Doering explained that bees have branched hairs—their coiffures get clumpy when wet.
|
|
The coiffures may be sharp but the outlines of any summit agreement remain fuzzy.
|
|
Merely tracking Aretha's coiffures might keep scholars of black identity as told through hair busy for decades.
|
|
Lin has been trying to grow his hair out to some unspecified length, and the process led him to improvise various coiffures: Mohawks, side parts, ponytails.
|
|
And he has painted artists, fictional ones, male and female, with regal coiffures; immense, paint-caked palettes; and paint-by-numbers self-portraits on their easels.
|
|
Meanwhile, across the ocean in France, Marie Antoinette's hairdresser, Léonard Autié, was busy creating voluminous coiffures punctured by fresh flowers meant to conjure a shimmering Eden.
|
|
From bubblegum pink finger-waves to kaleidoscopic knee-length mermaid hair, Weeks' creations hardly resemble the store-bought, "church-lady" coiffures you might have once associated with wigs.
|
|
Ms. Peters's two works are bronze, hollow-eyed, open-mouthed heads resembling Art Deco versions of archaic Greek sculptures but with exaggerated coiffures adding a weird, surrealistic dimension.
|
|
The professional (and often offstage) attire of the male musicians who practiced this earsplitting art embraced a peacock panoply of baubles, boas, high heels and, yes, bouffant coiffures.
|
|
The experience is especially nasty if one's wait coincides with the prime-time shows hosted by those two almost indistinguishable fellows with the suety faces, bouffant coiffures and nerve-racking mezzo-castrato voices.
|
|
Inspired by the singer Dua Lipa's bleached bob and the actress Jenna Dewan's rich chocolate one, Michelle Sevilla, a pre-med student at Queens College, gets hers shorn at Coiffures by Genevieve in Franklin Square.
|
|
On the red carpet Monday, Nyong'o told Vogue's André Leon Talley that her take on the "Manus x Machina: Fashion in an Age of Technology" theme was a mix of The Matrix, African sculptural coiffures, and musician Nina Simone.
|
|
No less horrifying are the rites surrounding entry into some of New York's most exclusive private schools, a Boschian dreamscape of social posturing in which mothers judge one another by their coiffures, their chauffeured Escalades and their husbands' net worth.
|
|
Ms. Hofman always loved flouncy skirts and fancy coiffures, but she said she was also the first woman to drive a forklift and unload trucks at Kennedy Airport, where she is now program manager of the Queens Air Services Development Office.
|
|
Edward R. Murrow and Walter Cronkite are succeeded by Dan Rather and Tom Brokaw, who in turn today are succeeded by on-air people seemingly fresh out of media school, bedazzled in jewelry and sexy party dresses with Hollywood GQ coiffures and gleaming white teeth.
|
|
2nd ed. 1989. It was made in Mecheln, Antwerp, Lier and Turnhout. It was used for coiffures de nuit (evening hair-styling), garnitures de corset (corset trims), ruffles and cravat.
|
|
Other famous hairdressers, including Sydney Guilaroff, established their reputations there. The peak of Antoine's career was the coronation of King George VI and Queen Elizabeth in 1937, when he supervised 400 coiffures in one night.
|
|
Routledge, 2013 Hair History - The Origin of the Word Hairdresser The number of wigs owned by Countess de Matignon is not known. One of her hairstyles is known to be called à la Jardinière (Gardener Style), adorned with an artichoke and broccoli sprouts.Coiffures Historique - le site du Manuel Histoires de Coiffures. Coiffures Femmes Louis XV 1715–1774 by Alain Ducher The information known for the price of a (gentleman's) wig or perruque, varied from 12 livres for the cheapest one, to 35 livres for the most expensive one.
|
|
1584; Padua, Barbieri priv. col.), which has a preciousness in the landscape and in details of foliage and coiffures that sets it apart from Veronese's work. The signed Nativity (c. 1588; Brescia, S Afra) combines narrative detail typical of the Bassano with morphological similarities to Veronese.
|
|
It has been estimated that in the 1200 wig making and hairdressing shops worked some 10 000 employees or journeymen (garçons), usually 15 hours a day. In the 1780s there were some 900 master wig makers in Paris.Coiffures Historique - le site du Manuel Histoires de Coiffures. Historique du métier de Barbier Perruquier & Le Métier du Perruquier.
|
|
The lower part of the throne is badly damaged, but the heads are preserved. The heads are human, and each bears a head-dress or coiffure that reaches down to the shoulders. They also have stylized beards. On our throne, what remains of the headdresses/coiffures and beards of the cherubs stylistically parallels those of the Umm el-'Amed cherubs.
|
|
He continued to work for Paris fashion shows as well, e.g. in 1964 for Guy Laroche. He created some of the most celebrated coiffures of Brigitte Bardot, including the so called "choucroute" (french for cabbage) chignon, and turned her into a blonde for And God Created Woman. In 1958 he opened his first salon outside of France in Tunis, Tunisia.
|
|
She was born Margaret Vinci in 1918 and grew up in Chicago, Illinois. When she was training at Columbia College of Hairdressing, she had to make her own practice hair by attaching her mother's hair, after a quick haircut, to a dummy. She married and became Margaret Heldt in the 1940s. "Margaret Vinci Coiffures" opened in 1950 and Heldt won the National Coiffure Championship four years later.
|
|
Nermin Grbić is a Canadian hairstylist.Frédéric Bouchard, "Nermin Grbic peaufine les coiffures dans « Souterrain » afin d’y insuffler vérité et réalisme". Lien Multimédia, August 16, 2019. He is most noted for his work on the film The Twentieth Century, for which he won both the Canadian Screen Award for Best Hair at the 8th Canadian Screen AwardsLeo Barraclough, "Sophie Deraspe’s ‘Antigone’ Wins Best Film at Canadian Screen Awards".
|
|
While most figurines were obviously female with protruding breasts and feminine coiffures, a few figurines have "...a small conical projection..." in the pubic area. Some scholars such as Evans and Meggers suggest that this symbolizes bisexuality, and the inclusion of other female aspects such as curvy hips and large breasts supports this theory. Evans and Meggers, "Valdivia- an Early Formative Culture of Ecuador," 181.
|
|
By Caroline Weber. Macmillan 2007, pages 111-112 Styling and making huge and elaborate coiffures was labour-intensive and costly business. A chignon wig made to the opera singer Antoinette Saint-Huberty (Saint- Huberti) cost 232 livres.The Woman of the Eighteenth Century: Her Life, from Birth to Death, Her Love and Her Philosophy in the Worlds of Salon, Shop and Street, by Edmond de Goncourt, Jules de Goncourt, page 237.
|
|
Fashionable Hollywood actress Louise Brooks After the First World War, a radical change came about in fashion. Bouffant coiffures gave way to short bobs, dresses with long trains gave way to above-the-knee pinafores. Corsets were abandoned and women borrowed their clothes from the male wardrobe and chose to dress like boys. Although, at first, many couturiers were reluctant to adopt the new androgynous style, they embraced them wholeheartedly from around 1925.
|
|
The mannequins were tall, fabricated of wire. Some 60 Paris couturiers amongst them Nina Ricci, Balenciaga, Germaine Lecomte, Mad Carpentier, Martial & Armand, Hermès, Philippe & Gaston, Madeleine Vramant, Jeanne Lanvin, Marie-Louise Bruyère, Pierre Balmain. joined and volunteered their scrap materials and labour to create miniature clothes in new styles for the exhibit. Milliners created miniature hats, hairstylists gave the mannequins individual coiffures, and jewellers such as Van Cleef and Arpels and Cartier contributed small necklaces and accessories.
|
|
In 1973, she appeared in Son of the Bride. Meanwhile, she was cast in a role which brought her international fame: Mrs Slocombe, a department store saleswoman with a socially superior attitude, a repertoire of double entendres, and a penchant for bouffant, pastel-coloured coiffures, in the long-running Are You Being Served? (1972–85). In 1978, when it was thought that Are You Being Served? was over, she was the lead star in Come Back Mrs.
|
|
Early figurative sculptures from Valdivia were vague outlines of human forms without gender or individualized features. As time went on, figurines were given more details and the signature coiffures of the Venus figurines as well as breasts or suggestions of pregnancy appeared. This higher level of detail was made possible when the carvers began to sculpt stone slabs and incise finer details into the figurines. Lewandowski, "Speaking through Stone: Ancient Voices of Ecuador and Colombia," 52.
|
|
To make her more attractive she has makeup applied by Percy who also coiffures her fur. Percy eventually bonds with Rodger and decides to set him free once he has taken a mocked up picture of his capture to help claim the reward. Unfortunately, Rodger was mistakenly shot by Gwynne on Thursday 20 July 2000 (according to the reward cheque). As with many of the show's endings there is a disclaimer saying, ”The producers would like to give an assurance that no animals were harmed in the making of this programme “.
|
|
Les habitants de l'île de Chypre durent nécessairement prendre parti dans cette guerre; peut-être les Kefas étaient-ils alors les alliés de l'Egypte. En tout cas, notre inscription ne détaille pas les noms de ces peuples, venus des îles de la Méditerranée. Champollion a fait remarquer que les T'akkari [qu'il nomme Fekkaros; voyez l'appendice à la suite de cette notice] et les Schartana, étaient reconnaissables, dans les vaisseaux ennemis, à leurs coiffures singulières. De plus, dans les écussons des peuples vaincus, les Schartana et les Touirasch portent la désignation de peuples de la mer.
|
|
He designed her coiffures for many movies in which she starred, as well as for her wedding with actor Richard Burton. For her, he also created the famous layered "artichoke" cut. In 1964, he created all of the hair designs for Tippi Hedren in her role as a compulsive thief in Marnie, directed by Alfred Hitchcock. He was also the hairdresser of King Hassan II and the Queen of Jordan and was invited by the Shah of Iran Mohammad Reza Pahlavi to dress the hair of most prestigious guest of the lavish celebration of Persepolis in 1971.
|
|
Rondò Veneziano is an Italian chamber orchestra, specializing in Baroque music, playing original instruments, but incorporating a rock-style rhythm section of synthesizer, bass guitar and drums, led by Maestro Gian Piero Reverberi, who is also the principal composer of all of the original Rondò Veneziano pieces. The unusual addition of modern instruments, more suitable for jazz, combined with Reverberi's arrangements and original compositions, have resulted in lavish novel versions of classical works over the years. As a rule in their concert tours, the musicians, mostly women, add to the overall Baroque effect wearing Baroque-era attire and coiffures.
|
|
The word corymbium is used in a similar sense by Petronius. On vases, the heads of females were most frequently shown covered with a kind of band or a coif of net-work. Of these coiffures one was called kredemnos, which was a broad band across the forehead, sometimes made of metal, and sometimes of leather, adorned with gold; to this the name of stlengis was also given, and it appears to have been much the same as the ampyx. But the most common kind of head-dress for females was called by the general name of cecryphalus, and this was divided into the three species of cecryphalus, saccus, and mitra.
|
|
It originated as one of a variety of elaborately teased and lacquered versions of "big hair" that developed from earlier pageboy and bouffant styles. It was developed in 1960 by Margaret Vinci Heldt of Elmhurst, Illinois, owner of the Margaret Vinci Coiffures in downtown Chicago, who won the National Coiffure Championship in 1954, and who had been asked by the editors of Modern Beauty Salon magazine to design a new hairstyle that would reflect the coming decade. She originally modeled it on a fez-like hat that she owned. In recognition of her achievement, Cosmetologists Chicago, a trade association with 60,000 members, created a scholarship in Heldt’s name for creativity in hairdressing.
|
|
Grace Kelly favored a mid-length bob style, also influential. There were exceptions, however, and some women, such as Bettie Page, favored long, straight dark locks and a fringe; such women were known as "Beat girls". In the mid-1950s, a high ponytail became popular with teenage girls, often tied with a scarf. The ponytail was seen on the first Barbie dolls, in 1959; a few years later Barbies with beehives appeared. The “artichoke cut”, which was invented by Jacques Dessange, was specially designed for Brigitte Bardot. Compact coiffures were popular in the 1950s as less importance was given to hairstyling, although a new look was stylized by Christian Dior’s fashion revolution after the war.
|
|
Marie Antoinette, Queen of France, was one of the most influential figures in fashion during the 1770s and 1780s, especially when it came to hairstyles. The 1770s were notable for extreme hairstyles and wigs which were built up very high, and often incorporated decorative objects (sometimes symbolic, as in the case of the famous engraving depicting a lady wearing a large ship in her hair with masts and sails--called the "Coiffure à l'Indépendance ou le Triomphe de la liberté"--to celebrate naval victory in the American war of independence). These coiffures were parodied in several famous satirical caricatures of the period. By the 1780s, elaborate hats replaced the former elaborate hairstyles.
|
|
By contrast, in the 1780s Russian General Potemkin abhorred the tight uniforms and uncomfortable wigs and powdered coiffures worn by his soldiers and instigated a complete revision of both. Along with comfortable, practical, well-fitting uniforms, his reforms introduced neat, natural hairstyles for all, with no wigs, powder and grease, or hair-tying evident. Formal military hairstyles lasted until beyond the end of the 18th century and it was the French Revolution which spelled the end of wigs and powdered, greased hairstyles in modern, Western armies. Powdered hair and pigtails made a brief return during Napoleon's reign, being worn by infantry of his Foot Grenadiers and Foot Chasseurs of the Old Guard and the Horse Grenadiers of the Guard.
|
|
Rolling Stone magazine described their personal style in the following passage: > King and the Swinger saunter into the exalted Middle East nightclub, their > gabardine shirtsleeves creased and their coiffures slightly greased. One > part retro and three parts cool...Rolling Stone July 9, 1999 According to an Allmusic reviewer: > If you can't get enough of retro sounds and styles, the self-titled debut by > Rhode Island's Amazing Royal Crowns is for you. Equal parts punk (a la X), > rockabilly (Reverend Horton Heat), and swing (Brian Setzer Orchestra), the > Crowns successfully capture the excitement of their live act on their debut, > undoubtedly due to the fact that it was recorded in only two days. And > impressively, not one overdub was used during the debut's recording.
|
|
Web blog Considering the enormous amount of money paid, it is not known whether this applied for styling her own hair or her wigs or both. Also it is not known how many employees Beaulard had in his shop. It is known that besides Rose Bertin, Le sieur Beaulard was among the following three top fashion merchants alongside Madame Eloffe and Mademoiselle Alexandre in the 1770s. Beaulard was praised as "a modiste without parallel, the creator and the poet ... because of his myriad inventions and delicious names for fripperies". As the coiffures got very high during the 1770s, Beaulard invented the coiffure à la grand-mére, a mechanical coiffure which could be lowered as much as one foot (30 cm) by touching a spring.
|
|
Young greaser in the Southeastern United States, 1956 The most notable physical characteristic of greasers was the greased-back hairstyles they fashioned for themselves through use of hair products such as pomade or petroleum jelly, which necessitated frequent combing and reshaping to maintain. Males sported coiffures adopted from early rock 'n' roll and rockabilly performers such as Elvis Presley, among them the Folsom, Pompadour, Elephant's trunk, and Duck's ass, while females commonly backcombed or teased their hair. Male greasers typically wore loose cotton twill trousers, common among the working class, or dark blue Levi's jeans, widely popular among all American youth in the 1950s. The latter were often cuffed over ankle-high black or brown leather boots, including cowboy, steel-toed engineer, or harness styles.
|
|
For Kennedy he had extra-large Lucite hair rollers specially made in order to stretch out her hair and lengthen it, and give her a softer hairstyle, in stark contrast to the more typical heavily permed, lacklustre hairstyles many women were receiving, which Kenneth called "washed-and-ironed". Rather than imitate these immobile coiffures, Kenneth wanted to give Kennedy and his other clients soft- looking, lustrous, full heads of hair that resembled fabric and reflected light, and that moved with the client's head yet fell back into shape. It was important to him that his clients should be able to wash their own hair and be able to maintain their appearance themselves. After Helena Rubinstein, where Kenneth worked for five years, he went on to Lilly Daché's nine-story hatmaking emporium on 56th Street.
|
|
The Jheri Curls were a Dominican gang which was active in the Washington Heights, Manhattan neighborhood of New York City in the early 1990s. Taking their moniker, and coiffures, from the Jheri curl hairstyle that was of waning popularity in the United States during the time, the gang ran a major cocaine trafficking operation in upper Manhattan which was ultimately based out of an apartment complex on W. 157th St. and Riverside Drive. The gang was led by Rafael Martinez along with his brothers Lorenzo, Julian, Daniel, and Cesar. The Jheri Curls pulled in millions of dollars per year in cocaine sales (allowing the Martinez brothers to live comfortably in Queens), and gang leader Rafael was able to secrete some of the money in properties in the Dominican Republic.
|
|
One of the Amazons was salvaged in antiquity and carried off to Rome. Unfortunately, the majority of architectural parts from this temple and other sanctuaries of the city were re-used as construction material; only a few (column) drums together with fragmented capitals and triglyphs remain from the superstructure of the monument. Of the sumptuous sculptural decoration survive only parts of the west pediment featuring in relief the fight of the Amazons (or Amazonomachy, a usual motif for the iconography at the time). The centre was occupied by Athena and is partially preserved, depicting her trunk with the Gorgoneion on the thorax; a superb work of art is the complex of Theseus and Antiope marked by sensitivity and softness of the form, internal force and clarity, despite the ornamental tendency obvious in the coiffures and the folds of their clothes.
|
|
A handsome young man named Calyste du Guénic is in love with the older woman, Félicité des Touches, a famous writer who uses the pen name of Camille Maupin. Félicité at first does not reciprocate Calyste’s feelings, and Calyste falls in love with the blonde marchioness Béatrix de Rochefide.Carol de Dobay Rifelj, Coiffures: hair in nineteenth- century French literature and culture (University of Delaware Press, 2010), 143-4. Béatrix is a beautiful but selfish woman; one critic remarked in 1897 in regards to Béatrix that “for cold-blooded cruelty and vulgarity she is unexampled, and her efforts to keep her youth and her hold over men are drawn in Balzac’s heaviest and most pitiless manner.” Béatrix had already had an affair with Gennaro Conti, and Calyste has an additional rival in the form of Claude Vignon. Félicité des Touches (Camille Maupin) tries to help Calyste win Béatrix’s heart, thus sacrificing her own. Calyste’s efforts are ultimately a failure, and Béatrix is taken away by Gennaro Conti. Calyste is devastated by his failure, but promises his dying father to get married.
|
|