Carl Clewing in Emilia Galotti and in Taifun (circa 1920) Theodor Rudolph Carl Clewing ( 22 April 1884 – 15 May 1954) was a German operatic tenor/heldentenor, stage and film actor, composer of the song Alle Tage ist kein Sonntag and professor at the Universität der Künste Berlin.
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Later Clewing was also a fighter pilot and got to know Hermann Göring.Ernst Klee: Das Kulturlexikon zum Dritten Reich. Wer war was vor und nach 1945. S. Fischer, Frankfurt 2007, , .
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In 1923 Clewing married Elisabeth (Else) née Mulert in Berlin, adopted Arnhold, and widowed Kunheim, from whom he divorced in 1940. They had one son, Carl Peter (1924-1943, killed in action by Salerno).
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Geschwindmärsche (46); IV Great tattoo - Großer Zapfenstreiche, V. a) funeral music, b) funeral marches; VI. Appendix. For the marching songs important to German military units, Husadel and Carl Clewing cooperated on a "Liederbuch der Luftwaffe".
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Born in Schwerin, Clewing originates from an old Westphalian Schulzengeschlecht, which is first mentioned in documents in 1486 on the Schulte-Klevinghof in the parish Pelkum. In his birthplace Schwerin, his father was the owner of the Löwenapotheke (Lion Pharmacy) there. Clewing studied in Prague and joined the Burschenschaft there. Constantia, which was absorbed into the Munich fraternity Sudetia in 1952. From 1909 he was an actor in Berlin and in 1911 he was appointed as a royal court actor, in the same year he made his film debut as a film actor in '.Portrait of Clewing At the outbreak of World War I he volunteered, was first runner and at the end of 1914 he belonged to the parliamentary group under the leadership of Achim von Arnim which called on Reims to hand over the theatre.
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Rudolf Binding has literally processed this episode in the story Wir fordern Reims zur Ubergabe auf.Rudolf G. Binding: Wir fordern Reims zur Ubergabe auf on WorldCat Rütten & Loening, Frankfurt1935, Clewing is expressly mentioned in the epilogue on .
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95 – 96, 96. Parts of the citation first quoted by K. Clewing, "Religion und Nation bei den Albanern", op. cit. , p. 162. Another account which refers to about 40,000 refugees in Kosovo is Jelinek to Andrássy, Prizren, 6th August 1878, Nr. 16.
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Extract from the "Oberbarnimer Circular Calendar". 1940, . During this time he also developed a small form of the , which is also called Clewing's Pocket Hunting Horn in his memory.Pocket Hunting Horn in B On 27 May 1938, Clewing gave a lecture on the subject of Singing and Speaking at the Reichsmusiktage.
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Uzo Egonu (25 December 1931 – 14 August 1996) was a Nigerian-born artist who settled in Britain in the 1940s,"Uzo Egonu", Diaspora Artists. only once returning to his homeland for two days in the 1970s,Ulrich Clewing, "Three hues for Piccadilly Circus" , Culturebase.net, 22 June 2003. although he remained concerned with African political struggles.
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In the second half of the 1930s, Clewing, who was also a passionate hunter and collector of hunting culture, was taken over by the then Reichsjägermeister Göring was commissioned to publish the series Monuments of German Hunting Culture. The first volume, Musik und Jägerei, was already published in 1937, as well as a popular edition 100 Jägerlieder and a Liederbuch der Luftwaffe.Rudolf Schmidt: Neue Reise durch den Oberbarnim.
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The latter pursued a policy of ethnic homogenisation expelling large Muslim population groups."; p. 467. "Clewing (as well as Müller) sees the expulsions of 1877 – 1878 as a crucial reason for the culmination of the interethnic relations in Kosovo and 1878 as the epoch year in the Albanian-Serbian conflict history." "For Serbia the war of 1878, where the Serbians fought side by side with Russian and Romanian troops against the Ottoman Empire, and the Berlin Congress were of central importance, as in the Romanian case.
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It was not until May 1939 that he succeeded in returning as an opera singer. In the same year he wrote a cantata on the birth of Edda Göring. After the Second World War, Clewing lived in the sanatorium in Glotterbad near Freiburg im Breisgau and spent his retirement in a spa in Badenweiler where he died in 1954 aged 70. In the Soviet occupation zone his writings Liederbuch der LuftwaffeLiederbuch der Luftwaffe on WorldCat (published in association with Hans Felix Husadel, 1939) and Adlerliederheft.
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Paganini is an operetta in three acts by Franz Lehár. The German libretto was by and Bela Jenbach. Lehár composed the work as a vehicle for Richard Tauber, the acclaimed Austrian tenor, though he assumed the role (with Vera Schwarz as the princess) in Berlin on 30 January 1926, rather than the Vienna premiere which was at the Johann Strauss Theater on 30 October 1925 with Carl Clewing in the title role. Tauber's contract with the Berlin State Opera required him to be in Stockholm at the time of the Vienna premiere.
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At the same time, Carl Clewing and Husadel created a "Liederbuch der Luftwaffe" containing approved national hymns and song adapted to marches plus a new set of marches for military bands. Marches for the Reichsmarine and its later equivalent Kriegsmarine included HM I, 60 "Holländischer Ehrenmarsch" (i.e. Präsentiermarsch der Marine) of Jacob Rauscher; HM I, 61 "Marsch der I. Matrosendivision" of Prinz Heinrich von Preußen; HM II, 145 "Unsere Marine" of Richard Thiele; and HM II, 156 "Panzerschiff Deutschland" of Erich Schumann. HM II, 130, the classic "Gruß an Kiel" composed in 1864 by Friedrich Spohr, was also considered a navy march by the time it was adopted into the Heeresmarsch.
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Cooperation, in other words, was the preferred form of exchange within the borderland, not violent confrontation." Tensions in the form of revenge attacks also arose by incoming Albanian refugees on local Kosovo Serbs that contributed to the beginnings of the ongoing Serbian-Albanian conflict in coming decades.. "For Serbia the war of 1878, where the Serbians fought side by side with Russian and Romanian troops against the Ottoman Empire, and the Berlin Congress were of central importance, as in the Romanian case. The beginning of a new quality of the Serbian-Albanian history of conflict was marked by the expulsion of Albanian Muslims from Niš Sandžak which was part and parcel of the fighting (Clewing 2000 : 45ff.; Jagodić 1998 ; Pllana 1985).
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In 1924/25 he took part in the Bayreuth Festival and sang Walter von Stolzing and Parsifal. In December 1928 he was appointed associate professor for singing, voice training & practical phonetics at the Hochschule für Musik in Wien. At the beginning of 1931 he moved back to Germany to the Hirschfelde Manor near Werneuchen. Shortly thereafter he was appointed professor at the Berlin University of the Arts and was at the same time representative of the Genossenschaft Deutscher Bühnenangehöriger in the school office of the Deutscher Bühnenverein as well as member of the examination board Berlin for opera & drama and moved to Berlin-Lichterfelde-Ost. After the Nazis seizure of control Clewing was a member of the NSDAP from May 1933, the SA and the SS. He was expelled in 1934, however, because he had lost his non "Aryan" status and his former affiliation to a masonic lodge.
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Clewing (as well as Müller) sees the expulsions of 1877 – 1878 as a crucial reason for the culmination of the interethnic relations in Kosovo and 1878 as the epoch year in the Albanian-Serbian conflict history." Amidst these events, during spring/summer 1879, multiple violent and predatory raids were conducted into Serbia by groups of Albanian refugees into former areas of residence, at times with the acquiescence of Ottoman authorities.. "Одлуке Берлинског конгреса о увећању Србије, поразна искуства из недавно завршеног рата и прилив великог броја муслиманских избеглица утицали су на Албанце да у Кнежевини Србији препознају државу која, скупа са Црном Гором и Грчком, наводно угрожава њихове интересе формулисане програмом Призренске лиге. Немири и врења које је албански покрет изазивао у Косовском и другим вилајетима током четири године деловања Лиге (1878–1881), одражавали су и на Србију и то најчешће кроз изазивање инцидената на њеној новој јужној граници. Упади Албанаца из пограничних делова Османског царства у Србију, прецизније у Топлички и Врањски округ, почели су одмах након разграничења 1878. године.
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