When he unpacked, for example, he realized that he had seven colanders.
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They bashed kitchen colanders and rang bells while promising to keep the president up all night.
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Household goods include toothpaste, tampons and dish soap, but also things like colanders and can openers.
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But those otherworldly, unconventional portraits are accomplished with everyday objects like fishing line, shoeboxes, and colanders.
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Colanders, salad spinners and plastic containers are stored in lower cabinets around the sink, or washing zone.
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Now in blueberry season we take colanders down every night and they bring their friends over and we pick.
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Slotted spoons, sieves and colanders may be associated with draining spaghetti, but they're also perfect for watching a partial eclipse.
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Comprising three professional-grade mixing bowls and two colanders, this set is about to be your most-used kitchen purchase.
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In the kitchen, bamboo baskets, long-handled colanders and a huge iron kettle are arranged around a potbellied coal stove.
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But if they were, Trump's closest aides wouldn't be leaking like walking colanders to what he calls the 'dishonest media.
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Stop messing around with clunky colanders when all you need is a way to strain a little bit of pasta.
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Followers who wear colanders on their heads and revere pirates insist that they are not a spoof church and that their beliefs are genuine.
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The bowls have non-slip bases, so you won't make a mess while you clean, and the colanders' footed bases prevent food from touching surfaces.
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The bowls are durable, easy to clean, and have non-slip bases, while the colanders each have a footed base and double-riveted handles for easy gripping.
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BoilingBeeper Kitchen Timer for Boiling Water — $11.863 with code 'WEEKEND15' See Details This set comes with three mixing bowls and two colanders, making it essential for any chef.
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At feeding time, the "leech raisers," as they are called, plunge their hands into the glass bottles of leeches, retrieve the little bloodsuckers and put them in the blood-filled colanders.
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War-ruined bathhouses are dotted around Aleppo's Old City, their distinctive domes, punched like colanders with round apertures of colored glass, lying smashed, or looking down on rooms filled with rubble and garbage.
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ONE MORNING IN Modena, I see a few of the men who work for Bottura hauling stuff into the street: bowls, pans, blenders, colanders, a Big Green Egg grill, a pair of Dutch wooden shoes — all of it piled on the sidewalk and the cobblestones.
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Their trunks are tall, Brancusiesque columns of enameled metal colanders, stacked rim to rim and foot to foot, each column a different cheery color (blue, orange, yellow, green); springing from their tops are heavy-gauge wire branches, each bearing a pot or a pan.
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Its dining room, which seats sixty-five, looks like a W.P.A. lodge if Martha Stewart had been around to do the decorating: warm and unshowy, with exposed beams, deep-red walls, and light fixtures fashioned from colanders that Spalding bought at thrift shops and spray-painted copper.
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They use massive colanders in Azerbaijan with a surface area large enough to allow the rice to cool down properly, but instead you can tip the rice on to a large baking tray and spread it out so that the steam escapes and the rice doesn't overcook. 6.
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Come the end of this section, through shrapnel-peppered European streets and brick-walls-like-colanders buildings, Nick and company leap into atmosphere-breaching crafts, and it's into a different assault phase we go: rockets locked onto some sort of battle cruiser until it makes like a firework and explodes, burning itself out against the big black.
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Although it is not considered a religion in the United States, a handful of its followers have been allowed to take their driver's license photos with colanders on their heads; the most recent seems to have been Sean Corbett, a Chandler, Arizona man, who briefly won his own longstanding battle with the Arizona DOT last June.
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Humble undecorated items included chamberpots, colanders and small disposable ointment pots (gallipots), dispensed by apothecaries. Large decorative dishes, often called chargers, were popular, and included much of the most ambitious painting, often stretching the artists to the edge of their capabilities, and beyond.
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The bowls found in Period 1 of R12 are composite with a sinuous profile. These bowls also have a complex decorated motif of dot impressions. Bowls with a rising lug handle, small bowls with depressions on the rim, and small colanders were only found in children's graves.
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Berkswell is a hard cheese, made at Ram Hall Farm near Berkswell, West Midlands, England. It is made using unpasturised ewe milk and animal rennet. The moulds of cheeses are left in plastic kitchen colanders which give the cheese its distinctive shape. Berkswell may be compared to a mature pecorino.
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Robert Smith himself also made a guest appearance on the final episode of the show, in the last of the 'Ray' sketches, in which he was seen to sing "The Sun Has Got His Hat On". Edward Colanderhands (played by Rob Newman) A parody of the Tim Burton film Edward Scissorhands, which featured a similar character but with colanders for hands instead of scissors. He was seen in a sketch helping a housewife to drain vegetables. He was also present in the Robert Smith sketch as an audience member clapping to the beat of the songs, instead of clapping his hands he clapped his colanders together and unlike the rest of the audience he showed immense enjoyment of the performance.
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Preserve razor handles are produced from recycled plastics, 65% of which come from yogurt containers. Preserve also produces and sells mixing bowls, cutting boards, measuring cups, food storage containers and colanders - all made from recycled materials. Preserve's products are made in the USA, BPA free, microwave safe, not tested on animals, and sold nationally in stores such as Whole Foods Market, Trader Joe's, Hannaford, The TJX Companies, and Amazon.
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Importation of raw materials from the colonies to England was facilitated by Britain. These materials would be remanufactured and resold as more expensive object to the colonies. This forced slaves and plantation owners to create or demand their own form of "rudimentary pottery" to avoid the higher expenses, i.e. colonoware. Many of the objects that are identified as colonoware take the form of mugs, pots, bowls, pitchers, colanders and other household kitchen and cooking objects.
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Beans could climb the corn stalks, and the large squash leaves would shelter the earth and reduce weeds. White-tailed deer was the dominant game animal that was hunted. Mississippian culture pottery was more varied and elaborate than that of the Woodland period, including painting and decorations, and a range of vessel forms such a bottles, plates, pans, jars, pipes, funnels, bowls, and colanders. Potters added handles to jars, and they attached human and animal effigies to some bowls and bottles.
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During both residencies she was able to produce bodies of work that 'built upon her past style and explored new challenges'. Curator Felicity Milburn has identified several stages to Pick's artistic development: > Pick's early work employed imagery sourced from significant moments in Art > History, making particular use of the Gothic emblems of the Medieval period. > By 1994, however, she had developed her own distinctive and captivatingly > personal iconography. Works from this period have been described as > 'dreamscapes' in which symbolic images from Pick's memory (beds, dresses, > pincushions, colanders) float surreally across rich surfaces.
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Domestic items such as colanders, a shopping basket and clothes pegs are part of the sculpture. The Department of the Environment's original commission, in the late 1980s, was for an artwork to reflect the nearby Amelia Street's history as a red-light district. Walsh's design "Monument to the Unknown Woman Worker" was accepted by the project's landscape architect and the Art in Public Spaces Research Group, however the Belfast Development Office and the Belfast City Council opposed the project and the selected design, and the project was dropped in 1989. A few years later a private developer recommissioned the work and it was erected in 1992.
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In 2009 a multi-million pound restoration included the renovation of the famous ceiling and the cleaning of the beautiful stained glass windows. Monument to the Unknown Woman Worker, Great Victoria Street The Monument to the Unknown Woman Worker is a 1992 bronze sculpture by Louise Walsh and is located adjacent to the Europa Hotel. It features two working-class women with symbols of women's work and domestic items such as colanders, a shopping basket and clothes pegs part of the sculpture. Notable Events In 1869 Charles Dickens reads ‘A Christmas Carol’, ‘The Pickwick Papers’ and ‘David Copperfield’ at two separate readings at the Ulster Hall.
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Unexpected sources of gluten are, among others, processed meat, vegetarian meat substitutes, reconstituted seafood, stuffings, butter, seasonings, marinades, dressings, confectionary, candies, and ice cream. Gluten-free rice flour Cross-contamination in the home is also a consideration for those who suffer from gluten-related disorders. There can be many sources of cross-contamination, as for example when family members prepare gluten-free and gluten-containing foods on the same surfaces (countertops, tables, etc.) or share utensils that have not been cleaned after being used to prepare gluten-containing foods (cutting boards, colanders, cutlery, etc.), kitchen equipment (toaster, cupboards, etc.) or certain packaged foods (butter, peanut butter, etc.). Medications and dietary supplements are made using excipients that may contain gluten.
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The sunburst, or center ceiling light fixture, was five feet in diameter. The small lights of the auditorium were so arranged as to be concealed from the eye. The second balcony and main auditorium were equipped with the same indirect alba glass globes. Ventilation was achieved by a system of tubing built in the walls and foundations leading to and connecting on the roof with a high-power electric fan that drove the cold air down under the concrete floor of the auditorium, into which it was filtered by way of innumerable colanders installed under seats, making it possible to keep the temperature of the interior "healthful", no matter what conditions prevailed outside.
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