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41 Sentences With "comes to a climax"

How to use comes to a climax in a sentence? Find typical usage patterns (collocations)/phrases/context for "comes to a climax" and check conjugation/comparative form for "comes to a climax". Mastering all the usages of "comes to a climax" from sentence examples published by news publications.

A situation that's been building concerning finances or your sense of security comes to a climax.
An important conversation comes to a climax and helps you see things from a new perspective.
In the final War for the Planet of the Apes trailer, the battle between man and ape comes to a climax.
A conversation comes to a climax on September 14 with the full moon in fellow water sign Pisces, but don't believe everything you hear.
The latest presidential campaign, waged with duelling Instagram videos and in competing Telegram channels, comes to a climax today as Iranians go to the polls.
ALBANY — As the fraught and expensive battle to control the New York State Senate comes to a climax on Tuesday, there is already one likely winner.
The opera comes to a climax in Act II when Julietta, looking at postcards from a memory vendor, imagines the sojourns she and Michel have shared.
Full moons are often very emotional periods, and this one is no exception, but it will leave you understanding things more clearly, as an important conversation comes to a climax.
And three, which the State Department considers a top issue, that government officials understand the strong link between the promotion of religious freedom and the lessening of terrorism and the increase of stability in their countries.. The ministerial comes to a climax on Thursday when Vice President Pence and Secretary of State Mike Pompeo will both speak.
The torrent of their unleashed passions leads to a final scene of great controversy, as the play comes to a climax with an act of explicit sexual intimacy between the cowboy and the starlet.McClure, Michael. The Beard. Grove Press. 1967.
Chava and Ahmad's influence on the lives of the people around them comes to a climax as Chava's creator comes to New York and turns out to be a reincarnation of the evil sorcerer who trapped Ahmad, intent on enslaving them both.
Harrison becomes increasingly suspicious of his wife. It finally reaches the point where he manages to kill all the respect and love that Edith held for him as her husband. The picture comes to a climax as both Norton and Jim each vows to kill the other.
He eventually learns that an ancient Jewish Rabbi living in Germany during the first crusade composed the verse that they are using to complete their father's song. When the family receives news that their oldest brother has died in World War I, Blynn's struggle to understand God's love comes to a climax. Ultimately, he learns what it means to love God and others.
Vera and Sergei decide to marry, but her parents object. Vera convinces them to accept the planned marriage by falsely telling her mother she is pregnant. Sergei's first meeting with her parents is disastrous, and he leaves with Vera without finishing dinner, but he soon comes to live with them. The tension between Sergei and Kolya increases and comes to a climax on Kolya's birthday.
Rouse also cries for her before she leaves; Haynes is a part of it as well. Just when life at No. 2 begins anew without Philomen, so its trials and tribulations resume: Maisie and some others are soon accused by Mrs. Rouse for being involved in a string of petty thefts, rising by the score. It comes to a climax one Sunday morning when Mrs.
Ridgley's boobytraps ensnare all of them in many ways; for example the chauffeur is prevented from helping anyone else by motion-sensor water cannons. The story comes to a climax in issue #7. Teamwork destroys the boobytraps and gets the heroes through other threats, such as mercenary soldiers. The team fights a super-powered being named Charles who thought the 'Good Guys' were a threat and vice versa.
Al Wonder has a secret attraction to Inez, who has a burning passion for Harry (Ricardo Cortez). However, Harry is two-timing her with Liane (Kay Francis), who is married to the famous French banker Renaud (Henry Kolker). The story comes to a climax when Inez finds out that Harry and Liane plan to run away together and head to the United States. Inez, in a haze of jealousy, kills Harry.
The couple play a series of practical jokes on one another. This comes to a climax when Joel fakes a letter from a noted art gallery, asking to put on an exhibition of Dee's work. He enlists his friend Malcolm Kennedy (Benjamin McNair) to pose as a distant relative, who is interested in Dee's paintings. Upon finding out that it was a joke, Dee breaks up with Joel.
Pride adopts a separate persona for each woman, targeted to be their ideal partner. Ringo Raintree the millionaire cowboy woos a Anna Jacque, a French patient. For southern belle Mary Lou Mauve he becomes Rutherford the zoologist (and Ruther's twin sister, Heather) and for passionate athlete Susan he becomes Warren, also an athlete. The film comes to a climax when all the women, including the psychiatrist, assemble at a party with Pride present.
The second subject idea Bax described as 'freakish, almost grotesque.' These are now worked extensively, with the opening theme in chords returning at one point as (Bax put it) to 'what corresponds roughly to a trio section.' The music comes to a climax with the kind of triumphal march on a new version of the opening theme. 'This persists,' Bax said, 'to the end with ever increasing force and breadth of design.
Lauda is airlifted to hospital with third-degree burns to his head and face and internal burns to his lungs. For six weeks, Lauda is treated for his injuries while he watches Hunt dominate the races in his absence. Despite his doctor's orders, he decides to return to drive his Ferrari at the Italian Grand Prix, finishing fourth while Hunt fails to finish. The 1976 season comes to a climax at the rain-soaked Japanese Grand Prix.
The video depicts the band playing inside the attic of a small house. As the song progresses various CGI shots from the film Flood are shown, which visualises mass flooding across famous landmarks in London. Firstly the 02 Dome (formerly the Millennium Dome), then Tower Bridge, followed by the London Eye and finally Westminster. As the song comes to a climax the sound of rain fall increases as bass player Dan Haigh looks at the window.
Pattyn is led to believe in God the way her aunt believes in him. Aunt J explains that one does not need "a Mormon husband to meet you at heaven's gates and pull you in", and believes that with love—true and forever love—heaven's gates will open wide. Ethan becomes a dream come true to Pattyn. With each moment they grow closer; it comes to a climax when Pattyn has sex for the first time with him.
Colby is placed on leave from the police force, as his superiors work out what to do. Ebony photographs him shaking hands with Dean and sends it to the station, who then suspend him without pay for associating with a known criminal and gang member. When Colby realises that someone has a vendetta against him, Ebony hints that it is his flatmate Robbo (Jake Ryan). Ebony's plan comes to a climax when she poisons Colby and leaves him for dead.
Phil, still in love with Sharon, marries Nadia Borovac (Anna Barkan), a Romanian refugee so she can gain a visa, though their marriage is short-lived. After Phil's first marriage collapses, he begins a relationship with Kathy Beale (Gillian Taylforth) and the two are eventually engaged. When Sharon learns of the engagement and visits Phil, with the hope of reigniting their affair, they kiss, but Phil suddenly stops himself and throws her out. The storyline eventually comes to a climax in October 1994.
After a brutal confrontation with Harper's mother, Deborah, and Harper's discovery that Connie has a history of relationships with young women, the film comes to a climax in a downtrodden L.A. hotel where Connie ends the relationship by kicking out Harper. She returns only once, five years later, as he is dying from cirrhosis of the liver, and meets the other Guineveres he has had. On the rooftop, she describes her personal view of his kind of heaven, which she affectionately titles "The Connie Special".
As a result of the Scranton- Stamford merger, Dwight loses his number two position to Jim and engages in an ongoing battle with new salesman Andy Bernard, to gain Michael's favor for "third-in-command". The struggle comes to a climax in "Traveling Salesmen". In Season 4, Andy and Dwight are shown to work well together as a sales team, but Andy's successful pursuit of Angela, after she broke up with Dwight, was irritating to him. When Andy gets engaged to Angela, Dwight is greatly upset by this, and embarks on an affair with her.
The mixed Algerian/Romany heritage of the Director is given homage by featuring a musical jam session with Miraldo and Khalid, played by Abdellatif Chaarani. The film comes to a climax as Max finally learns to play a gypsy tune during his lesson, but just as we surmise Miraldo has succeeded in teaching him, he suffers a heart attack outside his caravan and dies. Following Romany tradition, Miraldo's caravan and personal effects are burned. Max's holiday comes to an end, and Max and Swing part company with sadness.
In the final section, the campaign comes to a climax and requires the players to either make a stand against waves of Infected as they wait for a rescue vehicle, fill up an escape vehicle's gas tank while fending off the horde, or race through a gauntlet of Infected to make their way to the rescue point. Additional game modes are also available. A 4-on-4 competitive mode is available, where in alternating matches, one side controls the Survivor characters while the other controls unique Infected creatures. When playing as the Survivors, the goal remains the same as the normal campaign mode.
In the course of Elliot's experiences as Mistress Lisa's personal submissive, including a scene where she ties him up and fondles his naked body (especially, his bare buttocks, which she also spanks), the two begin to fall in love. The action comes to a climax on a quick trip to New Orleans, where Lisa reluctantly admits her feelings for Elliot, all the while tailed by Omar, who attempts to kill them. Fred and Sheila save the day, sending Omar and Nina to jail, and receive commendations for solving the case. Elliot returns to Eden and proposes to Lisa, who says yes.
The third part looks forward to May and then to summer. The Finale, London, to Thee I do Present, comes to a climax when the entire chorus joins in a wordless, full-throated waltz representing the May revellers fortified by wine and ale (borne out by some rather unexpected modulations). The climax of the movement is the moment when the children's voices, accompanied by unison French horns, re-enter the scene and sing the 13th century round Sumer is icumen in. The simple tune, sung in 2/4 time over the unyielding 3/4 waltz of the rest of the ensemble, finally achieves dominance.
Assuming editorship of the paper, Perry sets out to whip the Star at its own game. Growing bolder, Davenport hires mobster Francis Barber (Edward Norris) to escalate the circulation war, and Globe trucks are wrecked, newsstands smashed and burned. The war comes to a climax when a street fight erupts during which boys from the two rival papers meet in open combat, and police squads are required to quell the riot. Angered because one of his pals has been shot by one of Barber's men, Danny goes to Barber to quit his job while Rifle follows the gangsters to Barber, whom he recognizes as his father's killer.
A police detective, meanwhile, is investigating his own angle on the case, going undercover as a transvestite to infiltrate a ring of transvestite criminals who are in league with the Red Bamboo gang. A case of mistaken identities causes the policeman and Golden Eagle to get into a fight. The plot comes to a climax on an island in the Gulf of Thailand, with the police racing in on boats to attack a Red Bamboo stronghold. The mission accomplished, the Golden Eagle takes hold of a rope ladder on a helicopter and is carried aloft and into the sunset, in true action hero style.
In exchange for making him Doom's privileged enforcer, Doom enhances the Parasite's abilities with the absorbed powers of Wonder Woman, the Hulk, and Superman. The Parasite likes the idea, but only because he intends to turn on Doom. Of course, he won't get that chance; Doom knows that all that power will burn out the Parasite, turning his body into a unique kind of crystal with unique energy-absorbing properties that will allow Doom to use it to control the power of his super-reactor. The story comes to a climax as the heroes battle the Parasite, Doom and his henchmen, and a giant robot.
Just as their fight with Hilda comes to a climax, Alto and Lisette are saved by the Regnant Knights, who fight on behalf of the land's Queen. They're brought to the city where they discover that Hilda has been doing this all over the country and that if not stopped, she will crystallize everything. In order to stop her Alto and the others must bring together four witches, each of which personify the four elements, and have them sing a song that will undo Hilda's efforts. During this process Alto finds that he is no ordinary young man, as he is a Conductor, an entity with powers that can fine-tune and amplify the witches' songs.
Fifteenth century Venice is the only open port where the masterless dregs of the vampire world can live without fear of attack for violating another's territory. But there are plenty of other ways for a young vampire to die in the most glittering city of the age, as former prince and current pauper Mircea Basarab quickly learns. But there are opportunities, too—in the service of a secretive courtesan, in the bed of a beautiful senator, and in the hunt for an ancient assassin. A vendetta older than Venice itself comes to a climax as Mircea struggles to evade the dangers of his current life, to come to terms with his past, and to uncover the truth hidden behind a city of masks.
When her mother then dies of a heart attack, Malen feels guilt and becomes an intercessor despite having previously sworn the profession off. Initially met with mistrust by her colleagues, one of whom exclaims that "She is defiling prayer", Malen heals a child with a hole in its heart through her prayers, despite not even praying seriously. This meets with additional hostility, both from the other intercessors and the clergy, and when Malen dreams of having stigmata, she is forced to confront the problems with her own life, something which comes to a climax when she is asked to bring Mike's dead son back to life. A side plot involves Father Tony (Johnny Delgado), an alcoholic priest who lives with Mike.
In Wicked, the song is the finale for the show's first act, when Elphaba discovers that The Wizard of Oz is not the heroic figure she had originally believed him to be. Realizing this, and despite Glinda's attempts to dissuade her, Elphaba vows to do everything in her power to fight the Wizard and his sinister plans against the Animals of Oz. She sings of how she wants to live without limits, going against the rules that others have set for her. During the song, Elphaba enchants a broomstick to levitate and, pursued by the Wizard's guards, rises from the stage above the angered citizens of Oz, who try in vain to "bring her down." The song is heavily cinematic and comes to a climax for the final verse.
Interference: Book Two The Time Lords, led by his old companion Romana, now President of the High Council, anxious to get their hands on this new TARDIS technology, pursue the Doctor, who loses his own TARDIS and continues to travel using Compassion.The Shadows of Avalon The conflict with Faction Paradox comes to a climax on Gallifrey,The Ancestor Cell where the Doctor discovers his TARDIS in orbit around the planet, transformed into a giant structure of living bone by the Faction. The Doctor, faced with an impossible decision, destroys the Faction and causes major damage to the timeline by apparently wiping his homeworld and his people from history. Much later, it is revealed that four Time Lords had survived the catastrophe: The Doctor, the Master,The Adventuress of Henrietta Street Iris WildthymeFather TimeMad Dogs and Englishmen and Marnal.
According to , the compositional style is similar to that of the thirteenth Goldberg Variation, BWV 988, including the elaborate ornamentation of the soprano melody. The unusual change of instrumental timbre from harpsichord to organ fits unexpectedly well with Variatio IV. At the conclusion of Variatio IV, above the fourth line of the cantus firmus, the right hand weaves an elaborate coloratura line. In the middle parts the slower dragging Bach motif comes to a climax: the alto voice plays the motif B-A-C-H in the last quavers of bar 39, and then, in the four semiquavers with upbeat on bars 40–41, the backwards (or retrograde) motif H-C-A-B. Bach further enhances the musical material by closing the final bars with the Comes canon of Variatio IV, essentially the same initial bars as the starting Dux canon of Variatio I. At the peaceful coda, elegiac piping motifs are repeated over a pedal point.
The hypersurvivalists are more commonly referred to as Holnists, after their founder, Nathan Holn, an author who championed a violent, misogynistic, and militaristic society. Holn was executed sometime before the events in the novel, but in the time following what should have been a brief period of civil disorder, Holn's followers' attacks prevented the United States from recovering from the war and the plagues that followed. As the story comes to a climax, the Postman allies with a tough tribal group made up of descendants of ranchers, loggers and Native Americans from Southwestern Oregon's Umpqua Valley region who are led by a Native American who is a former member of an airborne regiment of the U.S. military. The Umpqua people have developed a warrior culture similar to Native Americans of the Old West and are bitter enemies of the Holnists; they have defeated the Holnists at every turn but until the Postman's arrival, they were not inclined to help the "weak" townsfolk of the Willamette Valley against the Holnists.

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