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39 Sentences With "comediennes"

How to use comediennes in a sentence? Find typical usage patterns (collocations)/phrases/context for "comediennes" and check conjugation/comparative form for "comediennes". Mastering all the usages of "comediennes" from sentence examples published by news publications.

Auletta explained that he saw differences in the two comediennes' controversies.
There were four or five of the most talented comediennes in that film.
After perfecting the late-night tradition, the comediennes deserved the before-12:35 a.m.-spotlight.
"Comics and comediennes make good actors because it's very hard to do comedy," she said.
CNN recently caught up with the comediennes, who also write for and produce Bee's weekly late-night show.
The only comediennes were either second bananas, like Rose Marie or Imogene Coca, and neither was known for her looks.
The site's overall mission is to empower, mentor and spotlight talented female comediennes while serving as a made-for-female comedy destination.
As a 1950s comic who also sang, Carroll bridged the music hall comediennes of the past and the female stand-ups of the present.
Meanwhile, her efforts to open up the industry to comediennes have supported a new wave of female comics like Sarah Silverman and Tina Fey.
The first season of the series, called Shrink, debuted today to coincide with National Psychotherapy Day and includes interviews with comediennes Sarah Silverman and Lena Dunham.
" Hogben explained he and others in the gay community had "actually PAID to see comediennes like Joan Rivers or Lisa Lampanelli make jokes that involved gay men.
When "Sweet Charity" opened on Broadway, in 1966, it was a sensation, both because of Verdon—she was subtle even in her slapstick, like the great early screen comediennes, such as ZaSu Pitts—and because of Fosse's choreography and staging.
Mabel's Blunder (1914) is a silent comedy film directed by, written by, and starring Mabel Normand, the most successful of the early silent screen comediennes.
Reviewing Swing Shift Maisie (1943), Time praised Sothern and described her as "one of the smartest comediennes in the business"."The New Pictures" . Time. October 18, 1943.
Her German education helped make her one of the prominent "German dialect" comediennes of her day. This combined with her girth made her one of the best known stage comediennes of any type. In August 1897 she appeared in the William Harris production Good Mr. Best, where she played the role of "Gretchen Slowe", which proved to be one of her favorite characters. Her next role (March 1898) was not "Dutch", but as a cockney named Jemima in Monte Carlo at the Herald Square Theatre.
Florence Avril Angers (18 April 1918 - 9 November 2005) was an English stand- up comedian and actress. The Daily Telegraph described her as "one of the most zestful, charming and reliable character comediennes in the post-war London theatre".
Berta Alice Victoria "Tollie" Zellman (31 August 1887 – 9 October 1964) was a Swedish actress.Svensk Filmdatabas She appeared in 49 films between 1906 and 1964. Tollie Zellman appeared on scene first 1907. She is one of Sweden's most famous comediennes.
Having only an hour to choose a stage name, she selected the first name "Fannie" at the suggestion of her grandfather, who recalled it being used by many comediennes in the vaudeville circuit, and "Flagg" at the suggestion of a friend.
Celeb Five () is a South Korean girl group composed of female comediennes. The group is composed of four members: Kim Shin-young, Song Eun-i, Shin Bong-sun, and Ahn Young-mi. Originally a five-piece group, Kim Young-hee later departed from the group in late 2018.
Funny Girls: UAE Comediennes stand up. Retrieved June 27, 2012, from The National Homegrown performing arts festival featuring over 200 local artists, Dubomedy International Performing Arts Festival - 2010The Organizers. (n.d.) . Retrieved June 26, 2012, from DIPAF Volunteer Clown Program founded in the UAE, Clowns Who Care Project - 2010Koshy, T. (2011, 5 27). Friday.
The Boobé Sisters are an American comedy singing group from Los Angeles, California. They are a spoof of a 1960s girl group, consisting of actresses, songwriters, producers and comediennes Leah Finkelstein (Reneé Boobé), Heather Stewart (Fayé Boobé), and Karen Volpe (Kayé Boobé). The group has become regulars at Flappers Comedy Club in Burbank.
"The equally looks-blessed Meire, Arcilla, and Amess prove themselves all three expert comediennes [...] Amess's delightful but dim Brenda match[es] the male costars every step of the way". In 2016, she appeared in the film Captain America: Civil War. In 2017, she played Kendall Nagel in Bull on CBS and Sandy Weeks in Criminal Minds Beyond Borders Season 2 also on CBS.
"Howard Hawks' rapid-fire romantic comedy established the essential ingredients of the screwball – a dizzy dame, a charming, but befuddled, hero, dazzling dialogue, and a dash of slapstick."Columbia Tristar Home Video, 1992, CVR 11493 notes on back cover Its success propelled Lombard into the front ranks of film comediennes. The film was added to the National Film Registry of the Library of Congress in 2011.
The Fanny Brice Theatre is one of three situated in the University of Southern California's School of Cinematic Arts Complex, completed in 2010. Mexican comedienne Maria Elena Saldana was influenced by Brice and created a character similar to Brice's Baby Snooks, La Guereja. In 2006, Brice was featured in the film Making Trouble-Three Generations of Funny Jewish Women, a tribute to Jewish comediennes produced by the Jewish Women's Archive.
Grenvilles (1987). The production was a ratings success. Colbert won a Golden Globe and received a nomination for an Emmy Award. Modern critics have pointed out that Colbert had a mixture of unique physical assets (her round apple-face, big eyes, curly hair, slender body), an elegant voice, aristocratic manner, relaxed acting, a tongue-in- cheek vivacity, intelligent style, comedic timing, and ladylike alluring charm, that distinguishes her from other screwball comediennes of the 1930s.
She made her West End theatre debut at the Palace Theatre in a 1944 revue titled Keep Going. One of the early stand-up comediennes, she was capable of playing a straight man role as a foil to established male comics such as Frankie Howerd and Arthur Askey. Along with Terry-Thomas, she was one of the original cast of British television's first ever comedy series How Do You View? in 1949.
Splitsider praised her work as "savvy, smart, funny and politically active" and Essence named her to its list of "8 Black Comediennes Who are 'Ready' for SNL." In May 2016, Comedy Central announced that Ekperigin would create a half-hour special for the network, taped in New Orleans in June 2016. September 29, 2016, she made her late-night debut on Late Night with Seth Meyers. Her half-hour special premiered on Comedy Central just two weeks later, October 14 at midnight.
A review of Swing Shift Maisie (1943) by Time magazine praised Sothern and described her as "one of the smartest comediennes in the business". The popularity of the film series led to her own radio program, The Adventures of Maisie, broadcast on CBS from 1945 to 1947, on Mutual Broadcasting System in 1952, and in syndication from 1949 to 1953. Due to her popularity from the Maisie films, MGM head Louis B. Mayer paid $80,000 to purchase film rights to the Broadway production of DuBarry Was a Lady especially for Miss Sothern.
The early female figures in stand up, such as Phyllis Diller, were able to enter the mainstream through their willingness to self-deprecate and declare themselves ugly. Other early female comediennes, such as Mae West and Helen Kane, used sex appeal to attract male audiences. In other words, they were able to enter, but on the terms of male comedians. More modern female comedians cite a need to tailor their comedy to what men would find to be funny, with change in this mentality only coming very recently.
The cast of Ploning is played by veteran actors as well as newcomers to show business. Veteran actress Judy Ann Santos got the title role. Compared to her other roles, which are very dramatic (particularly that of Mara in Mara Clara), her character in the film is seen as mellow and reserved. Numerous comediennes are also cast in the film, such as Gina Pareño (as Intang), Eugene Domingo (as Juaning), Ces Quesada (as Nieves), and Tessie Tomas (as Seling), whose dramatic performances seem weird in contrast to Santos'.
All-American Girl was created by ABC to capitalize on the trend of female comediennes headlining their own sitcoms. Cho was included in a Wednesday night lineup that included other women in lead roles — Brett Butler (Grace Under Fire), Ellen DeGeneres (Ellen), and most successfully, Roseanne Barr (Roseanne). However, Cho was the only minority of this group and the only one who had no creative control over the process. The show's creators suggested other titles for the series such as East Meets West and Wok on the Wild Side, before deciding on All-American Girl.
Maggie Hennefeld "Specters of Slapstick and Silent Film Comediennes", Columbia UP, 2018. Slapstick also became a common element in animated cartoons starting in the 1930; examples include Disney's Goofy shorts, Walter Lantz's Woody Woodpecker and The Beary Family, MGM's Tom and Jerry, the unrelated Tom and Jerry cartoons of Van Beuren Studios, Warner Bros. Looney Tunes/Merrie Melodies, MGM's Barney Bear, and Tex Avery's Screwy Squirrel. Slapstick was later used in Japanese Tokusatsu TV Kamen Rider Drive and in the United States used in the two 1960s TV series, Gilligan's Island, and Batman.
Stone and his wife, Allene Crater, whom he met in the company of The Wizard of Oz, had three daughters, Dorothy, Paula, and Carol. Crater also appeared, in a small part, with Stone in Jack O'Lantern. A Vanity Fair review of the play said of Crater: "My only complaint is that the structure of the entertainment makes it impossible for Allene Crater, who in the little bit she does shows herself one of the most refreshing comediennes on the musical stage, to have a really good part." As an adult, Dorothy became her father's stage partner. In 1929, Stone was critically injured in an airplane crash attempting a stunt.
Prior to the group's debut, all the members of the group have been experienced comediennes in the industry. The group presents a fresh, creative, and fun concept by performing with 1980s-era glitzy outfits and often barefoot while employing the choreography and vocals of a 1980s-1990s K-pop group, a concept that drastically contrasts with those of most other K-pop groups in South Korea. They officially debuted on January 24, 2018 with the song "I Wanna Be a Celeb", a parody of "Dancing Hero (Eat You Up)" using the concept and choreography from Tomioka Dance Club. The music video was directed by Super Junior's Shindong.
Bayley's work was usually overlooked in twentieth-century assessments of the Brighton School, with some film historians simply calling her "Smith's wife" or "Mrs. Smith". Several twenty-first-century film historians have drawn attention to this neglect and to her contributions, though she remains relatively little-known in the field. The British Film Institute's Screenonline database ranks Bayley as "the most prolific British actress" in turn-of-the-century cinema. In program notes for the Pordenone Silent Film Festival, where three Bayley films were shown in 2002, the film historian David Robinson cited Bayley and her sisters as the first known comediennes in British film.
As noted above, finding suitable Cowgirls to play this role was a challenge. Lucia Chase recalls that when the Ballet Theater Company had exclusive rights to stage Rodeo, Agnes DeMille urged the employment of "charming and talented comediennes from the Broadway musical stage" for the role. In the ballet world, DeMille's favorites for the role were: Dorothy Etheridge (Ballet Russe de Monte Carlo), Jenny Workman (The Ballet Theater Company), Carole Valleskey (Joffrey Ballet), Bonnie Wyckoff (Boston Ballet) and Christine Sarry (American Ballet Theatre). In the 1970s, Christine Sarry emerged as DeMille's preferred interpreter of this complex role, DeMille even preferring Sarry's version to her own.
Megara, also known as Meg, is a fictional character who appears in the Walt Disney Pictures 35th animated film Hercules (1997). Voiced by actress Susan Egan, Meg is introduced as a cynical young woman enslaved by Hades, god of the underworld. Hades forces Meg to uncover Hercules' weaknesses by seducing him in return for her freedom, only to develop genuine feelings for the character instead. Loosely based on Megara and Deianira, Hercules' first and second wives in Greek mythology, directors Ron Clements and John Musker adapted Meg into a morally conflicted con artist, while basing her role and personality on 1940s screwball comediennes, particularly actress Barbara Stanwyck's performance in The Lady Eve (1941).
The writer Susan Leckey described Jacques as "one of the best-loved British comedy stars", while Jacques's obituarist in The Times observed that "she was invariably successful" at making people "laugh with, rather than at you". Peter Chapman of The Independent stated that Jacques was "blessed with remarkable grace, delicacy and warmth, giving her an almost unique comic appeal". Sunday Life said that for decades she was "Britain's favourite silly, sexually frustrated, fat woman". Nina Wadia of Goodness Gracious Me considers Jacques along with Joan Sims and Barbara Windsor to have "paved the way for younger comediennes in Britain today", remarking that "if it had not been for women like Hattie and Barbara, there is no way that younger actresses would have any role model, or probably the ambition to do what they do".
The Hollywood Reporter asserted that the character of Selina Meyer was her "best post-Seinfeld role" to date and claimed that she gives "an Emmy-worthy effort", while the Los Angeles Times contended that the series demonstrates that she is "one of the medium's great comediennes." Following the success of the first season, Louis-Dreyfus was named by the Huffington Post as one of the funniest people of 2012, asserting that she is the "most magnetic and naturally funny woman on TV since Mary Tyler Moore." Louis-Dreyfus after receiving her third Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series for Veep in August 2014 For her performance on Veep, Louis-Dreyfus has received several accolades, most notably six consecutive Primetime Emmy Awards for Outstanding Lead Actress in a Comedy Series from 2012–2017.Primetime Emmy Awards nominations for 2012 – Outstanding Lead Actress In A Comedy Series . Emmys.com.

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