold a candle and possibly some prized possessions and a crucifix,Miller (2005) p.
A mechanical table with a nest of drawers that rise from the top on release of a spring At the Musée Nissim de Camondo, Paris. bears R.V.L.C.'s stamp and Poirier's name written in a drawer. R.V.L.C. often used marquetry designs and gilt-bronze mounts very similar to those used by his brother-in-law Oeben (Eriksen 1974:224) He even habitually supplied work that was delivered by the ageing ébéniste du Roi Gilles Joubert: the R.V.L.C. stamp appears on a commode in conservative neoclassical taste, with pictorial marquetry of vases and trophies of the arts, that was delivered in 1769 by Joubert for Madame Victoire at Château de Compiègne,Eriksen 1974:plate 119; the commode is in the Frick Collection, New York. on a commode for the comtesse de Provence at Fontainbleau in 1771, and on one of a pair of commodes delivered by Joubert for the Salon de Compagnie of Mme du Barry there in 1772One now at the Walker Art Gallery, Liverpool, ex- collection the Hon John JB Fermor-Hesketh .
For Lady Derby's Dressing Room at Derby House, London, they executed a demilune commode to Adam's design of October 1774, delivered in November 1775; it combined strongly contrasting richly engraved satinwood and harewood marquetry in an "Etruscan" taste with painted panels and gilt-bronze mounts; discovery of the commode enabled Hugh Roberts tentatively to identify a series of comparable demilune and serpentine-fronted marquetry commodes to the firm.Hugh Roberts, "The Derby House Commode", The Burlington Magazine 127 No. 986 (May 1985), pp. 275-283. Furnishings were also provided for the Duchess of Devonshire's private apartment at Chatsworth. Ince and Mayhew also provided furnishings for Humphry Sturt at Crichel House, Dorset, where James Wyatt was providing designs for the interiorsJohn Cornforth notes payments to Mayhew (£31, May 1768), Ince (£109, June 1776), Ince and Mayhew (£100, June 1778), Ince (£70, March 1780) (Cornforth, "The Building of Crichel" Architectural History 27, Design and Practice in British Architecture: Studies in Architectural History Presented to Howard Colvin [1984], pp. 268-269). Their furniture for Warren Hastings at Daylesford House, Worcestershire, amounted to £2187Lindsay Boynton, 'The Furniture of Warren Hastings" The Burlington Magazine 112 No. 809, ("British Art in the Eighteenth Century.

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