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"colorizing" Antonyms

62 Sentences With "colorizing"

How to use colorizing in a sentence? Find typical usage patterns (collocations)/phrases/context for "colorizing" and check conjugation/comparative form for "colorizing". Mastering all the usages of "colorizing" from sentence examples published by news publications.

He began by colorizing the photographs (HiRISE captures images in grayscale).
Because the technology of the colorizing is not new, it's old.
I've really thrown myself headfirst into colorizing, and I do it almost daily now.
Examples of Zhang's colorizing process compared with other systems and the original color versions (right).
If you'd like to take a stab at colorizing this beast for yourself, head over to JunoCam's site.
In comparison, manually colorizing an image in Photoshop yields stunning results, if you've got lots of time and impressive skills.
I've been colorizing old photos for my parents, and while they think it's cool, to them it's not the same thing.
But I was happy in the sense that we probably spent longer on colorizing this footage than anyone had done before.
It's a constantly updated list of websites that are entertaining, engaging, and often very informative too (here's one for colorizing photos).
"It is becoming more accepted in a lot of applications," said Dana Keller, who has a business colorizing still photographs, History in Color.
The machine learning community has responded to a paper published this week that introduced a method of colorizing black-and-white photos using artificial intelligence.
And, to be honest with you, if I could've spent twice as long on colorizing the shots… we colorized about 300 shots for this film.
Hatten's study recommends storing high-concentration peroxide in its original container and adding both child-resistant capping and a colorizing agent to head off accidental ingestion.
We first saw a method for colorizing black-and-white photos in April when researchers from Waseda University published their method along with a number of samples.
Earlier this year, Peter Jackson's "They Shall Not Grow Old" immersed audiences in the events of World War I by digitally restoring and colorizing original footage from the conflict.
To do that, in addition to the colorizing of the footage and the 3-D dimensionalization of the footage, we needed to have sound, because it's obviously silent footage.
The app starts by taking its best shot at colorizing a black and white source image it's been fed, and in the process it creates a small palette of suggested colors.
Colorizing the images of the 1927 flood helps it compete, as it were, with these present-day inundations, helps define it as what it was: one of the worst natural disasters in American history.
Over the last few months, Ulf Hammarkärr has been colorizing classic photos of the punk and hardcore scene—from Minor Threat at the Dischord House to Warzone at CBGB—and posting the results on Instagram.
The Waseda team showed their approach was able to get the job done much more effectively than other leading methods, and went about colorizing a whole bunch of images to show what their program could do.
The thing that I found — and I hadn't done this before, so again, I'm just learning and discovering as I go along — the thing I realized with colorization is that the technology of colorizing something has existed for quite a long time.
The piece, which layers needlework directly over a vintage photograph of the interior of the historic Bridgeport Arcade Mall, brings the building's architecture, light, shadows, and ambience into vivid relief; rather than just colorizing the old photo, Mr. Marroquin has texturized it, given it depth.
If you're curious about the process of how this works, our friends at Vox have a great video about colorizing old photos — they cover some of the controversy around it too, as some historians find it questionable to edit our documents from the past.
There's no word on when or if Adobe plans to include capabilities like this directly in Photoshop, but Zhang has made his Interactive Deep Colorization app available for download on GitHub if you want to take a stab at colorizing some cherished photos of your great grandparents.
The results are naturally a mixed bag (as the results of AI systems frequently are), and the idea of colorizing Ansel Adams' photos is repellent to me (they look like Thomas Kinkades; Henri Cartier-Bresson likewise fares poorly), but really, it's hard to call them anything but a success.
Five decades of historical events normally portrayed in black and white — from the Roaring Twenties to the Depression to the war era to Elvis and civil rights — are brought to life in a five-part series being promoted as one of the most ambitious colorizing projects ever undertaken.
So, in other words, if you take a shot, a black-and-white shot, and you go and colorize it; if you say, "We want this to be done in four or five days," which I suspect is what a lot of the colorizing you've seen, the budget requires it to be done in a certain amount of pace, then you get the result, that's the best result you can get for that four or five days.
Read more:13 mesmerizing photos from the Vincent van Gogh exhibit that lets you walk through the artist's most iconic paintingsThis artist morphs celebrities' faces together to create perfect hybrids — here are some of his favoritesAn artist makes elaborate portraits of influential people of color like Beyoncé, Cardi B, and Tupac Shakur entirely out of Skittles for a powerful reasonAn artist spent 3,000 hours colorizing vintage black and white photos of celebrities, and the results are stunning 
"Citizen Kane? I'm thinking of colorizing it." Turner's comments led to an immediate public outcry. In January 1989 the Associated Press reported that two companies were producing color tests of Citizen Kane for Turner Entertainment.
U. S. Patent 7,166,558, Thermal imaging system, Bhatt et al., (2007) Both of these methods rely on multi- layer coatings with three separate colorizing layers, with different methods used for independent activation of each layer.
Bela Lugosi died during it. And his double has stolen it. :Lugosi's replacement is still bitter after 33 years from critics' reviews dubbing his only movie "The Worst Film of All-Time". Even though he remained faceless, he intends to bring glory to the cult classic using more footage of himself and ... colorizing it.
Players of CrimeCraft have the ability to customize their avatars in many different ways both cosmetically and statistically. Players can choose their weapons, clothing, abilities, boosts, and AUGS. All of these items have different pros and cons with use. Some items, such as weapons and can be customized even more so, specifically with weapon attachments and colorizing options.
Museums that hosted the exhibit included the Glyptothek Museum in Munich, the Vatican Museum, and the National Archaeological Museum in Athens, et al. The collection made its American debut at Harvard University in the Fall of 2007.October 2007, Colorizing classic statues returns them to antiquity: What was really on that Grecian Urn? Harvard University Gazette.
The wood fuel must be constantly supplied in order to achieve temperatures high enough to fire the clay. Using this type of kiln also achieves the mineral glaze surface so popular with Shigaraki wares. Depending on the placement of the piece, the resulting coat of ash and minerals will vary. An oatmeal appearance is usually the result, with a greyish to a reddish-brown colorizing the body.
Johns began his career in the film industry by colorizing classic black-and- white movies in the late 1980s. Johns was successful in this work despite the fact that he was colorblind, which he kept a professional secret. He began working in television in the 1990s on the series, The Ren & Stimpy Show. Matt Groening, the creator of Futurama, hired Johns to work on the show.
The faux-wounds were then applied to Lewis' back by make-up department head Cheri Montesanto-Mecalf. Reportedly the effect that caused the most headaches was turning select figures in photos black-and-white. Visual effects producer Bill Millar noted that the process, was "very similar to the one used to wreck all those old movies by colorizing them. In fact, it's basically the same, only in reverse".
The LumiQuest line of flash modifiers is designed to help photographers control the quality of light from hot shoe mounted flashes. LumiQuest accessories fold flat for storage and attach to the flash with an UltraStrap. They modify the light in a variety of different ways depending on the model. By diffusing, bouncing, restricting or colorizing the light, the photographer can affect the quality of light and therefore the resulting photograph.
A leuco dye and a developer, when melted together, are enough to produce color. However, the thermal threshold of the coated layer containing the colorizing components is determined by the lowest melting component of the layer. Furthermore, developers and leuco dyes often mix poorly upon melting. To optimize the colorization temperature and to facilitate mixing, a third chemical called a sensitizer is commonly added to the imaging layer.
Tinting was utilized for years up until the early 1950s in select sequences, full monochromatic pictures and short trailers and snipes. MGM invented an interference-free toning process, which was used in films such as The Wizard of Oz (1939) and Warner Brothers' The Sea Hawk (1940). Many MGM movies of the 1930s carried a sepia-like tone called "Pearl". The Technicolor Corporation continued to experiment with both tinting, toning and colorizing.
The animation techniques behind Cuphead are similar to those of 1930s cartoons. Chad Moldenhauer, who had previously worked in graphic design, hand- drew the animations and painted the backgrounds using watercolors, colorizing them in Photoshop. The gameplay runs at a framerate of 60, while the animation runs at 24, which is a film standard. Chad Moldenhauer also saw his process with its human imperfections as a reaction to the perfectionism of pixel art.
On July 6, 1989, La Cinq won on appeal, broadcasting the film on August 6, 1989, the day after the anniversary of the death of Marilyn Monroe. Finally in Turner Entertainment Co. v. Huston, on May 28, 1991, the Court of Cassation cancelled the judgment delivered on July 6, 1989, stating that colorizing the movie transformed the original artwork enough to potentially transgress the author's moral rights. Huston's heirs had sought to block the broadcast of the colorized version.
As a father of eight children, he would often find it necessary to supplement his income by touching up and colorizing photographs for local studios. Following the Panic of 1857, he took a permanent position at the firm of James Fitzallen Ryder (1826-1904), and produced the "best oil painted photographs in Ohio".Biography @ AskArt. He also painted genre scenes, and submitted several to the National Academy and the American Art Union throughout the 1840s and 50s.
Adobe Streamline is advertised as a way to convert images into line art (bitmap into vectors). In the User Guide for Streamline 3.0, Adobe gives many examples of what the program can be used for. Besides creating a line drawing from a photo, Adobe suggests posterizing a photo and editing color, colorizing greyscale images, and using other special line effects. They also show users creating movie posters, business logos, architectural sketches, brochures, legal forms, newsletters, stamp blocks, and illustrations.
On July 17, 2019, April Stafford, the chief of the Office of Design Management, stated that the Mint was considering colorizing the half dollar and silver dollar coins. The Mint confirmed later that year that those coins would be colorized, becoming the first such coins released from the Mint. The idea of colorized coins brought mixed responses from the numismatic community. One reader of Coin World opined negatively that the Mint would be mimicking the Royal Canadian Mint's "plan of turning out trinkets".
The Master System version of the game was given an average score of 6 out of 10 by reviewers in Electronic Gaming Monthly who highlighted its difficulty and its lack of appeal to a number of Sega fans. The 1990 enhanced version was described by critics and fans alike at the time as 'destroying a classic', and was compared to the controversial practice of colorizing classic black and white movies. The remake was a critical failure and prevented the release of further remakes in the series.
Akira was originally published from 1982 to 1990 in Japan's Young Magazine, ending with over 2000 pages of Otomo's art. It was published serially in the United States Epic Comics, an imprint of Marvel Comics, colorizing the black and white manga. The choice to colorize the work helped to popularize Akira in the Western world. Six volumes of collected works were published from 2000 to 2002 by Dark Horse Comics, and in the UK by Titan Books, with the license later transferring to Kodansha Comics.
The scene was preserved only in black-and-white; Kleiser attempted to have the existing footage colorized and restored to the film for the film's re-release in 1998 but was dissatisfied with the results. The scene is included as an extra on the 40th anniversary home video release, and Kleiser hopes to make another attempt at colorizing the footage that is effective enough for the footage to be inserted into the film as he originally intended by the time the film's 50th anniversary comes in 2028.
Weston became enamored with the sport of boxing at the age of 10 after his father brought home a copy of The Ring magazine. At the age of 13, Weston met neighbor and The Ring founder Nat Fleischer and later landed a summer job as a stock boy at the publication. Weston was soon colorizing black and white portraits of boxing figures with oils. In December 1939, Weston, a budding artist, painted a portrait of Billy Conn that would be the first of 57 Ring covers.
Guardian Angel, (late 1620s, National picture gallery at Palazzo dei Diamanti, Ferrara) Born and active mainly in Emilia and Ferrara, and considered to be mainly a painter of the School of Ferrara. He studied painting under Giuseppe Mazzuoli, known as il Bastarolo. He knew Guercino and was eulogized by Guido Reni as having a "bounty of a most honest life, a great knowledge of design, and strength in colorizing". Bononi rose to prominence in Ferrara when the painter Scarsellino died, and the former called to Rome.
Cowboys & Aliens was not originally planned to be shown in 3-D. When approached with the idea by DreamWorks, Favreau was not interested, stating that Westerns should be shot only on film (as opposed to being shot digitally, which is required for modern 3D technology), and didn't want it to be converted after filming. "That would be like filming in black and white and colorizing it," he reasoned. Director of photography Matthew Libatique shot Cowboys & Aliens in the anamorphic format on 35 mm film to further a "classic movie feel".
Colorization is also sometimes used on historical stock footage in color movies. For instance, the film Thirteen Days uses colorized news footage from the time of the Cuban Missile Crisis of 1962. The full-color feature film Sky Captain and the World of Tomorrow (2004), which already made heavy use of digitally generated sets and objects, integrated black-and-white 1940s footage of Sir Laurence Olivier into scenes by colorizing him. In his feature film The Aviator (2005), Martin Scorsese seamlessly blended colorized stock footage of the Hell's Angels movie premiere with footage of the premiere's re-enactment.
In 1987, Allen joined Ginger Rogers, Sydney Pollack, and Milos Forman at a Senate Judiciary committee hearing in Washington, D.C., where they each gave testimony against Ted Turner's and other companies' colorizing films without the artists' consent. Only one senator, Patrick Leahy, was present for the testimony. Allen testified: Allen also spoke about his decisions to make films in black and white, such as Manhattan, Stardust Memories, Broadway Danny Rose, and Zelig. Film director John Huston appeared in a pre-taped video, and Rogers read a statement by Jimmy Stewart criticizing the colorization of his film It's a Wonderful Life.
Because of the high cost of the process, Turner Entertainment stopped colorizing titles. With the coming of DVD technology, the notion of colorization was once again gaining press. Because the DVD format was more versatile, studios could offer viewers the option to choose between both versions without switching discs, and thus, the release of colorized titles once again seemed profitable. Some companies re-released the older colorized versions from the 1980s—an example of this is the Laurel and Hardy box set being released in the UK. Other studios, such as Sony Entertainment, commissioned West Wing Studios to colorize several Three Stooges films for DVD release.
Director Capra met with Wilson Markle about having Colorization Inc. colorize It's a Wonderful Life based on an enthusiastic response to the colorization of Topper from actor Cary Grant. The company's art director, Brian Holmes, prepared 10 minutes of colorized footage from It's a Wonderful Life for Capra to view, which resulted in Capra signing a contract with Colorization Inc., and his "enthusiastic agree[ment] to pay half the $260,000 cost of colorizing the movie and to share any profits" and giving "preliminary approval to making similar color versions of two of his other black-and-white films, Meet John Doe (1941) and Lady for a Day (1933)".
The first is a reconstructed shot of children jumping into the lake, included on disc 4 of a National Library DVD collection documenting the history of Venezuelan cinema; other images from the film were also included, on disc 3.:66, 91-2 Later, for the 120th anniversary of the premiere in January 2017, the Venezuelan Association of Film Exhibitors produced some reconstructed film of both Un celebre especialista... and Muchachos bañandose.... The group collected frames from the 1890s stored in the Zulia Photographic Archive, restoring and colorizing the images to recreate the approximate look of the films. Emiliano Faría directed the effort, with Abdel Güerere writing and producing.
Director Frank Capra met with Wilson Markle about colorizing the perennial Christmas classic It's a Wonderful Life, Meet John Doe and Lady for a Day based on Grant's enthusiasm. Colorization, Inc.'s art director Brian Holmes screened ten minutes of colorized footage from It's a Wonderful Life to Capra, which led Capra to sign a contract with Colorization, Inc. However, the film was believed to be in the public domain at the time, and as a result Markle and Holmes responded by returning Capra's initial investment, eliminating his financial participation, and refusing outright to allow the director to exercise artistic control over the colorization of his films, leading Capra to join in the campaign against the process.
The emblem comprises the letter "A" which stands for Asia that would include the Asian countries and population as well; while the letter "M" stands for Martial Arts Sports. The two connected letters are reflecting the meanings of modernity, activeness and simplicity; combining with the thoughts and cohesiveness of friendship and equality among the countries in Asia for the upcoming Martial Arts Games. For the overall picture, it is a mixture of contemporary art, manifesting that Thailand is to act as the host of the Games. Red is the main color of the OCA, reflecting the color of the fight, standing for the color of the heart and colorizing the Asian art.
The original resolution was 480p on Xbox, while the remastered resolution is displayed at 720p on Xbox 360. There is some debate regarding whether graphics of an older game at higher resolutions make a video game look better or worse than the original artwork, with comparisons made to colorizing black-and-white-movies. More significant than low resolution is the age of the original game engine and simplicity of the original 3D models. Older computers and video game consoles had limited 3D rendering speed, which required simple 3D object geometry such as human hands without individual fingers but instead modeled like a mitten, and the world having a distinctly chunky appearance with no smoothly curving surfaces.
Jacobs subsequently published his first comic strip in Bravo, Le Rayon U (The U Ray), largely in the same Flash Gordon style. Around this time, he became a stage painter for a theatre adaptation for Hergé's Cigars of the Pharaoh. Although the play was only a modest success, it brought him into contact with Hergé and the two quickly become friends. As a direct result, he assisted Hergé in colorizing the black and white strips of The Shooting Star from Le Soir in preparation for book publication in 1942, and from 1944 on he helped him in the recasting of his earlier albums Tintin in the Congo, Tintin in America, King Ottokar's Sceptre and The Blue Lotus for color book publication.
It is said that conductor Arturo Toscanini so loved this short that, upon first seeing it, he asked the projectionist to run it again. In 1994, The Band Concert was voted the third-greatest cartoon of all time in a poll of animation professionals. By colorizing and partially redesigning Mickey, Walt would put Mickey back on top once again, and Mickey would reach popularity he never reached before as audiences now gave him more appeal. Also in 1935, Walt would receive a special award from the League of Nations for creating Mickey. However, by 1938, the more manic Donald Duck would surpass the passive Mickey, resulting in a redesign of the mouse between 1938 and 1940 that put Mickey at the peak of his popularity.
Barry Sandrew, Ph.D., founded Legend Films in 2001, four years after leaving his position as staff neuroscientist at Harvard and Mass General Hospital and inventing the first all-digital technology and process for colorizing black and white films. The company produced colorized product for Fox Home Entertainment, Universal Pictures, Paramount, Sony, Japan’s Tsuburaya, BBC and several other major global media and distribution companies. In 2010, following the release of Alice in Wonderland, he changed the name of Legend Films to Legend 3D, and colorization took on a low priority in order for the company to focus entirely on the stereoscopic conversion of feature films and commercials. In late 2014, the company expanded to create two additional lines of business: Legend VFX, providing visual effects, and Legend VR, offering pre- and post-production services for the creation of virtual reality experiences.
KSWO pioneered new developments in weather forecasting for its viewing area throughout its history, particularly in regard to its coverage of severe weather events affecting its nearly 30-county viewing area encompassing southwestern Oklahoma and western north Texas. Channel 7 was the first television station in the area to have its own on-site weather radar (which was originally displayed in black and white as the station had not yet acquired color broadcasting equipment nor did colorizing techniques for radar displays exist at the time) in the late 1950s or early 1960s, had introduced the market's first color radar in 1976 (branded as "Accu-scan 7"), and introduced the area's first Doppler weather radar in 1984 (more than ten years ahead of the installations of such a system by arch-rivals KFDX and KAUZ). KSWO-TV has several longtime veterans who have been with the station for 20 years or longer. Jan Stratton – who also served as the station's news director until July 2006 – served as evening anchor continuously for 33 years from 1981 until her retirement in January 2014.

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