Michael has been captured in Laurie's kickass bunker/basement and climactically burned alive.
|
|
Art's transformation, in nineteenth-century Paris, was left to Corot, Courbet, and, climactically, Manet, with his "The Luncheon on the Grass" and "Olympia" in the year of Delacroix's death, 1863.
|
|
"Climactically speaking, this looks like a system that can take what we think is going to happen in the next 20 or 30 years," Harvard ecologist and study co-author Neil Pederson told Gizmodo.
|
|
The more dangerous fight is reserved for the track—for many tracks, from Willow Springs, an hour or so north of Los Angeles, to Daytona, and thus, climactically, to the course at Le Mans.
|
|
On the closing "Ever Again," the plucked bass and climactically buzzing synthesizer establish a deadpan that mirrors her nervous resolution to "never be brokenhearted ever again"; she takes refuge in banality because it won't hurt her.
|
|
Fear not, because Adejuyigbe kicks things off by appearing in front of a closed curtain and then dancing in a T-shirt that doesn't climactically inform us that September 213 is today, only to psyche viewers out by cutting the curtain and revealing — surprise!
|
|
Although politically/governmentally it is considered to be in the Western Maharashtra, geographically and climactically it is similar to the Marathwada region.
|
|
It begins with a lyrical section for boys' chorus and woodwind, followed by a more energetic section for the men's voices. The finale is a triumphant hymn, climactically very similar to the composer's Twelfth Symphony of nine years later which also commemorated the revolutionary events of 1917.
|
|
Todd escapes, and they climactically Noise-fight by the ocean. Viola arrives and the two quickly overpower the Mayor. Todd begins to force the Mayor into the ocean, but the Mayor, realizing his immorality, walks into the ocean himself, and dies. The Return arrives and mistakes Todd for the Mayor, shooting him in the chest.
|
|
Fiasco versus Umehara featured Fiasco playing as Ken and Umehara playing as Ryu. Fiasco won the first and fourth game, while Umehara beat Fiasco in the second and third. The match ended highly climactically, as both players had won two of the best-of-five games and were tied as they went into the final round.
|
|
Lewis eventually becomes jealous of the friendship between Dani and Tim and threatens to expose Tim as a pedophile. Tim, anticipating a visit from the police, lends his laptop to Dani for safekeeping. Dani then finds a video on the laptop which appears to depict the rape of a young boy. The play climactically ends with the harrowing sound of the boy being raped...Loveridge, Lizzie.
|
|
What starts off with a mildly disturbing game of charades escalates into Trudy and Keith castrating and beheading, respectively, Mr. Vanislaw, whose penis is now being stored in the freezer, and Buck who is incited by The Three Figures from the laugh track into attempted rape on Keith. Climactically, the laugh track voices burst out of the ceiling, demanding a Court TV-style trial of Trudy and Keith, which Mrs. Siezmagraff quite happily and manically provides. Ultimately, Trudy and Keith, under the influence of the voices, blow up the house, leaving Betty alone on the beach to find peace and tranquility as she listens to the sound of the waves.
|
|
Brian and Stewie become even closer to each other as time goes on, and climactically help each other survive being trapped inside the vault. The bottle episode breaks from the show's usual set- up, and is the only episode of the series not to feature any music (excluding the opening theme song) or use any cutaway gags with Brian and Stewie being the only two characters featured in the entire episode. Also, none of the other members of the Griffin family appear in the episode. In repeats of the episode there is no main title sequence, nor is any music played over the end credits.
|
|
The US Open ended anti- climactically as Navratilova defeated Graf in the final 7–6, 6–1. Graf had a win-loss record of 75-2 for a 97.4 winning percentage in 1987, both losses coming to Navratilova as they split the four matches they played during the year. On 17 August, after defeating Evert in a straight set final in the Virginia Slims of Los Angeles, Graf overtook Navratilova for the world No. 1 ranking for the first time in her career, a ranking she would hold for the next 186 consecutive weeks, a record (it was tied by Serena Williams in 2016).
|
|
A commercial would then follow, and when the program started up again, one would see the screenwriter and the director's names respectively - superimposed over the film's opening scene in credits manufactured by ABC. At film's end, another commercial would follow, after which, somewhat anti-climactically, the movie's actual opening credits, together with the studio logo, would then be presented exactly as they were originally made, as if the film were starting up again. The ABC Sunday Night Movie was also famous in the mid 1970s for its theme music and brightly colored marquee. The opening has been parodied on the G4 network under the title Movies That Don't Suck.
|
|
Luke presents this parable as eschatological in nature:Bernard Brandon Scott, Hear Then the Parable: A commentary on the parables of Jesus, Fortress Press, 1989, , pp. 338-340. like the leaves of the fig tree, the signs spoken of in the Olivet discourse of Luke 21:5-28 indicate the coming of the Kingdom of God. As the British scholar and theologian N. T. Wright has written, "Already present in Jesus' ministry, and climactically inaugurated in his death and resurrection, the divine kingdom will be manifest within a generation, when Jesus and his followers are vindicated in and through the destruction of Jerusalem."Wright, N. T., Jesus and the Victory of God, London: SPCK; Minneapolis: Fortress Press, 1996. p. 365.
|
|
In March, 1476, after several skirmishes and much maneuvering, the 8, 000 men of Afonso and Prince João, faced a Castilian force of similar size in the battle of Toro. The Castilians were led by Isabella's husband, Prince Ferdinand II of Aragon, Cardinal Mendoza and the Duke of Alba. The fight was fierce and confusing but the result was a stalemate:“The two sides finally and climactically clashed, in the major confrontation known as the Battle of Toro, on March 1, 1476. he Portuguese army, led by King Afonso, his twenty-one-year-old son Prince João, and the rebellious Archbishop Carrillo of Toledo opposed Ferdinand, the Duke of Alba, Cardinal Mendoza, and other Castilian nobles leading the Isabelline forces.
|
|
The follow-up album, 2009's Did You Miss Me, released on the band's own label, TSTC Records, ushered in a new wave of critical acclaim, climactically winning accolades from various music publications like Blues and Soul, SoulTracks and SoulBounce. Home to You, In My Fantasy and Your Dream Is My Dream were all given the 12″ and 7″ singles' treatment. Continuing their regimen for clubland rituals, Tortured Soul employed an attractive A-list of DJs and remixers to carefully handle the mixes for their latest batch of uptempo dancefloor fillers, including Mark de Clive-Lowe, Quentin Harris, Jon Cutler, DJ Spinna, Dimitri From Paris and remix pioneer Tom Moulton. In 2015 the band released a third album, Hot For Your Love Tonight, with a music video for the single "Don't Lead Me On".
|
|
Fantasia Concertante on a Theme of Corelli, also known as the Corelli Fantasia, is a work for string orchestra by the British composer Michael Tippett. It was commissioned by the 1953 Edinburgh Festival to commemorate the 300th anniversary of the birth of the Italian composer Arcangelo Corelli, and given its first performance on 29 August 1953, in the Usher Hall, by the BBC Symphony Orchestra conducted by Tippett. Integrating 17th century influences, especially those outside of the orchestral tradition, can be traced back to his days at the Royal College of Music, and to the period immediately after when he took a position conducting amateur choirs in Oxted, while his interest in 18th century counterpoint, specifically the fugal process, which would figure prominently and climactically in the latter part of the Fantasia was the result of his supplementary studies with R. O. Morris, also date from that period.Thomas Schuttenhelm, The Orchestral Music of Michael Tippett: Creative Development and the Compositional Process (London: Cambridge University Press, 2013) 117. The Fantasia represents, stylistically and conceptually, Tippett’s most ambitious attempt to create a synthetic composition that anticipates the creative developments that eventually led to the formation of his notional archetype.
|
|