Rozelle Ivory Gayle (February 24, 1919 - December 6, 1986) was an American jazz pianist, comic entertainer and actor.
|
|
Malcolm Dalkeith Scott (7 March 1872 - 8 September 1929) was an English actor, female impersonator, comic entertainer and broadcaster.
|
|
Steve Gallon, Jr. (September 10, 1925 - September 1, 2004), known as Wildman Steve (or Wild Man Steve), was an American comic entertainer, radio personality, promoter, MC and recording artist.
|
|
The Scaffold were a comedy, poetry and music trio from Liverpool, England, consisting of musical performer Mike McGear (real name Peter Michael McCartney, the brother of Paul McCartney), poet Roger McGough and comic entertainer John Gorman.
|
|
Bessie Bonehill (17 February 1855 - 21 August 1902) was an English vaudeville singer, comic entertainer and male impersonator. She toured widely in the United States in the 1890s, becoming "one of the most famous and wealthy entertainers of her day".
|
|
Mae Barnes (born Edith Mae Stith, possibly January 23, 1907 - December 13, 1996) was an American jazz singer, dancer and comic entertainer. She was responsible for introducing the Charleston dance to Broadway in the 1924 revue Runnin' Wild. After her career as a dancer ended, she became a successful nightclub singer and recording artist.
|
|
Lewis Joseph Bedell (March 21, 1919 - July 6, 2000) Lou Bedell at Black Cat Rockabilly. Retrieved 14 February 2013 was an American music business executive and comic entertainer who founded Era Records and then Doré Records in Los Angeles, California in the 1950s. Originally named Lewis Joseph Bedinsky, he also used the pseudonyms Louis Bideu and Billy Joe Hunter, among others.
|
|
The Scary Guy (sometimes stylized THE SCARY GUY) (born ) is a United Kingdom- based American motivational speaker who campaigns worldwide to eliminate hate, violence, prejudice, and bullying in schools and corporations. In addition to being a tattoo shop owner, comic, entertainer, inspirational speaker, and performance artist, The Scary Guy has pierced nose, eyebrows, and ears and covers over 85 percent of his body with tattoos.
|
|
Smith was born in Los Angeles, where his mother, Effie Smith, worked as a singer and comic entertainer. He started his career as a songwriter in the 1950s with his friend Cliff Goldsmith. They wrote the novelty song "Western Movies", which was recorded by vocal group The Olympics, who were managed by Smith's stepfather, John Criner. The song was released on the Demon record label, and rose to #8 on the Billboard Hot 100, and #7 on the R&B; chart, in 1958.
|
|
He was born in Chicago, the son of Tennessee-born Isaac Columbus Toombs and his wife Irene.Cook County, Illinois, Birth Certificates Index, 1871–1922, Provo, UT, USA: Ancestry.com Bob L. Eagle, Eric S. LeBlanc, Blues: A Regional Experience, ABC-CLIO, 2013, p.65 As a child, he ran away from home and from the age of nine performed in vaudeville as a comic entertainer with Butterbeans and Susie, who gave him the nickname "Candy Yams" for his relatively light freckled complexion. He learned to play piano, guitar, and reed instruments, and by 1940 was living in Gary, Indiana, with his mother.
|
|
The schedule also includes a 100 meter 5-ball race and a 100 meter 7-ball race. The first championships were held in 1980 at the IJA's festival in Fargo, North Dakota. They were organized by Bill Giduz, an avid joggler who edited the IJA Newsletter at the time in an attempt to interest others in the activity. Two races were held on that occasion—a 100-yard race across a football field that was won by Brad Heffler in 13.4 seconds, and a one-mile run on an indoor track that was won by Canadian comic entertainer Michel Lauzière.
|
|
While appearing in the operas, Grossmith continued his piano entertainment career at private parties and matinees, writing and composing his own material. He became the most successful comic entertainer of his day, writing numerous operettas, around 100 piano sketches, some 600 songs and short piano pieces, and three books. For Punch magazine in 1884 he provided a series of short sketches based on his experiences as a court reporter at Bow Street Magistrates' Court. In 1889, Grossmith ended his connection with Gilbert and Sullivan to pursue his piano sketch career full-time and continued to perform until 1908.
|
|
Many productions followed, but his career at Drury Lane was becoming turbulent, and he left the theatre in 1806. In his new association with the Covent Garden theatre, he appeared at the end of the same year in Thomas John Dibdin's Harlequin and Mother Goose; or, The Golden Egg, which included perhaps his best known portrayal of Clown. Grimaldi's residencies at Covent Garden and Sadler's Wells ran simultaneously, and he became known as London's leading Clown and comic entertainer, enjoying many successes at both theatres. His popularity in London led to a demand for him to appear in provincial theatres throughout England, where he commanded large fees.
|
|
The film opened to positive reviews from critics, with the critic from The Hindu citing that Crazy Mohan's dialogue was "the mainstay", describing the film as "completely entertaining". The reviewer also praised the film's performances claiming that "with suitable slapstick, apt body language and timing and modulation that tickle, the veteran (Kamal Haasan) makes a mark yet again." Furthermore, reviewers from Screen magazine dubbed the film as a "clean comic- entertainer", adding that "director KS Ravikumar deserves a pat for weaving out a good screenplay based on Kamal Haasan's story idea and creating a laugh riot". Tulika of Rediff labelled the film as "a barrel of laughs".
|
|
However, what makes it different is its treatment...Murugan-Anand's idea of making a comic entertainer with an important message is laudable" and described the film as an "enjoyable ride". The Hindu wrote, "The story isn't great but who cares when as many jokes are laugh-out-loud great as they are in Inimey...when there are as many jokes, there are also bound to be discomfiting ones...But in one of the more surprising final acts I’ve seen this year, Inimey quite redeems itself". Baradwaj Rangan called it a "not-bad, Bhagyaraj-style comedy", further writing, "when we go to these movies, the question isn’t “How politically correct is it?” but “Are there laughs?” And there are plenty...the film takes too long to get going.
|
|
Vishal, Sundar C and team have launched themselves unshakable, devoid of being overshadowed, on a high entertainment genre, this festive season". Rediff gave 3.5 stars out 5 and called it a "masala entertainer with plenty of romance, over-the-top action, humour and great music". Sify stated, "There isn't one quiet moment in Aambala, a masala comic entertainer which is purely targeted at audiences seeking mindless actioners laced with family sentiments, comedy and plenty of glamour" and added, "If you leave your logic minds at home; there are chances that you might enjoy this ride.". IBN Live rated 1.5 out of 5 and stated, "Sundar C shines in moments... Yet the film turns out to be, at the end, a reckless stitching up of humorous GIFs.
|
|